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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PAS DE PART…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
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OPERA
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PUNK
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Non classifié
944
PIANO & CLAVIERS
Piano seul
816
Piano, Voix
269
Piano, Voix et Guitare
76
Orgue
52
Instruments en Do
35
Piano Facile
35
1 Piano, 4 mains
27
Piano Trio: piano, violon, violoncelle
25
Accompagnement Piano
9
Orgue, Piano (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Accordéons
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Clavecin
2
2 Pianos, 4 mains
2
1 Piano, 6 mains
2
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GUITARES
Guitare notes et tablatures
152
Ukulele
91
Guitare
89
Ligne De Mélodie, (Paroles) et Accords
28
2 Guitares (duo)
17
Paroles et Accords
11
Banjo
8
Mandoline
8
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
5
Dulcimer
4
3 Guitares (trio)
3
Basse electrique
3
2 Dulcimers (duo)
2
Ensemble de guitares
2
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
Guitare, Flûte, Clarinette
1
Instrumentations suivantes
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VOIX
Chorale SATB
193
Chorale 3 parties
92
Chorale TTBB
50
Chorale SSAA
16
Chorale 2 parties
13
Chorale Unison
9
Chorale
7
Voix duo
6
Voix Alto, Piano
5
Voix duo, Piano
5
Voix haute
4
Voix moyenne, Piano
4
Voix seule
4
Voix Soprano, Piano
4
Chorale SSATB
1
Chorale SSAB a cappella
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
146
2 Saxophones (duo)
145
Clarinette et Piano
111
2 Clarinettes (duo)
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
2 Flûtes traversières (duo)
71
Quatuor de Saxophones: 4 saxophones
70
Flûte, Hautbois, Clarinette, Basson
66
Hautbois, Piano (duo)
65
Saxophone Alto et Piano
64
Quatuor de Clarinettes: 4 clarinettes
56
Saxophone, Clarinette (duo)
47
Clarinette, Violon (duo)
45
Clarinette
44
Flûte, Clarinette (duo)
42
Saxophone Soprano et Piano
39
Clarinette, Trompette (duo)
36
2 Hautbois (duo)
34
Hautbois, Clarinette (duo)
27
Flûte, Violon
25
Flûte traversière
24
Flûte, Saxophone (duo)
23
Ensemble de Flûtes
23
Ensemble De Flûte à bec
22
Hautbois, Basson (duo)
21
Saxophone Tenor et Piano
21
Clarinette et Alto
21
Cor anglais, Piano
21
Quatuor de Flûtes : 4 flûtes
21
Saxophone (partie séparée)
20
Flûte et Guitare
18
Flûte, Alto (duo)
16
3 Clarinettes (trio)
16
Ensemble de Clarinettes
15
Hautbois, Flûte
15
Saxophone Alto
15
Flûte, Trompette (duo)
15
Saxophone Baryton, Piano
15
2 Flûte à bec (duo)
13
3 Saxophones (trio)
13
Clarinette, Guitare (duo)
12
Hautbois, violon (duo)
10
Flûte, Hautbois (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Clarinette, Harpe (duo)
9
Clarinette Basse, Piano
8
Flûte, Clarinette et Basson
7
Quintette de Saxophone: 5 saxophones
7
Saxophone Tenor
7
Trio de Flûtes: 3 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois (partie séparée)
6
Ensemble de saxophones
6
Hautbois
5
5 Flûtes à bec
5
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Basson (duo)
4
Flûte, Clarinette, Piano (trio)
4
Hautbois, Harpe
4
Quatuor de Flûtes à bec
3
2 Clarinettes, Basson
3
2 Saxophones, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Clarinette (partie séparée)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Soprano
3
Flûte, Violon, Piano
3
Hautbois, Violoncelle
2
2 Flûtes traversières, Piano
2
Flûte, Violoncelle
2
Flûte à bec Alto
2
Flûte à bec Soprano
2
Flûte à bec, Guitare (duo)
2
Cor Anglais
2
2 Clarinettes, Piano
2
3 Flûtes à bec (trio)
2
Flûte à Bec
2
Saxophone et Harpe
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Basson
2
Instruments en Mib
2
Flûte, Trombone (duo)
1
Piccolo
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone
1
Piccolo, Piano
1
Flûte à Bec, Piano
1
2 Flûtes, Basse continue
1
Flûte de Pan
1
Flute (partie séparée)
1
3 Hautbois
1
Clarinette, Tuba
1
2 Hautbois, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Trompette, Piano
46
Cor et Piano
43
2 Trompettes (duo)
38
Trompette, Saxophone (duo)
37
2 Trombones (duo)
36
Trompette
31
Trombone et Piano
31
Trompette, Trombone (duo)
27
Quatuor de Cuivres
23
Cor anglais, Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Cor
17
Trombone
16
Ensemble de Trompettes
16
Tuba et Piano
15
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
