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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
By the Sea
Non classifié
221
Piano & claviers
Piano seul
207
Orgue
18
Instruments en Do
15
Piano, Voix
11
Piano, Voix et Guitare
10
2 Pianos, 4 mains
5
Clavier
3
Piano Trio: piano, violon, violoncelle
3
Clavecin
2
1 Piano, 4 mains
2
Accordéon
2
Orgue et Orchestre
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
10
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
5
4 Guitares (Quatuor)
1
Voix
Chorale SATB
52
Chorale TTBB
8
Voix Soprano, Piano
5
Chorale SSAA
4
Chorale 3 parties
3
Voix Tenor, Piano
2
Chorale SSAATTBB
1
Voix haute
1
Chorale
1
Voix duo, Piano
1
Chorale SAATB A Cappella
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
47
Clarinette
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Clarinette et Piano
13
Flûte traversière
12
Quatuor de Saxophones: 4 saxophones
12
Saxophone Alto et Piano
12
Hautbois, Piano (duo)
10
Quintette de Saxophone: 5 saxophones
9
Saxophone Tenor et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Ensemble de Clarinettes
7
Saxophone Soprano et Piano
7
Saxophone Baryton, Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Clarinette Basse, Piano
6
Hautbois (partie séparée)
5
Saxophone (partie séparée)
5
Cor anglais, Piano
4
2 Clarinettes (duo)
3
Clarinette (partie séparée)
3
Clarinette, Orgue
3
Flûte, Hautbois, Clarinette, Basson
3
Flute (partie séparée)
3
Ensemble de saxophones
3
Quintette de Flûte : 5 flûtes
3
Flûte, Violoncelle, Guitare
2
Saxophone et Orgue
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
2 Hautbois (duo)
2
Saxophone Alto
2
Ensemble de Flûtes
1
Piccolo
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Piano
1
2 Flûtes traversières (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Cor Anglais
1
3 Clarinettes (trio)
1
Flûte traversière, Orgue (duo)
1
2 Saxophones (duo)
1
Clarinette, Violon (duo)
1
Flûte, Clarinette, Piano (trio)
1
+ 40 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trombone et Piano
14
Euphonium, Piano (duo)
13
Trompette, Piano
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor et Piano
9
Ensemble de Trompettes
7
Cor
7
Tuba
5
Trompette
5
Trombone (partie séparée)
4
Tuba et Piano
4
Trompette (partie séparée)
4
Cor (partie séparée)
4
Cor anglais, Piano
4
Ensemble de Trombones
3
Quatuor de cuivres: 4 trombones
3
Trombone
3
Quatuor de cuivres: 4 cors
2
Trombone, Tuba (duo)
2
Trombone basse et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
4 Tubas
1
2 Trombones (duo)
1
Cor Anglais
1
2 Cors (duo)
1
Ensemble de Tubas
1
Euphonium
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
36
Violon
15
Violoncelle
11
Alto, Piano
10
Violoncelle, Piano
10
Violon, Violoncelle (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
Harpe
5
2 Violons (duo)
5
Violon, Guitare (duo)
4
Alto seul
3
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Contre Basse
1
4 Harpes
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles (duo)
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
50
Orchestre d'harmonie
41
Orchestre à Cordes
30
Orchestre de chambre
21
Ensemble Jazz
19
Ensemble de cuivres
17
Fanfare
4
Jazz combo
4
Batterie
3
Cloches
2
Ensemble de Percussions
2
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
By the Sea
expert
Piano, Voix
Partitions à imprimer
11 partitions trouvées
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1
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
The Sea of Faith (for high voice and piano)
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Piano, Voix
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AVANCÉ
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Contemporain
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Alan Bullard
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The Sea of Faith
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Colne Edition / BullardMusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1076648 Composed by Alan Bullard. 20th Century,Classical. Score. 14 pages. Colne Edition / BullardMusic #680779. P...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1076648 Composed by Alan Bullard. 20th Century,Classical. Score. 14 pages. Colne Edition / BullardMusic #680779. Published by Colne Edition / BullardMusic (A0.1076648). The Sea of Faith is a setting of Matthew Arnold’s 'Dover Beach' for high voice and piano. Matthew Arnold’s poem 'Dover Beach' has as much meaning for us today as it did when it was written in the nineteenth century. 'The Sea of Faith' – a virtuosic and dramatic setting in which voice and piano are treated as equal partners – reflects the seamless blend of love, belief, continuity and change in the poem.
