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Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 41, No. 9: À Corydon from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-15E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.72 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 41, No. 9: À Corydon from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 48, No. 7: Corydon! Marche devant! from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-47E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-47E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-47E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.72 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 48, No. 7: Corydon! Marche devant! from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Beethoven's Wig - Sing Verdi Very Loud (Music: La donna é mobile, Verdi)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928578 Composed by Richard P…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928578 Composed by Richard Perlmutter, Verdi. Arranged by Clifton J. Noble Jr. Children,Contemporary,Instructional,Romantic Period,Standards. Score. 5 pages. Beethoven's Wig, Inc. #6385099. Published by Beethoven's Wig, Inc. (A0.928578). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to a piano arrangement of the music for La donna é mobile from Rigoletto by Verdi. The piano arrangement is by Clifton J Noble Jr. The lyrics are by Richard Perlmutter.
$4.99
4.52 €
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Piano, Voix
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Richard Perlmutter, Verdi
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Clifton J
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Beethoven's Wig - Sing Verdi Very Loud
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Beethoven's Wig, Inc.
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SheetMusicPlus
They All Laughed
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1276630 By Frank Sinatra. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1276630 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #868380. Published by DAVID LEE GINGRAS (A0.1276630). They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire. It also appears on Tony Bennett's album Steppin' Out. This version features a root-based chord blocking that John and I have used in a number of our arrangements and we added some pretty cool left-hand fills, as well! We hope you like what we've done with this grand old tune!
$4.99
4.52 €
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Piano, Voix
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Frank Sinatra
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Dave Gingras and John E
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They All Laughed
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DAVID LEE GINGRAS
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SheetMusicPlus
Ding Dong! Merrily On On High!-Pop Version
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.632033 Composed by French ca…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.632033 Composed by French carol. Arranged by Fishel Pustilnik. Christmas,Holiday,Jazz,Pop,World. Score. 3 pages. F & N Enterprise #1911111. Published by F & N Enterprise (A0.632033). An excellent arrangement of famous Holiday/Christmas Song Ding Dong! Merrily On High!-Pop Version. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well know as Composer/Publisher.His books Jazz & Pop Piano Paradise have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications Editor .
$1.99
1.8 €
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Piano, Voix
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French carol
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Fishel Pustilnik
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Ding Dong! Merrily On On High!-Pop Version
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F & N Enterprise
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SheetMusicPlus
Don Schlitz: Why They Call It Falling - piano, voice or other instruments
Piano, Voix
Instantly printable sheet music by Don Schlitz for piano, voice or other instruments of EA…
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Instantly printable sheet music by Don Schlitz for piano, voice or other instruments of EASY/MEDIUM skill level. / country
$5.97
5.41 €
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Piano, Voix
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Don Schlitz
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Virtualsheetmusic
Country Store: Sound of F
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021982 Composed by Brendon …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021982 Composed by Brendon G.M.C. Holden. Country,Film/TV,Jazz,Pop,Rock. Score. 6 pages. Brendon Holden #6418715. Published by Brendon Holden (A0.1021982). Print your own Sheet Music to: Country Store: Sound of F. Country store: sound of F is written for Vocals and piano. Written in F makes this work a one of a kind good. Rock progression was used in the song. A splendidly good song! I suppose the song says, although it does not necessarily, but could be a song that says: I am not poor because I got you! But in the song the Man doing the adoring-is most likely the reason why there is such goodness. Help us with your best lion roar, would mean to be adored, to be made more than judgmental. Vocals are: I C the birds, I C the trees, O how sweet they are to me, I am living life feeling O so free, not a problem you can C in me. To my left I C a Store, I C I need some more. I C a Cat, can I tell you some more my friend, I walk into the store. Cat follows close behind walking on the floor. Candies and Cakes, I should get some more, get some for the Cat I adore. I C the birds, I C the trees, O how sweet they are to me, I am living life feeling O so free, not a problem you can C in me. As I am Walking out the door, I C the Cat shake his head you’re so poor. You C me Cat, I am the more, that you C I am not so poor. You’re talking like you want a war, let me ask you do you own the store? You C the shore, you C the store, you C me with all the more. If you see it is you I adore, shout and give me your best lion roar. I C the birds, I C the trees, O how sweet they are to me. Tasty treats I adore, Tasty treats fill my core, Cakes and Candy galore/ all the more, Give me Give me, I want more. I C the birds, I C the trees, O how sweet they are to me. Tasty treats on the shore Tasty treats in the store Me and my Cat want some more, Help us with your best lion roar. Art and Music by Brendon G.M.C. Holden
