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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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Non classifié
173
Piano & claviers
Piano seul
292
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84
Accordéon
73
Piano, Voix et Guitare
25
Orgue
14
Instruments en Do
13
Accompagnement Piano
8
Piano Facile
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
1
Clavecin
1
+ 7 instrumentations
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Guitares
Guitare
42
Basse electrique
31
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
5
Piano, Guitare (duo)
2
3 Guitares (trio)
1
2 Guitares (duo)
1
Ukulele
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 5 instrumentations
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Voix
Chorale SATB
49
Chorale 3 parties
23
Voix seule
20
Chorale 2 parties
11
Chorale TTBB
8
Chorale SSAA
8
Chorale Unison
5
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix Tenor, Piano
2
Chorale
1
Voix haute
1
+ 7 instrumentations
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Vents
Saxophone
154
Flûte traversière
67
Clarinette
55
Cor anglais, Piano
30
Flûte traversière et Piano
28
Clarinette et Piano
23
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
2 Saxophones (duo)
19
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto et Piano
15
Saxophone Tenor et Piano
13
3 Saxophones (trio)
13
2 Clarinettes (duo)
9
2 Flûtes traversières (duo)
9
3 Clarinettes (trio)
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Soprano et Piano
7
Quatuor de Flûtes : 4 flûtes
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Alto
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone, Clarinette (duo)
5
Saxophone Tenor
5
Flûte à Bec
4
Cor anglais, Guitare (duo)
4
Quintette de Saxophone: 5 saxophones
4
2 Clarinettes, Piano
4
Clarinette, Violon (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Basson
4
Hautbois
4
Flûte, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Hautbois, Basson (duo)
3
Ensemble de Clarinettes
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Baryton, Piano
3
Flûte, Clarinette et Basson
3
Hautbois, Flûte
3
Flûte à bec Soprano
2
Flûte, Violon
2
Flûte, Clarinette, Piano (trio)
2
Cor Anglais
2
Flûte, Trombone (duo)
2
Hautbois (partie séparée)
2
Hautbois, Clarinette (duo)
2
Saxophone (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano
2
Clarinette et Alto
2
Saxophone Baryton
2
Flûte, Saxophone (duo)
2
Flûte à bec Alto
2
2 Saxophones, Piano
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violoncelle
1
2 Hautbois (duo)
1
Flûte, trombone et piano
1
Flûte, Violoncelle
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Tuba (duo)
1
Flûte, Alto et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Piano
1
Ensemble de Flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
2 Hautbois, Piano
1
Flûte, Basson et Piano
1
Clarinette Basse, Piano
1
Clarinette, trompette et piano
1
Flûte, Alto (duo)
1
Saxophone, Tuba (duo)
1
Ensemble de saxophones
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte et Trio à cordes
1
Saxophone et Piano
1
3 Hautbois
1
Flûte, Violon et Violoncelle
1
Harmonica
1
+ 80 instrumentations
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53
Trombone
49
Cor anglais, Piano
30
Trompette, Piano
18
Cor et Piano
14
Trombone et Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor
6
Trompette, Saxophone (duo)
5
Quatuor de Cuivres
5
Cor anglais, Guitare (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trombones (duo)
3
Tuba
3
2 Trompettes (duo)
3
Tuba et Piano
3
Trompette, Trombone (duo)
2
Cor Anglais
2
3 Cors (trio)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
2
Cor et Harpe
1
2 Tubas (duo)
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 cors
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Euphonium
1
Euphonium, Piano (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Trompettes
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
29
Alto, Piano
25
Violoncelle, Piano
16
Alto seul
15
Violoncelle
15
Harpe
15
Violon
13
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
7
2 Violons (duo)
6
2 Altos (duo)
5
Contrebasse, Piano (duo)
4
Trio à cordes: 3 violins
4
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
2 Harpes (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
2 Violoncelles (duo)
2
Contre Basse
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Alto (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Violon, Trompette et Piano
1
2 Violoncelles, Piano
1
Alto, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes
1
+ 34 instrumentations
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Orchestre & Percussions
Batterie
53
Orchestre d'harmonie
16
Ensemble de cuivres
8
Orchestre
8
Orchestre à Cordes
7
Ensemble Jazz
3
Orchestre de chambre
2
3 Percussions
1
Caisse Claire
1
Cloches
1
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76
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 16: Je sens fleuri
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-16E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 2: Je te l’a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Berlioz-Adieu Bessy:romance anglaise et française,H 46A,in G Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Hector Berlioz
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OSM Press
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Berlioz-Adieu Bessy:romance an
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1387987 Composed by Hector Berlioz. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud #971579. Publishe...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1387987 Composed by Hector Berlioz. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud #971579. Published by Open Cloud (A0.1387987).
$5.99
Op. 37, No. 6: Fais rafraîchir le vin from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 37, No. 6: Fais rafra&icir
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-06E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 42, No. 3: Je ne saurais aimer autre que vous from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 42, No. 3: Je ne saurais a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-18E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Franck - Panis Angelicus in G Major - Intermediate
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Piano, Voix
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INTERMÉDIAIRE
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Cesar Auguste Franck
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Piacere Music Sheets
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Franck - Panis Angelicus in G
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.847790 Composed by Cesar Auguste Franck. Arranged by Piacere Music Sheets. Praise & Worship,Romantic Period,Standa...
