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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Love Club
Non classifié
32
Piano & claviers
Piano seul
29
Piano, Voix et Guitare
20
Piano Facile
14
Instruments en Do
5
Piano, Voix
4
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
4
Ukulele
3
Guitare (partie séparée)
2
Basse electrique
1
Voix
Chorale SATB
13
Chorale 3 parties
9
Chorale Unison
4
Chorale TTBB
3
Chorale 2 parties
3
Chorale SSAA
3
Voix Alto, Piano
1
Voix basse, Piano
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
6
Saxophone (partie séparée)
6
Quatuor de Saxophones: 4 saxophones
5
Clarinette
4
Hautbois, Piano (duo)
3
Saxophone Baryton, Piano
3
Saxophone Tenor et Piano
3
Clarinette et Piano
3
Clarinette Basse, Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Flûte traversière
2
Cor anglais, Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Alto et Piano
2
Saxophone Soprano et Piano
2
2 Flûtes traversières (duo)
1
2 Saxophones (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flute (partie séparée)
1
Flûte à Bec
1
2 Clarinettes (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 17 instrumentations
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Cuivres
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Trombone et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Tuba (partie séparée)
1
Trompette, Piano
1
Cor et Piano
1
Cor (partie séparée)
1
Tuba et Piano
1
Trompette
1
3 Euphoniums
1
+ 9 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
5
2 Harpes (duo)
2
Alto, Piano
2
Violoncelle, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle (duo)
1
Harpe
1
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
+ 8 instrumentations
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Orchestre & Percussions
Jazz combo
4
Fanfare
2
Orchestre d'harmonie
2
Orchestre
2
Cloches
2
Ensemble Jazz
2
Batterie (partie séparée)
1
Orchestre à Cordes
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
The Love Club
Cloches
Partitions à imprimer
2 partitions trouvées
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A Groovy Kind Of Love
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Cloches
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FACILE
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The Mindbenders
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James M
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A Groovy Kind Of Love
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jmsgu3
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SheetMusicPlus
Handbell,Instrumental Solo,Piano - Level 2 - SKU: A0.552717 By The Mindbenders. By Carole Bayer Sager and Toni Wine. Arranged by James M. Guthrie, ASCAP...
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Handbell,Instrumental Solo,Piano - Level 2 - SKU: A0.552717 By The Mindbenders. By Carole Bayer Sager and Toni Wine. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop,Rock. Score and individual part. 12 pages. Jmsgu3 #3067007. Published by jmsgu3 (A0.552717). This arrangement is suitable for performance in church, nightclub or recital stage, where it would function well as an encore demonstrating sensitive phrasing and dynamic control. Duration 3:21, Score: 6 pages, Performance part (1 page) is included in the download.
$47.95
Caravan
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Cloches
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AVANCÉ
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Jazz
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Duke Ellington and his Orchest
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by...
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Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
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The Love Club
