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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
A Woman
Non classifié
102
Piano & claviers
Piano, Voix
92
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83
Piano seul
80
Instruments en Do
14
Accordéon
5
Piano Facile
3
Orgue
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1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
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1
Clavecin
1
+ 6 instrumentations
Retracter
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37
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32
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23
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Basse electrique
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Mandoline
1
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1
+ 5 instrumentations
Retracter
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51
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35
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19
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18
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4
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2
Voix duo
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Chorale
2
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1
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1
Voix Mezzo-Soprano, Piano
1
Voix duo, Piano
1
+ 10 instrumentations
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Flûte traversière et Piano
13
Saxophone Alto
12
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Saxophone Tenor
10
3 Saxophones (trio)
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Hautbois, Piano (duo)
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Clarinette et Piano
8
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7
Quintette de Saxophone: 5 saxophones
7
Saxophone Soprano et Piano
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Clarinette
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Saxophone Alto et Piano
6
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5
Hautbois, Clarinette, Basson (trio d'anches)
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Saxophone Tenor et Piano
4
Quatuor de Clarinettes: 4 clarinettes
3
Flûte à bec Soprano
2
Saxophone Baryton, Piano
2
Ensemble de saxophones
2
Clarinette Basse, Piano
2
2 Saxophones (duo)
2
Quatuor de Flûtes : 4 flûtes
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Flûte à bec Alto, Piano
1
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1
Ocarina
1
Hautbois
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Instruments en Mib
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Quatuor de Flûtes à bec
1
Hautbois, Flûte
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Flûte, Violoncelle
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2 Flûtes traversières (duo)
1
2 Clarinettes, Piano
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Saxophone
1
Flûte, Saxophone (duo)
1
Ensemble De Flûte à bec
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
2 Flûtes traversières, Piano
1
Hautbois (partie séparée)
1
2 Clarinettes (duo)
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Ensemble de Flûtes
1
Flûte, Clarinette (duo)
1
Saxophone Soprano
1
Flûte et Guitare
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trombone
9
Trombone (partie séparée)
9
Trompette
9
Trompette (partie séparée)
8
Cor
6
Trompette, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba et Piano
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Instruments en Sib
1
Quatuor de cuivres: 4 trombones
1
Tuba
1
2 Cors (duo)
1
Ensemble de Trombones
1
Euphonium
1
Bass Clef Instruments
1
Trompette, Violoncelle et Piano
1
Cor anglais, Piano
1
Trombone basse et Piano
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon et Piano
12
Harpe
11
Violon
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle
7
Alto, Piano
6
Alto seul
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Violoncelle (duo)
4
2 Harpes (duo)
3
Contre Basse
2
Alto (partie séparée)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
+ 14 instrumentations
Retracter
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Orchestre
14
Ensemble Jazz
10
Orchestre d'harmonie
9
Ensemble de cuivres
9
Batterie
7
Orchestre à Cordes
4
Fanfare
2
Jazz combo
2
Orchestre de chambre
2
Cloches
1
Marimba, Piano (duo)
1
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Retracter
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Crtitères actifs :
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Piano, Voix
Partitions à imprimer
92 partitions trouvées
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Tavern - 2017 (A Cabaret Song)
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Piano, Voix
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INTERMÉDIAIRE
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Scott S
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Tavern - 2017
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Scott S. Stewart
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.955841 Composed by Scott S. Stewart. Blues,Contemporary,Jazz. Score. 8 pages. Scott S. Stewart #6352903. Pu...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.955841 Composed by Scott S. Stewart. Blues,Contemporary,Jazz. Score. 8 pages. Scott S. Stewart #6352903. Published by Scott S. Stewart (A0.955841). Tavern - 2017 is a cabaret-style response to the traditional 19th saloon tune There Is A Tavern In the Town (The Drunkard Song). Somewhat bawdy in its contemporary telling, the plight of this jilted, yet worldly, woman spins the timeless tale of a woman scorned. Composed with the warmth of a mezzo-soprano in mind, and a pianist who is comfortable with that smooth-jazz-feel - this tune runs about 3:06 in performance time. .
