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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain century
Non classifié
306
Piano & claviers
Piano seul
305
1 Piano, 4 mains
83
2 Pianos, 4 mains
45
Piano, Voix
33
Orgue
15
Piano Trio: piano, violon, violoncelle
8
Piano, Voix et Guitare
7
Instruments en Do
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
2
1 Piano, 6 mains
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Facile
1
+ 10 instrumentations
Retracter
Guitares
Guitare
33
Guitare notes et tablatures
13
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
2 Guitares (duo)
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
50
Chorale TTBB
8
Voix Soprano, Piano
5
Voix haute
4
Chorale SSAA
3
Chorale 3 parties
2
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix duo
1
Voix seule
1
Voix Baryton
1
Voix Alto, Piano
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Flûte traversière et Piano
16
Clarinette et Piano
14
Saxophone Alto et Piano
12
Quatuor de Saxophones: 4 saxophones
11
Quatuor de Clarinettes: 4 clarinettes
11
Quintette de Saxophone: 5 saxophones
10
Clarinette
8
Flûte traversière
8
Hautbois, Piano (duo)
7
Ensemble de saxophones
6
Hautbois (partie séparée)
5
Quintette de Clarinettes: 5 clarinettes
4
Flute (partie séparée)
4
3 Clarinettes (trio)
3
Saxophone Alto
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de Clarinettes
3
Saxophone Tenor et Piano
3
Clarinette Basse, Piano
3
Flûte et Guitare
2
Flûte à Bec
2
3 Saxophones (trio)
2
5 Flûtes à bec
2
Flûte, Violon, Piano
2
Saxophone
2
2 Clarinettes (duo)
2
Saxophone Soprano et Piano
2
Flûte, Saxophone (duo)
1
2 Saxophones (duo)
1
2 Hautbois (duo)
1
Ocarina
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Saxophone (partie séparée)
1
Flûte à bec Soprano
1
Hautbois
1
Quatuor de Flûtes : 4 flûtes
1
Cor Anglais
1
Ensemble de Flûtes
1
Saxophone Soprano
1
Saxophone Baryton
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone Baryton, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
Piccolo
1
Clarinette, Violoncelle (duo)
1
Saxophone Tenor
1
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Guitare
1
2 Flûtes traversières (duo)
1
Flûte, Trombone (duo)
1
Flûte, Tuba (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Basson (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trombone et Piano
25
Euphonium, Piano (duo)
15
Ensemble de Trombones
14
Cor et Piano
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette
7
Tuba et Piano
7
Cor
6
Trompette, Piano
6
Trombone
6
Quatuor de cuivres: 4 trombones
5
Tuba
5
2 Euphoniums et 2 Tubas
4
Ensemble de Cors
3
Trompette, violon (duo)
3
Trombone basse
3
Trombone basse et Piano
3
Quatuor de Cuivres
2
2 Trombones (duo)
2
Ensemble de Trompettes
2
2 Cors (duo)
1
Trombone (partie séparée)
1
Trompette, Trombone (duo)
1
Cor Anglais
1
3 Trombones (trio)
1
Trompette (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
Trombone et orchestre
1
Quatuor de cuivres: 4 cors
1
Trompette, Tuba (duo)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
83
Violon et Piano
35
Violon
20
Violoncelle, Piano
12
Violon, Violoncelle (duo)
9
Alto, Piano
9
Violoncelle
6
Trio à Cordes: violon, alto, violoncelle
5
2 Violons (duo)
5
Harpe
5
Alto seul
4
Violon, Guitare (duo)
4
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Basse continue
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
113
Orchestre d'harmonie
45
Orchestre à Cordes
34
Orchestre de chambre
27
Ensemble de cuivres
20
Ensemble de Percussions
6
Ensemble Jazz
4
Cloches
3
Marimba
2
Fanfare
1
Vibraphone
1
Batterie
1
+ 7 instrumentations
Retracter
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FLUTE A DIX…
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1
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Meilleures Ventes
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Partitions à imprimer
33 partitions trouvées
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1
26
Germaine Tailleferre: Concerto des Vaines Paroles - piano vocal score
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Piano, Voix
#
AVANCÉ
#
Contemporain
#
Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1175417 Composed by Germaine Tailleferre. 20th Century,Classical,Contemporary. Score. 76 pages. Musik Fabrik Music...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1175417 Composed by Germaine Tailleferre. 20th Century,Classical,Contemporary. Score. 76 pages. Musik Fabrik Music Publishing #775575. Published by Musik Fabrik Music Publishing (A0.1175417). Tailleferre's last Concertante work for solo piano, written for her duo with the French singer Bernard Lefort to a text by Jean-Tardieu. The orchestra is scored for 2(pic)121/2210/timp/3perc/hp/cel/strings and lasts about 18 minutes. This is the piano vocal score with a condenced orchestra part. The full score is available for sale and the parts are on rental from the publisher.
