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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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Van y Vienen, for Mezzo-soprano and Piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Marcos Fernandez-Barrero
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Van y Vienen, for Mezzo-sopran
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Marcos Fernandez-Barrero
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1470648 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Christian,Opera,Sacred. Sco...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1470648 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Christian,Opera,Sacred. Score. 17 pages. Marcos Fernandez-Barrero #1048301. Published by Marcos Fernandez-Barrero (A0.1470648). Work commissioned for mezzo-soprano Sandra Ferrández and pianist Irene Alfageme to be premiered at the Teatro de la Zarzuela (Madrid) on 1st April 2024.The piece takes inspiration from the the XV Century Spanish poem by anonymous author 'Van Y Vienen', which gave the lyrics of the work. Although the poem was written in the Middle Ages, it resonates with a timeless universality, allowing for a deep connection with the contemporary audience. Its metaphor of the sea as a reflection of human emotions – that come and go like the waves of the sea – transcends eras, resonating with the instability and hope that characterize the human experience.By using it as lyrics for a sort of contemporary habanera, I saw the possibility of merging the nostalgia of the past with the artistic expression of the present, creating a bridge between different historical moments through music and poetry. ____________________________________________________________________Obra encargo para el estreno a cargo de la mezzosoprano Sandra Ferrández y la pianista Irene Alfageme en el Teatro de la Zarzuela (Madrid) el 1 de abril de 2024. La pieza se utiliza el poema anónimo del siglo XV 'Van y Vienen'. Aunque fue escrito en la Edad Media, resuena con una universalidad atemporal, permitiendo una profunda conexión en la era actual. Su metáfora del mar como reflejo de las emociones humanas – que van y vienen como las olas del mar – trasciende épocas, resonando con la inestabilidad y la esperanza que caracterizan la experiencia humana. Al utilizarlo como letra para una especie de habanera contemporánea, vi la posibilidad de fusionar la nostalgia del pasado con la expresión artística del presente, creando un puente entre diferentes momentos históricos a través de la música y la poesía.
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