$9.99
A WOMAN'S BLUES
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Piano, Voix
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INTERMÉDIAIRE
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Joe Procopio From the CD ALL I
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Joe Procopio
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A WOMAN'S BLUES
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JoeCopio Music LLC
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.876428 Composed by Joe Procopio. Blues,Pop. Score. 3 pages. JoeCopio Music LLC #1947. Published by JoeCopio Music ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.876428 Composed by Joe Procopio. Blues,Pop. Score. 3 pages. JoeCopio Music LLC #1947. Published by JoeCopio Music LLC (A0.876428). A WOMEN’S BLUES By Joe Procopio From the CD ALL IN MY LIFE A WOMENS BLUES is a pop song describing the feelings of some women of today. The Blues is melancholic music and the lyrics of this song express a kind of pensive sadness with no apparent cause. The backing track of music however is uplifting. The result is a song with a curious combination of feelings that are both heartbroken and happy at the same time. There two recorded versions of this song. One was recorded in a studio in California the other is the original recording. The original is a homemade recording done in the Gymnasium of an Elementary School in New Woodstock, NY with Mark Freeman on Drums, brother Greg on both the Guitar and Flute solo, and Barbie Briars doing the vocals. You can also hear Barbie on The Touch, The Taste Of Time, Why Are You So Lonely, For You My God and Maybe It’s The Way. These recordings can be found at Sheet Music Plus, iTunes, Amazon, etc., on a CD entitled All In My Life by the author. The printed sheet music here shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.
$3.99
THE NEW LANGUAGE - from "Roxane of Bergerac" - a full length musical
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Dave Flippo-music, Marie Yuen-
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THE NEW LANGUAGE - from "
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David William Flippo
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.995984 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 6 pages. David William Flip...
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Piano,Vocal,Voice - Level 3 - SKU: A0.995984 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 6 pages. David William Flippo #4766523. Published by David William Flippo (A0.995984). Sung by: Christian His I Want song. Because handsome only goes so far with a woman of letters -- and conversation. Piano / Vocal Score. From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
51st and 7th (There's Always a Puddle)
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Piano, Voix
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INTERMÉDIAIRE
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Russell J
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51st and 7th
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RCoutinhoMusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.982592 Composed by Russell J. Coutinho. Broadway,Contemporary,Musical/Show. Score. 6 pages. RCoutinhoMusic #254881...
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Piano,Vocal,Voice - Level 3 - SKU: A0.982592 Composed by Russell J. Coutinho. Broadway,Contemporary,Musical/Show. Score. 6 pages. RCoutinhoMusic #2548815. Published by RCoutinhoMusic (A0.982592). There's always a puddle at Fifty-Firsth and Seventh A woman comically, yet sincerely, recalls the magical day she and her mother visited New York City and the need to perform entered her bloodstream. Great for cabarets and auditions.
$5.00
Every Man, Woman, and Child - Piano Vocal Solo - Original - Bb Major
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Piano, Voix
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INTERMÉDIAIRE
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Merrill Collins
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Contemporary Classical
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Every Man, Woman, and Child -
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Merrill Collins Chausseblanche
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.940190 Composed by Merrill Collins. Children,Contemporary,Spiritual,World. Score. 8 pages. Merrill Collins Chausse...
