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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme From New York, New York
Non classifié
88
Piano & claviers
Piano seul
47
Piano, Voix et Guitare
31
Piano Facile
28
Piano, Voix
12
Accompagnement Piano
3
Instruments en Do
2
1 Piano, 4 mains
2
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon, Voix
1
Piano grosses notes
1
Ligne De Mélodie, Piano
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
10
Guitare notes et tablatures
6
Ukulele
4
Guitare
3
Guitare (partie séparée)
2
Ukulele Baryton
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 3 instrumentations
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Voix
Pack Instrumental pour Chorale
13
Chorale SATB
13
Chorale 3 parties
9
Chorale
8
Chorale TTBB
7
Chorale 2 parties
5
Chorale SSAA
3
Voix duo
2
Voix duo, Piano
2
Voix Alto, Piano
1
Voix seule
1
Voix haute
1
+ 7 instrumentations
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Vents
Saxophone (partie séparée)
17
Clarinette (partie séparée)
10
Saxophone Alto
9
Saxophone Tenor
7
Flûte traversière
7
Quintette de Saxophone: 5 saxophones
6
Flute (partie séparée)
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois (partie séparée)
6
Clarinette
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Ensemble de Clarinettes
3
2 Flûtes traversières (duo)
2
Quintette de Flûte : 5 flûtes
2
Clarinette et Piano
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
2 Clarinettes (duo)
2
Hautbois, Basson (duo)
2
Flûte traversière et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Hautbois (duo)
2
Hautbois
2
Saxophone Tenor et Piano
2
Clarinette, Basson (duo)
2
Saxophone Alto et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Soprano et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de saxophones
1
Hautbois, Piano (duo)
1
Ensemble de Flûtes
1
Instruments en Mib
1
2 Saxophones, Piano
1
+ 30 instrumentations
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Cuivres
Trombone (partie séparée)
17
Trompette (partie séparée)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor (partie séparée)
7
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Tuba (partie séparée)
5
Trombone
4
Ensemble de Trompettes
3
Trombone et Piano
2
2 Trombones (duo)
2
Trompette, Cor (duo)
2
2 Cors (duo)
2
Trombone, Cor (duo)
2
Cor
2
Trombone, Tuba (duo)
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Tuba
2
Cor, Tuba (duo)
2
2 Trompettes (duo)
2
Trompette, Piano
2
Bass Clef Instruments
1
Instruments en Fa
1
Ensemble de Tubas
1
Instruments en Sib
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon (partie séparée)
9
Violon
6
Alto seul
5
Contrebasse (partie séparée)
5
Violon, Violoncelle (duo)
4
Violoncelle
4
2 Violons (duo)
3
Alto (partie séparée)
3
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Violon, Alto (duo)
2
Contre Basse
2
Ensemble de Violons
2
2 Violoncelles (duo)
2
Alto, Violoncelle (duo)
2
Violoncelle (partie séparée)
2
Alto, Piano
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre
26
Ensemble Jazz
21
Orchestre à Cordes
11
Orchestre d'harmonie
10
Ensemble de Percussions
9
Jazz combo
9
Ensemble de cuivres
6
Percussion (partie séparée)
6
Percussion
4
Timbales (partie séparée)
3
Orchestre de chambre
3
Cloches
2
Batterie (partie séparée)
2
Batterie
1
+ 9 instrumentations
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Autres
Instruments
ACCORDEON
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AUTRES INST…
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Crtitères actifs :
Theme From New York, New York
Cloches
Partitions à imprimer
2 partitions trouvées
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From Sea to Shining Sea
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Cloches
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Douglas E
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Performance Music Ensemble
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From Sea to Shining Sea
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Jubilate Music Group - Digital
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SheetMusicPlus
Handbell - SKU: JX.00-WBHB9507 A Fantasy Based on America the Beautiful. Arranged by Douglas E. Wagner. Handbell Music; Performance Music Ensembl...
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Handbell - SKU: JX.00-WBHB9507 A Fantasy Based on America the Beautiful. Arranged by Douglas E. Wagner. Handbell Music; Performance Music Ensemble; Single Titles. Warner Bell Pops. 4th of July; Patriotic; Secular; Summer. Sheet. 12 pages. Jubilate Music Group - Digital #00-WBHB9507. Published by Jubilate Music Group - Digital (JX.00-WBHB9507). English.From the Pacific to the Atlantic shores, this geographical medley transports the listener across these great States of ours. You'll see many beaming faces in the audience as you pass through some home towns. Includes: HOORAY FOR HOLLYWOOD * DEEP IN THE HEART OF TEXAS * MEET ME IN ST. LOUIS, LOUIS * MY KIND OF TOWN (Chicago Is) * INDIANA (Back Home Again in Indiana) * MY OLD KENTUCKY HOME * TENNESSEE WALTZ * GEORGIA ON MY MIND * CAROLINA IN THE MORNING * THEME FROM 'NEW YORK, NEW YORK'.
$3.95
Caravan
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Cloches
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AVANCÉ
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Jazz
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Duke Ellington and his Orchest
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by...
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Carillon,Instrumental Solo - Level 5 - SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
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Theme From New York, New York 
