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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Trio in e
Non classifié
210
Piano & claviers
Piano, Voix
59
Piano seul
23
Piano Trio: piano, violon, violoncelle
7
Orgue
6
Piano, Voix et Guitare
2
Instruments en Do
2
1 Piano, 4 mains
1
Accordéon
1
Piano Facile
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Guitare, Violon, Violoncelle (trio)
2
3 Guitares (trio)
2
2 Mandolines (duo)
1
Voix
Chorale SATB
8
Chorale 3 parties
6
Chorale TTBB
2
Voix Soprano, Piano
2
Chorale SSATB
2
Vents
Saxophone (partie séparée)
23
3 Clarinettes (trio)
22
Hautbois (partie séparée)
21
3 Saxophones (trio)
18
2 Saxophones (duo)
16
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de Clarinettes
10
Flûte, Hautbois, Clarinette (trio)
9
Trio de Flûtes: 3 flûtes
8
Flûte, Clarinette et Basson
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte traversière et Piano
6
Clarinette
5
2 Clarinettes (duo)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone Alto et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon et Violoncelle
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor et Piano
2
Clarinette (partie séparée)
2
Hautbois, Piano (duo)
2
Flûte traversière, Basse continue
2
Flûte traversière
2
Flute (partie séparée)
2
2 Clarinettes, Basson
2
2 Flûtes traversières (duo)
1
Flûte, trombone et piano
1
Flûte et Guitare
1
2 Saxophones, Piano
1
Saxophone Baryton, Piano
1
Clarinette, Alto et Piano (trio)
1
Ensemble de Flûtes
1
Flûte, Violon
1
Saxophone Alto
1
Saxophone Tenor
1
Quintette de Flûte : 5 flûtes
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Flute, harpe et violon
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Saxophone: 5 saxophones
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette (partie séparée)
6
3 Trompettes (trio)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trompettes
4
Trio de Cuivres
3
Trombone et Piano
2
Trompette
2
Trombone
1
Ensemble de Tubas
1
Cor
1
4 Tubas
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
+ 14 instrumentations
Retracter
Cordes
Trio à Cordes: 2 violons, violoncelle
46
Trio à Cordes: violon, alto, violoncelle
36
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon
8
Harpe
8
Alto seul
8
Violoncelle
7
Violon et Piano
7
Alto (partie séparée)
7
Trio à Cordes: 2 violons, alto
5
Trio à Cordes: 3 violoncelles
4
Violoncelle, Piano
3
Trio à cordes: 3 violins
3
Alto, Piano
3
Trio à cordes
2
2 Violons (duo)
2
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
Violon (partie séparée)
1
Harpe, Violon, Violoncelle
1
Harpe, Flûte (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre
33
Orchestre d'harmonie
26
Orchestre à Cordes
8
Ensemble de cuivres
6
Orchestre de chambre
4
Ensemble Jazz
1
Cloches
1
3 Percussions
1
Marimba
1
Instrumentation Flexible
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Vous avez sélectionné:
Trio in e
intermédiaire
Piano, Voix
Partitions à imprimer
59 partitions trouvées
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1
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51
Lo, How a Rose E'er Blooming
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Piano, Voix
#
INTERMÉDIAIRE
#
Ashley Wagner Arts
#
arr
#
Lo, How a Rose E'er Blooming
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Esperer Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1285116 By Ashley Wagner Arts. By Traditional German. Arranged by arr. Ashley Wagner. Advent,Christmas,Holiday,Rel...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1285116 By Ashley Wagner Arts. By Traditional German. Arranged by arr. Ashley Wagner. Advent,Christmas,Holiday,Religious,Traditional. Score. 11 pages. Esperer Music #876221. Published by Esperer Music (A0.1285116). Female Trio or SSA Ensemble Easy piano accompaniment with chord symbols Incorporates Silent Night, It Came Upon the Midnight Clear, and O Holy Night F Major Vocal range: A4-D5 This arrangement of Lo, How a Rose E'er Blooming is ideal for a female trio or SSA choral ensemble, with luscious vocal harmonies throughout. It includes an easy piano accompaniment and chord symbols for embellishment or added instrumentation, such as guitar.Woven into the traditional German melody are additional Christmas carols: Silent Night, It Came Upon the Midnight Clear, and O Holy Night.This sheet music is in F Major, with a vocal range of A4 (below middle C) - D5. (Demo is in E Maj.)If you would like an alternative key or accompaniment track, please contact me at ashley@ashleywagnerarts.com
$2.50
Scarlatti-Le Violette in B Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
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MSM
#
Scarlatti-Le Violette in B Maj
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668368 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4...
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Piano,Vocal,Voice - Level 3 - SKU: A0.668368 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4414603. Published by Open Cloud (A0.668368). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, for Voice and Piano.