$3.99
THESE MEN
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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THESE MEN
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1251502 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary,Historic. Score. 23 pages. Ross Fidde...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1251502 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary,Historic. Score. 23 pages. Ross Fiddes #845791. Published by Ross Fiddes (A0.1251502). This extended through-sung song cycle was composed at the request of the remarkable Turkish-Australian soprano, Ayse Goknur Shanal, to include in a 2015 recital program by her to commemorate the 100th anniversary of origin of ANZAC, being the date Australian & New Zealand armed forces entered into combat in WW1.  The date is focused annually to commemorate those Australians who have served & those who have died in war.For the words I located some striking, even emotional, poems by Leon Gellert who, as a poet & a Lance Sergeant with the 10th Battalion, landed at Gallipoli, Turkey, on 25 April 1915. Wounded by shrapnel, and suffering from septicaemia and dysentery, he was evacuated to Malta in July and thence to London. He was repatriated and discharged medically unfit on 30 June 1916.Gellert created his overseas verse. Songs of a Campaign (1917) which was hailed by the Bulletin as one of the best verse collections to have come out of the war in the English language; it won the Bundey prize for English verse, and, before the year was out, Angus & Robertson Ltd published a third and enlarged edition, illustrated by Norman Lindsay.Ms Shanal premiered These Men in the recital collection curated by her in April 2015.  In 2016 she recorded the complete program to CD. In 2018 & 2019 she gave performances of the program in the Melbourne Recital Centre, Sydney Opera House & other venues throughout eastern Australia & Germany. In live performance her associate artists have been Patrick Keith & Ashley Hribar.CD:      https://www.australiancomposers.com.au/products/canakkale-gallipoli-songs    Also: Spotify, AppleMusic, Presto.
$35.00
There's Gotta Be Something Better Than This
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Piano, Voix
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AVANCÉ
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Contemporain
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Cy Coleman
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W
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There's Gotta Be Something Bet
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Diamond S Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond S Music #355430...
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Piano,Vocal,Voice - Level 5 - SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond S Music #3554307. Published by Diamond S Music (A0.790050). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - THIS IS THE PIANO/VOCAL PART ONLY. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
To Sea! To Sea!
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Piano, Voix
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AVANCÉ
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David Wallace
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To Sea! To Sea!
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David Wallace
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.923740 Composed by David Wallace. 20th Century,Contemporary. Score. 6 pages. David Wallace #2523773. Published by ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.923740 Composed by David Wallace. 20th Century,Contemporary. Score. 6 pages. David Wallace #2523773. Published by David Wallace (A0.923740). The first song in the song cycle: Songs from the Rolling Deep for High Voice and Piano. .
$4.99
Crow with no mouth
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Piano, Voix
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AVANCÉ
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amo...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
Aserrando a una mujer [soprano and piano]
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Piano, Voix
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AVANCÉ
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Coco Joura and Juan MarÃa S
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Aserrando a una mujer [soprano
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Juan Maria Solare
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1318234 By Coco Joura and Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,21st Century,Classical,Conte...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1318234 By Coco Joura and Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Latin. Score. 10 pages. Juan Maria Solare #906905. Published by Juan Maria Solare (A0.1318234). Aserrando a una mujer (Sawing a Woman in Half)This might well be the first coloratura tango in history. And while it is innovative, it is deeply rooted in the tango tradition, both musically and thematically: one of the recurring themes of primitive tango was precisely the circus. The act of sawing a woman is the circus magic trick par excellence. This song was written and composed in mid-August 2023 and is dedicated to Coco Joura, who suggested the subjet. Lyrics and music by Juan MarÃa Solare. Premiere: Coco Joura (soprano) and Juan MarÃa Solare (piano), 19th Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Germany), November 11, 2023.Aserrando a una mujer - videoAserrando a una mujerEste acaso sea el primer tango de coloratura de la historia. Y si bien es innovador, está muy arraigado en la tradición tanguera, por la música y por la temática del texto: uno de los temas recurrentes del tango primitivo era precisamente el circo. El número de aserrar a una mujer es el truco circense de magia por antonomasia.Esta canción fue escrita y compuesta a mediados de agosto de 2023 y está dedicada a Coco Joura, quien sugirió la temática. Letra y música: Juan MarÃa Solare. Estreno: Coco Joura (soprano) y Juan MarÃa Solare (piano), 19ª Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Alemania), 11 de noviembre de 2023.Aserrando a una mujer - videoAserrando a una mujer (Zersägte Frau)Dies könnte möglicherweise der erste Koloratur-Tango der Geschichte sein. Und obwohl er innovativ ist, ist er fest in der Tangotradition verwurzelt, sowohl musikalisch als auch thematisch: Eine der wiederkehrenden Themen im primitiven Tango war genau der Zirkus. Die Nummer, eine Frau zu sägen, ist der Zirkustrick par excellence.Dieses Lied entstand Mitte August 2023, es ist Coco Joura gewidmet, die das Thema vorschlug. Text und Musik: Juan MarÃa Solare. IPremiere: Coco Joura (Sopran) und Juan MarÃa Solare (Klavier) bei der 19. Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Deutschland), 11. November 2023.Aserrando a una mujer - videolyricsAserrando a una mujertango de coloraturaJuan MarÃa Solare(letra y música)Para el truco de magia más famosonecesito una sierra y una mina;una caja más grande que un cadávery dos tipos que quieran serruchar.La pebeta está atada, y está viva.Obediente, se mete en el cajón.Un serrucho la parte en dos mitades.Al abrir, nuestra vÃctima está ilesa.La cortaron en dos (coloratura)...Les arruino el secreto de este truco.Con alerta de espóiler, ¡ya avisé!:La percanta recoge las gambitas,se acurruca, chiquita, en el arcón.El chabón que inventó esta maravillase llamó P. T. Selbit y era inglés.Lo garcó un colega en Yankilandia:mejoró la ilusión, la patentó.La cortaron en dos (coloratura)...De este acto nació un arquetipo,un modelo con facha de cliché:la mujer en peligro, rescatada;la asistente atractiva, vulnerable.Conocemos el truco y sin embargonos fascina el engaño, la ficción.Preferir la mentira es indoloro;en la magia, en el circo y fuera de él.La cortaron en dos (coloratura)...
