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1
The Robert Burns Song Book Volume II
Piano, Voix
Songbooks - Intermediate - Digital Download Composed by Robert Burns. Theory and Referen…
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Songbooks - Intermediate - Digital Download Composed by Robert Burns. Theory and Reference. Voice. E-book. 240 pages. Mel Bay Publications - Digital Sheet Music #96840EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741747. This second volume of the songs of Scottish poet Robert Burns contains 70 songs excerpted from the chapter The Lasses in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs expressing the poet's passion for his wife Jean, and for that other species. Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills. This volume is illustrated with reproductions of paintings, drawings, and prints. These volumes also contain a glossary of frequently appearing Scots words and insightful historical notes for each song.
$29.99
27.18 €
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Piano, Voix
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Robert Burns
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The Robert Burns Song Book Volume II
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Nights In White Satin
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809438 By The Moody Blues. B…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809438 By The Moody Blues. By Justin Hayward. Arranged by Academia Unimusica. Rock. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265977. Published by Unimusic Academy (Academia Unimusica) (A0.809438). Nights in White Satin is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment The Night on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since Go Now and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined. When reissued in 1972, in the United States the single hit number two for two weeks on the Billboard Hot 100 (behind I Can See Clearly Now by Johnny Nash) and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by I'd Love You to Want Me by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listener's chart compiled from the readers' votes in 1973.[4] The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts.[5] It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra.
$8.00
7.25 €
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Piano, Voix
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The Moody Blues
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Academia Unimusica
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Nights In White Satin
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Unimusic Academy
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SheetMusicPlus
Oceans (Where Feet May Fail)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776777 By Hillsong United. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776777 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Leonora Hardy. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 2 pages. Leonora Hardy #4830385. Published by Leonora Hardy (A0.776777). This arrangement of the well-loved song Oceans (Where Feet May Fail) is designed to be easily singable for any choir, group or congregation and also easy for the average pianist to work up. It contains the melody, so it can also be used for preludes or offertories and is compiled without instrumental breaks or other extenders for a performance time of approximately 3 1/2 minutes. Guitar chords are included. The mp3 is from Finale and uses warm pad for the chords. A keyboard with grand piano layered with strings is very effective, although several instrument combinations with keyboard, piano, guitar, organ or other would also be effective.
$4.99
4.52 €
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Piano, Voix
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Hillsong United
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Leonora Hardy
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Oceans
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Leonora Hardy
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SheetMusicPlus
I Love My Love in the Morning
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1369140 Composed by Traditio…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1369140 Composed by Traditional Irish. Arranged by Konrad Harley. Celtic,Folk,Irish. Score. 4 pages. Konrad Harley #953488. Published by Konrad Harley (A0.1369140). Based on the air The Mountains High, from Mulholland's Ancient Irish Airs (1810), in Songs of Ireland, compiled by J. Bodewalt Lampe (New York: Remick Music Corporation, 1916), p. 36.Words by Gerald Griffin (1803-1840).
$5.00
4.53 €
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Piano, Voix
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Traditional Irish
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Konrad Harley
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I Love My Love in the Morning
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Konrad Harley
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SheetMusicPlus
John Cage I-VI (2023) piano-vocal score
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.05 €
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Piano, Voix
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
John Cage I-VI (2023)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.05 €
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Piano, Voix
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
48.93 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
Das Rheingold
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
43.49 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Das Rheingold
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Schott Music - Digital
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SheetMusicPlus
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