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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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OCARINA
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8
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3
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3
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6
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4
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4
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3
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2
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2
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2
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1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4
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AUTRES
Vous avez sélectionné:
A Rose Is Still A Rose
Piano, Voix
Partitions à imprimer
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1
Sweet Child O' Mine
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1415769 By Guns N' Roses. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1415769 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Renny Gamarra Loaiza. 20th Century,Classical,Historic,New Age,Rock. Score. 7 pages. Renny Gamarra Loaiza #997468. Published by Renny Gamarra Loaiza (A0.1415769). ARE YOU STILL LOOKING FOR ATTRACTING A BROADER AUDIENCE WITH ANXIETY? NO MORE WORRIES! Sweet child of mine is a great song that will succeed to get your wanted goals. NO MORE EXTRA WORK LOOKING FOR THE RIGHT SONG! ATTRACT MORE PEOPLE WHILE YOU ENJOY PLAYING A FAMOUS SONG WITH YOUR OWN HANDS!I am sure you are going to be quite SATISFIED with this arrangement for PIANO or KEYBOARDS. Hundread of listeners are wainting for a POPULAR SONG to be performed by someone talented like you. This arrengement is made for you with an EASY SCORE understanding and a UNIQUE STYLE that will trigger that goal of success!. This song arrangement captures the essence of Sweet child of Mine, which is a melodic, romantic and catchy famous song with patterns that break the normal cadences seen in classical music.This amazing song has been written and performed originally by GUNS N' ROSES one of the most successful Hard-Rock-Band ever seen in history. Even today is still collecting thounsands of followers every day. According to YOUTUBE you can probe the popularity of this song, which is more than 1630 millions of views and not to mention SPOTIFY with more than 1700 million plays.This arrangement written for PIANO or KEYBOARDS can be played using several effects that you can find out if you play electric keyboard, in this particular recording I used the strings and keyboard combination effect to have a unique and classical sound. I am sure you like it, just taste it and play it!. Additionally when you played this arrangement you will notice that you can sing easily, because is has been made also to allow your vocals to connect with music in a harmonius synchronicity.
$6.99
6.39 €
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Piano, Voix
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Guns N' Roses
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Renny Gamarra Loaiza
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Sweet Child O' Mine
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Renny Gamarra Loaiza
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SheetMusicPlus
The Flag That Bears The Stripes and Stars
Piano, Voix
Piano and voice - Digital Download SKU: LV.13982 Composed by A.H. Rosewig. Flags, N…
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Piano and voice - Digital Download SKU: LV.13982 Composed by A.H. Rosewig. Flags, National Emblems, Eagles, Liberty--symbols. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13982). The Flag That Bears The Stripes and Stars. Words by Major G. Nelson Smith. Music by A.H. Rosewig. Published 1876 by National Music Co. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Flags, National Emblems, Eagles, Liberty--symbols. First line reads The flag that bears the stripes and stars, Is still our country's boast.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voix
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A
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The Flag That Bears The Stripes and Stars
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Footprints In The Garden
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #885157. Published by Cheryl Prazak (A0.1294831). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Footprints In The GardenOn the path were footprints in the garden, whose they were, I could not find a sign.Thinking I was alone in the garden, I supposed the footprints to be mine.I could not hear your sweet voice pleading, summoning me from a world somewhere.You were in the garden interceding, but I didn’t remember that You care. I could not hear your kind voice calling, lost was I in a world of despair.On my heavy heart your voice was falling, I had long forgotten You were there.Now I hear your voice gently whispering, falling softly as the morning dew.I can feel your loving touch refreshing, bidding me to start my life anew.All the time You were there in the garden, giving me your love and strength sublime.I thought I was alone in the garden; wondrously, You were there all the time.But now your gentle voice I am hearing, breaking through the din and through the fray.Yours the voice of my kind Master speaking, in the garden from which I did stray.Like roses lost within a labyrinth, still fragrantly blossom in the rain.In the garden now two sets of footprints, that is where my roses bloom again.That is where my roses bloom again.
$4.99
4.56 €
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Piano, Voix
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Cheryl Prazak
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Jon Burr
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Footprints In The Garden
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Cheryl Prazak
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SheetMusicPlus
'Neath the old Oak by the Mill. Song & Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.14506 Composed by Sam. Rosenburg. Courts…
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Piano and voice - Digital Download SKU: LV.14506 Composed by Sam. Rosenburg. Courtship & love, Spouses, Night. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14506). Neath the old Oak by the Mill. Song & Chorus. Words by Geo. C. Knapp. Music by Sam. Rosenburg. Published 1881 by George Willig & Co. Publishers in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Spouses, Night. First line reads When the birds have ceased their warblings, and all natures hushed and still.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voix
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Sam
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'Neath the old Oak by the Mill. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.36 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
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