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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Free Pieces
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157
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171
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79
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42
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18
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12
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7
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Instruments en Do
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Clavecin
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
+ 8 instrumentations
Retracter
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24
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19
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17
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12
Flûte traversière
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10
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9
Saxophone Alto
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5
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Ocarina
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2 Clarinettes (duo)
2
Hautbois (partie séparée)
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Trompette (duo)
2
Saxophone (partie séparée)
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Quintette de Flûte : 5 flûtes
2
Hautbois, Basson (duo)
2
Clarinette, Violon (duo)
2
Flûte, Saxophone (duo)
1
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1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violon
1
Flûte, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette (duo)
1
Flûte irlandaise
1
Clarinette et Alto
1
Harmonica
1
Quatuor de Flûtes à bec
1
Ensemble de Hautbois
1
Flûte, Alto (duo)
1
2 Hautbois (duo)
1
+ 46 instrumentations
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Quatuor de cuivres: 4 trombones
24
Trompette, Piano
14
Trompette
12
Cor et Piano
12
Trombone et Piano
11
Trombone
7
Tuba
4
Euphonium, Piano (duo)
4
Tuba et Piano
4
Cor anglais, Piano
3
Euphonium
3
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3
Quatuor de Cuivres
3
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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2
Cor
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Trio de Cuivres
2
2 Trompettes (duo)
2
3 Cors (trio)
1
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1
Ensemble de Cors
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette (partie séparée)
1
+ 21 instrumentations
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116
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19
Violoncelle, Piano
18
Violon
15
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15
Violon et Piano
14
Violoncelle
11
Violon, Alto (duo)
8
Alto, Piano
8
Violoncelle, Contrebasse (duo)
6
Harpe
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violoncelles (duo)
3
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
1
Trio à cordes: 3 altos
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 17 instrumentations
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28
Orchestre d'harmonie
9
Ensemble de cuivres
7
Orchestre
6
Ensemble de Percussions
3
Orchestre de chambre
2
Jazz combo
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Marimba
1
Ensemble Jazz
1
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3 partitions trouvées
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1
Gavotte-Noskowski-woodwind quartet
#
Flûte, Hautbois, Clarinette, Basson
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Z Noskowski
#
Phil Beaman
#
Gavotte-Noskowski-woodwind qua
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.845260 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Clas...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.845260 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Classical,Romantic Period. 14 pages. Phil Beaman #6505871. Published by Phil Beaman (A0.845260). Zygmunt Noskowski was the great Polish composition professor. He is best known for his symphonic works, but also wrote many piano pieces based on dances. I have taken his piano Gavotte and freely arranged it for Instrumental Quartet. Â This brisk piece is lively with a busy texture. I have crafted 4 independent lines that are each of equal importance and the focus quickly shifts from one part to the other. The lines rhythmically weave together, answering each other. The real interest in the piece is the constantly changing and contrasting dynamics and articulation. Often every beat of the bar has a different articulation, and the individual parts rarely have the same articulation at the same time. (i.e., One part might be slurred while another part is playing staccato and yet another is accented.) This complexity of texture creates energy and excitement. A great piece to spice up any concert with a fun smile. Â This composition is a fusion of multiple eras; originally written during the Romantic period, but with many Classical elements and a Baroque form and style, to which I add some Contemporary touches. Â Notes and rhythms are Intermediate, but adding all of the markings at this pace makes it Advanced Intermediate.6 page score, 2 page parts2:10 minutes
$9.75
Prelude & Fantasia for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Jason Sullivann
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Prelude & Fantasia for Woo
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Green Bicycle Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.951088 Composed by Jason Sullivann. 20th Century,Instructional. 21 pages. Green Bicycle Music #57...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.951088 Composed by Jason Sullivann. 20th Century,Instructional. 21 pages. Green Bicycle Music #5742537. Published by Green Bicycle Music (A0.951088). This is an original Prelude and Fantasia for Woodwind Quartet in Neo-Renaissance style. The Fantasia is more of a true free-form Fantasia and does not include as much imitation as my other pieces in this style. This is appropriate for working groups in practically any setting, also for younger groups in school, and even in Church services.
$10.00
5 Famous Songs by Bach for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
#
5 Famous Songs by Bach for Woo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ande...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738076. Published by Woods Only, Arrangements (A0.1137818). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
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