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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
16
Harpe
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9
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6
Alto seul
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Trio à Cordes: violon, alto, violoncelle
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4
Contre Basse
4
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2 Violons (duo)
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2 Altos (duo)
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3
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
15
Orchestre d'harmonie
13
Cloches
5
Orchestre
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The Real Love
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Beyond the Rainbow Bridge (piano accompaniment)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893830 Composed by David Kai…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893830 Composed by David Kai. Christian,Contemporary,Pop,Spiritual. Score. 7 pages. David Kai #5209023. Published by David Kai (A0.893830). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. For more information about this song and free downloads, go to: www.sites.google.com/site/davidwkaismusicBeyond The Rainbow Bridge by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, We’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time Then you know just what you did You took a piece of my broken heart beyond the rainbow bridgeYou took a piece of my broken heart beyond the rainbow bridge.www.sites.google.com/site/davidwkaismusic
$4.00
3.66 €
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Piano, Voix
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David Kai
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Beyond the Rainbow Bridge
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David Kai
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SheetMusicPlus
Love Theme From "the Falcon And The Snowman"
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583137 By Pat Metheny. By Pa…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583137 By Pat Metheny. By Pat Metheny. Arranged by Jeff Tincher. Jazz. Score. 17 pages. Jeff Tincher #3572395. Published by Jeff Tincher (A0.583137). This is a piano/vocal/guitar arrangement of one of Pat Metheny's more popular movie songs. In the original key from the movie soundtrack, this song showcases Pat's use of complex chords, varied rhythms, and key changes that are well disguised within the struchture. Another unique feature of Pat's music is how he embraces skat-style lyrics and incorporates those into his vocals. At first glance, this song looks a lot more complex than what it really is. Remember that the tempo is slow and gives you enough time to play it well. I am a big Pat Metheny fan and this song is a great example of Pat's gentle side. Duration=6:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.49 €
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Piano, Voix
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Pat Metheny
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Jeff Tincher
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Love Theme From "the Falcon And The Snowman"
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Jeff Tincher
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SheetMusicPlus
Angels From the Realms of Glory
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776788 Composed by Henry T. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776788 Composed by Henry T. Smart and James Montgomery. Arranged by Leonora Hardy. Christian,Christmas,Religious,Sacred. Score. 2 pages. Leonora Hardy #4890649. Published by Leonora Hardy (A0.776788). This lovely Christmas carol is an easily learned arrangement for the church pianist who wants to have a more flowing style of music to accompany group singing. To that end, the melody is retained, as well as the traditional timing to help singers even if a song leader is not present. It is also suitable for preludes or offertories. Lyrics. Early intermediate
$3.99
3.66 €
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Piano, Voix
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Henry T
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Leonora Hardy
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Angels From the Realms of Glory
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Leonora Hardy
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SheetMusicPlus
He Has Reached Down (God's Love Has Filled My Heart)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021643 Composed by Robert E…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021643 Composed by Robert E. Benton, Jr. A Cappella,Praise & Worship,Sacred,Spiritual. Score. 2 pages. Robert E. Benton, Jr. #6136421. Published by Robert E. Benton, Jr. (A0.1021643). This hymn climaxes in each verse with the wonderful reality that God’s love has filled the believer’s heart. The poetic expression of God’s love and grace in the text, which is based on Romans 5, is matched fully by the beautiful melody paired with a Dorian harmony.  The hymn is in SATB piano score (hymn) format for congregational singing, choral singing, ensemble, or solo; whether acapella, or with piano accompaniment.  For more information… Website: https://TRUSTHYMN.wordpress.com   Email:  TRUSTHYMN@yahoo.com Facebook: https://www.facebook.com/TrustHymn Instagram: https://www.instagram.com/trust_hymn/
$2.99
2.74 €
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Piano, Voix
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Robert E
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He Has Reached Down
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Robert E. Benton, Jr.
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SheetMusicPlus
CALDARA Antonio: Sebben crudele, aria from the opera "La costanza in amor vince l'inganno", arranged
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869031 Composed by Antonio C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869031 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 5 pages. Really Good Music, LLC. #6404033. Published by Really Good Music, LLC. (A0.869031). Sebben crudele is an aria from the Opera Pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed by Antonio CALDARA (1670 – 1736) in 1710 for the public theater in Macerata and revised in 1716 for the Imperial Court in Vienna. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (E4 – F#5) for high voice.
