Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Because You Live
Non classifié
161
Piano & claviers
Piano seul
40
Piano, Voix et Guitare
23
Orgue
8
Piano, Voix
8
2 Pianos, 4 mains
2
1 Piano, 4 mains
1
Instruments en Do
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
4
Guitare
3
Paroles et Accords
1
2 Guitares (duo)
1
Voix
Chorale SATB
15
Chorale 2 parties
5
Chorale 3 parties
5
Chorale SSAA
4
Chorale TTBB
3
Voix duo
1
Voix Tenor, Piano
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
Chorale Unison
1
Voix basse, Piano
1
Voix haute
1
+ 7 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
46
2 Flûtes traversières (duo)
16
Quatuor de Saxophones: 4 saxophones
11
Hautbois (partie séparée)
9
Ensemble de Clarinettes
9
Clarinette
8
Ensemble de saxophones
7
Saxophone Alto et Piano
6
Quintette de Flûte : 5 flûtes
4
Ensemble de Flûtes
3
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière et Piano
2
Saxophone Alto
2
Saxophone Soprano et Piano
2
Flûte à bec Soprano
1
Saxophone Tenor
1
Clarinette et Piano
1
2 Clarinettes (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Tenor et Piano
1
+ 16 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Ensemble de Trompettes
4
Cor et Piano
3
Trompette, Piano
3
Quatuor de Cuivres
2
Trombone et Piano
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
Tuba et Piano
1
Trombone
1
+ 8 instrumentations
Retracter
Cordes
2 Violons (duo)
6
Ensemble d'Altos
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
5
Quatuor à cordes: 2 violons, alto, violoncelle
4
2 Violoncelles (duo)
2
Violon et Piano
2
Alto, Piano
2
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violon, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon
1
Harpe
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre
6
Orchestre à Cordes
3
Cloches
2
Jazz combo
2
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
8
Librairie Musicale
17
Matériel de Musique
87
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Because You Live
Piano, Voix
Partitions à imprimer
8 partitions trouvées
<
1
Rock of Ages Vocal Solo
#
Piano, Voix
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Jennette Jay Booth
#
Augustus M Toplady
#
Rock of Ages Vocal Solo
#
Sound Booth
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1162905 By Jennette Jay Booth. By Thomas Hastings. Arranged by Augustus M Toplady. Christian,Praise & Worship,Reli...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1162905 By Jennette Jay Booth. By Thomas Hastings. Arranged by Augustus M Toplady. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 3 pages. Sound Booth #763262. Published by Sound Booth (A0.1162905). If you're not a fan of the classic Christian hymn of grace, Rock of Ages, its because you've never heard it like this before.Get the tissues ready, especially for the ending. This isn't your grandma's version.Written as a vocal solo for baritone ranging from B3 to F4.Could also be sung by women an ocave higher.Audio taken from a live video recording. We'll work on making a higher quality recording available.(Don't miss the ending starting at about 2:10.).
$4.99
The Last Great American Dynasty
#
Piano, Voix
#
INTERMÉDIAIRE
#
Pop musique
#
Taylor Swift
#
Jenton Lee
#
The Last Great American Dynast
#
Jenton
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.901031 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Jenton Lee. Pop. Score. 18 pages. Jenton #6...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.901031 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Jenton Lee. Pop. Score. 18 pages. Jenton #6012833. Published by Jenton (A0.901031). Piano and voice arrangement of Taylor Swift - last great american dynasty. This arrangement can stand on its own for a live acoustic performance or a YouTube recording! (I didn’t like the official arrangement sheet music because the right hand piano basically just mirrored the vocal melody. I wanted an arrangement that had more of a driving percussive piano part so it could stand on its own) My arrangement comes with the full score and also the individual parts.Reach out at jenton at gmail dot com if you have any questions or requests!