9
Trompette (partie séparée)
9
Euphonium, Piano (duo)
9
Tuba
8
Trompette, Harpe
7
Trombone (partie séparée)
6
Quatuor de cuivres: 4 cors
6
Cor et Harpe
6
Ensemble de Trombones
5
2 Tubas (duo)
4
Trompette, Cor (duo)
3
Euphonium
3
Cor (partie séparée)
2
2 Euphoniums (duo)
2
Cor Anglais
2
Bass Clef Instruments
2
Quatuor de cuivres: 4 trompettes
2
Instruments en Sib
2
4 Tubas
1
Euphonium, Tuba (duo)
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
2 Cors, Piano
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
186
Violon et Piano
153
2 Harpes (duo)
131
Alto, Piano
112
Violoncelle, Piano
104
Harpe
104
Violon, Violoncelle (duo)
56
2 Violons (duo)
50
Violon
48
2 Violoncelles (duo)
40
2 Altos (duo)
38
Violon, Alto (duo)
37
Trio à Cordes: violon, alto, violoncelle
32
Trio à Cordes: 2 violons, violoncelle
22
Alto seul
21
Contrebasse, Piano (duo)
16
Violoncelle (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violoncelle
13
Contre Basse
9
4 Violoncelles
8
Harpe, Flûte (duo)
8
Harpe, Violon (duo)
7
Alto, Guitare (duo)
5
Alto (partie séparée)
5
Violon, Guitare (duo)
5
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, alto
3
Alto et Harpe
3
Alto, Violoncelle (duo)
3
2 Contrebasses (duo)
2
2 Altos, Piano
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
2 Violoncelles, Piano
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Trio à cordes
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Flûte, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
3 Harpes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
101
Orchestre d'harmonie
85
Ensemble de cuivres
46
Orchestre
35
Orchestre de chambre
26
Batterie
16
Ensemble Jazz
15
Cloches
14
Ensemble de Percussions
8
Jazz combo
7
Fanfare
6
Percussion (partie séparée)
2
Vibraphone
2
Piano et Orchestre
2
2 Xylophones
1
Xylophone
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
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AUTRES
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Within The Pearly Gate
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1260858 By Willice Kaburah. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1260858 By Willice Kaburah. By Willice Kaburah. Arranged by Willice Kaburah. Christian,Christmas,Classical,Sacred,Spiritual. Score. 2 pages. Willice Kaburah #853999. Published by Willice Kaburah (A0.1260858). 1. Some bright morn we shall see the king and meet all the saints in glory the faithful Abraham David the friend of God in glory we shall meet near the bright riverside with rapture within the pearly gates
$2.00
1.83 €
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Piano, Voix
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Willice Kaburah
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Willice Kaburah
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Within The Pearly Gate
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Willice Kaburah
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SheetMusicPlus
It was in the early spring...Op. 38 No 2 Original key. DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1216421 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1216421 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #813029. Published by Natalia Melnik (A0.1216421). P.Tchaikovsky. То было раннею веÑной... / To bylo ranneyu vesnoj... / It was in the early spring...Op. 38 No 2 ORIGINAL KEYRange:Eâ™4 - G5 (Soprano)Eâ™3 - G4 (Tenor)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-it-was-in-the-early-spring-op-38-n2-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/n8QIxBsykB8
$8.50
7.79 €
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Piano, Voix
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Peter Ilyich Tchaikovsky
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Russian for Singers
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It was in the early spring...Op. 38 No 2 Original key. DICTION SCORE with IPA and translation
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Natalia Melnik
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SheetMusicPlus
This Nearly Was Mine
