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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Are Lines
Non classifié
237
Piano & claviers
Piano grosses notes
3 297
Orgue
1 529
Piano Facile
101
Piano seul
93
Clavier
59
Piano, Voix
16
Piano, Voix et Guitare
13
Piano (partie séparée)
3
1 Piano, 4 mains
2
2 Pianos, 4 mains
2
Accompagnement Piano
1
Instruments en Do
1
Orgue, Piano (duo)
1
+ 8 instrumentations
Retracter
Guitares
Basse electrique
298
Guitare notes et tablatures
14
Guitare
7
Guitare (partie séparée)
3
4 Guitares (Quatuor)
3
Ukulele
3
3 Guitares (trio)
2
2 Guitares (duo)
2
2 Mandolines (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Dulcimer
1
+ 7 instrumentations
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Voix
Chorale SATB
49
Chorale 3 parties
20
Chorale 2 parties
17
Chorale TTBB
7
Chorale SSAA
3
Chorale Unison
3
Chorale SSAATTBB
1
Chorale
1
Voix seule
1
Voix haute
1
+ 5 instrumentations
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Vents
Saxophone (partie séparée)
14
2 Saxophones (duo)
7
Flûte, Hautbois, Clarinette, Basson
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière et Piano
6
Quatuor de Saxophones: 4 saxophones
5
2 Flûtes traversières (duo)
5
Flûte traversière
4
Flûte, Hautbois, Clarinette (trio)
3
3 Saxophones (trio)
3
Clarinette et Piano
3
Ensemble de Clarinettes
3
Ensemble de Flûtes
3
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
2
Flûte et Guitare
2
Hautbois, Piano (duo)
2
Saxophone Tenor et Piano
2
Saxophone Alto et Piano
2
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
2 Clarinettes (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette et Alto
1
Clarinette, Trombone (duo)
1
2 Hautbois (duo)
1
3 Hautbois
1
Hautbois, Flûte
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Ensemble de saxophones
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
+ 29 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
9
Trombone (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Trombone et Piano
2
Trompette, Piano
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
Cor
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
3 Euphoniums
1
Cor et Piano
1
Trompette, Trombone (duo)
1
Trombone basse et Piano
1
2 Trombones (duo)
1
Cor (partie séparée)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
2 Harpes (duo)
11
Harpe
10
Violon, Violoncelle (duo)
9
Trio à Cordes: violon, alto, violoncelle
8
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
4
Violon
4
Violon et Piano
4
Violon, Alto (duo)
3
Violon (partie séparée)
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 altos
1
2 Violons (duo)
1
Alto (partie séparée)
1
4 Contrebasses
1
Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
Violoncelle
1
Violoncelle (partie séparée)
1
2 Violoncelles (duo)
1
Harpe et Piano
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
93
Ensemble Jazz
42
Ensemble de cuivres
19
Cloches
17
Orchestre à Cordes
12
Orchestre
12
Orchestre de chambre
6
Batterie (partie séparée)
2
Fanfare
2
Percussion (partie séparée)
1
2 Marimbas
1
Ensemble de Percussions
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
There Are Lines
Flûte, Hautbois, Clarinette, Basson
Partitions à imprimer
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16 Favourite Hymns for Wind Quartet (Vol 2.)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Hymns for W
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.587222 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standard...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.587222 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. 67 pages. David McKeown #3108003. Published by David McKeown (A0.587222). 16 Favourite Hymns for Wind Quartet (Vol 2.) is a collection of commonly performed traditional hymns. The score is arranged for one Flute, one Oboe, one Clarinet and one Bassoon, but the file also contains alternative/additional parts for Flute on part 2 Clarinet on parts 2 and 4 and Bass Clarinet on part 4. The file contains the score plus the separate parts. 16 Favourite Hymns for Wind Quartet (Vol 2.) are fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short audio sample and the linked youtube performance are from the Clarinet Quartet version of these arrangements · There are also solo and duet versions available of the same hymns, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building repertoire for church bands and other ensembles. · The keys chosen are the standard singing keys The hymns are in alphabetical order and are as follows · Hail to the Lord’s Anointed, (Ellacombe) · He who would Valiant Be, (Monk’s Gate) · Holiness by Faith in Jesus, (Rousseau) · How Sweet the Name, (Lloyd) · I Vow to Thee My Country, (Thaxted) · I Will Sing the Wondrous Story, (Hyfrodol) · Just a Closer Walk with Thee, (Closer Walk) · The King of Love, (Dominus Regit Me) · The Lord’s My Shepherd, (Crimond) · Love Divine, (Austrian Hymn, Haydn) · Nearer My God to Thee, (Bethany) · Oh Love that will not Let Me Go, (St Margaret) · Purer Yet Purer, (Lyndhurst) · Shall We Gather by the River, · There is a Green Hill, (Horsley) · When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$11.50
BOISMORTIER SONATA IN G MINOR OPUS 34 No. 1 FOR FLUTE, OBOE, CLARINET & BASSOON
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Joseph Bodin De Boismortier
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Pat Spence
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BOISMORTIER SONATA IN G MINOR
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811702 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arrange...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811702 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Pat Spence. Baroque,Concert,Standards. 28 pages. Piper Publications #4320129. Published by Piper Publications (A0.811702). The first of six sonatas for four equal players published ‘avec Privilege du Roi’ in Paris in 1731. They were published as a set of parts for three transverse flutes or violins or other instruments ‘avec la Basse’. There are four movements, all in G minor, Adagio, Presto, Adagio & Allegro. The only dynamic marking is the ‘Piano’ marked at the end of the last movement. The ornaments - trills, mordants & grace notes - are all carefully included and further decoration of the parts was not expected in French music of this period unlike in Italian music. However, more experienced players should feel free to add a little more decoration at the final cadences of the slow movements. None of the movements have repeated sections and it is clear from the flow of the music that this is not an omission. Missing slurs have been added (dashed lines) along with a few phrasing suggestions. The arrangement includes a clarinet which would not have been available until over 30 years after publication but this arrangement is most likely to be played on modern instruments so it gives a modern woodwind quartet the opportunity to play music of this period in the appropriate style. Players of intermediate ability will enjoy this piece.