$5.95
5.45 €
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Piano, Voix
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Sebben crudele, aria from the opera "La costanza in amor vince l'inganno", arranged
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Really Good Music, LLC.
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SheetMusicPlus
CALDARA Antonio: Selve amiche, aria from the "Opera-Pastorale" "La costanza in amor vince l'inganno"
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869038 Composed by Antonio C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869038 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 4 pages. Really Good Music, LLC. #6444137. Published by Really Good Music, LLC. (A0.869038). Selve amiche is an aria from the Opera-Pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed by Antonio CALDARA (1670 – 1736) in 1710 for the public theater in Macerata and revised in 1716 for the Imperial Court in Vienna. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – D5) for low voice.
$5.95
5.45 €
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Piano, Voix
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Selve amiche, aria from the "Opera-Pastorale" "La costanza in amor vince l'inganno"
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Really Good Music, LLC.
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SheetMusicPlus
CALDARA Antonio: Selve, amiche, aria from the "Opera-Pastorale" "La costanza in amor vince l'inganno
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869039 Composed by Antonio C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869039 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 4 pages. Really Good Music, LLC. #6444151. Published by Really Good Music, LLC. (A0.869039). Selve amiche is an aria from the Opera-Pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed by Antonio CALDARA (1670 – 1736) in 1710 for the public theater in Macerata and revised in 1716 for the Imperial Court in Vienna. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – C5) for low voice.
$5.95
5.45 €
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Piano, Voix
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Selve, amiche, aria from the "Opera-Pastorale" "La costanza in amor vince l'inganno
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Really Good Music, LLC.
#
SheetMusicPlus
CALDARA Antonio: Sebben crudele, aria from the opera "La costanza in amor vince l'inganno", arranged
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869030 Composed by Antonio C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869030 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 5 pages. Really Good Music, LLC. #6404037. Published by Really Good Music, LLC. (A0.869030). Sebben crudele is an aria from the Opera Pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed by Antonio CALDARA (1670 – 1736) in 1710 for the public theater in Macerata and revised in 1716 for the Imperial Court in Vienna. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (D4 – E5) for high voice.
$5.95
5.45 €
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Piano, Voix
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Sebben crudele, aria from the opera "La costanza in amor vince l'inganno", arranged
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Really Good Music, LLC.
#
SheetMusicPlus
There's Something About Us (Digital Backing Track)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.956060 Composed by Teresa OC…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.956060 Composed by Teresa OConnell. Broadway,Holiday,Musical/Show,Pop. Score. 1 pages. Teresa O'Connell (BMI) #6853419. Published by Teresa O'Connell (BMI) (A0.956060). This is the Digital Backing Track for There's Something About Us. The sheet music for this Vocal Duet with piano accompaniment is available on sheetmusicplus.com.There's Something About Us a beautiful vocal duet full of emotion and hope. The sheet music has a lovely, very playable piano accompaniment, but a gorgeous digital backing tracking is available on sheetmusicplus.com that will really enhance the singers' performance. Vocal ranges are C4-C5 for the top part and F3-F4 for the bottom part. Don't miss this piece! Questions? Contact the composer at tjomusic@me.com.
$20.00
18.32 €
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Piano, Voix
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Teresa OConnell
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There's Something About Us
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Teresa O'Connell
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SheetMusicPlus
O My Love's Like a Red, Red Rose
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1368122 Composed by Tadd Rus…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1368122 Composed by Tadd Russo. 21st Century,Classical,Opera. Score. 7 pages. Northwood Music Press #952475. Published by Northwood Music Press (A0.1368122). Written for Soloman Howard in 2008, this setting of the Robert Burns (1759-1796) poem evokes the heart-skipping excitement of young love and showcases both the high range and the low range (with optional notes when it gets really low). for low and medium low voice and piano.