$6.99
Scarlatti-Le Violette in A Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
MSM
#
Scarlatti-Le Violette in A Maj
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668375 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4...
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Piano,Vocal,Voice - Level 3 - SKU: A0.668375 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4414617. Published by Open Cloud (A0.668375). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, for Voice and Piano.
$6.99
Scarlatti-Le Violette in A flat Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
MSM
#
Scarlatti-Le Violette in A fla
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668369 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.668369 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4414605. Published by Open Cloud (A0.668369). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, for Voice and Piano.
$6.99
Scarlatti-Le Violette in G flat Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
MSM
#
Scarlatti-Le Violette in G fla
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668376 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4...
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Piano,Vocal,Voice - Level 3 - SKU: A0.668376 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4414619. Published by Open Cloud (A0.668376). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, for Voice and Piano.
$6.99
Scarlatti-Le Violette in G Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
MSM
#
Scarlatti-Le Violette in G Maj
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668374 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.668374 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4414615. Published by Open Cloud (A0.668374). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, for Voice and Piano.
$6.99
Scarlatti-Le Violette in D flat Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
MSM
#
Scarlatti-Le Violette in D fla
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668373 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.668373 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4414613. Published by Open Cloud (A0.668373). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, for Voice and Piano.
$6.99
Scarlatti-Le Violette in B flat Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
MSM
#
Scarlatti-Le Violette in B fla
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668371 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.668371 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. Score. 8 pages. Open Cloud #4414609. Published by Open Cloud (A0.668371). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, for Voice and Piano.
$6.99
Le Violette, by Scarlatti, in C Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411393 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99365...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1411393 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993659. Published by Editions Dao (A0.1411393). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in A Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411398 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99366...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1411398 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993664. Published by Editions Dao (A0.1411398). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in D Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411397 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99366...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1411397 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993663. Published by Editions Dao (A0.1411397). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in B flat Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411391 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99365...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1411391 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993657. Published by Editions Dao (A0.1411391). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in A flat Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411399 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99366...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1411399 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993665. Published by Editions Dao (A0.1411399). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in B Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411392 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99365...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1411392 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993658. Published by Editions Dao (A0.1411392). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in D flat Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
#
Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411395 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99366...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1411395 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993661. Published by Editions Dao (A0.1411395). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in G flat Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
#
Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411401 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99366...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1411401 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993668. Published by Editions Dao (A0.1411401). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Le Violette, by Scarlatti, in G Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Alessandro Scarlatti
#
Editions Dao
#
Le Violette, by Scarlatti, in
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1411400 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #99366...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1411400 Composed by Alessandro Scarlatti. Arranged by Editions Dao. Classical. Score. 6 pages. Editions Dao #993666. Published by Editions Dao (A0.1411400). Le Violette by Scarlatti, from 'Pirro e Demetrio', for Voice and Piano.6 Pages.
$5.99
Nostro Senhor! e ora que será de mim? (Tutti parte) Opus 8
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Piano, Voix
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INTERMÉDIAIRE
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Renaissance
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Fabio Henrique Dentello
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Nostro Senhor! e ora que ser&a
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Fabio Dentello
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.487781 By Fabio Henrique Dentello. By Fabio Henrique Teles Martins (Dentello). Renaissance. Score. 5 pages. Fabio ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.487781 By Fabio Henrique Dentello. By Fabio Henrique Teles Martins (Dentello). Renaissance. Score. 5 pages. Fabio Dentello #105252. Published by Fabio Dentello (A0.487781). This play was written in the first half of 2021 and dedicated to an illustrious Portuguese poet (Trovador), Rui Queimado, in which he tells the story of a man who regrets leaving his wife, and who in a terrible despair, asks God Our Lord! and now what will become of me?. It was written keeping the original language of the time, the Galician-Portuguese; and composed for a tenor voice and Harp, but the harp can be changed by some harpsichord of XIII century or some organ, even a lute. https://youtu.be/tuUZnQe_-YY (Parte Prima) https://youtu.be/tFnbC5XpPRA (Parte Seconda).
$20.00
Scarlatti-Le Violette in C Major,from Pirro e Demetrio,for Voice&Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Alessandro Scarlatti
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MSM
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Scarlatti-Le Violette in C Maj
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Open Cloud
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SheetMusicPlus
Composed by Alessandro Scarlatti (1660-1725). Arranged by MSM. Classical, Romantic Period. Score. 8 pages. Open Cloud #4414607. Published by Open Clou...
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Composed by Alessandro Scarlatti (1660-1725). Arranged by MSM. Classical, Romantic Period. Score. 8 pages. Open Cloud #4414607. Published by Open Cloud
$6.99
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 5: Si vous m&rsquo
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 4: Prière a
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 3: Vous ne voulez
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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