$3.00
Mannsbarn
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Piano, Voix
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AVANCÉ
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Helga Ragnars and Knut Rygnest
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Mannsbarn
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Knut Olav Rygnestad
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1250159 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemp...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1250159 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 5 pages. Knut Olav Rygnestad #844497. Published by Knut Olav Rygnestad (A0.1250159). Mannsbarn (Human Child) is about a man searching for a way past what seems to be an endless stone wall. This reflects a metaphorical search for meaning in life. He fails and collapses in despair, as a star falls from the night sky.Guðfinna Jónsdóttir (1899–1946) from Hömrum was an organist and poet who lived a quiet and isolated life in Northern Iceland. She wrote beautiful poems about her life, filled with with tragedies, death and unrequited love. In her own time her work wasn't well known outside of her hometown, and today she is more or less forgotten.In collaboration with the singer Helga Ragnarsdóttir, the composer Knut Rygnestad has set several of her poems to music for voice and piano, with the aim of making them better known in Iceland and throughout the world. The project received funding from the Norwegian Arts Council and Hljóðritasjóður RannÃs, and an album of nine recorded songs, Ótal stjarna hröp, was released in 2023.
$4.00
Rubble Becomes Art for Soprano and Piano
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Piano, Voix
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AVANCÉ
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Dosia McKay
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Rubble Becomes Art for Soprano
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Gavia Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1167068 Composed by Dosia McKay. Chamber,Classical,Opera. Score. 31 pages. Gavia Music #767448. Published by Gavia...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1167068 Composed by Dosia McKay. Chamber,Classical,Opera. Score. 31 pages. Gavia Music #767448. Published by Gavia Music (A0.1167068). “Rubble Becomes Art†for soprano and piano is a triptych of art songs commissioned by flutist Kate Steinbeck, founder and director of Pan Harmonia (PanHarmonia.org), marking the chamber music organization’s 20th season. The composition sets to music the poetry of three North Carolina women writers on the themes of inclusivity and exclusivity regarding cultural, economic, and gender issues. The three poems, although distinct in their style and thematic content, present a cohesive call to healing and reconciliation, not only as it pertains to the injustices suffered by women, but the humanity as a whole.Soprano range: B3-B5.
$35.00
Rubble Becomes Art for Alto and Piano
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Piano, Voix
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AVANCÉ
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Dosia McKay
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Rubble Becomes Art for Alto an
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Gavia Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1167080 Composed by Dosia McKay. Chamber,Classical,Opera. Score. 30 pages. Gavia Music #767456. Published by Gavia...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1167080 Composed by Dosia McKay. Chamber,Classical,Opera. Score. 30 pages. Gavia Music #767456. Published by Gavia Music (A0.1167080). “Rubble Becomes Art†for alto and piano is a triptych of art songs commissioned by flutist Kate Steinbeck, founder and director of Pan Harmonia (PanHarmonia.org), marking the chamber music organization’s 20th season. The composition sets to music the poetry of three North Carolina women writers on the themes of inclusivity and exclusivity regarding cultural, economic, and gender issues. The three poems, although distinct in their style and thematic content, present a cohesive call to healing and reconciliation, not only as it pertains to the injustices suffered by women, but the humanity as a whole.Alto range: E3-E5.
$35.00
Como aunque culpa (Recitativo and Aria)
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Piano, Voix
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AVANCÉ
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Manuel de Sumaya
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Luis Enrique Téllez
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Como aunque culpa
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Luis Enrique Téllez
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1287155 Composed by Manuel de Sumaya (1678-1755). Arranged by Luis Enrique Téllez. Baroque,Christmas. Score. 3 ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1287155 Composed by Manuel de Sumaya (1678-1755). Arranged by Luis Enrique Téllez. Baroque,Christmas. Score. 3 pages. Luis Enrique Téllez #878164. Published by Luis Enrique Téllez (A0.1287155). Reduction for Voice and Piano of the Recitativo and Aria Como anque culpa by Manuel de Sumaya (1678-1755). Archive of the Chatedral of Oaxaca, México (Mexican Colonial period). Work for Christmas season.
$15.00
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