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Piano,Vocal,Voice - Level 3 - SKU: A0.940190 Composed by Merrill Collins. Children,Contemporary,Spiritual,World. Score. 8 pages. Merrill Collins Chausseblanche #4632423. Published by Merrill Collins Chausseblanche (A0.940190). Piano Vocal Solo Selection with all parts from the original composition, Every Man, Woman, and Child. Composed by Merrill Collins (1950-). Piano vocal solo selection in key of B flat. Contemporary Classical; 21st Century; Children’s Music; Spiritual; World Music; Music Education. Published by Spiraling Music, Inc. This features the piano and vocal solo selection of the original award winning composition of Every Man, Woman, and Child, which was originally composed in 1986 as a dedication to the United Nations Center for Human Rights by the brilliant female composer, Merrill Collins (1950-). This song has been performed at major civic events including the Human Rights Day (Dec 10th) at the United Nations in NYC in 1987, as well as in San Francisco over the past twenty years. The original song and chant version (which won the Global Peace Song Award in 2016), all related curriculum, and the new 2019 EDM, Hip Hop, Yoga & Meditation, West African Highlife versions have been created as a teaching tool for both children and adults to bring awareness to the Universal Declaration of Human Rights (UDHR), as well as to welcome participation from educators, musicians, and all people looking for projects fo the International Peace Day (September 21st). Music is ideal for ages 5-8, high school or college, and/or community choirs. A chorus sings the chant with hand motions, and during the musical break, each singer comes up and recites an article of the UDHR. Can be done with instrumental CD, piano accompaniment or a small orchestra. Visit www.spiralingmusic.com/peacedayt/index.htm
$4.99
A Christmas Song
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Piano, Voix
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INTERMÉDIAIRE
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John B
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John B
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A Christmas Song
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Lusty Lils Music Company
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1029949 Composed by John B. deHaas. Arranged by John B. deHaas. Broadway,Christmas,Contemporary,Jazz,Musical/Show....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1029949 Composed by John B. deHaas. Arranged by John B. deHaas. Broadway,Christmas,Contemporary,Jazz,Musical/Show. Score. 6 pages. Lusty Lils Music Company #5869825. Published by Lusty Lils Music Company (A0.1029949). Comedic holiday song for an alto/soprano with funny lyrics and double entendres. From the one woman musical Tappin' and Yappin'
$3.99
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 10: À la glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 7: À Diane from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 7: À Diane
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 1: À L&rsqu
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 15: À qui m
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
S. Foster-My Wife Is a Most Knowing Woman,in E flat Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Stephen Foster
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OSM Press
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S. Foster-My Wife Is a Most Kn
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1384652 Composed by Stephen Foster (Stephen Collins Foster). Arranged by OSM Press. Classical. Score. 5 pages. Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1384652 Composed by Stephen Foster (Stephen Collins Foster). Arranged by OSM Press. Classical. Score. 5 pages. Open Cloud #968931. Published by Open Cloud (A0.1384652).
$2.99
(you Make Me Feel Like) A Natural Woman
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Piano, Voix
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INTERMÉDIAIRE
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Soul/R&B
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Aretha Franklin
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Mario Stallbaumer
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(you Make Me Feel Like) A Natu
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SheetMusicPlus
By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler (1917-). Arranged by Mario Stallbaumer. Pop, Soul. Score. 5 pages. Mario Stallbaume...