$5.00
4.58 €
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Piano, Voix
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Tadd Russo
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O My Love's Like a Red, Red Rose
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Northwood Music Press
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SheetMusicPlus
(i Love You) For Sentimental Reasons
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794058 By Homer & Jethro. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794058 By Homer & Jethro. By William Best and William Best Bounds Iii. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #5789667. Published by DAVID LEE GINGRAS (A0.794058). (I Love You) for Sentimental Reasons is a popular song written by Ivory Deek Watson, founding member of the Ink Spots, also founding member of The Brown Dots and William Pat Best, founding member of the Four Tunes. This contemporary version features a root-based chord-blocking technique found in a number of our arrangments. It's not too hard and we think, really fun toplay! We hope you like it!
$4.99
4.57 €
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Piano, Voix
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Homer & Jethro
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Dave Gingras, John E
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(i Love You) For Sentimental Reasons
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DAVID LEE GINGRAS
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SheetMusicPlus
Lewis Capaldi - Someone You Loved
Piano, Voix
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Ca…
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Capaldi. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Someone You Loved" by Lewis Capaldi on piano!<br> <br> With this piano sheet music, you can play the piano part of "Someone You Loved" just like it is played in the song.<br> It's an accurate transcription of the piano accompaniment in the song's original key of Db major.<br> <br> These piano sheets come with a seperate system for the singer, the song's full melody and lyrics.<br> They are perfect if you want to accompany a singer, or sing along yourself!<br> <br> "Someone You Loved" was released in November 2018 as a single from Lewis Capaldi's EP "Breach".<br> <br> The song will also be included on his debut album "Divinely Uninspired to a Hellish Extent".<br> <br> "Someone You Loved" is an emotional piano ballad and his biggest hit so far, reaching #1 on the UK Singles chart!<br> <br> Here are the full lyrics to "Someone You Loved" by Lewis Capaldi:<br> <br> [Verse 1]<br> I'm going under and this time I fear there's no one to save me<br> This all or nothing really got a way of driving me crazy<br> I need somebody to heal<br> Somebody to know<br> Somebody to have<br> Somebody to hold<br> It's easy to say<br> But it's never the same<br> I guess I kinda liked the way you numbed all the pain<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Verse 2]<br> I'm going under and this time I fear there's no one to turn to<br> This all or nothing way of loving got me sleeping without you<br> Now, I need somebody to know<br> Somebody to heal<br> Somebody to have<br> Just to know how it feels<br> It's easy to say but it's never the same<br> I guess I kinda liked the way you helped me escape<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Bridge]<br> And I tend to close my eyes when it hurts sometimes<br> I fall into your arms<br> I'll be safe in your sound 'til I come back around<br> <br> [Chorus]<br> For now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> But now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you lovedHere's how to play "Someone You Loved" by Lewis Capaldi on piano!<br> <br> With this piano sheet music, you can play the piano part of "Someone You Loved" just like it is played in the song.<br> It's an accurate transcription of the piano accompaniment in the song's original key of Db major.<br> <br> These piano sheets come with a seperate system for the singer, the song's full melody and lyrics.<br> They are perfect if you want to accompany a singer, or sing along yourself!<br> <br> "Someone You Loved" was released in November 2018 as a single from Lewis Capaldi's EP "Breach".<br> <br> The song will also be included on his debut album "Divinely Uninspired to a Hellish Extent".<br> <br> "Someone You Loved" is an emotional piano ballad and his biggest hit so far, reaching #1 on the UK Singles chart!<br> <br> Here are the full lyrics to "Someone You Loved" by Lewis Capaldi:<br> <br> [Verse 1]<br> I'm going under and this time I fear there's no one to save me<br> This all or nothing really got a way of driving me crazy<br> I need somebody to heal<br> Somebody to know<br> Somebody to have<br> Somebody to hold<br> It's easy to say<br> But it's never the same<br> I guess I kinda liked the way you numbed all the pain<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Verse 2]<br> I'm going under and this time I fear there's no one to turn to<br> This all or nothing way of loving got me sleeping without you<br> Now, I need somebody to know<br> Somebody to heal<br> Somebody to have<br> Just to know how it feels<br> It's easy to say but it's never the same<br> I guess I kinda liked the way you helped me escape<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Bridge]<br> And I tend to close my eyes when it hurts sometimes<br> I fall into your arms<br> I'll be safe in your sound 'til I come back around<br> <br> [Chorus]<br> For now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> But now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved
$4.99
4.57 €
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Piano, Voix
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Lewis Capaldi
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Mario Stallbaumer
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Lewis Capaldi - Someone You Loved
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Mario Stallbaumer
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SheetMusicPlus
Can't Help Falling In Love
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794120 By Elvis Presley. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794120 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Dave Gingras, John E. Dosher. Rock. Score. 2 pages. DAVID LEE GINGRAS #6473031. Published by DAVID LEE GINGRAS (A0.794120). Can't Help Falling in Love is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. This version was created in 6/8 time which allowed for a really cool left-hand base pattern. It's not too hard and fun to play, John and I hope you like it!
