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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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DEEJAY
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HAUTBOIS
LIVRES
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OCARINA
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Chick
Non classifié
34
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23
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4
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3
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2
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Orgue
1
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1
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4
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3
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2
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16
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5
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Harpe
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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Vous avez sélectionné:
Chick
avancé
Piano, Voix
Partitions à imprimer
4 partitions trouvées
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Blues for Chick
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Safflower Music LLC
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Theory
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Blues for Chick
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Safflower Music LLC
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.508575 Composed by Safflower Music LLC. Instructional,Jazz,Standards. Score. 2 pages. Safflower Music LLC #5823021...
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Piano,Vocal,Voice - Level 4 - SKU: A0.508575 Composed by Safflower Music LLC. Instructional,Jazz,Standards. Score. 2 pages. Safflower Music LLC #5823021. Published by Safflower Music LLC (A0.508575). This harmonically rich contemporary composition is presented in the form of a standard jazz lead sheet replete with melody and chord symbols. This study is great for the intermediate pianist looking to develop skills in the areas of sight-reading, technique, theory, and artistry. —by Sarah Jane Cion, Winner of the 1999 Great American Jazz Piano Competition and author of MODERN JAZZ PIANO REVEALED An Intermediate Guide to Jazz Concepts, Improvisation, Technique & Theory
$4.99
Mermaid's Aria
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Rachel J
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Mermaid's Aria
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Rachel J Peters
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1302242 Composed by Rachel J. Peters. 21st Century,Classical,Opera. Score. 8 pages. Rachel J Peters #891847. Publi...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1302242 Composed by Rachel J. Peters. 21st Century,Classical,Opera. Score. 8 pages. Rachel J Peters #891847. Published by Rachel J Peters (A0.1302242). Aria for mezzo-soprano or dramatic soprano from the opera The Wild Beast of the BungalowLibretto by Royce Vavrek, based on the short story Mermaid in the Jar by Sheila Heti.This aria occurs in the first portion of a triptych of short chamber operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy) that take place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents' volatile conversations on the other side. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chicken pox and shingles force her to confront what it means to care for others and be cared for herself.DURATION: 5:00WORLD PREMIERE: Oberlin Conservatory, Winter 2020For more information about this opera, visit www.racheljpeters.com.
$6.00
The Wild Beast of the Bungalow
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1371218 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. Score. ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1371218 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. Score. 237 pages. Rachel J Peters #955471. Published by Rachel J Peters (A0.1371218). Libretto by Royce Vavrek, based on and further inspired by Mermaid in the Jar by Sheila Heti.This triptych of short chamber operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy) takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chicken pox and shingles force her to confront what it means to care for others and be cared for herself.INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Full orchestra score and parts will need to be rented separately.)DURATION: 90 minutesPAGES: 237WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please contact the composer at rachel@racheljpeters.com.
$37.50
Infinite, Eternal, Invisible, Undetectable God
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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Infinite, Eternal, Invisible,
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise...
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Piano,Vocal,Voice - Level 4 - SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
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