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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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50
PIANO & CLAVIERS
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24
Piano seul
21
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6
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3
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2
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Guitare
5
Ligne De Mélodie, (Paroles) et Accords
2
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1
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1
VOIX
Chorale SATB
51
Chorale 3 parties
12
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9
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9
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7
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4
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4
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2
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1
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1
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1
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1
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Quatuor de Flûtes à bec
33
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27
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25
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19
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8
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6
Clarinette
3
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2
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2
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2
3 Flûtes à bec (trio)
2
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2
Flûte, Hautbois, Clarinette, Basson
1
Hautbois
1
Saxophone Tenor et Piano
1
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2 Flûtes traversières (duo)
1
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CUIVRES
Trombone (partie séparée)
25
Cor (partie séparée)
12
Trompette (partie séparée)
10
Tuba (partie séparée)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cornet A Pistons
3
Trombone et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 4 trombones
1
Trompette
1
Trompette, Piano
1
Euphonium, Piano (duo)
1
Ensemble de Trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Violon et Piano
1
Violoncelle
1
Violon
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
126
Percussion (partie séparée)
12
Timbales (partie séparée)
6
Percussion
5
Orchestre
4
Orchestre à Cordes
2
Ensemble de cuivres
2
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AUTRES
Vous avez sélectionné:
Ayre
Piano, Voix
Partitions à imprimer
24 partitions trouvées
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Lovely Salina
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1104180 Composed by John Blow. Arranged…
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Vocal Solo,Voice - Digital Download SKU: A0.1104180 Composed by John Blow. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #707411. Published by Early Music Scores (A0.1104180). Voice and continuo: composed by John Blow (1649 - 1708). From Choice Ayres, Fourth Book, Playford, 1683. Edited by Felipe Dias. 2 pages.
$5.99
5.49 €
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Piano, Voix
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John Blow
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Early Music Scores
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Lovely Salina
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Early Music Scores
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SheetMusicPlus
As freezing fountains
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1040572 Composed by Pelham Humphrey. Ar…
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Vocal Solo,Voice - Digital Download SKU: A0.1040572 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645368. Published by Early Music Scores (A0.1040572). Voice and continuo: Pelham Humphrey (1647-1674). From Choice Ayres, Songs & Dialogues, Third Book, London, 1681. Edited by Felipe Dias. 1 page.
$5.99
5.49 €
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Piano, Voix
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Pelham Humphrey
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Early Music Scores
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As freezing fountains
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Early Music Scores
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SheetMusicPlus
Adieu to the Pleasures and Follies of Love
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.791752 Composed by James Hart. Arranged…
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Vocal Solo,Voice - Digital Download SKU: A0.791752 Composed by James Hart. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6350389. Published by Early Music Scores (A0.791752). Voice and continuoComposed by James Hart (1647-1718). From Choice Ayres, Songs & Dialogues, London, 1676. Baroque period. Edited by Felipe Dias. 2 pages.
$6.99
6.4 €
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Piano, Voix
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James Hart
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Early Music Scores
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Dialogues, London, 1676
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Adieu to the Pleasures and Follies of Love
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Early Music Scores
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SheetMusicPlus
Full fathom five
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1168055 Composed by Robert Johnson. Arr…
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Vocal Solo,Voice - Digital Download SKU: A0.1168055 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 1 pages. Early Music Scores #768419. Published by Early Music Scores (A0.1168055). Voice and continuo: Robert Johnson (c.1583-1633). From Cheerfull ayres or ballads, Oxford, 1659. Edited by Felipe Dias. 1 page.
$5.99
5.49 €
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Piano, Voix
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Robert Johnson
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Early Music Scores
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Full fathom five
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Early Music Scores
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SheetMusicPlus
Some Can Flatter, Some Can Feign
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1170017 Composed by William …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1170017 Composed by William Corkine. Arranged by Konrad Harley. Renaissance. Score. 4 pages. Konrad Harley #770380. Published by Konrad Harley (A0.1170017). Based on the melody and words from William Corkine's Ayres to Sing and Play (London: John Browne, 1610). Voice + piano arrangement by Konrad Harley (2023).
$3.00
2.75 €
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Piano, Voix
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William Corkine
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Konrad Harley
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Some Can Flatter, Some Can Feign
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Konrad Harley
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SheetMusicPlus
As I walked forth one Summer's day
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.791824 Composed by Robert Johnson. Arra…
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Vocal Solo,Voice - Digital Download SKU: A0.791824 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 1 pages. Early Music Scores #6614369. Published by Early Music Scores (A0.791824). Voice and continuoComposed by Robert Johnson (c.1583 - 1633). From Select Musicall Ayres and Dialogues, First Book, Playford, 1652. Baroque period. Edited by Felipe Dias. 1 page.