$36.95
Ain't Know Love Like My Baby's Love
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Piano, Voix
#
AVANCÉ
#
Tony Adams
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Nathaniel Tony Adams BMI
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Ain't Know Love Like My Baby's
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Nathaniel Tony Adams Publishing Sa BMI
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1136097 By Tony Adams. By Nathaniel Tony Adams BMI. Arranged by Nathaniel Tony Adams BMI. 20th Century,Blues,Film/...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1136097 By Tony Adams. By Nathaniel Tony Adams BMI. Arranged by Nathaniel Tony Adams BMI. 20th Century,Blues,Film/TV,Holiday,Wedding. Score. 8 pages. Nathaniel Tony Adams Publishing Sa BMI #736124. Published by Nathaniel Tony Adams Publishing Sa BMI (A0.1136097). Morate Ballad Ain't Know Love Like My Baby's Love by Tony Adams... Nathaniel Tony Adams Publishing Sa BMI dollarbillrecords@att.net 561 449 1337.
$1.99
In The Hall of the Mountain King (Edward Grieg) original score with note names Grade 8
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Piano, Voix
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AVANCÉ
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Classique
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Halloween
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Edvard Grieg
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Published Harmony Valarie
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In The Hall of the Mountain Ki
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Published Harmony Valarie
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.805002 Composed by Edvard Grieg. Arranged by Published Harmony Valarie. 20th Century,Musical/Show,Romantic Period....
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Piano,Vocal,Voice - Level 5 - SKU: A0.805002 Composed by Edvard Grieg. Arranged by Published Harmony Valarie. 20th Century,Musical/Show,Romantic Period. Score. 8 pages. Published Harmony Valarie #6083847. Published by Published Harmony Valarie (A0.805002). In The Hall of the Mountain also inspired Sonic The Hedgehog main theme. This challenging score is graded as the 8th or Advanced level standard. Now, it is easier for you to learn because this score included note names for easier reading. Suitable for self-learning pianists and also music lovers.
$2.99
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
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Piano, Voix
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AVANCÉ
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Giacomo Meyerbeer
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Nicole Elyse DiPaolo
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En vain j'espere...Idole de ma
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Per...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Nicole Elyse DiPaolo #710432. Published by Nicole Elyse DiPaolo (A0.1107806). The first of its kind, this is a customized Isabelle-only audition cut of En vain j'espere...Idole de ma vie, from Giacomo Meyerbeer's Robert le diable. In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps and additional page space created by the choral parts when performing this excerpt. The current edition omits those passages and also places a cut in the cabaletta portion, reducing the page count to 6 and creating a cut suitable for a recital or audition environment. All cuts are marked with asterisks in both the voice part and piano reduction. The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), nor have ornaments been added, although the engraving features minor changes from the original edition (eliminating syllabic beaming and re-dividing a few tuplets for easier reading). About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Optimism Within
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Piano, Voix
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AVANCÉ
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Jason V
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Optimism Within
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Barabba Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba Music #965779. Published by Barabba Music (A0.1381060). A song for soprano and pianoText by Helen Keller from her Essay Optimism WithinWritten for Ann MossText:Once I knew the depth where no hope was, and darkness lay on the face of all things. Then love came and set my soul free.  Once I knew only darkness and stillness. Now I know hope and joy. Once I fretted and beat myself against the wall that shut me in. Now I rejoice in the consciousness that I can think, act and attain heaven.My life was without past or future; death, the pessimist would say, a consummation devoutly to be wished. But a little word from the fingers of another fell into my hand that clutched at emptiness, and my heart leaped to the rapture of living. Night fled before the day of thought, and love and joy and hope came up in a passion of obedience to knowledge. Can anyone who escaped such captivity, who has felt the thrill and glory of freedom, be a pessimist?Darkness cannot shut me in again.