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1211495 By Various Artists. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1211495 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #809105. Published by DAVID LEE GINGRAS (A0.1211495). This Nearly Was Mine is a song featured in the 1958 film South Pacific with music composed by Richard Rodgers and lyrics written by Oscar Hammerstein II. In the song, Emile de Becque (Rossano Brazzi) grieves for the love-filled life he might have known while feeling he has lost the love of his life. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.58 €
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Piano, Voix
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Various Artists
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Dave Gingras and John E
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This Nearly Was Mine
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DAVID LEE GINGRAS
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SheetMusicPlus
Anonymous-Early one morning,in E flat Major
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393595 Composed by Anonymit…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393595 Composed by Anonymity. Arranged by OSM Press. Classical. Score. 2 pages. Open Cloud #977054. Published by Open Cloud (A0.1393595).
$1.99
1.82 €
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Piano, Voix
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Anonymity
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OSM Press
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Anonymous-Early one morning,in E flat Major
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Open Cloud
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SheetMusicPlus
Tchaikovsky-It was in the Early Spring',in E flat Major,Op.38 No.2
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1394605 Composed by Pyotr Tc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1394605 Composed by Pyotr Tchaikovsky. Arranged by OSM Press. Classical. Score. 6 pages. Open Cloud #978092. Published by Open Cloud (A0.1394605).
$4.99
4.58 €
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Piano, Voix
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Pyotr Tchaikovsky
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OSM Press
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Tchaikovsky-It was in the Early Spring',in E flat Major,Op.38 No.2
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Open Cloud
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SheetMusicPlus
S. Foster-Tell Me Love of Thy Early Dreams,in E flat Major
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1384597 Composed by Stephen …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1384597 Composed by Stephen Foster (Stephen Collins Foster). Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #968874. Published by Open Cloud (A0.1384597).
$1.99
1.82 €
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Piano, Voix
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Stephen Foster
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OSM Press
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S. Foster-Tell Me Love of Thy Early Dreams,in E flat Major
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Open Cloud
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SheetMusicPlus
Early in the Morning
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.821518 Composed by Everall A…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.821518 Composed by Everall A. Peele. Christian,Jewish,Praise & Worship,Sacred. Score. 2 pages. Everall Aiken Peele #1910501. Published by Everall Aiken Peele (A0.821518). Contemporary Christian worship song based on Psalm 30. Lively.
$3.99
3.66 €
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Piano, Voix
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Everall A
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Early in the Morning
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Everall Aiken Peele
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SheetMusicPlus
Bantock-Folksong,Early strolling at my leisure(L'autrier par la matinée),in G Major,for Voice and Pi
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670341 Composed by Bantock. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670341 Composed by Bantock. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #4576205. Published by Open Cloud (A0.670341). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Bantock (Bantock Granville), 1868-1946, for Voice and Piano.