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By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler (1917-). Arranged by Mario Stallbaumer. Pop, Soul. Score. 5 pages. Mario Stallbaumer #839161. Published by Mario Stallbaumer
$4.99
TRUE AND GENTLE (Piano/ Vocal)
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Piano, Voix
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INTERMÉDIAIRE
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ROBERT VAN HORNE
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TRUE AND GENTLE
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1299409 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Broadway,Contemporary,Early Music,Film/TV,Musical/Show,Singer/So...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1299409 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Broadway,Contemporary,Early Music,Film/TV,Musical/Show,Singer/Songwriter. Score. 9 pages. White Piano International Publishing #889267. Published by White Piano International Publishing (A0.1299409). TRUE AND GENTLE (Piano/Vocal) by ROBERT VAN HORNE9 pagesTRUE AND GENTLE was originally composed as an intermediate piano solo in 2014. Currently, TRUE AND GENTLE (Piano Solo) is published with SHEET MUSIC PLUS and SHEET MUSIC DIRECT. In 2016, Robert wrote lyrics to this song. The words tell of a woman he has dreamed about and imagined: a “True and Gentle Lady.â€Â This song, crafted with tender care, beautifully captures the essence of true love and gentle emotions. The words add a meaningful connection to this memorable and enchanting melody. Robert considers it one of the most beautiful and romantic songs he has ever written. The Piano/Vocal Sheet Music of TRUE AND GENTLE  features a clearly published piano accompaniment, suggested piano fingerings with a vocal part and chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance.TRUE AND GENTLE is a song that will entertain audiences at concerts and recitals and could even be used as a theme for a television show or movie production.The original key is B Flat and E Flat. The mp3 example is performed and sung by Robert in the key of G and C. A 2015 YouTube performance of Robert playing TRUE AND GENTLE (Piano Solo) is available at: http://youtu.be/4gShVmgEzWsRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99
THE TOUCH, THE TASTE OF TIME
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Piano, Voix
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INTERMÉDIAIRE
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Joe Procopio From the CD ALL I
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Joe Procopio
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THE TOUCH, THE TASTE OF TIME
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JoeCopio Music LLC
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.876427 Composed by Joe Procopio. Christian,Pop. Score. 3 pages. JoeCopio Music LLC #1945. Published by JoeCopio Mu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.876427 Composed by Joe Procopio. Christian,Pop. Score. 3 pages. JoeCopio Music LLC #1945. Published by JoeCopio Music LLC (A0.876427). THE TOUCH, THE TASTE OF TIME By Joe Procopio From the CD ALL IN MY LIFE THE TOUCH, THE TASTE OF TIME is a pop song that tells of the feelings that come from our unique awareness of our own mortality. It is a song that describes a love for another that is so powerful that it lets the lover see its source as infinite, divine and eternal Love. It is a love that transcends the moment and touches eternity. A deep, abiding, Divine love that is possible for us as humans to experience by loving God and others in a manner that mirrors Christ. Barbie plays the guitar and sings the song by herself. She is one of those rare artists that can do more alone than most can do with a group. You can also hear Barbie on Why Are You So Lonely, A Woman’s Blues, For You My God and Maybe It’s The Way. These recordings can be found on Sheet Music Plus, iTunes, Amazon, etc., in a CD entitled All In My Life by the author. The printed sheet music here shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.
$3.99
You Are Chosen | Christian Wedding Song
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Piano, Voix
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INTERMÉDIAIRE
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Abigail L
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You Are Chosen | Christian Wed
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Abigail L. Cook
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1088759 Composed by Abigail L. Cook. Sacred,Wedding. Score. 12 pages. Abigail L. Cook #692968. Published by Abigai...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1088759 Composed by Abigail L. Cook. Sacred,Wedding. Score. 12 pages. Abigail L. Cook #692968. Published by Abigail L. Cook (A0.1088759). This beautiful, heartfelt wedding song speaks of a woman's love and commitment to her the wonderful groom God has given her. This PDF contains a full 4-page piano score along with a separate 2-page vocal sheet for the singer (if needed). This God-glorifying wedding song is approx. 3:40 minutes in length. For your convenience, scores have been included for both the key of F major and E major. The song was originally written and performed in E major: https://youtu.be/Xtd9mdMOpT4 Note from the composer: You Are Chosen was written specifically with my husband in mind. As a result, please personalize the lyrics in measures 13-20 and measures 45-46 appropriately.
$4.99
Chiquitita
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Piano, Voix
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INTERMÉDIAIRE
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Rock
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ABBA
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Louis Drummond
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Chiquitita
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Louis Drummond Van Rensburg
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1382008 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Louis Drummond. Pop,Rock. Score. 17 pages. Loui...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1382008 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Louis Drummond. Pop,Rock. Score. 17 pages. Louis Drummond Van Rensburg #966634. Published by Louis Drummond Van Rensburg (A0.1382008). Chiquitita (a Spanish term of endearment for a woman meaning little one) by ABBA was released in January 1979 as the first single from their album Voulez-Vous. It proved to be one of ABBA's biggest hits. It became number 1 in Belgium, Finland, Ireland, the Nederlands, New Zealand, Spain, South Africa and Zimbabwe.In my arrangement for piano and voice the piano provides an effective accompaniment for the singer with a bass line in the LH and chords and melodic lines in the RH. Score and parts are available.