$10.00
Quatre Poemes De Guillaume Apollinaire
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Piano, Voix
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AVANCÉ
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Contemporain
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
COLOURS - Volume 1
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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COLOURS - Volume 1
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473. Published by Ross Fiddes (A0.1262432). COLOURS – a song collection for mezzo-soprano & pianoLargely untrained, only basically educated and living most his life as a rural worker, Neilson became known as one of Australia's finest lyric poets, who wrote much about the natural world, and the beauty in it.  His poetry is peppered with references to colours particularly of the Australian landscape, notably green, yellow and orange.  There is an art gallery named for him and an art prize in his name requires competing artists to interpret his poems in paint.. His lyricism has appealed to many composers, and in this collection setting six of his poems, I have attempted to capture both his lyricism and his “colouringsâ€. The songs are dedicated variously to the superb mezzo-sopranos, Alessandra Volpe and Deborah Humble.The six song I have set for this Volume 1 are:1.    Paint Me A Petticoat Green2.    Roses Three3.    To Dulcie in a White Dress4.    You and Yellow Air5.    The Orange Tree6.    Song in the Yellow.
$35.00
Diddling: Considered as One of the Exact Sciences
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Piano, Voix
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AVANCÉ
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Jason V
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Diddling: Considered as One of
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Barabba Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1380774 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Comedy,Contemporary. Score. 29 pages. Barabba...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1380774 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Comedy,Contemporary. Score. 29 pages. Barabba Music #965563. Published by Barabba Music (A0.1380774). Text adapted from the essay by Edgar Allan PoeEdgar Allan Poe must have been cheated or swindled by someone good because only that can explain the existence of this angry little essay. In it he rails against the dark hearts of men who seek out to steal or cheat from others. If you’re getting some sort of double entendre from his now largely extinct use of the term diddling … well … you’ve got a dirty mind and I have no idea what you’re talking about.For more information, visit www.jasonbarabba.com.
$21.53
Crossing Jordan: Three Spirituals for soprano, piano and cello
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Piano, Voix
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AVANCÉ
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religiou...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religious,Sacred,Spiritual. Score. 28 pages. Maria Thompson Corley #864723. Published by Maria Thompson Corley (A0.1272498). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$27.00
"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello
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Piano, Voix
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AVANCÉ
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditio...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditional. Score. 15 pages. Maria Thompson Corley #875219. Published by Maria Thompson Corley (A0.1284047). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
Mort De La Lune
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Piano, Voix
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AVANCÉ
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Contemporain
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Jermaine Washington
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Jermaine Washington
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Mort De La Lune
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JD Washington
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1165964 By Jermaine Washington. By Jermaine Washington. Arranged by Jermaine Washington. 20th Century. Score. 2 pa...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1165964 By Jermaine Washington. By Jermaine Washington. Arranged by Jermaine Washington. 20th Century. Score. 2 pages. JD Washington #766340. Published by JD Washington (A0.1165964).
$1.99
Mermaid in the Jar Piano/Vocal Score
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Piano, Voix
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AVANCÉ
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Rachel J
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Mermaid in the Jar Piano/Vocal
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Rachel J Peters
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1302964 Composed by Rachel J. Peters. 21st Century,Classical,Comedy,Opera. Score. 57 pages. Rachel J Peters #89257...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1302964 Composed by Rachel J. Peters. 21st Century,Classical,Comedy,Opera. Score. 57 pages. Rachel J Peters #892572. Published by Rachel J Peters (A0.1302964). A short operaMusic by Rachel J. PetersLibretto by Royce VavrekBased on the short story by Sheila HetiMermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voicesDURATION: 20 minutesWORLD PREMIERE: Oberlin Conservatory, Winter 2020NOTE: All performances of this work require separate permission and licensing. To learn more about this opera and obtain performance rights, please visit www.racheljpeters.com.
$20.00
Back on Track
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Piano, Voix
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AVANCÉ
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James Bersey
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pianoÂ
Words &
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Back on Track
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James Bersey
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1379387 By James Bersey. By James Bersey. 21st Century,Contest,Festival. Score. 10 pages. James Bersey #964070. Pu...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1379387 By James Bersey. By James Bersey. 21st Century,Contest,Festival. Score. 10 pages. James Bersey #964070. Published by James Bersey (A0.1379387). Back on Track for solo voice & piano Words & Music byJames Thomas BerseyThis is a difficult sing, best suited to a professional trained singer.The piano accompaniment is also challenging.It is a highly vibrant song, perfect for the opening of a show.Also available for voice & orchestra.
$2.00
Der Sommer
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Piano, Voix
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AVANCÉ
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Gyorgy Ligeti
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Der Sommer
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Schott Music - Digital
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SheetMusicPlus
Voice and piano - advanced - SKU: S9.Q779398 Based on Friedrich Hölderlin. Composed by Gyorgy Ligeti. Downloadable. Duration 3 minutes. Schott M...
