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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
An die Türen
Non classifié
107
Piano & claviers
Piano, Voix
132
Piano seul
20
Piano, Voix et Guitare
6
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
2
Voix
Chorale SATB
13
Chorale TTBB
2
Chorale 3 parties
1
Voix basse, Piano
1
Voix duo, Piano
1
Chorale 2 parties
1
+ 1 instrumentations
Retracter
Vents
Clarinette et Piano
22
2 Saxophones (duo)
22
Flûte traversière et Piano
20
Saxophone Soprano et Piano
17
Saxophone Baryton, Piano
16
Saxophone Tenor et Piano
15
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Clarinette
11
Cor anglais, Piano
10
Saxophone Alto
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte et Guitare
8
Quintette de Saxophone: 5 saxophones
8
Clarinette Basse, Piano
7
Saxophone Tenor
7
Saxophone Baryton
6
Flûte, Hautbois, Clarinette, Basson
6
Quatuor de Saxophones: 4 saxophones
5
Saxophone Soprano
5
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
4
Saxophone (partie séparée)
4
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois
4
Flûte traversière
4
Clarinette, Guitare (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Guitare (duo)
3
Ensemble de Flûtes
2
Ensemble de saxophones
2
Flûte à bec Alto
2
Flûte, Clarinette (duo)
2
3 Clarinettes (trio)
2
Flute, harpe et violon
1
Cor Anglais
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
Hautbois (partie séparée)
1
5 Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
+ 39 instrumentations
Retracter
Cuivres
Cor et Piano
31
Cor
25
Trombone et Piano
17
Tuba et Piano
12
Tuba
11
Euphonium, Piano (duo)
10
Cor anglais, Piano
10
Trombone
8
Trompette, Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
Cor anglais, Guitare (duo)
3
Trompette, Trombone (duo)
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
2 Tubas (duo)
2
Cor Anglais
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Ensemble de Cors
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon, Violoncelle (duo)
19
Alto, Piano
14
Violoncelle, Piano
13
Contrebasse, Piano (duo)
10
Violon et Piano
10
Trio à Cordes: 2 violons, violoncelle
10
Violoncelle
10
Contre Basse
8
Alto seul
8
Violon
6
2 Violons (duo)
4
2 Violoncelles (duo)
4
2 Altos (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Contrebasses (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Harpe
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Orchestre à Cordes
4
Orchestre de chambre
3
Ensemble de Percussions
2
Ensemble Jazz
2
Orchestre
1
Xylophone
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Nouveautes
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débutant
facile
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expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
An die Türen
intermédiaire
Piano, Voix
Partitions à imprimer
132 partitions trouvées
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126
Schubert-An die Türen will ich schleichen Op.12 No.3 inf minor,for Vocal and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MPS
#
Schubert-An die Türen wil
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.652432 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219029...
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Piano,Vocal,Voice - Level 3 - SKU: A0.652432 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219029. Published by Classic Piano sheetz (A0.652432). Schubert-An die Türen will ich schleichen Op.12 No.3 inf minor,for Vocal and Piano.
$5.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in#C minor,for Vocal and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MPS
#
Schubert-An die Türen wil
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.652426 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219017...
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Piano,Vocal,Voice - Level 3 - SKU: A0.652426 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219017. Published by Classic Piano sheetz (A0.652426). Schubert-An die Türen will ich schleichen Op.12 No.3 in#C minor,for Vocal and Piano.
$5.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in#G minor,for Vocal and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MPS
#
Schubert-An die Türen wil
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.652434 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219033...
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Piano,Vocal,Voice - Level 3 - SKU: A0.652434 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219033. Published by Classic Piano sheetz (A0.652434). Schubert-An die Türen will ich schleichen Op.12 No.3 in#G minor,for Vocal and Piano.
$5.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in#F minor,for Vocal and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MPS
#
Schubert-An die Türen wil
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.652427 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219019...
