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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
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OCARINA
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XYLOPHONE
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121
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Piano seul
292
Piano, Voix
84
Accordéon
61
Piano, Voix et Guitare
25
Accompagnement Piano
8
Orgue
6
Instruments en Do
4
Piano Facile
3
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
+ 6 instrumentations
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Guitare
34
Basse electrique
25
Guitare notes et tablatures
8
Piano, Guitare (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Paroles et Accords
1
3 Guitares (trio)
1
+ 4 instrumentations
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Chorale SATB
38
Voix seule
20
Chorale 3 parties
13
Chorale 2 parties
8
Chorale TTBB
5
Chorale Unison
5
Chorale SSAA
5
Voix Tenor, Piano
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Chorale
1
Voix haute
1
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Vents
Saxophone
145
Flûte traversière
59
Clarinette
47
Cor anglais, Piano
30
Flûte traversière et Piano
28
Clarinette et Piano
23
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto et Piano
15
Saxophone Tenor et Piano
13
2 Saxophones (duo)
11
Quatuor de Saxophones: 4 saxophones
11
3 Saxophones (trio)
10
Saxophone Soprano et Piano
7
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
5
3 Clarinettes (trio)
5
Flûte, Hautbois, Clarinette, Basson
4
2 Clarinettes, Piano
4
Flûte à Bec
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Hautbois, Clarinette (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Alto
3
Flûte, Hautbois, Basson
3
Trio de Flûtes: 3 flûtes
3
Cor anglais, Guitare (duo)
3
Quintette de Saxophone: 5 saxophones
3
Hautbois
3
Saxophone Baryton, Piano
3
Saxophone Tenor
2
Saxophone Baryton
2
Flûte à bec Alto
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Saxophone, Clarinette (duo)
2
Hautbois, Flûte
2
Flûte, Clarinette (duo)
2
Ensemble de Clarinettes
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano
2
Clarinette, Trompette (duo)
1
Flûte, Violon, Piano
1
Saxophone et Piano
1
Flûte et Trio à cordes
1
Ensemble de Flûtes
1
Hautbois, Clarinette (duo)
1
3 Hautbois
1
Clarinette, trompette et piano
1
2 Hautbois, Piano
1
Flûte, Saxophone (duo)
1
2 Saxophones, Piano
1
Flûte, trombone et piano
1
Flûte, Alto et Piano
1
Flûte, Violon et Violoncelle
1
Cor Anglais
1
Clarinette, Alto et Piano (trio)
1
Flûte et Guitare
1
Flûte, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Hautbois (partie séparée)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Clarinette et Alto
1
Flûte, Violon
1
Clarinette Basse, Piano
1
Clarinette, Guitare (duo)
1
+ 67 instrumentations
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Cuivres
Trompette
49
Trombone
44
Cor anglais, Piano
30
Trompette, Piano
18
Cor et Piano
14
Trombone et Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba
3
Cor anglais, Guitare (duo)
3
Tuba et Piano
3
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
2 Trombones (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Trombone, Tuba (duo)
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
2 Tubas (duo)
1
2 Cors (duo)
1
Trompette, Violoncelle et Piano
1
+ 20 instrumentations
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Cordes
Violon et Piano
29
Alto, Piano
25
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violoncelle, Piano
15
Alto seul
12
Harpe
11
Violon
9
Violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
2 Altos (duo)
4
2 Violons (duo)
4
Contrebasse, Piano (duo)
4
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Violon, Violoncelle (duo)
3
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Violon, Trompette et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Guitare (duo)
1
4 Violoncelles
1
+ 27 instrumentations
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Orchestre & Percussions
Batterie
49
Orchestre d'harmonie
4
Ensemble Jazz
3
Orchestre à Cordes
3
Orchestre
3
Ensemble de cuivres
2
Orchestre de chambre
2
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Op. 45, No. 7: À Diane from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 7: À Diane
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 13: Des beaux yeux de ma Diane from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 13: Des beaux yeux
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-13E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 16: Je sens fleuri
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-16E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 2: Je te l’a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Berlioz-Adieu Bessy:romance anglaise et française,H 46A,in G Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Hector Berlioz
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OSM Press
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Berlioz-Adieu Bessy:romance an
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1387987 Composed by Hector Berlioz. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud #971579. Publishe...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1387987 Composed by Hector Berlioz. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud #971579. Published by Open Cloud (A0.1387987).