$3.99
3.66 €
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Piano, Voix
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Bantock
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MSM
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Bantock-Folksong,Early strolling at my leisure(L'autrier par la matinée),in G Major,for Voice and Pi
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Open Cloud
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SheetMusicPlus
IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1415786 Composed by Chinese …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Instructional,Multicultural,New Age,Romantic Period,Singer/Songwriter,World. Score. 6 pages. White Piano International Publishing #997105. Published by White Piano International Publishing (A0.1415786). IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal by ROBERT VAN HORNE & HU XING - TING 胡ç»å»·6 pagesIWOMAH? (DO YOU STILL LOVE ME?) was initially composed and published as a piano solo back in 1993. Currently featured on Robert's album “CHINA LOVE,†this piece is available as an early and advanced intermediate piano solo for purchase on SHEET MUSIC PLUS and SHEET MUSIC DIRECT.The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me? I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.In the early 2000s, Mr. Hu Xing-Ting 胡ç»å»·, a well-known lyricist from Beijing, China, penned lyrics for IWOMAH? (DO YOU STILL LOVE ME?) as well as other tracks from “CHINA LOVE.†His visit to California in 2004, part of a cultural exchange program, provided an opportunity for me to meet him, a honor indeed.Despite my lack of proficiency in Chinese, his lyrics are universally regarded as warm and profound. The Piano/Vocal Sheet Music of IWOMAH? (DO YOU STILL LOVE ME?) includes a clearly notated piano accompaniment alongside vocal parts and chord symbols, offering comprehensive guidance for singers (proficient in Chinese characters) and pianists aiming for an expressive rendition.IWOMAH? (DO YOU STILL LOVE ME?) is a beautifully melodic piece suitable for vocalists who give concerts and recitals, appealing even to those unfamiliar with Mandarin. Currently, there are no English lyrics to this piece. Originally in the key of E Flat, it boasts universal charm.For those interested, a performance of Robert playing IWOMAH? (DO YOU STILL LOVE ME?) as a piano solo without vocals can be enjoyed on YouTube at: http://www.youtube.com/watch?v=zgjmV4yl9zEPublished by White Piano International PublishingRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
4.58 €
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Piano, Voix
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Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HORNE
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ROBERT VAN HORNE
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IWOMAH?
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White Piano International Publishing
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SheetMusicPlus
Grey Light of Dawn PVG
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983996 Composed by Steven H.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983996 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score. 6 pages. Boothe Publishing #4360839. Published by Boothe Publishing (A0.983996). In the early morning light it's hard to see exactly what is and what isn't there. Objects that are seen clearly in the light of day are elusive and can't be seen directly in the grey light of the morning. In the grey light of life it is unclear if relationships are strong or weak. Many times the feelings I have had for other people exist because I really do not know them. I imagine that they are better or more wonderful than they really are because of my lack of knowledge about them. Sometimes it seems that I want what might have been or what might be more than I want reality. In the light of day all shadows disappear.
$3.99
3.66 €
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Piano, Voix
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Steven H
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Ashley Ivers
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Grey Light of Dawn PVG
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Boothe Publishing
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SheetMusicPlus
MY PENNSYLVANIA HOMELAND Piano/Vocal
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914977 Composed by ROBERT VA…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914977 Composed by ROBERT VAN HORNE. Film/TV,Folk,Historic,Pop,Singer/Songwriter. Score. 7 pages. White Piano International Publishing #6572957. Published by White Piano International Publishing (A0.914977). MY PENNSYLVANIA HOMELAND Â Piano / Vocal Popular SongWords & Music by ROBERT VAN HORNE7 PagesDuring my youth, I grew up in a small southeastern town in the beautiful state of Pennsylvania. Much of my early adulthood was spent living near the city of Philadelphia. Now, since I no longer live in PA, I was inspired to compose a song about the place that was once my home...a place where memories of my childhood were born. Many thanks to my good friends, Jack and Sue, former Pennsylvanians, whose inspiration and friendship helped me write this song.This is a popular song for singers who would like to add a new and original piece to their repertoire. It is clearly notated with lyrics, chords, piano accompaniment and vocal part.The song would also make a nice background theme for TV or movies about Pennsylvania as well as promotional material for the Chamber of Commerce in the different Pennsylvania counties and cities.A Youtube video of Robert's 2012 performance is available at: http://youtu.be/SJ2HKcIQ-wkRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$4.99
