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Vous avez sélectionné:
Can Gregorian
Piano, Voix
Partitions à imprimer
2 partitions trouvées
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Omnes Gentes Plaudite - Sequenza domenicana per l'Ascensione
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Piano, Voix
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Gregorian
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Guido Menestrina
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Omnes Gentes Plaudite - Sequen
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Guido Menestrina
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.828745 Composed by Gregorian. Arranged by Guido Menestrina. Classical,Sacred. Score. 4 pages. Guido Menestrina #2054233. Pub...
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Piano,Vocal,Voice - SKU: A0.828745 Composed by Gregorian. Arranged by Guido Menestrina. Classical,Sacred. Score. 4 pages. Guido Menestrina #2054233. Published by Guido Menestrina (A0.828745). Transcription by Guido Menestrina. Gregorian sequentia from the 13th century, Attributed to Albert the Great, but is apparently the work of another German Dominican called Peregrinus of Cologne, also known as William of Cologne. The text begins with a joyous invitation to celebrate the Ascension in song: Be glad, all ye people, and sing our festive songs, for it is the triumph of Christ! He returns to heaven, leading thither the trophies he has won; and as he ascends, the jubilant sound of the trumpet is heard. 7 is the main rhythmic pattern of the sequence, starting from the incipit of Psalm 46 (O-mnes gen-tes, plau-di-te), but then the poet freeealy weaves among different schemes, from 4 to 8 syllables, and the composer moves it forth to rhythms which would be nowadays considered 4/4 to 11/8. Follow the videoscore on youtube: https://youtu.be/4DwZhl33Ldc.
$4.99
De La Chica: Experimentelle und unbestimmte Lieder Op. 9
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Piano, Voix
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Julián De La Chica
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De La Chica: Experimentelle un
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Vagabundo Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1182309 Composed by Julián De La Chica. Classical,Opera,Spiritual. Score. 56 pages. Vagabundo Music Publishing #782045. P...
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Piano,Vocal,Voice - SKU: A0.1182309 Composed by Julián De La Chica. Classical,Opera,Spiritual. Score. 56 pages. Vagabundo Music Publishing #782045. Published by Vagabundo Music Publishing (A0.1182309). MUSIC NOTES:How does Julián De La Chica materialize the question of “being†in sound? Through text and music as sound material: the choice of the German tongue as a philosophic language; in its sonority, the reference to the tradition of Lieder, a form where word and sound construct a system of meanings in search of the essential. Materializing it through sound, the works achieve this “concentration†of the essential, guided by the question of the “being.†But, how do they achieve it? Long phrases, almost Gregorian rhythmicity, recuperate the capacity for enunciation born of medieval liturgical chant and Buddhist mantras. The concentration of power in the invoked words – to enunciate is to make real what is invoked. The essence is enunciated in the concept, in the construction of the enunciations that constitute the exoskeleton of these songs. The sound materializes the concept; it is sound that creates reality. The sound is in the center of the congealed hurricane. A person that asks the question of “beingâ€, stops time. Their presence is now; only the now exists. That instant is nonetheless a whirlwind that in the meditative act stops in front of the asking person and contemplates their mortal state, unappealable: the state of mortality as illumination. — Susan Campos-Fonseca.
$55.00
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