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Voice and piano - advanced - SKU: S9.Q779398 Based on Friedrich Hölderlin. Composed by Gyorgy Ligeti. Downloadable. Duration 3 minutes. Schott Music - Digital #Q779398. Published by Schott Music - Digital (S9.Q779398). German.Those familiar with Ligeti’s vocal compositions will be surprised by this seemingly simple and plain musical miniature after a poem by Hölderlin. Even though composed during the same period as the Nonsense Madrigals” with their labyrinthine rhythms and their novel diatonic harmonies, the piece harks back to the 19th century as far as Schubert in its use of traditional means to convey the striking atmosphere and mellow summery mood of the poem.
$12.99
I Eat Words
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Piano, Voix
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AVANCÉ
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Christopher Benfield
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I Eat Words
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Christopher Benfield
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909894 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 3 pages. Christopher Benfield #...
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Piano,Vocal,Voice - Level 5 - SKU: A0.909894 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 3 pages. Christopher Benfield #6202229. Published by Christopher Benfield (A0.909894). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.I Eat Words is an odd piece about a monster that eats words, featuring enticing wordplay and text painting.
$2.99
RACHMANINOFF: "Oh, Never Sing" Op.4 N4 Lower Key (F min). DICTION SCORE with IPA and translation
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Piano, Voix
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AVANCÉ
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Sergei Rachmaninoff
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Russian for Singers
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RACHMANINOFF: "Oh, Never
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1475698 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1475698 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #1053257. Published by Natalia Melnik (A0.1475698). S.Rachmaninoff Не пой, красавица! / Ne Poj, Krasavitsa! / Oh, never sing for me again“Op.4 No.4Lower key (F minor)Range:C4 - F5FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/rachmaninoff-oh-never-sing-for-me-again-op-4-n4-low-key-fmin-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://www.youtube.com/watch?v=RcbuD_74Bko
$8.50
Two Dream Poems (2020) for Soprano and Piano
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Piano, Voix
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AVANCÉ
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Corinne Byrne, soprano and Set
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Two Dream Poems
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Blue Unity Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contempo...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contemporary. Score. 21 pages. Blue Unity Music #706801. Published by Blue Unity Music (A0.1103534). George Brandon: Two Dream Poems (2020) for Soprano and Piano This piece consists of musical settings of two 20th century poems concerning the dream state: one by the American poet Gary Snyder; the other by Mavash Sabet from Iran. Gary Snyder’s poem, “Maudgalyayana Saw Hellâ€, is a complex and multilayered portrayal of a passage through the dream state, beginning with falling asleep and ending with waking up. At the same time as it describes a mythical journey and an inward psychological journey, it also presents a Buddhist metaphysical perspective in which the whole of life, and our ordinary sense of reality, appear and are questioned as dream states as well. At the time that Mavash Sabet wrote her poem “Hello Again†she was a political prisoner sentenced to twenty years in prison for her religious and educational activities. on behalf of the Bahai faith, a religion which is persecuted by Iran's theocratic government. “Hello Againâ€, from her book Prison Poems, describes a dream experience that renewed her inner sense of freedom despite being incarcerated, and provided her with strength and hope for the future. Complex but singable, intense and lyrical, these compelling songs will make a great impact in a concert or recital program. Duration: approximately 9 mins. Advanced.
$6.95
RACHMANINOFF: "Oh, Never Sing" Op.4 N4 Original Key (A min). DICTION SCORE with IPA and translation
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Piano, Voix
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AVANCÉ
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Sergei Rachmaninoff
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Russian for Singers
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RACHMANINOFF: "Oh, Never
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1313838 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1313838 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 6 pages. Natalia Melnik #902559. Published by Natalia Melnik (A0.1313838). S.Rachmaninoff Oh, Never Sing For Me Again Op.4 No4 ORIGINAL KEY (A minor)Range:E4 - A5FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-oh-never-sing-for-me-again-op-4-no4-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://www.youtube.com/watch?v=RcbuD_74Bko
$8.50
RACHMANINOFF: "Oh, Never Sing" Op.4 N4 Lower Key (F# min). DICTION SCORE with IPA and translation
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Piano, Voix
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AVANCÉ
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Sergei Rachmaninoff
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Russian for Singers
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RACHMANINOFF: "Oh, Never
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1313836 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1313836 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 6 pages. Natalia Melnik #902557. Published by Natalia Melnik (A0.1313836). S.Rachmaninoff Oh, Never Sing For Me Again Op.4 No4 LOWER KEY (F-sharp minor)Range:C4 - F#5FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-oh-never-sing-for-me-again-op-4-no4-lower-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://www.youtube.com/watch?v=RcbuD_74Bko
$8.50
Le jets d'eau (C Major)
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Piano, Voix
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AVANCÉ
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Classique
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Claude Debussy
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Jonathan Prentice
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Le jets d'eau
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.884754 Composed by Claude Debussy. Arranged by Jonathan Prentice. 20th Century. Score. 11 pages. Jonathan Prentice...