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Piano,Vocal,Voice - Level 3 - SKU: A0.847790 Composed by Cesar Auguste Franck. Arranged by Piacere Music Sheets. Praise & Worship,Romantic Period,Standards. Score. 10 pages. Piacere Music Sheets #6508451. Published by Piacere Music Sheets (A0.847790). Opus/Catalog Number: FWV 61, Op. 12, mvt. V - Messe à trois voix
$6.95
Franck - Panis Angelicus in A Major - Intermediate
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Piano, Voix
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INTERMÉDIAIRE
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Cesar Auguste Franck
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Piacere Music Sheets
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Franck - Panis Angelicus in A
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.847791 Composed by Cesar Auguste Franck. Arranged by Piacere Music Sheets. Praise & Worship,Romantic Period,Standa...
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Piano,Vocal,Voice - Level 3 - SKU: A0.847791 Composed by Cesar Auguste Franck. Arranged by Piacere Music Sheets. Praise & Worship,Romantic Period,Standards. Score. 10 pages. Piacere Music Sheets #6508481. Published by Piacere Music Sheets (A0.847791). Opus/Catalog Number: FWV 61, Op. 12, mvt. V - Messe à trois voix
$5.95
Franck - Panis Angelicus in F Major - Intermediate
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Piano, Voix
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INTERMÉDIAIRE
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Cesar Auguste Franck
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Piacere Music Sheets
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Franck - Panis Angelicus in F
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.847792 Composed by Cesar Auguste Franck. Arranged by Piacere Music Sheets. Praise & Worship,Romantic Period,Standa...
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Piano,Vocal,Voice - Level 3 - SKU: A0.847792 Composed by Cesar Auguste Franck. Arranged by Piacere Music Sheets. Praise & Worship,Romantic Period,Standards. Score. 10 pages. Piacere Music Sheets #6508483. Published by Piacere Music Sheets (A0.847792). Opus/Catalog Number: FWV 61, Op. 12, mvt. V - Messe à trois voix
$6.95
Liszt-Enfant,si j'étais Roi in G flat Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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MSM
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Liszt-Enfant,si j'étais
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667149 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410269. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667149 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410269. Published by Open Cloud (A0.667149). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in B flat Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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MSM
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Liszt-Enfant,si j'étais
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667151 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410275. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667151 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410275. Published by Open Cloud (A0.667151). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in B Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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MSM
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Liszt-Enfant,si j'étais
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667153 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410277. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667153 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410277. Published by Open Cloud (A0.667153). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in G Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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MSM
#
Liszt-Enfant,si j'étais
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667152 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410273. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667152 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410273. Published by Open Cloud (A0.667152). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in C Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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MSM
#
Liszt-Enfant,si j'étais
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667146 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410261. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667146 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410261. Published by Open Cloud (A0.667146). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in E Major,for Voice and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Liszt
#
MSM
#
Liszt-Enfant,si j'étais
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667148 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410267. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667148 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410267. Published by Open Cloud (A0.667148). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in A flat Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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MSM
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Liszt-Enfant,si j'étais
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667147 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410265. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667147 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 14 pages. Open Cloud #4410265. Published by Open Cloud (A0.667147). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in A Major,for Voice and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Franz Liszt
#
MSM
#
Liszt-Enfant,si j'étais
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667150 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410271. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667150 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410271. Published by Open Cloud (A0.667150). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Liszt-Enfant,si j'étais Roi in F Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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MSM
#
Liszt-Enfant,si j'étais
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.667145 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410263. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.667145 Composed by Franz Liszt. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4410263. Published by Open Cloud (A0.667145). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Liszt (Franz Liszt), 1811-1886, for Voice and Piano, published by More Sheet Music Press.
$6.99
Prayer of St. Francis
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Piano, Voix
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INTERMÉDIAIRE
#
Musique Sacrée
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Ruth Raubertas
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Prayer of St. Francis
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White Bird Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1364286 Composed by Ruth Raubertas. Christian,Lent,Praise & Worship,Sacred,Wedding. Score. 4 pages. White Bird Mus...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1364286 Composed by Ruth Raubertas. Christian,Lent,Praise & Worship,Sacred,Wedding. Score. 4 pages. White Bird Music #948589. Published by White Bird Music (A0.1364286). With words sometimes attributed to St. Francis of Assisi, this original setting of Lord, Make Me an Instrument (for either solo or unison treble choir) is appropriate for school, church or any Christian or Catholic event. The feel of this piece is calm but inspirational, building through unique rhythms to the high point of its poetic theme. With both an easy piano accompaniment and an easy vocal range for most singers, this piece nonetheless captures a sense of the sacred as well as a socially conscious message.
$4.99
We Praise Thy Name (Holy God, We Praise Thy Name)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Everall A
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We Praise Thy Name
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Everall Aiken Peele
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.821544 Composed by Everall A. Peele. Christian,Praise & Worship,Sacred. Score. 2 pages. Everall Aiken Peele #20597...
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Piano,Vocal,Voice - Level 3 - SKU: A0.821544 Composed by Everall A. Peele. Christian,Praise & Worship,Sacred. Score. 2 pages. Everall Aiken Peele #2059761. Published by Everall Aiken Peele (A0.821544). A new tune for an old familiar hymn often makes the words easier to hear and more meaningful. This majestic and worshipful version of Holy God, We Praise Thy Name by Ignaz Franz gives new depths to his incredible words; suitable for Christian worship services as a congregational hymn or special music by a group or worship team.
$3.99
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 5: Si vous m&rsquo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 4: Prière a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 3: Vous ne voulez
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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