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Alto seul
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Contre Basse
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4 Violoncelles
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Fanfare
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Cloches
Partitions à imprimer
4 partitions trouvées
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Scoring for English Handbells-Digital Download
Cloches
(Handbells) - Digital Download SKU: H1.1209DP Composed by Douglas E. Wagner. Handbe…
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(Handbells) - Digital Download SKU: H1.1209DP Composed by Douglas E. Wagner. Handbell Resources, In Christ Alone My Hope Is Found. General Worship. Handbell Resource. 24 pages. Hope Publishing - Digital #1209DP. Published by Hope Publishing - Digital (H1.1209DP). Instructional book on scoring for English Handbells Doug Wagner provides much important information on the how-to write an arrangement or original composition. One of the most exciting activities that you can engage in with your handbell choir is to write an arrangement or original composition for them; Doug Wagner provides much important information on the how-to 's!.
$20.95
19.22 €
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Cloches
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Douglas E
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Scoring for English Handbells-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
The First Christmas (for 4 or 5 octave handbell choir)
Cloches
Handbell - Level 2 - Digital Download SKU: A0.953730 Composed by Geistliche Kirchen…
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Handbell - Level 2 - Digital Download SKU: A0.953730 Composed by Geistliche Kirchengesang, Henry Smart, Michael Praetorius, Thomas Helmore, and Traditional English Carol. Arranged by G. R. Adkison. Christian,Christmas,Sacred. Score. 6 pages. Gary Ray Adkison #14447. Published by Gary Ray Adkison (A0.953730). The First Christmas is an 84 measure, 4-5 octave, handbell choir medley of the Christmas carols: The First Nowell, O Come, O Come Emmanuel, Lo, How a Rose E’er Blooming, and Angels from the Realms of Glory Parts of O Come, O Come Emmanuel, and Lo, How a Rose E’er Blooming are scored for OPTIONAL 3 octaves of handchimes, but handbells can be substituted, if desired. Those two carol selections are reserved, reverent, soft and slow, in contrast to the first and last selections, which are much more exuberant in nature. This medley varies in tempo, volume levels, and style, throughout. Towards the end, there are tolls (swings) and a shake. It includes a brief introduction and an extended half-timed ending. Occasionally, there are descant lines and bass runs. I believe that this would be a level 2+ (2 plus) arrangement. The MP3 audio file provided is in a piano voice (patch) but suffices to demonstrate how this arrangement is generally meant to sound.
$3.00
2.75 €
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Cloches
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Geistliche Kirchengesang, Henry Smart, Michael Praetorius, Thomas Helmore, and Traditional English Carol
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G
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The First Christmas
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Gary Ray Adkison
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SheetMusicPlus
Holy God Medley (for 4 and 5 octave handbell choirs)
Cloches
Handbell - Level 2 - Digital Download SKU: A0.953727 Composed by William B. Bradbur…
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Handbell - Level 2 - Digital Download SKU: A0.953727 Composed by William B. Bradbury and John B. Dykes. Arranged by G. R. Adkison. Christian,Sacred. Score. 5 pages. Gary Ray Adkison #14257. Published by Gary Ray Adkison (A0.953727). Holy God Medley is a medley of the Christian hymns: He Leadeth Me, O Blessed Thought and Holy, Holy, Holy arranged for 4-5 octave handbell choirs. It starts with a two measure introduction, followed by He Leadeth Me, O Blessed Thought. This is fairly up-tempo, with a surprise modulation going into the chorus. In the chorus, there are bass runs, a brief descant line, and doubling of the melody into the high bells. There are then two verses of Holy, Holy, Holy. The first verse is slow and is in ¾ time, instead of the normal common meter. It is also soft and *very* plain, as a setup for the last verse, which is faster, and grows in volume to the end, with much fuller chords, and uses the normal common meter that the original hymn uses. There is another surprise modulation halfway through this verse. Very full chords are used, with a brief bass clef downward arpeggio in the next to last measure, to emphasize the ending. The first verse of Holy, Holy, Holy can be performed with handchimes, if desired, although the arrangement is not scored as such. The audio demonstration clip provided is in a piano voice (patch) but suffices to demonstrate how this arrangement is generally meant to sound. I believe that this is probably a 2+ (2 plus) arrangement in degree of difficulty.
$2.50
2.29 €
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Cloches
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William B
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G
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Holy God Medley
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Gary Ray Adkison
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SheetMusicPlus
Caravan
Cloches
Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ell…
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Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
4.59 €
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Cloches
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Duke Ellington and his Orchestra
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
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