4.58 €
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Piano, Voix
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ROBERT VAN HORNE
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MY PENNSYLVANIA HOMELAND Piano/Vocal
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White Piano International Publishing
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SheetMusicPlus
TRUE AND GENTLE (Piano/ Vocal)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1299409 By ROBERT VAN HORNE.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1299409 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Broadway,Contemporary,Early Music,Film/TV,Musical/Show,Singer/Songwriter. Score. 9 pages. White Piano International Publishing #889267. Published by White Piano International Publishing (A0.1299409). TRUE AND GENTLE (Piano/Vocal) by ROBERT VAN HORNE9 pagesTRUE AND GENTLE was originally composed as an intermediate piano solo in 2014. Currently, TRUE AND GENTLE (Piano Solo) is published with SHEET MUSIC PLUS and SHEET MUSIC DIRECT. In 2016, Robert wrote lyrics to this song. The words tell of a woman he has dreamed about and imagined: a “True and Gentle Lady.â€Â This song, crafted with tender care, beautifully captures the essence of true love and gentle emotions. The words add a meaningful connection to this memorable and enchanting melody. Robert considers it one of the most beautiful and romantic songs he has ever written. The Piano/Vocal Sheet Music of TRUE AND GENTLE  features a clearly published piano accompaniment, suggested piano fingerings with a vocal part and chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance.TRUE AND GENTLE is a song that will entertain audiences at concerts and recitals and could even be used as a theme for a television show or movie production.The original key is B Flat and E Flat. The mp3 example is performed and sung by Robert in the key of G and C. A 2015 YouTube performance of Robert playing TRUE AND GENTLE (Piano Solo) is available at: http://youtu.be/4gShVmgEzWsRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99
5.49 €
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Piano, Voix
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ROBERT VAN HORNE
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TRUE AND GENTLE
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White Piano International Publishing
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SheetMusicPlus
Feed Your Faith Songbook
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922827 Composed by Chris Dri…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922827 Composed by Chris Driesbach, Jayne Nitz. Children,Christian,Contemporary,Praise & Worship. Score. 30 pages. Jayne Nitz #6323265. Published by Jayne Nitz (A0.922827). Based on God’s true words in the Bible, these catchy, original Christian songs for children are favorites from Chris Driesbach’s CD, Feed Your Faith, and address unique Bible topics not always found in kids’ songs. Includes guitar chords! This songbook is meant for home singing. For children’s choir singing, please purchase the separate titles, which also include reproducible lyric and lead sheets.Feed Your FaithYour faith needs to be fed to be strong and grow! Any occasion.Scripture: 1 Peter3:15, Romans 10:17, Matthew 4:4, 1 Peter 2:2.Because My Father Loves MeEspecially fitting for Trinity Sunday, this song teaches about our Triune God.Scripture: Genesis 1, John 14:1-2, Romans 5:8, 2 Peter 1:21.I’m a Saint!Because of Jesus’ life and death, my status is perfect in God’s eyes. Any occasion.Scripture: Psalm 51:5, John 14:6, Ephesians 1:1, John 3:16, Hebrews 10:14.We LoveWe love each other dearly because God loves us dearly, but it isn’t always easy! Any occasion.Scripture: 1 John 4:19, John 13:34, John 13:1-17, Matthew 18:1-35.Download these songs or the entire album atwww.chrisdriesbach.com/musicPurchase the physical Feed Your Faith CD atwww.nph.netJayne Nitz has more children’s songs here, and at Northwestern Publishing House:
$6.99
6.41 €
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Piano, Voix
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Chris Driesbach, Jayne Nitz
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Feed Your Faith Songbook
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Jayne Nitz
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SheetMusicPlus
Prisoner Of Love
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1303856 By James Brown. By C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1303856 By James Brown. By Clarence Gaskill, Leo Robin, and Russ Columbo. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #893379. Published by DAVID LEE GINGRAS (A0.1303856). Prisoner of Love is a 1931 popular song, with music by Russ Columbo and Clarence Gaskill and lyrics by Leo Robin. This beautiful song, with music actually written by Russ Columbo, could not be sung better by any baritone crooner of the early late 1920s and early 1930s. This version was developed from the original 1931 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this classic tune!
$4.99
4.58 €
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Piano, Voix
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James Brown
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Dave Gingras and John E
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Prisoner Of Love
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DAVID LEE GINGRAS
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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