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FORMATION M…
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GUITARE PED…
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
SAXOPHONE
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1 Piano, 4 mains
72
Instruments en Do
61
2 Pianos, 4 mains
40
Piano Trio: piano, violon, violoncelle
26
Accompagnement Piano
9
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
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2
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1
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1
Clavecin
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Guitare
45
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38
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19
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13
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7
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5
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4
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3
Banjo
2
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2
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2
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1
3 Guitares (trio)
1
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Chorale SATB
380
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35
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34
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33
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14
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12
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10
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8
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5
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4
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4
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4
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3
Voix Tenor, Piano
3
Voix haute
3
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSATTB
2
Voix Soprano
1
Chorale SSAB, Piano
1
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Quatuor de Saxophones: 4 saxophones
110
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69
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63
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61
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58
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52
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43
Saxophone Alto et Piano
39
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37
Flûte traversière
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette
29
2 Clarinettes (duo)
28
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25
Saxophone Soprano et Piano
24
Flûte, Hautbois, Clarinette, Basson
24
2 Hautbois (duo)
21
Ensemble de Flûtes
20
Ensemble de saxophones
18
Saxophone, Clarinette (duo)
18
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17
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16
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Ensemble de Clarinettes
14
Cor anglais, Piano
13
Clarinette Basse, Piano
13
Clarinette, Trompette (duo)
11
Flûte, Clarinette (duo)
11
Hautbois, Basson (duo)
11
Hautbois, Clarinette (duo)
10
Clarinette et Alto
10
Saxophone (partie séparée)
10
Flûte, Trompette (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Hautbois
8
Flûte, Alto (duo)
8
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Flûte, Violon
7
Clarinette, Basson (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Alto
6
Saxophone Tenor
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Guitare (duo)
4
Flûte et Guitare
4
Flûte à Bec
3
Flûte, Violoncelle
3
Flûte, Hautbois (duo)
3
Hautbois et alto (duo)
3
3 Saxophones (trio)
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Violoncelle
3
Hautbois, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Piccolo, Piano
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette (trio)
2
Flute (partie séparée)
2
Cor anglais, Guitare (duo)
2
Hautbois, violon (duo)
2
Flûte traversière, Basse continue
2
Flûte, Basson et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Violon
1
3 Clarinettes (trio)
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Piano
1
2 Saxophones, Piano
1
Clarinette (partie séparée)
1
Flûte, Tuba (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trombone et Piano
39
Cor et Piano
38
Quatuor de cuivres: 4 trombones
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette, Piano
31
Trompette
19
2 Trombones (duo)
19
Euphonium, Piano (duo)
16
Trompette, Saxophone (duo)
16
2 Trompettes (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Tuba et Piano
13
Cor anglais, Piano
13
2 Cors (duo)
12
Tuba
11
Trombone
11
Quatuor de cuivres: 4 cors
11
Cor
11
Trompette, Trombone (duo)
9
Trombone (partie séparée)
8
Trompette (partie séparée)
8
Ensemble de Trombones
7
Quatuor de cuivres: 4 trompettes
5
2 Euphoniums (duo)
5
Cor (partie séparée)
4
2 Tubas (duo)
4
Ensemble de Cors
3
Quatuor de Cuivres
3
4 Tubas
3
Cor anglais, Guitare (duo)
2
Trombone basse
2
Tuba (partie séparée)
2
Ensemble de Trompettes
2
Ensemble de Tubas
1
Trombone, Orgue
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
3 Trombones (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
90
Violon et Piano
89
Violoncelle, Piano
49
Alto, Piano
38
2 Violons (duo)
33
Violoncelle
29
Violon
27
Trio à Cordes: violon, alto, violoncelle
27
2 Violoncelles (duo)
26
Violon, Alto (duo)
20
Violon, Violoncelle (duo)
20
2 Altos (duo)
19
Contrebasse, Piano (duo)
16
4 Violoncelles
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Harpe
13
Alto seul
12
Contre Basse
10
2 Contrebasses (duo)
9
Quatuor à cordes: 4 violons
6
Contrebasse (partie séparée)
5
Violon (partie séparée)
5
Alto, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Quatuor à cordes : 4 altos
3
Violon, Guitare (duo)
3
Violon, Basson (duo)
3
Alto (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
2 Violons, Piano
3
Violoncelle , Guitare (duo)
2
Ensemble de Violons
2
Violoncelle, Orchestre
2
4 Contrebasses
2
Alto, Guitare (duo)
2
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
2 Altos, Piano
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
2 Harpes (duo)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
Ensemble d'Altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
283
Cloches
243
Orchestre
116
Ensemble de cuivres
47
Orchestre à Cordes
45
Orchestre de chambre
42
Ensemble Jazz
24
Ensemble de Percussions
22
Batterie
18
Fanfare
6
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
2
Marimba
2
2 Marimbas
2
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
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Op. 41, No. 4: Voici le bois from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-10E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 4: Voici le bois from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 44, No. 4: L’attrait de tes beaux yeux from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-29E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 44, No. 4: L’attrait de tes beaux yeux from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-04E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 4: Bonjour from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-37E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-37E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 47, No. 4: Bonjour from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 42, No. 4: Le Bouquet from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-19E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 42, No. 4: Le Bouquet from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 43, No. 4: Adieu à la jeunesse from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-25E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 43, No. 4: Adieu à la jeunesse from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 48, No. 4: Eh! quoi ? tu fuis l’Amour from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-44E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 9 pages. E. C. Schirmer Music Company - Digital #8491-44E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-44E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 48, No. 4: Eh! quoi ? tu fuis l’Amour from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Praise Him
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841785 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841785 Composed by Andrew Mc Donald. Christian,Gospel,Praise & Worship. Score. 5 pages. Andrew Mc Donald (Macka Records) #3475241. Published by Andrew Mc Donald (Macka Records) (A0.841785). Praise Him is a song of praise to Jesus. Praise Him with cymbals, Praise Him with trumpets and the whole band. This is a fun and exciting way to praise Him.