$6.99
IF I KNEW THEN WHAT I KNOW NOW
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Piano, Voix
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INTERMÉDIAIRE
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Blues
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Country
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PAUL OSBOURNE
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TIM C
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IF I KNEW THEN WHAT I KNOW NOW
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Creative Horizons Music Publishers
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1050465 By PAUL OSBOURNE. By MICHAEL L. RICCCIARDI. Arranged by TIM C. DORAN. Blues,Country. Score. 4 pages. Creat...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1050465 By PAUL OSBOURNE. By MICHAEL L. RICCCIARDI. Arranged by TIM C. DORAN. Blues,Country. Score. 4 pages. Creative Horizons Music Publishers (ASCAP) #654821. Published by Creative Horizons Music Publishers (ASCAP) (A0.1050465). A COUNTRY TUNE ABOUT A WOMAN WHO'S BEEN BETRAYED BY HER COWBOY HUSBAD. UP TEMPO.
$3.50
Seit ich ihn gesehen (Bb Major)
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Robert Schumann
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Jonathan Prentice
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Seit ich ihn gesehen
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.884826 Composed by Robert Schumann. Arranged by Jonathan Prentice. Romantic Period. Score. 3 pages. Jonathan Prent...
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Piano,Vocal,Voice - Level 3 - SKU: A0.884826 Composed by Robert Schumann. Arranged by Jonathan Prentice. Romantic Period. Score. 3 pages. Jonathan Prentice #5884425. Published by Jonathan Prentice (A0.884826). One of the beautifully melodic yet subtle gems from Schumann's song cycle A Woman's Life and Love (Here in Bb Major, suitable for mezzos).
$1.99
I Am the Wind
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Elizabeth Doyle and Owen Kalt
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I Am the Wind
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Bix & Bets Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.938219 Composed by Elizabeth Doyle and Owen Kalt. Musical/Show,Pop. Score. 7 pages. Bix & Bets Music Publishing #2...
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Piano,Vocal,Voice - Level 3 - SKU: A0.938219 Composed by Elizabeth Doyle and Owen Kalt. Musical/Show,Pop. Score. 7 pages. Bix & Bets Music Publishing #2024009. Published by Bix & Bets Music Publishing (A0.938219). Ballad from the musical The Virginian. A woman leaves her home in the east to find adventure in the west. Mezzo soprano range.
$4.99
People
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Piano, Voix
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INTERMÉDIAIRE
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Barbra Streisand
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David Lee Gingras and John E
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People
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.797022 By Barbra Streisand. By Bob Merrill and Jule Styne. Arranged by David Lee Gingras and John E. Dosher. Broad...
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Piano,Vocal,Voice - Level 3 - SKU: A0.797022 By Barbra Streisand. By Bob Merrill and Jule Styne. Arranged by David Lee Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #404203. Published by DAVID LEE GINGRAS (A0.797022). People is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 Broadway musical Funny Girl starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with I Am Woman, a solo version of You Are Woman, I Am Man, also from Funny Girl. This version features a root-based chord blocking that John and I have used in a number of our arrangements.
$4.99
Seven Spanish Songs
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Piano, Voix
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INTERMÉDIAIRE
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Martin Jeremy Richardson
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Seven Spanish Songs
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M J Richardson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Publish...
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Piano,Vocal,Voice - Level 3 - SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625). This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.Songs1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and other social events.2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.3. La Petenera is a combination of two songs in very different styles - a flamenco Petenera from AndalucÃa and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.4. Saetas are religious songs that are performed at Easter (Semana Santa).5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside. The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.
$9.99
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 5: Si vous m&rsquo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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A Woman 