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Piano,Vocal,Voice - Level 3 - SKU: A0.652427 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219019. Published by Classic Piano sheetz (A0.652427). Schubert-An die Türen will ich schleichen Op.12 No.3 in#F minor,for Vocal and Piano.
$5.99
Schubert-An die Türen will ich schleichen Op.12 No.3 inbB minor,for Vocal and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MPS
#
Schubert-An die Türen wil
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.652430 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219025...
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Piano,Vocal,Voice - Level 3 - SKU: A0.652430 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219025. Published by Classic Piano sheetz (A0.652430). Schubert-An die Türen will ich schleichen Op.12 No.3 inbB minor,for Vocal and Piano.
$5.99
Schubert-An die Türen will ich schleichen Op.12 No.3 ing minor,for Vocal and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MPS
#
Schubert-An die Türen wil
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.652433 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219031...
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Piano,Vocal,Voice - Level 3 - SKU: A0.652433 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219031. Published by Classic Piano sheetz (A0.652433). Schubert-An die Türen will ich schleichen Op.12 No.3 ing minor,for Vocal and Piano.
$5.99
Schubert-An die Türen will ich schleichen Op.12 No.3 inb minor,for Vocal and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MPS
#
Schubert-An die Türen wil
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.652429 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219023...
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Piano,Vocal,Voice - Level 3 - SKU: A0.652429 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 7 pages. Classic Piano sheetz #6219023. Published by Classic Piano sheetz (A0.652429). Schubert-An die Türen will ich schleichen Op.12 No.3 inb minor,for Vocal and Piano.
$5.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in f minor,for voice and piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MSM
#
Schubert-An die Türen wil
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661023 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107801...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661023 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107801. Published by Open Cloud (A0.661023). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in a minor,for voice and piano
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
#
Franz Schubert
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MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661015 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107785...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661015 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107785. Published by Open Cloud (A0.661015). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in f sharp minor,for voice and piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
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MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661022 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107799...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661022 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107799. Published by Open Cloud (A0.661022). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in g sharp minor,for voice and piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661020 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107795...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661020 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107795. Published by Open Cloud (A0.661020). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in c minor,for voice and piano
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
#
Franz Schubert
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MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661018 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107791...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661018 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107791. Published by Open Cloud (A0.661018). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in g minor,for voice and piano
#
Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661021 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107797...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661021 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107797. Published by Open Cloud (A0.661021). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in c sharp minor,for voice and piano
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661019 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107793...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661019 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107793. Published by Open Cloud (A0.661019). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in b flat minor ,for voice and piano
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661016 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107787...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661016 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107787. Published by Open Cloud (A0.661016). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Schubert-An die Türen will ich schleichen Op.12 No.3 in b minor,for voice and piano
#
Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
MSM
#
Schubert-An die Türen wil
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.661017 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107789...
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Piano,Vocal,Voice - Level 3 - SKU: A0.661017 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4107789. Published by Open Cloud (A0.661017). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828,for Voice and Piano, published by More Sheet Music Press.
$3.99
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 3: Adieu from Songs
#
E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 6: Le Château
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Poker Face
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Lady Gaga
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Jason Howard
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Poker Face
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Jason Howard
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.918797 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by Jason Howard. Pop. Score. 6 pages. Jason Howard...
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Piano,Vocal,Voice - Level 3 - SKU: A0.918797 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by Jason Howard. Pop. Score. 6 pages. Jason Howard #5301707. Published by Jason Howard (A0.918797). This arrangement of Poker Face came to me suddenly while I was sitting at my piano. I was bored and looking through a collection of pop songs, when I accidentally created the opening lick of this piece. It got me thinking, What would happen if this piece had a little bit of a jazz flair? So I sat there, whirled some ideas around in my head, and this arrangement was the outcome. This arrangement is a piano/vocal solo with some optional back up vocals written as well. I hope you guys enjoy it, and leave a comment!I hope that you enjoy my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$4.99
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 5: Si vous m&rsquo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 4: Prière a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 3: Vous ne voulez
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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