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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John Duke
Non classifié
45
Piano & claviers
Piano seul
69
Piano, Voix
33
Piano, Voix et Guitare
28
Instruments en Do
21
Piano Facile
8
Piano (partie séparée)
6
Orgue
4
Accompagnement Piano
2
+ 3 instrumentations
Retracter
Guitares
Guitare
18
Guitare notes et tablatures
13
Guitare (partie séparée)
9
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
5
Banjo
1
Paroles et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
8
Chorale SSAA
6
Chorale 3 parties
5
Chorale TTBB
4
Voix seule
3
Chorale
1
+ 1 instrumentations
Retracter
Vents
Saxophone (partie séparée)
51
Quatuor de Saxophones: 4 saxophones
5
Instruments en Mib
4
Saxophone Alto
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Tenor
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Clarinette (duo)
3
Flute (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Saxophones (duo)
2
2 Flûtes traversières (duo)
2
Saxophone Alto et Piano
2
Flûte traversière et Piano
2
Hautbois, Clarinette (duo)
2
2 Clarinettes (duo)
2
Ensemble de saxophones
2
Flûte, Clarinette et Basson
1
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
Flute, Cor (duo)
1
Clarinette (partie séparée)
1
Clarinette
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Baryton, Piano
1
Quatuor de Flûtes à bec
1
2 Hautbois (duo)
1
Saxophone Tenor et Piano
1
Flûte traversière
1
Hautbois, Flûte
1
3 Saxophones (trio)
1
+ 27 instrumentations
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Cuivres
Trombone (partie séparée)
40
Trompette (partie séparée)
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Bass Clef Instruments
4
2 Trombones (duo)
4
Instruments en Sib
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor (partie séparée)
3
Tuba (partie séparée)
3
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
3 Trombones (trio)
2
2 Tubas (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Trompettes (trio)
1
Trompette
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Cors (duo)
1
Trombone
1
+ 15 instrumentations
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Cordes
Contrebasse (partie séparée)
11
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
3
2 Violoncelles (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
Violoncelle, Piano
1
Harpe
1
2 Altos (duo)
1
Violoncelle
1
+ 8 instrumentations
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Orchestre & Percussions
Ensemble Jazz
36
Orchestre d'harmonie
11
Batterie (partie séparée)
7
Jazz combo
6
Cloches
5
Batterie
5
Ensemble de cuivres
3
Percussion
2
Fanfare
1
Orchestre de chambre
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
John Duke
Cloches
Partitions à imprimer
5 partitions trouvées
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A Stroll on Duke Street
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Cloches
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FACILE
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Christian contemporain
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Musique Sacrée
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John Hatton
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A Stroll on Duke Street
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Bronze:FX
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.1307883 Composed by John Hatton. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Christian,Contemporary,Easter,Religious. Sc...
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Handbell - Level 2 - SKU: A0.1307883 Composed by John Hatton. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Christian,Contemporary,Easter,Religious. Score. 6 pages. Bronze:FX #897142. Published by Bronze:FX (A0.1307883). The title is derived from the tune name “Duke Street†and it depicts both the tempo and style of the arrangement. It is flowing and meditative, with colorful LV patterns and melody both in the bass and treble.The arrangement is for full bell choir using 3-6 octaves of handbells. Rated at a Level 2 when played with 11-12 ringers because of its slow tempo and easy rhythms, “A Stroll on ‘Duke Street’†can be interpreted very musically, with crescendos and spiritually high moments. Its three verses are each treated differently, with the last verse raises the key signature a half step and then yet another half step as it grows with intensity. Although based on a hymn tune, the title allows this arrangement to be used for any audience.For sacred environments, the arranger suggests that the text be studied for inspiration. There are several words set to the tune “Duke Street,†although the arranger favors the text that begins, “I know that my redeemer lives.†When performing the piece, use the first verse as a humble (and somewhat hesitant) prayer, the second verse more confident (by relying for God's promises), and the third verse as if obtaining divine reassurance. This would place the prayer-giver in a place of wonder – a spiritual mountain-top experience. Also, see the next paragraph's description, which could also be used for a spiritual experience with God the Creator.For secular environments, use the visual imagery of an early morning walk. You start out just before sunrise, when nature is quiet and there is still dew on the grass. As you continue your upward path, the sky begins to change colors and the birds to sing. Aiming for the viewpoint at the hilltop, tree shadows begin to form and the brush mirrors the orange and grey from the new sunrise about to appear. When the sun does rise, it seems to wash all the darkness away in a single instant, making this new day clean and perfect.Performance time:• 3 minutesPerformance notes are included.
$2.50
I Know That My Redeemer Lives (Duke Street)
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Cloches
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FACILE
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Contemporain
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John Hatton
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Kristine Johanek
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I Know That My Redeemer Lives
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Kristine Johanek
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.707979 Composed by John Hatton. Arranged by Kristine Johanek. Contemporary. Score. 3 pages. Kristine Johanek #4405082. Publ...
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Handbell - Level 2 - SKU: A0.707979 Composed by John Hatton. Arranged by Kristine Johanek. Contemporary. Score. 3 pages. Kristine Johanek #4405082. Published by Kristine Johanek (A0.707979). I Know That My Redeemer Lives (Duke Street) Two Octave, Reproducible
$3.99
Fantasia on "Duke Street" (for 3-6 octave handbell ensemble) (site license)
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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John Hatton
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Jason W
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Fantasia on "Duke Street"
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Grassy Meadow Music
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SheetMusicPlus
Composed by John Hatton. Arranged by Jason W. Krug. Christian, Sacred, Praise & Worship, General Worship, Recital. Sheet Music Single. 8 pages. Pu...
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Composed by John Hatton. Arranged by Jason W. Krug. Christian, Sacred, Praise & Worship, General Worship, Recital. Sheet Music Single. 8 pages. Published by Grassy Meadow Music
$59.95
Caravan
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Cloches
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AVANCÉ
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Jazz
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Duke Ellington and his Orchest
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by...
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Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
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