$4.99
4.57 €
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Piano, Voix
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Elvis Presley
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Dave Gingras, John E
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Can't Help Falling In Love
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DAVID LEE GINGRAS
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SheetMusicPlus
Beautiful Saviour
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400951 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400951 By Stacey Plays Hymns. By Silesian Folk Tune / Lyric Writer Unknown. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 11 pages. Anastace #984147. Published by Anastace (A0.1400951). Here is the full piano vocal version of Beautiful Saviour, as heard on my YouTube channel with all the other classic, beautiful hymns. This arrangement works really well either for a beautiful solo during a church service or even as a full congregational accompaniment version. If playing for a congregation you may wish to skip the repeated line at the end for a more traditional feel, but the flowing, rich piano chords will support any singing in a really lovely, tasteful way. The file includes the complete score, as well as piano and vocal separately for your printing convenience - it will save a few pages on everyone's music stand or piano!This version is in the same key as the original recording and has a vocal range of A3-C5 for a moderately low voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in C Major - Easier to play and the vocal range is a bit higher for a comfortable regular voice [range of B3-D5]Piano Vocal in E Flat Major - matches most hymnals, and works for very high or low voices, with a range of D4-F5 [or D3-F4, if sung down an octave]For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.58 €
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Piano, Voix
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Stacey Plays Hymns
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Anastace
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Beautiful Saviour
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Anastace
#
SheetMusicPlus
Beautiful Saviour [C Major - Easier Key]
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400963 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400963 By Stacey Plays Hymns. By Silesian Folk Tune / Lyric Writer Unknown. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 12 pages. Anastace #984157. Published by Anastace (A0.1400963). Here is the full piano vocal version of Beautiful Saviour, as heard on my YouTube channel with all the other classic, beautiful hymns. This arrangement works really well either for a beautiful, uplifting solo during a church service or even as a full congregational accompaniment version. If playing for a congregation you may wish to skip the repeated line at the end for a more traditional feel, but the flowing, rich piano chords will support any singing in a really lovely, tasteful way. The file includes the complete score, as well as piano and vocal separately for your printing convenience - it will save a few pages on everyone's music stand or piano!This version is in a key higher than the original recording and has a vocal range of B3-D5 for a moderate voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Major - Matches the original key, and has a vocal range of of A3-C5Piano Vocal in E Flat Major - matches most hymnals, and works for very high or low voices, with a range of D4-F5 [or D3-F4, if sung down an octave]For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.
$5.00
4.58 €
#
Piano, Voix
#
Stacey Plays Hymns
#
Anastace
#
Beautiful Saviour [C Major - Easier Key]
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Anastace
#
SheetMusicPlus
Beautiful Saviour [E Flat Major - High Voice]
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400968 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400968 By Stacey Plays Hymns. By Silesian Folk Tune / Lyric Writer Unknown. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 12 pages. Anastace #984163. Published by Anastace (A0.1400968). Here is the full piano vocal version of Beautiful Saviour, as heard on my YouTube channel with all the other classic, beautiful hymns. This arrangement works really well either for a beautiful, uplifting solo during a church service or even as a full congregational accompaniment version. If playing for a congregation you may wish to skip the repeated line at the end for a more traditional feel, but the flowing, rich piano chords will support any singing in a really lovely, tasteful way. The file includes the complete score, as well as piano and vocal separately for your printing convenience - it will save a few pages on everyone's music stand or piano!This version is in E Flat major, to match most traditional hymnals and also suit a true soprano range of D4-F5.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Major - Matches the original key, and has a vocal range of of A3-C5Piano Vocal in C Major - easier to play, and has a nice medium range for most singers.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.
$5.00
4.58 €
#
Piano, Voix
#
Stacey Plays Hymns
#
Anastace
#
Beautiful Saviour [E Flat Major - High Voice]
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Anastace
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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