$5.99
Prayer of St. Francis
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Ruth Raubertas
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Prayer of St. Francis
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White Bird Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1364286 Composed by Ruth Raubertas. Christian,Lent,Praise & Worship,Sacred,Wedding. Score. 4 pages. White Bird Mus...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1364286 Composed by Ruth Raubertas. Christian,Lent,Praise & Worship,Sacred,Wedding. Score. 4 pages. White Bird Music #948589. Published by White Bird Music (A0.1364286). With words sometimes attributed to St. Francis of Assisi, this original setting of Lord, Make Me an Instrument (for either solo or unison treble choir) is appropriate for school, church or any Christian or Catholic event. The feel of this piece is calm but inspirational, building through unique rhythms to the high point of its poetic theme. With both an easy piano accompaniment and an easy vocal range for most singers, this piece nonetheless captures a sense of the sacred as well as a socially conscious message.
$4.99
Beethovens Wig Sing Along Piano Classics
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Piano, Voix
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INTERMÉDIAIRE
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Beethoven's Wig, Richard Perlm
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Beethovens Wig Sing Along Pian
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Beethoven's Wig, Inc.
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.928572 Composed by Beethoven's Wig, Richard Perlmutter. Children,Classical,Instructional,Romantic Period,Standards...
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Piano,Vocal,Voice - Level 3 - SKU: A0.928572 Composed by Beethoven's Wig, Richard Perlmutter. Children,Classical,Instructional,Romantic Period,Standards. Score. 65 pages. Beethoven's Wig, Inc. #6384013. Published by Beethoven's Wig, Inc. (A0.928572). Inspired and wildly imaginative, Beethoven's Wig Sing Along Piano Classics are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. It’s fun to play and sing along! The music for each piano piece is presented as it was originally written by the composer. As a bonus, there is an appendix with pieces transposed into the keys used on Beethoven’s Wig recordings. This allows pianists to play and sing along with the recorded tracks.GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS - MUSIC IN THE COMPOSER’S ORIGINAL KEYSBeep, Beep, Beep (Moonlight Sonata, Beethoven), Just For Elise (Für Elise, Beethoven), La De Da Sonata (Sonata in C, Mozart), A Piano Is Stuck In The Door (The Entertainer, Joplin), My Little Chicken (Chopsticks, de Lulli), Poor Uncle Joe (Funeral March, Chopin), A Fan of Chopin (Prelude Op. 28, No 7, Chopin), Mozart Makes Kids Smart (Alla Turca, Mozart), Minuet For My Pet (Minuet In G, Beethoven), Dvorak The Czechoslovak (Humoresque No. 7, Dvorak), Franz Liszt The Famous Pianist (Hungarian Rhapsody No. 2, Liszt), I Can’t Sleep (Lullaby, Brahms), I Like Art (Promenade From Pictures At An Exhibition, Mussorgsky)APPENDIX - MUSIC IN THE KEYS ON BEETHOVEN’S WIG RECORDINGSJust For Elise - Key of Eb Minor (Für Elise, Beethoven), A Piano Is Stuck In The Door - Key of G (The Entertainer, Joplin), Minuet For My Pet - Key of D (Minuet In G, Beethoven), Dvorak The Czechoslovak - Key of Bb (Humoresque No. 7, Dvorak, Franz Liszt The Famous Pianist - Key of F (Hungarian Rhapsody No. 2, Liszt)
$17.99
Danza, danza, fanciulla gentile - Voice and Piano - F minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459702 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459702 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038655. Published by Sheet Music To Play Editions (A0.1459702). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - F minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - G minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459712 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459712 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038666. Published by Sheet Music To Play Editions (A0.1459712). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - G minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - Eb minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459691 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459691 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038643. Published by Sheet Music To Play Editions (A0.1459691). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - Eb minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - C# minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459688 Composed by Francesco Durante. Arranged by César Madeira. Classical,Contest,Early Music,Festival,Multicul...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459688 Composed by Francesco Durante. Arranged by César Madeira. Classical,Contest,Early Music,Festival,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038641. Published by Sheet Music To Play Editions (A0.1459688). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - C# minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - F# minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459708 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459708 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038662. Published by Sheet Music To Play Editions (A0.1459708). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - F# minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - A minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459714 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459714 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038668. Published by Sheet Music To Play Editions (A0.1459714). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - A minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - D minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459689 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459689 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038642. Published by Sheet Music To Play Editions (A0.1459689). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - D minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - B minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459683 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459683 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038636. Published by Sheet Music To Play Editions (A0.1459683). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - B minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - C minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459684 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459684 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038637. Published by Sheet Music To Play Editions (A0.1459684). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - C minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - E minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459696 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459696 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038649. Published by Sheet Music To Play Editions (A0.1459696). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - E minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - Bb minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459679 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Contest,Early Music,Festival,...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459679 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Contest,Early Music,Festival,Opera. Score. 11 pages. Sheet Music To Play Editions #1038633. Published by Sheet Music To Play Editions (A0.1459679). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - Bb minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danza, danza, fanciulla gentile - Voice and Piano - Ab minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1459713 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Ope...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1459713 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score. 11 pages. Sheet Music To Play Editions #1038667. Published by Sheet Music To Play Editions (A0.1459713). Danza, danza, fanciulla gentile by Durante. Arrangement for Voice and Piano - Ab minor. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Op. 37, No. 6: Fais rafraîchir le vin from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 37, No. 6: Fais rafra&icir
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-06E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 42, No. 3: Je ne saurais aimer autre que vous from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 42, No. 3: Je ne saurais a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-18E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Ave Maria by Bach/Gounod - Voice and Piano - Ab Major (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Francois Gounod and Jo
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César Madeira
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Ave Maria by Bach/Gounod - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1191279 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Children,Prai...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1191279 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Children,Praise & Worship,Religious,Sacred,Wedding. Score. 10 pages. Sheet Music To Play Editions #790798. Published by Sheet Music To Play Editions (A0.1191279). Gounod's Ave Maria in Bach's first prelude in C. Arrangement for Voice and Piano. Ab Major Key. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Ave Maria by Bach/Gounod - Voice and Piano - F# Major (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Francois Gounod and Jo
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César Madeira
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Ave Maria by Bach/Gounod - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1191265 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Classical,Pra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1191265 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Classical,Praise & Worship,Religious,Sacred,Wedding. Score. 10 pages. Sheet Music To Play Editions #790787. Published by Sheet Music To Play Editions (A0.1191265). Gounod's Ave Maria in Bach's first prelude in C. Arrangement for Voice and Piano. F# Major Key. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Ave Maria by Bach/Gounod - Voice and Piano - Bb Major (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Francois Gounod and Jo
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César Madeira
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Ave Maria by Bach/Gounod - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1191283 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Classical,Pra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1191283 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Classical,Praise & Worship,Religious,Sacred,Wedding. Score. 10 pages. Sheet Music To Play Editions #790804. Published by Sheet Music To Play Editions (A0.1191283). Gounod's Ave Maria in Bach's first prelude in C. Arrangement for Voice and Piano. Bb Major Key. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Ave Maria by Bach/Gounod - Voice and Piano - Db Major (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Francois Gounod and Jo
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César Madeira
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Ave Maria by Bach/Gounod - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1191302 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Multicultural...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1191302 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by César Madeira. Multicultural,Praise & Worship,Religious,Sacred,Wedding,World. Score. 10 pages. Sheet Music To Play Editions #790817. Published by Sheet Music To Play Editions (A0.1191302). Gounod's Ave Maria in Bach's first prelude in C. Arrangement for Voice and Piano. Db Major Key. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
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