$5.99
5.43 €
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Piano, Voix
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Brendon G
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Country Store: Sound of F
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Brendon Holden
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SheetMusicPlus
I Wonder on That Christmas Day, a sacred Christmas song for children
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126251 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126251 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Children,Christian,Christmas,Religious,Sacred. Score. 3 pages. Kevin G. Pace #726952. Published by Kevin G. Pace (A0.1126251). A lovely, Christmas song for children. Music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love He’d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Baby’s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew He’d grow to be God’s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99
1.8 €
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Piano, Voix
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Kevin G
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I Wonder on That Christmas Day, a sacred Christmas song for children
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Kevin G. Pace
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SheetMusicPlus
Beethoven's Wig Sing Along Symphonies
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928570 Composed by Beethoven…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928570 Composed by Beethoven's Wig, Richard Perlmutter. Arranged by Clifton J. Noble Jr. Children,Classical,Instructional,Romantic Period,Standards. Score. 52 pages. Beethoven's Wig, Inc. #6383983. Published by Beethoven's Wig, Inc. (A0.928570). Inspired and wildly imaginative, Beethoven's Wig Sing Along Symphonies are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS Beethoven’s Wig (5th Symphony, Beethoven), Sing Verdi Very Loud (La donna é mobile, Verdi), Drip Drip Drip (Pizzicato from Sylvia, Delibes), Bull In A China Shop (Toreador Song from Carmen, Bizet), Haydn’s Great Surprise (Surprise Symphony, Haydn), King and Queens of England (Trumpet Tune in D, Purcell), Stuck In The Saddle Again Light Cavalry Overture, von Suppé), Forever We’re Marching (Washington Post March, Sousa), Tchaikovsky’s Cannonball, Tchaikovsky), Midnight Snack (Habanera from Carmen, Bizet), Can You Can Can? (Can Can, Offenbach), Wow! What A Wedding Cake! (Wedding March, Mendelssohn
$17.99
16.31 €
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Piano, Voix
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Beethoven's Wig, Richard Perlmutter
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Clifton J
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Beethoven's Wig Sing Along Symphonies
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Beethoven's Wig, Inc.
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SheetMusicPlus
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel W…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
3.62 €
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Piano, Voix
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Samuel Warren Hatch
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SheetMusicPlus
The Wexford Carol for Voice and Piano (Omnibus Edition)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Score. 24 pages. Vocal Works #920929. Published by Vocal Works (A0.1335082). High, Medium High, Medium Low and Low Voice editions all included with this omnibus edition of The Wexford Carol, with a new 4th verse by arranger M. Ryan Taylor.Good people all, this Christmas time,Consider well and bear in mindWhat our good God for us has doneIn sending His beloved SonWith Mary holy we should pray,To God with love this Christmas DayIn Bethlehem upon that morn,There was a blessed Messiah born.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheepTo whom God's angels did appearWhich put the shepherds in great fearPrepare and go, the angels saidTo Bethlehem, be not afraidFor there you'll find, this happy mornA princely Babe, sweet Jesus, born.With thankful heart and joyful mindThe shepherds went the babe to findAnd as God's angel had foretoldThey did our Saviour Christ beholdWithin a manger He was laidAnd by his side the virgin maidAttending on the Lord of LifeWho came on earth to end all strife.NEW 4th VERSEThe shepherds ranged both far and nearTo spread the word of Christmas cheer.So we are called, as they of old,To share our joy, sung in anthems bold.For, on this night we feel againThe hope that Jesus brought all men.So sing the songs of star and birth,As angels sang of peace on earth. Copyright © 2023 M. Ryan Taylor | Vocal Works | Choirworks.com
$9.99
9.06 €
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Piano, Voix
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M
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M
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The Wexford Carol for Voice and Piano
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Vocal Works
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SheetMusicPlus
Hard Candy Christmas
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1319678 By Dolly Parton. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1319678 By Dolly Parton. By Carol Hall. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 4 pages. DAVID LEE GINGRAS #908230. Published by DAVID LEE GINGRAS (A0.1319678). Hard Candy Christmas is a song written by composer-lyricist Carol Hall for the musical The Best Little Whorehouse in Texas.Near the end of the original play, individual girls of the brothel sing lines of the verses as they are preparing to leave; they join together on the refrains. This pattern was adopted for the film version of the musical, except that Dolly Parton (who played Miss Mona) is featured as soloist on the refrains, with the girls accompanying her. A further alteration can be found on the soundtrack album for the film in which Parton alone sings the verses. This version was developed from the original 1977 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements. We hope you like what we've done with this grand old tune!