$9.99
Five Songs for Soprano - Song-Cycle, Op. 14
#
Piano, Voix
#
INTERMÉDIAIRE
#
William Kersten
#
Five Songs for Soprano - Song-
#
William Kersten
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
16 Jazz Ballads
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Norman Mathews
#
16 Jazz Ballads
#
Eburn Press
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1032610 Composed by Norman Mathews. Broadway,Jazz,Musical/Show. Score. 83 pages. Eburn Press #5026519. Published b...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1032610 Composed by Norman Mathews. Broadway,Jazz,Musical/Show. Score. 83 pages. Eburn Press #5026519. Published by Eburn Press (A0.1032610). This collection of ballads (six instrumental and ten vocal) was composed over a period of thirty years. I place these works together because the ballad is my favorite genre of song. All the songs are presented in lead-sheet format. The vocal pieces, however, are in addition given in their original arrangements. Some of these songs in the arranged form are not truly jazz inflected. I believe, though, that an inventive pianist may give them a jazz feel using the lead-sheets as blueprints. With some of the vocal works, I have transposed them up in order to make them more comfortable on the keyboard. The arrangements remain in their original keys. The vocal pieces are from either my Dorothy Parker musical, You Might as Well Live (which has been performed by Tony-Award-Winner Michele Pawk and Broadway star Karen Mason) or from a cabaret revue, entitled Somebody Write Me a Song (which has been performed by Tony-Award-Winner Debbie Gravitte and Tony-Nominee Liz Callaway). The vocal pieces are suitable for cabaret performances or audition purposes. The instrumental pieces are designed for jazz performers. The first piece, Anders' Theme, was originally written for sax. The recording of this can be heard on ht e AudioClip. I am an ASCAP composer. For more information, visit my website: https://normanmathewsauthor.comMost of the vocal songs can be heard at the following SoundCloud links:https://soundcloud.com/user-240336285/sets/you-might-as-well-livehttps://soundcloud.com/user-240336285/sets/somebody-write-me-a-song
$8.00
Joy Comes in the Morning (Psalm 30)
#
Piano, Voix
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
Joy Comes in the Morning
#
Sharon Wilson
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.565128 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Wo...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.565128 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #3454047. Published by Sharon Wilson (A0.565128). This Scripture song based on Psalm 30 verses 4-5 is formatted as a vocal solo (or unison choir) with piano accompaniment (3 staff piano-vocal score). The purchase price includes a 5-page combined score plus a 2-page solo part for VOICE and a 3-page accompaniment score for the PIANO. The lyrics were adapted from the World English Bible (WEB). This verse seems to express the sadness then joy that Jesus’ disciples experienced on the weekend of His crucifixion. Friday was filled with weeping and sorrow as Jesus was nailed to the cross and died, yet Sunday morning, Jesus rose from the dead and though they didn’t believe at first, their hearts were filled with joy as they came to understand that Jesus really was alive! We too can sing praises to the Lord and have joy in the morning because of Jesus’ resurrection. Lyrics:Sing praises to the Lord all you saints of His.Give thanks to His Holy name.His anger is but for a moment;His favor is for a lifetime.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Joy Comes in the morning.Sing praises to the Lord;Sing praises to His name.Give thanks to the Lord all you saints.Sing praises to the Lord;Sing praises to His name,For joy comes in the morning.Joy comes in the morning.Yes, joy comes in the morning.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Lovliest of Trees, A.E. Housman, poem
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Mary Ann Joyce
#
Lovliest of Trees, A.E. Housma
#
Mary Ann Joyce-Walter
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.989230 Composed by Mary Ann Joyce. Concert,Contemporary. Score. 4 pages. Mary Ann Joyce-Walter #6207637. Published...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.989230 Composed by Mary Ann Joyce. Concert,Contemporary. Score. 4 pages. Mary Ann Joyce-Walter #6207637. Published by Mary Ann Joyce-Walter (A0.989230). Housman’s poem is about the nature of life, here represented by the cherry tree. The poet feels he does not have enough time to appreciate this beautiful world, because, like all living things, he will die. The first stanza is a description of the cherry tree in its spring-time splendor. It is as 'wearing white for Eastertide as if it is celebrating a religious festival. In the second stanza, the mood shifts from the tree to the poet himself, as he thinks about the inevitability of death. He, a twenty-year old, estimates that he has about fifty years left to live. The final stanza expresses the poet's feeling that fifty more years does not give him enough time to enjoy the beauties of nature. He decides that he will look at the cherry tree not only when it is hung with bloom, but also in winter when it is hung with snow. The poet thus celebrates the beauties of nature in all seasons, but also poignantly laments the inevitable passage from youth to old age and death, the seasons of his own life.I composed this setting of Loveliest of Trees to celebrate the 86th birthday of Joyce Hope Suskind, beloved friend, brilliant musician and composer par excellence.
$4.99
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Pasquale Cafaro
#
Nicole Elyse DiPaolo
#
Belle luci, che accendete from
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Orphic Hymn to Hermes Lead Sheet
#
Piano, Voix
#
DÉBUTANT
#
Musique Sacrée
#
Kimberly Steele
#
Orphic Hymn to Hermes Lead She
#
Kimberly Steele
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.733415 Composed by Kimberly Steele. Sacred. Score. 1 pages. Kimberly Steele #6619661. Published by Kimberly Steele...
(+)
Piano,Vocal,Voice - Level 1 - SKU: A0.733415 Composed by Kimberly Steele. Sacred. Score. 1 pages. Kimberly Steele #6619661. Published by Kimberly Steele (A0.733415). As the sole copyright owner of this music, I have a strange favor to ask: I beg that you ADAPT and CHANGE this piece's music to suit your needs. Obviously the words are set in place; they are in worship and service of a specific deity. The music, however, needs to be malleable. Change the rhythm. Change the key. Change the mode. Add sections. Improvise. Here's the thing: when music stays the same and is played exactly the same as it supposedly was in the past, it becomes museum music. Personally, though I've had extensive training in the subject, I can't stand museum music. No matter how pretty or perfectly-played museum music is, it will always have an air of deadness about it. So change this tune, beat it up, deconstruct it, pull it apart and put it together again, because that's what I think the gods would want us to do. In my mind, keeping the tunes alive, flexible, and vital helps us connect with the gods who gave us the ability to create music in the first place.
$2.50
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Because You Live