$15.00
TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Georg Philipp Telemann
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Pat Spence
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TELEMANN: QUARTET IN G MAJOR T
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Holiday,Wedding. 40 pages. Piper Publications #6533127. Published by Piper Publications (A0.811818). This quartet is the second piece in the first of three sets of ‘Tafelmusik’ published in Hamburg by Telemann in 1763. The numbers of players required ranged from a single treble instrument with continuo (cello & harpsichord) to pairs of trumpets, horns and violins with string orchestra with continuo which provided the entertainment for the guests at the most important feasts.The quartet was originally written for flute, oboe, violin and continuo and has been arranged for flute, oboe, clarinet & bassoon. Some additional phrasings and dynamics have been added in parentheses ( ) or dashed lines and passages of music have been redistributed among the parts with some octave transposition to accommodate the range of the wind instruments.There are three movements: Largo - Allegro - Largo, Vivace - Moderato - Vivace & Grave - Vivace. The quartet is suitable for advanced intermediate players and above.The short Grave introduction to the final Vivace would have afforded the three treble instrument players a bar/measure each to perform a short improvised cadenza before the infectious romp of the final Vivace. (Rather like the present day introductions of the athletes before important competitions - the difference being that the 18th century musicians had already demonstrated their prowess.Telemann clearly had very talented musicians available and provided them with music which was enjoyable to play for an appreciative audience of patrons to enjoy.
$20.00
Divertimento for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Contemporain
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Sy Brandon
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Divertimento for Woodwind Quar
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. S...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
(i Wonder Why?) You're Just In Love
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Irving Berlin
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Louise Braithwaite
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(i Wonder Why?) You're Just In
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Louise Braithwaite
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.985486 Composed by Irving Berlin. Arranged by Louise Braithwaite. Con...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.985486 Composed by Irving Berlin. Arranged by Louise Braithwaite. Contemporary. 16 pages. Louise Braithwaite #5990803. Published by Louise Braithwaite (A0.985486). Arranged for Woodwind Quartet (flute, oboe, clarinet in Bb & bassoon) by professional oboist Louise Braithwaite, this hit song by Irving Berlin is from the musical 'Call Me Madam'. It's a popular work with elders and in community entertainment. Two contrasting melody lines are introduced and then combine, creating unusual rhythmic interest. There's scope for an optional (brief) vocal here to spice up your quartet performance. Designed for more advanced players, the quality details make this a satisfying work for friends playing together and for professionals working in elder and dementia care environments. To learn more about the arranger and the clients who inspire her work, please visit www.louise-braithwaite.co.uk I hope you enjoy this music.
$15.00
Vom Tode-Beethoven-Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Phil Beaman
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Vom Tode-Beethoven-Woodwind Qu
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.845167 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Cla...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.845167 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. 8 pages. Phil Beaman #6293527. Published by Phil Beaman (A0.845167). Vom Tode (Death) was composed by the Master, L. van Beethoven. It is the third of the Sechs Lieder (Six Songs), published in 1803, which foreshadowed the Art Songs of the Romantic Era. Originally for Voice and Piano, I have arranged it for Instrumental Quartet. My arrangement stays true to Beethoven's intent to capture the passion of the original text in the music. (The texts are all sacred poems by Gellert.) Without the presence of lyrics I needed to create musical interest and interpretation, so I realized inner voices and polyphony out of his original homophonic accompaniment. I added new shape to individual lines, altered phrasing, elaborated rhythms, and in true Beethoven style added more dynamic markings. The mood and meaning are now stunningly portrayed through music alone. Vom Tode is full of subtle dissonances as it solemnly, but Faithfully, contemplates the end of life. There is a rhythmic ostinato for the unrelenting march to Him. Â
$8.99
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There Are Lines