$4.99
4.52 €
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Piano, Voix
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Dolly Parton
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Dave Gingras and John E
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Hard Candy Christmas
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DAVID LEE GINGRAS
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SheetMusicPlus
A Christmas Love Song
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583223 By Manhattan Transfer…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583223 By Manhattan Transfer. By Johnny Mandel. Arranged by Jeff Tincher. Contemporary. Score. 13 pages. Jeff Tincher #3618307. Published by Jeff Tincher (A0.583223). This is a piano/vocal/guitar arrangement of a classic Christmas song. In the original key from Johnny Mathis' The Christmas Album, this is another one of those Christmas song that will give you memories to last a lifetime. What I particularly like with this song is that it changes keys but you don't hear the key changes, they blend so well. Great for any Christmas celebration or sitting around the fireplace! Duration= 3:23. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.43 €
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Piano, Voix
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Manhattan Transfer
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Jeff Tincher
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A Christmas Love Song
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Jeff Tincher
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SheetMusicPlus
Falling In Love Again
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1416363 Composed by Frederic…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1416363 Composed by Frederick Hollander and Reg Connelly. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #998044. Published by DAVID LEE GINGRAS (A0.1416363). Falling in Love Again (Can't Help It) is the English language name for a 1930 German song composed by Friedrich Hollaender. The song was originally performed in the 1930 film Der Blaue Engel (English translation: The Blue Angel) by Marlene Dietrich, who also recorded the most famous English version, which became her anthem. The English lyrics were written by Sammy Lerner, though they do not include a translation of the original version's most erotic verse. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.52 €
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Piano, Voix
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Frederick Hollander and Reg Connelly
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Dave Gingras and John E
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Falling In Love Again
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DAVID LEE GINGRAS
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SheetMusicPlus
So This Is Love
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1396493 By James Ingram. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1396493 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #979831. Published by DAVID LEE GINGRAS (A0.1396493). So This Is Love is a 1948 song composed by Al Hoffman, Mack David, and Jerry Livingston. It was written for Walt Disney's Cinderella, in which it was performed by Ilene Woods and Mike Douglas. It is sung by the characters of Cinderella and Prince Charming as they dance with each other at the ball. Composed in 3/4 time (also known as waltz time). This version features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!
$4.99
4.52 €
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Piano, Voix
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James Ingram
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Dave Gingras and John E
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So This Is Love
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DAVID LEE GINGRAS
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SheetMusicPlus
Come Take a Walk with God -- organ
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.937838 Composed by Tom Lough…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.937838 Composed by Tom Lough. Contemporary,Sacred. Score. 7 pages. Tom Lough #2028611. Published by Tom Lough (A0.937838). Suitable for Memorial Day or Veterans Day events as well as general use, this solo with organ accompaniment pays tribute to the members of the United States armed forces who have given the ultimate sacrifice, and stresses the importance of preserving forever the memory of what they have done. First performed at West Point in May of 2014, this piece has also been identified as appropriate for use at a military funeral or other individual memorial service.
$4.99
4.52 €
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Piano, Voix
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Tom Lough
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Come Take a Walk with God -- organ
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Tom Lough
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SheetMusicPlus
Mame
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1112890 Composed by Jerry He…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1112890 Composed by Jerry Herman. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #714842. Published by DAVID LEE GINGRAS (A0.1112890). Mame is a musical with the book by Jerome Lawrence and Robert Edwin Lee and music and lyrics by Jerry Herman. It is based on the 1955 novel Auntie Mame by Patrick Dennis and a 1956 Broadway play, by Lawrence and Lee. A period piece set in New York City and spanning the Great Depression and World War II, it focuses on eccentric bohemian Mame Dennis. Her fabulous life with her wealthy friends is interrupted when the young son of her late brother arrives to live with her. They cope with the Depression in a series of adventures. This version features a root-based chord blocking that John and I have used in many of our arrangements. We've also included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!
$4.99
4.52 €
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Piano, Voix
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Jerry Herman
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David Lee Gingras and John E
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Mame
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DAVID LEE GINGRAS
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SheetMusicPlus
Cheek To Cheek
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1319717 By Fred Astaire. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1319717 By Fred Astaire. By Irving Berlin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #908271. Published by DAVID LEE GINGRAS (A0.1319717). Cheek to Cheek is a song written by Irving Berlin in 1934–35, specifically for the star of his new musical, Fred Astaire. The movie was Top Hat, co-starring Ginger Rogers. In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song Oscar for 1936, which it lost to Lullaby of Broadway. This version was developed from the original 1934 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements. We hope you like what we've done with this grand old tune!
$4.99
4.52 €
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Piano, Voix
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Fred Astaire
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Dave Gingras and John E
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Cheek To Cheek
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DAVID LEE GINGRAS
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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