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Piano,Vocal,Voice - Level 5 - SKU: A0.884754 Composed by Claude Debussy. Arranged by Jonathan Prentice. 20th Century. Score. 11 pages. Jonathan Prentice #5802421. Published by Jonathan Prentice (A0.884754). Debussy's wonderful setting of Baudelaire's erotic poem, The Fountain tests the singer and accompanist with its rich harmonic landscape and array textures for the piano and mysterious yet beautiful vocal lines for the singer requiring a good ear for accurate intonation. (Here in C Major suitable for altos and basses).
$1.99
The Greatest of These Is Love
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Piano, Voix
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AVANCÉ
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John Newell
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John Newell
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The Greatest of These Is Love
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Abierto Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1404576 Composed by John Newell. Arranged by John Newell. 21st Century,Classical,Religious,Sacred. Score. 12 pages...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1404576 Composed by John Newell. Arranged by John Newell. 21st Century,Classical,Religious,Sacred. Score. 12 pages. Abierto Music #987657. Published by Abierto Music (A0.1404576). This is my setting for tenor and piano of the powerful verses on love contained in the first letter to the Corinthians, chapter 13. The original version, composed in 2000, was for SSATB chorus; I made this arrangement for tenor solo in summer of 2022 . The beautiful and moving performance is by Adam Griffiths.
$6.95
THE DROVERS. lead sheet& #CJDennis words AND piano
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Piano, Voix
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AVANCÉ
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#GeoffRodThomson
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THE DROVERS. lead sheet& #
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Geoff R Thomson
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1019292 Composed by #GeoffRodThomson. Lyrics: #CJDennis. 20th Century,Children,Contemporary,Musical/Show. Score. 1...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1019292 Composed by #GeoffRodThomson. Lyrics: #CJDennis. 20th Century,Children,Contemporary,Musical/Show. Score. 1 pages. Geoff R Thomson #3138357. Published by Geoff R Thomson (A0.1019292). #TheDrovers is a short poem by C.J.Dennis about where drovers ride. Geoff Rod Thomson,(me), while keeping the tune extremely simple(bordering on boring;) decided to experiment with his (dis)chord progressions when writing his accompanying music to this poem. To be honest, and I confess, this piece was just an example of pure self-indulgence with chord experimentation on my part and has next-to-no similarity to my other kid songs so my recommendation unless you're into 'acoustic pain' is to move on to my next C.J.Dennis song.....for those who I haven't scared off, feel free to try it out for yourselves. Apologies to the rest of you. I cannot be contacted at #Geoffspianosongs in this case;) or GeoffRodThomson@gmail.com.
$1.99
Devotion No. 1, Falling To Earth, composed by Joan Bujacich
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Piano, Voix
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AVANCÉ
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Joan Bujacich
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Devotion No. 1, Falling To Ear
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Joan Bujacich
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.893913 Composed by Joan Bujacich. 20th Century,Contemporary,Sacred,Spiritual,World. Score. 7 pages. Joan Bujacich ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.893913 Composed by Joan Bujacich. 20th Century,Contemporary,Sacred,Spiritual,World. Score. 7 pages. Joan Bujacich #6212115. Published by Joan Bujacich (A0.893913). This is Devotion #1 of Three Devotions for Voice and Piano. This music soars and swoops in a most engaging way, taking the listener on a most pleasant journey. The voice and piano weave and flow with the lyrics. Since this is the lightest in emotional scope and lyric content of the three, this composition can also cross over to a musical theater type style. The lyrics can be interpreted in various ways by the listener and performer. Composer, Joan Bujacich set the music to images of mainly birds flying about freely over various landscapes. (Video available on Youtube) The music can be purchased as a solo or as a collection with the other two Devotions. Kathy Knittel, mezzo soprano, and Joan Bujacich have recorded all Three Devotions for Voice and Piano and Ms. Bujacich has set each Devotion to images in video form. .
$4.99
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