$5.99
5.49 €
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Piano, Voix
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Robert Johnson
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Early Music Scores
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As I walked forth one Summer's day
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Early Music Scores
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SheetMusicPlus
Where the bee sucks there suck I
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1040577 Composed by Pelham Humphrey. Ar…
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Vocal Solo,Voice - Digital Download SKU: A0.1040577 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645373. Published by Early Music Scores (A0.1040577). Voice and continuo: composed by Pelham Humphrey (1647 - 1674). From Choice Ayres, Songs & Dialogues, First Book, London, 1675. Edited by Felipe Dias. 1 page.
$5.99
5.49 €
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Piano, Voix
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Pelham Humphrey
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Early Music Scores
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Where the bee sucks there suck I
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Early Music Scores
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SheetMusicPlus
Amarillis tear thy hair
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.978858 Composed by William Lawes. Arran…
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Vocal Solo,Voice - Digital Download SKU: A0.978858 Composed by William Lawes. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #584524. Published by Early Music Scores (A0.978858). Voice and continuo: Composed by William Lawes (1602-1645). From Select Ayres and Dialogues, Second Book, Playford, 1669. Baroque period. Edited by Felipe Dias. 2 pages.
$5.99
5.49 €
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Piano, Voix
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William Lawes
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Early Music Scores
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Amarillis tear thy hair
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Early Music Scores
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SheetMusicPlus
Turn, turn thy beauteous face away
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1038149 Composed by John Wilson. Arrang…
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Vocal Solo,Voice - Digital Download SKU: A0.1038149 Composed by John Wilson. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #643080. Published by Early Music Scores (A0.1038149). Voice and continuo: composed by John Wilson (1595-1674). From Cheerfull Ayres and Ballads, 1660. Edited by Felipe Dias. 1 page.
$5.99
5.49 €
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Piano, Voix
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John Wilson
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Early Music Scores
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Turn, turn thy beauteous face away
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Early Music Scores
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SheetMusicPlus
Wake all ye dead (Cupid's doomsday)
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1041700 Composed by Alphonso Marsh. Arr…
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Vocal Solo,Voice - Digital Download SKU: A0.1041700 Composed by Alphonso Marsh. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #646472. Published by Early Music Scores (A0.1041700). Voice and continuo: composed by Alphonso Marsh (1627-1681). From Select Ayres and Dialogues, Second Book, Playford, 1669. Edited by Felipe Dias. 2 pages.
$5.99
5.49 €
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Piano, Voix
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Alphonso Marsh
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Early Music Scores
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Wake all ye dead
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Early Music Scores
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SheetMusicPlus
Love's constancy: No more shall meads be deckt with flowers
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.791608 Composed by Nicholas Lanier. Arr…
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Vocal Solo,Voice - Digital Download SKU: A0.791608 Composed by Nicholas Lanier. Arranged by Early Music Scores. Baroque,Classical. 3 pages. Early Music Scores #5720665. Published by Early Music Scores (A0.791608). Voice and continuoLove's constancy: No more shall meads be deckt with flowers. Composed by Nicholas Lanier (c.1588-1666). Baroque period. From Select Ayres and Dialogues , Second Book, published by John Playford (1669). Edited by Felipe Dias. 3 pages.
$6.99
6.4 €
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Piano, Voix
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Nicholas Lanier
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Early Music Scores
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Love's constancy: No more shall meads be deckt with flowers
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Early Music Scores
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SheetMusicPlus
Why, lovely boy?
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.791727 Composed by John Wilson. Arrange…
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Vocal Solo,Voice - Digital Download SKU: A0.791727 Composed by John Wilson. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #6009507. Published by Early Music Scores (A0.791727). Voice and continuoComposed by John Wilson. Baroque period. From Select Ayres and Dialogues , Second Book, published by John Playford (1669). Edited by Felipe Dias. 1 page.
$5.99
5.49 €
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Piano, Voix
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John Wilson
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Early Music Scores
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Why, lovely boy?
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Early Music Scores
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SheetMusicPlus
Cupid once when weary grown
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1039218 Composed by Pelham Humphrey. Ar…
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Vocal Solo,Voice - Digital Download SKU: A0.1039218 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #644159. Published by Early Music Scores (A0.1039218). Voice and continuo: composed by Pelham Humphrey (1647 - 1674). From Choice Ayres, Songs & Dialogues, Second Book, London, 1679. Edited by Felipe Dias. 2 pages.
$5.99
5.49 €
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Piano, Voix
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Pelham Humphrey
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Early Music Scores
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Cupid once when weary grown
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Early Music Scores
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SheetMusicPlus
Wrong not your lovely eyes
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1096114 Composed by Matthew Locke. Arra…
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Vocal Solo,Voice - Digital Download SKU: A0.1096114 Composed by Matthew Locke. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #700064. Published by Early Music Scores (A0.1096114). Voice and continuo: composed by Matthew Locke (c.1621-1677). From Choice Ayres, First Book, Playford, 1676. Edited by Felipe Dias. 1 page.
