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Hanging On
Flûte, Hautbois, Clarinette, Basson
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Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Bassoon Duo
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Gavotte-Noskowski-woodwind quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Z Noskowski
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Phil Beaman
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Gavotte-Noskowski-woodwind qua
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.845260 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Clas...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.845260 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Classical,Romantic Period. 14 pages. Phil Beaman #6505871. Published by Phil Beaman (A0.845260). Zygmunt Noskowski was the great Polish composition professor. He is best known for his symphonic works, but also wrote many piano pieces based on dances. I have taken his piano Gavotte and freely arranged it for Instrumental Quartet. Â This brisk piece is lively with a busy texture. I have crafted 4 independent lines that are each of equal importance and the focus quickly shifts from one part to the other. The lines rhythmically weave together, answering each other. The real interest in the piece is the constantly changing and contrasting dynamics and articulation. Often every beat of the bar has a different articulation, and the individual parts rarely have the same articulation at the same time. (i.e., One part might be slurred while another part is playing staccato and yet another is accented.) This complexity of texture creates energy and excitement. A great piece to spice up any concert with a fun smile. Â This composition is a fusion of multiple eras; originally written during the Romantic period, but with many Classical elements and a Baroque form and style, to which I add some Contemporary touches. Â Notes and rhythms are Intermediate, but adding all of the markings at this pace makes it Advanced Intermediate.6 page score, 2 page parts2:10 minutes
$9.75
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