$4.99
4.56 €
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Piano, Voix
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Andrew Mc Donald
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Praise Him
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Andrew Mc Donald
#
SheetMusicPlus
Tell Him
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842244 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842244 Composed by Andrew Mc Donald. Christian,Contemporary,Country,Gospel. Score. 7 pages. Andrew Mc Donald (Macka Records) #6139157. Published by Andrew Mc Donald (Macka Records) (A0.842244). Tell Him is a song about my dad and how I not to take it for granted the time spent with him when he was alive. I may have missed the opportunity to tell him that I loved him. Now that he passed it is too late. This song is a tribute to dad and what he meant to me.
$4.99
4.56 €
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Piano, Voix
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Andrew Mc Donald
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Tell Him
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Andrew Mc Donald
#
SheetMusicPlus
The Vacant Chair, or, We Shall Meet, But We Shall Miss Him
Piano, Voix
Piano and voice - Digital Download SKU: LV.24112 Composed by George Frederick Root.…
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Piano and voice - Digital Download SKU: LV.24112 Composed by George Frederick Root. Parlors, Portraits, Windows, Families, War casualties, Death, Civil war--Confederate. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24112). The Vacant Chair, or, We Shall Meet, But We Shall Miss Him. Words by H.S.W. Music by G.F. Root. Published [n.d.] by Davies & Sons in Richmond, VA. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Parlors, Portraits, Windows, Families, War casualties, Death, Civil war--Confederate. First line reads We shall meet, but we shall miss him, there will be one vacant chair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voix
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George Frederick Root
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The Vacant Chair, or, We Shall Meet, But We Shall Miss Him
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Let us Speak of a Man as We Find Him. Song & Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.14762 Composed by J.R. Thomas. Ethics. L…
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Piano and voice - Digital Download SKU: LV.14762 Composed by J.R. Thomas. Ethics. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14762). Let us Speak of a Man as We Find Him. Song & Chorus. Words by Jas. Simmonds. Music by J.R. Thomas. Published 1854 by H. Waters, 333 Bdway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Ethics. First line reads Let us speak of a man as we find him And censure alone what we see.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voix
#
J
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Let us Speak of a Man as We Find Him. Song & Chorus
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Ask Him In!
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842345 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842345 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #6721939. Published by Andrew Mc Donald (Macka Records) (A0.842345). Ask Him In is a song about being so busy with life that we forget about spending time with Jesus. He wants us to ask Him into our hearts so we can experience amazing! This is the piano/vocal score.
$4.99
4.56 €
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Piano, Voix
#
Andrew Mc Donald
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Ask Him In!
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Andrew Mc Donald
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SheetMusicPlus
Will You Follow Him?
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841967 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841967 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3480281. Published by Andrew Mc Donald (Macka Records) (A0.841967). Will You Follow Him is a song about hanging in there with Jesus until the end. Will we follow Jesus all the way until we've reached heaven. Will we go the distance with Jesus and make it through the tough times and testing difficulties?
$4.99
4.56 €
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Piano, Voix
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Andrew Mc Donald
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Will You Follow Him?
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Andrew Mc Donald
#
SheetMusicPlus
I'm Like Him
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841632 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841632 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3472881. Published by Andrew Mc Donald (Macka Records) (A0.841632). I'm Like Him is a song about the fact that we all look so different yet we are all made in Gods' image. How can we be cruel and not accept and love one another? We are all the same in His sight no matter what we look like.
