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How Can We Stand By
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Vous avez sélectionné:
How Can We Stand By
Cloches
Partitions à imprimer
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Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbell Choir with Piano Accompaniment)
Cloches
Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Chi…
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Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Children's Music. Score, Set of Parts, Solo Part. 87 pages. Published by Sharon Wilson
This collection contains 10 familiar Christmas carols arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Each song also includes an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers. These separate color-coded scores use the ?Chroma-Notes? Colored Music System.? If you have a set of Handbells with a different color scheme, ?Chroma-Notes Stick Ons? can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers. These familiar Christmas carols are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player. Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. Each song is also available separately with accompanying preview pages and audio samples. For each song, a piano accompaniment and/or rehearsal track (MP3 format) is available as a separate purchase. Song titles included in this collection: Angels We Have Heard on High Bring a Torch, Jeannette, Isabella Ding Dong! Merrily on High Joy to the World O Come, All Ye Faithful O Come, O Come, Emmanuel O Thou Joyful Day Simple Gifts The First Noel We Three KingsThis collection contains 10 familiar Christmas carols arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Each song also includes an optional repeat and second ending in case a longer song is desired.
For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers.
The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat).
As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers. These separate color-coded scores use the ?Chroma-Notes? Colored Music System.? If you have a set of Handbells with a different color scheme, ?Chroma-Notes Stick Ons? can be purchased and applied so the Handbells match this color scheme.
The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers.
These familiar Christmas carols are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.
Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.
Each song is also available separately with accompanying preview pages and audio samples. For each song, a piano accompaniment and/or rehearsal track (MP3 format) is available as a separate purchase.
Song titles included in this collection:
Angels We Have Heard on High
Bring a Torch, Jeannette, Isabella
Ding Dong! Merrily on High
Joy to the World
O Come, All Ye Faithful
O Come, O Come, Emmanuel
O Thou Joyful Day
Simple Gifts
The First Noel
We Three Kings
$19.99
18.43 €
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Cloches
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Various
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Christmas Carols
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Sharon Wilson
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SheetMusicPlus
Caravan
Cloches
Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ell…
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Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
4.61 €
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Cloches
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Duke Ellington and his Orchestra
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
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