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8
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43
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32
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28
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26
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22
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20
Harpe
20
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17
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14
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12
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12
Contrebasse, Piano (duo)
11
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10
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9
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9
Contre Basse
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Trio à cordes: 3 altos
8
4 Violoncelles
7
Violoncelle, Contrebasse (duo)
7
Contrebasse (partie séparée)
6
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5
Violoncelle , Guitare (duo)
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Ensemble d'Altos
4
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2 Contrebasses (duo)
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533
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285
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165
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81
Cloches
73
Ensemble de cuivres
64
Fanfare
52
Ensemble Jazz
45
Ensemble de Percussions
29
Jazz combo
12
Batterie
10
Marimba
7
Piano et Orchestre
5
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3
Batterie (partie séparée)
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Xylophone
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2 Marimbas
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Orchestre, Violon
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Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 41, No. 1: Aubade from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-07E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 1: Aubade from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 37, No. 1: Chère Vesper, lumière dorée from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-01E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 37, No. 1: Chère Vesper, lumière dorée from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 44, No. 1: À Marguerite from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-26E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 44, No. 1: À Marguerite from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 42, No. 1: Je meurs, hélas! from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-16E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 42, No. 1: Je meurs, hélas! from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 48, No. 1: À Olive from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-41E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-41E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-41E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 48, No. 1: À Olive from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 43, No. 1: Versons ces roses en ce vin from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-22E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 43, No. 1: Versons ces roses en ce vin from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - Bb minor (Full Score and Parts)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418389 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418389 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Opera,Romantic Period. Score. 8 pages. Sheet Music To Play Editions #999955. Published by Sheet Music To Play Editions (A0.1418389). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - Bb minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
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Piano, Voix
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voice and Piano - Bb minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - C minor (Full Score and Piano)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418395 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418395 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999961. Published by Sheet Music To Play Editions (A0.1418395). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - C minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
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Piano, Voix
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voice and Piano - C minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - A minor (Full Score and Parts)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418387 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418387 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999953. Published by Sheet Music To Play Editions (A0.1418387). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - A minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
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Piano, Voix
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voice and Piano - A minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - F# minor (Full Score and Parts)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418374 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418374 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Romantic Period,World. Score. 8 pages. Sheet Music To Play Editions #999937. Published by Sheet Music To Play Editions (A0.1418374). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - F# minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
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Piano, Voix
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voice and Piano - F# minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - B minor (Full Score and Parts)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418392 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418392 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999958. Published by Sheet Music To Play Editions (A0.1418392). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - B minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
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Piano, Voix
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voice and Piano - B minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - G# minor (Full Score and Parts)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418382 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418382 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Multicultural,Opera,Romantic Period,World. Score. 8 pages. Sheet Music To Play Editions #999948. Published by Sheet Music To Play Editions (A0.1418382). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - G# minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
#
Piano, Voix
#
Robert Schumann
#
César Madeira
#
Dichterliebe, Op.48 No.1 - Voice and Piano - G# minor
#
Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - G minor (Full Score and Parts)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418379 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418379 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Multicultural,Romantic Period,Wedding,World. Score. 8 pages. Sheet Music To Play Editions #999945. Published by Sheet Music To Play Editions (A0.1418379). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - G minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
#
Piano, Voix
#
Robert Schumann
#
César Madeira
#
Dichterliebe, Op.48 No.1 - Voice and Piano - G minor
#
Sheet Music To Play Editions
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SheetMusicPlus
GLORIA PATRI for Soprano and Keyboard (Text by the Composer)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.939911 Composed by Richard S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.939911 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Praise & Worship. Score. 4 pages. Richard St. Clair #6705495. Published by Richard St. Clair (A0.939911). This meditative 2 1/2-minute song is appropriate for both worship and concert settings. Text by the composer.