$4.99
4.56 €
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Piano, Voix
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Andrew Mc Donald
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I'm Like Him
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Andrew Mc Donald
#
SheetMusicPlus
Until I See Him
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841929 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841929 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3479573. Published by Andrew Mc Donald (Macka Records) (A0.841929). Until I See Him is a song about coming to the end of our lives and finishing the race, keeping the faith until we see Jesus return on that day He comes again. When we have fought the good fight when we have persevered then we will recieve our crown of life.
$4.99
4.56 €
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Piano, Voix
#
Andrew Mc Donald
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Until I See Him
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Andrew Mc Donald
#
SheetMusicPlus
Thank Him
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841847 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841847 Composed by Andrew Mc Donald. Christian,Gospel,Praise & Worship. Score. 7 pages. Andrew Mc Donald (Macka Records) #3478319. Published by Andrew Mc Donald (Macka Records) (A0.841847). Thank Him is a praise song about thanking Jesus for all the things He has done including dying on the cross to forgive us our sins and also for creating the this wonderful world and creatures in it.
$4.99
4.56 €
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Piano, Voix
#
Andrew Mc Donald
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Thank Him
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Andrew Mc Donald
#
SheetMusicPlus
Receive Him Now
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841800 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841800 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3477599. Published by Andrew Mc Donald (Macka Records) (A0.841800). Receive Him Now is a song about making a decision to receive Jesus as Lord and Savior. This song is a plea to do this immediately or else it will be too late.
$4.99
4.56 €
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Piano, Voix
#
Andrew Mc Donald
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Receive Him Now
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Andrew Mc Donald
#
SheetMusicPlus
Pray To Him Australia
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841789 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841789 Composed by Andrew Mc Donald. Christian,Country,Gospel,Patriotic. Score. 7 pages. Andrew Mc Donald (Macka Records) #3475311. Published by Andrew Mc Donald (Macka Records) (A0.841789). Pray to Him Australia is a country song about getting on our knees and praying to the Lord for the needs of Australians. There are people hurting and need prayer for salvation and healing.
$4.99
4.56 €
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Piano, Voix
#
Andrew Mc Donald
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Pray To Him Australia
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Andrew Mc Donald
#
SheetMusicPlus
Oh My Love's Gone. I Shall See Him No More
Piano, Voix
Piano and voice - Digital Download SKU: LV.18289 Bodies of water, Humorous pictures…
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Piano and voice - Digital Download SKU: LV.18289 Bodies of water, Humorous pictures, Cartoons, Drownings, Accidents, Ships, Fish, Courtship & love, Turtles, Frogs, Seamen, Suicide. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18289). Oh My Love's Gone. I Shall See Him No More. . Published 1858 by Truax & Baldwin, No.66 West Fourth St. in Cincinnati. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Bodies of water, Humorous pictures, Cartoons, Drownings, Accidents, Ships, Fish, Courtship & love, Turtles, Frogs, Seamen, Suicide. First line reads As I was a walking down by the sea shore, Where the breezes blew cold.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
#
Piano, Voix
#
Oh My Love's Gone. I Shall See Him No More
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Joyful Melodies Piano Book #4
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.771035 Composed by Bible Tru…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.771035 Composed by Bible Truth Music. Arranged by Jennifer Hall. Spiritual. Score. 33 pages. Bible Truth Music #4786329. Published by Bible Truth Music (A0.771035). Intermediate arrangements for the gospel pianist. Songs include: At Calvary, Come Ye Thankful People Come, He Is Risen As He Said, I Am Bound For The Promised Land,Jesus Saves, O Come O Come Emmanuel, Praise Him Praise Him!,The Haven of Rest, This Is My Father's World, We Love America
$14.99
13.7 €
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Piano, Voix
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Bible Truth Music
#
Jennifer Hall
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Joyful Melodies Piano Book #4
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Bible Truth Music
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
A Shelter In the Time of Storm (The Lord's Our Rock, In Him We Hide
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776876 Composed by Vernon J.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776876 Composed by Vernon J. Charlesworth. Arranged by Leonora Hardy. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. Leonora Hardy #6016077. Published by Leonora Hardy (A0.776876). A different take on this timeless hymn. The timing has been changed from 4/4 to 3/4 and the song given a more dramatic flair with a few blues notes thrown in. It can be used as a piano solo for a prelude or offertory, or to accompany a soloist. The vocal part is represented by an alto flute on the demo. The Youtube video has the vocal pitched an octave higher for instrumental only. Intermediate level. LeonoraHardy@gmail.com.
$4.99
4.56 €
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Piano, Voix
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Vernon J
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Leonora Hardy
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A Shelter In the Time of Storm
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Leonora Hardy
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SheetMusicPlus
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