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2020
Non classifié
100
Piano & claviers
Piano seul
92
Piano, Voix
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Orgue
3
Orgue, Trompette (duo)
2
Piano, Voix et Guitare
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ensemble d'Accordéons
1
Accordéon
1
+ 5 instrumentations
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Guitares
Guitare
83
2 Guitares (duo)
13
4 Guitares (Quatuor)
7
Guitare notes et tablatures
6
Mandoline, Piano (duo)
5
Ligne De Mélodie, (Paroles) et Accords
3
Ensemble de guitares
3
Mandoline
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Flûte, Clarinette
1
Guitare, Orchestre
1
Basse electrique
1
+ 9 instrumentations
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Voix
Chorale SATB
19
Chorale SSAATTBB
8
Chorale TTBB
2
Voix Soprano, Piano
1
Chorale
1
Chorale 3 parties
1
Chorale SSAA
1
+ 2 instrumentations
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Vents
Hautbois (partie séparée)
15
2 Flûtes traversières (duo)
12
Clarinette
9
Clarinette (partie séparée)
8
Ensemble de saxophones
8
Flute (partie séparée)
6
Saxophone (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
4
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3
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3
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2
Piccolo
2
Flûte traversière
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Piano (duo)
2
Clarinette Basse
2
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
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1
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1
Saxophone Soprano et Piano
1
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1
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1
Cor anglais, Piano
1
Clarinette et Piano
1
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1
Cor Anglais
1
Quatuor de Flûtes à bec
1
2 Clarinettes (duo)
1
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1
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1
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1
2 Hautbois (duo)
1
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1
+ 29 instrumentations
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Cor
11
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9
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7
Trompette (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone (partie séparée)
4
Cor (partie séparée)
4
Trompette, Piano
3
Tuba
3
Trombone et Piano
2
Euphonium (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
Trompette, Orchestre
1
Trompette
1
Tuba (partie séparée)
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
Cor, Orchestre
1
Cor et Piano
1
Trombone basse
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon
16
Violon, Guitare (duo)
13
Violon et Piano
7
Violoncelle
6
Alto seul
5
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
3
Violon, Alto (duo)
2
Alto et orchestre
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
2
Ensemble de Violoncelles
2
Violoncelle, Contrebasse (duo)
2
Harpe
2
Alto, Piano
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre
22
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15
Orchestre d'harmonie
13
Ensemble de cuivres
10
Ensemble Jazz
6
Jazz combo
4
Orchestre de chambre
3
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2
Fanfare
1
Timbales (partie séparée)
1
Xylophone
1
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Vous avez sélectionné:
2020
expert
Piano, Voix
Partitions à imprimer
4 partitions trouvées
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Two Dream Poems (2020) for Soprano and Piano
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Piano, Voix
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AVANCÉ
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Corinne Byrne, soprano and Set
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Two Dream Poems
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Blue Unity Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contempo...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contemporary. Score. 21 pages. Blue Unity Music #706801. Published by Blue Unity Music (A0.1103534). George Brandon: Two Dream Poems (2020) for Soprano and Piano This piece consists of musical settings of two 20th century poems concerning the dream state: one by the American poet Gary Snyder; the other by Mavash Sabet from Iran. Gary Snyder’s poem, “Maudgalyayana Saw Hellâ€, is a complex and multilayered portrayal of a passage through the dream state, beginning with falling asleep and ending with waking up. At the same time as it describes a mythical journey and an inward psychological journey, it also presents a Buddhist metaphysical perspective in which the whole of life, and our ordinary sense of reality, appear and are questioned as dream states as well. At the time that Mavash Sabet wrote her poem “Hello Again†she was a political prisoner sentenced to twenty years in prison for her religious and educational activities. on behalf of the Bahai faith, a religion which is persecuted by Iran's theocratic government. “Hello Againâ€, from her book Prison Poems, describes a dream experience that renewed her inner sense of freedom despite being incarcerated, and provided her with strength and hope for the future. Complex but singable, intense and lyrical, these compelling songs will make a great impact in a concert or recital program. Duration: approximately 9 mins. Advanced.
$6.95
Que je t'accueille...
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Piano, Voix
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AVANCÉ
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Contemporain
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Alain Gagnon
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Que je t'accueille...
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SheetMusicPlus
Composed by Alain Gagnon. Vocal score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 974. Published by Les Editions Doberman-Yppan (digital)...
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Composed by Alain Gagnon. Vocal score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 974. Published by Les Editions Doberman-Yppan (digital)
$8.95
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
Mermaid in the Jar Piano/Vocal Score
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Piano, Voix
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AVANCÉ
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Rachel J
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Mermaid in the Jar Piano/Vocal
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Rachel J Peters
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1302964 Composed by Rachel J. Peters. 21st Century,Classical,Comedy,Opera. Score. 57 pages. Rachel J Peters #89257...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1302964 Composed by Rachel J. Peters. 21st Century,Classical,Comedy,Opera. Score. 57 pages. Rachel J Peters #892572. Published by Rachel J Peters (A0.1302964). A short operaMusic by Rachel J. PetersLibretto by Royce VavrekBased on the short story by Sheila HetiMermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voicesDURATION: 20 minutesWORLD PREMIERE: Oberlin Conservatory, Winter 2020NOTE: All performances of this work require separate permission and licensing. To learn more about this opera and obtain performance rights, please visit www.racheljpeters.com.
$20.00
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