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Three Pieces for Piano
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Congregational Piano Hymn Arrangements Booklet Three
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jenifer Lynn Cook
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Jenifer Lynn Cook
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Congregational Piano Hymn Arra
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Jenifer Cook
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1282634 By Jenifer Lynn Cook. By Various. Arranged by Jenifer Lynn Cook. Christian,Praise & Worship,Religious. Sco...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1282634 By Jenifer Lynn Cook. By Various. Arranged by Jenifer Lynn Cook. Christian,Praise & Worship,Religious. Score. 39 pages. Jenifer Cook #873892. Published by Jenifer Cook (A0.1282634). Early advanced congregational arrangements. (ten hymns) Bonus: Different version of He Leadeth Me without fermatas.Most of the hymns are in a lower key by at least two half steps. The piano score does not always support the four parts in the hymnal.37 pages of music! Enjoy playing these colorful pieces that will rejuvenate the congregational singing in your church!Each arrangement includes an introduction too! All the hymns contain at least two verses worth except for One DayHymn list:  1. At Calvary2. Crown Him with Many Crowns3. He Leadeth Me (with fermatas)4. He Leadeth Me (without fermatas)5. I Must Tell Jesus6. It is Well (with key change) key of B flat Major to C Major7. Like a River8. One Day (old traditional hymn)9. Stand Up for Jesus10. Tell it to Jesus11. Wonderful Grace of Jesus.
$17.00
He Will Lead Me Home
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
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