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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
standard orchestra.
Non classifié
1 136
Piano & claviers
Piano seul
213
Piano, Voix et Guitare
103
Instruments en Do
70
Piano, Voix
44
Piano Facile
38
Piano grosses notes
26
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
11
Orgue
9
Piano (partie séparée)
8
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
5
Accompagnement Piano
2
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
80
Guitare notes et tablatures
44
Guitare
36
Ukulele
16
Guitare (partie séparée)
4
Basse electrique
3
Piano, Guitare (duo)
3
Paroles et Accords
2
Mandoline
1
Banjo
1
+ 5 instrumentations
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Voix
Chorale SATB
56
Chorale 3 parties
22
Pack Instrumental pour Chorale
21
Chorale Unison
14
Voix duo, Piano
13
Chorale SSAA
11
Voix haute
10
Chorale TTBB
6
Chorale 2 parties
6
Soli, choeur mixte et accompagnement
2
Voix Tenor, Piano
2
Chorale
1
Voix Soprano
1
Voix seule
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Quintette de Saxophone: 5 saxophones
74
Saxophone Alto et Piano
39
Quatuor de Saxophones: 4 saxophones
28
Flûte traversière et Piano
27
Hautbois, Piano (duo)
25
Saxophone Soprano et Piano
25
Saxophone (partie séparée)
23
2 Saxophones (duo)
22
Ensemble de Clarinettes
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
18
Clarinette et Piano
17
Ensemble de saxophones
16
Saxophone et Orchestre
15
Flûte traversière
15
Saxophone Tenor et Piano
14
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
Clarinette
13
Clarinette (partie séparée)
12
Flute (partie séparée)
12
2 Flûtes traversières (duo)
12
2 Clarinettes (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Quintette de Flûte : 5 flûtes
10
Saxophone Alto
10
Saxophone Tenor
9
Hautbois (partie séparée)
7
Saxophone Baryton, Piano
7
Saxophone, Clarinette (duo)
7
Clarinette Basse, Piano
6
Clarinette, Trompette (duo)
5
Clarinette, Violon (duo)
4
Cor anglais, Piano
4
Ensemble de Flûtes
4
Hautbois, Flûte
4
Flûte, Violon, Piano
4
Flûte, Violon
3
Instruments en Mib
3
Quintette de Clarinettes: 5 clarinettes
3
2 Hautbois (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette (duo)
3
3 Hautbois
2
3 Clarinettes (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte à Bec
2
Flûte, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
Flute, harpe et violon
2
2 Cors Anglais Et Pianoforte
1
Flûte, Alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
3 Saxophones (trio)
1
Saxophone et Harpe
1
Cor anglais et Harpe (duo)
1
4 Hautbois
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Violon (trio)
1
2 Saxophones, Piano
1
Trio de Flûtes: 3 flûtes
1
Cornemuse
1
+ 64 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Trombone (partie séparée)
34
Trompette (partie séparée)
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone et Piano
16
Trompette
15
Ensemble de Trombones
13
Cor
12
Trombone
11
Trompette, Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
10
Euphonium, Piano (duo)
8
Tuba
7
Cor et Piano
7
Tuba (partie séparée)
6
Bass Clef Instruments
5
Trompette, Saxophone (duo)
5
Cor (partie séparée)
5
2 Trompettes (duo)
5
Cor anglais, Piano
4
2 Trombones (duo)
4
Instruments en Sib
3
Quatuor de cuivres: 4 trombones
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 cors
2
2 Cors Anglais Et Pianoforte
1
Cor et Harpe
1
Trompette, Orchestre
1
Cor anglais et Harpe (duo)
1
Euphonium
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
Clarinette, Cor (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon (partie séparée)
75
Violon et Piano
45
Violon
42
Contrebasse (partie séparée)
27
Alto (partie séparée)
23
Violoncelle, Piano
22
Violoncelle
21
Violoncelle (partie séparée)
21
Trio à Cordes: violon, alto, violoncelle
20
Alto, Piano
19
2 Harpes (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Ensemble d'Altos
11
Alto seul
11
Harpe
10
Violon, Alto (duo)
10
Ensemble de Violons
10
Violon, Violoncelle (duo)
8
2 Violoncelles (duo)
8
2 Violons (duo)
8
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
5
Trio à cordes: 3 altos
4
Contrebasse, Piano (duo)
3
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violoncelle (duo)
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
1
4 Violoncelles
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Harpe (partie séparée)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe et Piano
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 365
Orchestre
991
Orchestre de chambre
545
Orchestre d'harmonie
104
Ensemble Jazz
81
Percussion (partie séparée)
20
Ensemble de Percussions
17
Jazz combo
13
Ensemble de cuivres
12
Piano et Orchestre
6
Big band
5
Cloches
5
Batterie (partie séparée)
5
Fanfare
4
Batterie
2
Marimba
2
Timbales (partie séparée)
2
Percussion
2
Orchestre, Violon
1
Vibraphone
1
Ensemble d'École
1
Xylophone
1
+ 17 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
standard orchestra.
Cor anglais, Piano
Partitions à imprimer
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1
It's Been A Long, Long Time
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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standard orchestra. 