$5.99
5.49 €
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Piano, Voix
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Matthew Locke
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Early Music Scores
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Wrong not your lovely eyes
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Early Music Scores
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SheetMusicPlus
When Phillis watcht her harmless sheep
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.1096113 Composed by Matthew Locke. Arra…
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Vocal Solo,Voice - Digital Download SKU: A0.1096113 Composed by Matthew Locke. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #700063. Published by Early Music Scores (A0.1096113). Voice and continuo: composed by Matthew Locke (c.1621-1677). From Choice Ayres, Fourth Book, Playford, 1683. Edited by Felipe Dias. 2 pages.
$5.99
5.49 €
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Piano, Voix
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Matthew Locke
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Early Music Scores
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When Phillis watcht her harmless sheep
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Early Music Scores
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SheetMusicPlus
Go lovely Rose
Piano, Voix
Vocal Solo,Voice - Digital Download SKU: A0.791738 Composed by Henry Lawes. Arrange…
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Vocal Solo,Voice - Digital Download SKU: A0.791738 Composed by Henry Lawes. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #6029257. Published by Early Music Scores (A0.791738). Voice and continuoComposed by Henry Lawes (1596-1662). From Select Ayres and Dialogues, Second Book, Playford, 1669. Baroque period. Edited by Felipe Dias. 1 page.
$6.99
6.4 €
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Piano, Voix
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Henry Lawes
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Early Music Scores
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Go lovely Rose
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Early Music Scores
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SheetMusicPlus
Campion - Fair, If you Expect Admiring in A-Flat Major - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153267 Composed by Thomas C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153267 Composed by Thomas Campion. Arranged by Piacere Music Sheets. Instructional,Renaissance,Standards,Traditional. Score. 8 pages. Piacere Music Sheets #753514. Published by Piacere Music Sheets (A0.1153267). Key/Tone: A-Flat Major Movements/Sections: Lively Difficulty: Grade 4/12 (Intermediate) Vocal range: Eb4 to F5 (C4 = middle C). Obs.: This piece was first published in 1601 as no. 11 in Philip Rosseter's A Booke of Ayres. Thsong song was originally composed for voice and lute. This score is an arrangement for high voice and piano, set in the key of A flat Major, and contains the complete lyrics in English (2 verses). Included: Full score and separated parts for each instrument.
$8.95
8.2 €
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Piano, Voix
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Thomas Campion
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Piacere Music Sheets
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Campion - Fair, If you Expect Admiring in A-Flat Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Campion - Fair, If you Expect Admiring in G Major - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153274 Composed by Thomas C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153274 Composed by Thomas Campion. Arranged by Piacere Music Sheets. Instructional,Renaissance,Standards,Traditional. Score. 8 pages. Piacere Music Sheets #753522. Published by Piacere Music Sheets (A0.1153274). Key/Tone: G Major Movements/Sections: Lively Difficulty: Grade 4/12 (Intermediate) Vocal range: D4 to E5 (C4 = middle C). Obs.: This piece was first published in 1601 as no. 11 in Philip Rosseter's A Booke of Ayres. Thsong song was originally composed for voice and lute. This score is an arrangement for high voice and piano, set in the key of G Major, and contains the complete lyrics in English (2 verses). Included: Full score and separated parts for each instrument.
$8.95
8.2 €
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Piano, Voix
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Thomas Campion
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Piacere Music Sheets
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Campion - Fair, If you Expect Admiring in G Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Campion - Fair, If you Expect Admiring in E-Flat Major - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153272 Composed by Thomas C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153272 Composed by Thomas Campion. Arranged by Piacere Music Sheets. Instructional,Renaissance,Standards,Traditional. Score. 8 pages. Piacere Music Sheets #753520. Published by Piacere Music Sheets (A0.1153272). Key/Tone: E-Flat Major Movements/Sections: Lively Difficulty: Grade 4/12 (Intermediate) Vocal range: Bb3 to C5 (C4 = middle C). Obs.: This piece was first published in 1601 as no. 11 in Philip Rosseter's A Booke of Ayres. Thsong song was originally composed for voice and lute. This score is an arrangement for medium-low voice and piano, set in the key of E flat Major, and contains the complete lyrics in English (2 verses). Included: Full score and separated parts for each instrument.
$8.95
8.2 €
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Piano, Voix
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Thomas Campion
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Piacere Music Sheets
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Campion - Fair, If you Expect Admiring in E-Flat Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Goetterdaemmerung
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
43.97 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.46 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
Sweet Was The Song The Virgin Sang (The First Book Of Ayres 1622)
Piano, Voix
By John Attey. Classical. PV. 2 pages. Published by Hal Leonard - Digital Sheet Music
By John Attey. Classical. PV. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.57 €
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Piano, Voix
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John Attey
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Sweet Was The Song The Virgin Sang
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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