$8.99
8.24 €
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Piano, Voix
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Richard St
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GLORIA PATRI for Soprano and Keyboard
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Richard St. Clair
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SheetMusicPlus
Let the Spirit Live (New! ANZAC Day Anthem for young voices VOCAL 1 PART)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1150910 Composed by Australi…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1150910 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday. Score. 1 pages. Rebecca Summers #749234. Published by Rebecca Summers (A0.1150910). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$9.95
9.12 €
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Piano, Voix
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Australian composer, Rebecca Summers
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Let the Spirit Live
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Rebecca Summers
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SheetMusicPlus
Devotion No. 1, Falling To Earth, composed by Joan Bujacich
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893913 Composed by Joan Buja…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893913 Composed by Joan Bujacich. 20th Century,Contemporary,Sacred,Spiritual,World. Score. 7 pages. Joan Bujacich #6212115. Published by Joan Bujacich (A0.893913). This is Devotion #1 of Three Devotions for Voice and Piano. This music soars and swoops in a most engaging way, taking the listener on a most pleasant journey. The voice and piano weave and flow with the lyrics. Since this is the lightest in emotional scope and lyric content of the three, this composition can also cross over to a musical theater type style. The lyrics can be interpreted in various ways by the listener and performer. Composer, Joan Bujacich set the music to images of mainly birds flying about freely over various landscapes. (Video available on Youtube) The music can be purchased as a solo or as a collection with the other two Devotions. Kathy Knittel, mezzo soprano, and Joan Bujacich have recorded all Three Devotions for Voice and Piano and Ms. Bujacich has set each Devotion to images in video form. .
$4.99
4.57 €
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Piano, Voix
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Joan Bujacich
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Devotion No. 1, Falling To Earth, composed by Joan Bujacich
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Joan Bujacich
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SheetMusicPlus
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel W…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
3.66 €
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Piano, Voix
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Samuel Warren Hatch
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SheetMusicPlus
Bronte Songs op 51- No 1 - Shall Earth No more Inspire Thee
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.1489515 By Neil Crossland - Concert Pi…
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Piano,Vocal,Voice - Digital Download SKU: A0.1489515 By Neil Crossland - Concert Pianist & Composer. By Neil Crossland. Classical,Contemporary,Singer/Songwriter. Score. 14 pages. Neil Crossland #1066378. Published by Neil Crossland (A0.1489515). This is my composition set to Emily Bronte's poem - Shall Earth No more Inspite TheeComposed for Soprano and PianoCopyright 2010.
$12.99
11.9 €
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Piano, Voix
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Neil Crossland - Concert Pianist & Composer
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Bronte Songs op 51- No 1 - Shall Earth No more Inspire Thee
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Neil Crossland
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SheetMusicPlus
Selections from Light Upon Silver, Volume 1
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.961263 Composed by James Sclater. 20th…
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Piano,Vocal,Voice - Digital Download SKU: A0.961263 Composed by James Sclater. 20th Century,Concert,Contemporary. Score. 62 pages. James S Sclater #5990635. Published by James S Sclater (A0.961263). Ten songs from Light Upon Silver, a large 25-song collection by the composer. Lots of variety here; pensive to exuberant. For the experienced singer and pianist.
$20.00
18.32 €
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Piano, Voix
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James Sclater
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pensive to exuberant
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Selections from Light Upon Silver, Volume 1
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James S Sclater
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SheetMusicPlus
Center of the Universe, Opus 1 (for baritone voice & piano)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.942803 Composed by ForteTwo. Holiday,L…
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Piano,Vocal,Voice - Digital Download SKU: A0.942803 Composed by ForteTwo. Holiday,Love,Pop,Wedding. Score. 5 pages. ForteTwo Music #3432087. Published by ForteTwo Music (A0.942803). A love song/ballad for baritone voice and piano composed by ForteTwo. Also works with solo bass clef instrument (e.g. cello, trombone) and piano. Performance time: about 3½ minutes. The composer may be reached for comment at fortetwomusic@icloud.com.
$5.00
4.58 €
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Piano, Voix
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ForteTwo
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Center of the Universe, Opus 1
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ForteTwo Music
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SheetMusicPlus
COLOURS - Volume 1
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1262432 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473. Published by Ross Fiddes (A0.1262432). COLOURS – a song collection for mezzo-soprano & pianoLargely untrained, only basically educated and living most his life as a rural worker, Neilson became known as one of Australia's finest lyric poets, who wrote much about the natural world, and the beauty in it.  His poetry is peppered with references to colours particularly of the Australian landscape, notably green, yellow and orange.  There is an art gallery named for him and an art prize in his name requires competing artists to interpret his poems in paint.. His lyricism has appealed to many composers, and in this collection setting six of his poems, I have attempted to capture both his lyricism and his “colouringsâ€. The songs are dedicated variously to the superb mezzo-sopranos, Alessandra Volpe and Deborah Humble.The six song I have set for this Volume 1 are:1.    Paint Me A Petticoat Green2.    Roses Three3.    To Dulcie in a White Dress4.    You and Yellow Air5.    The Orange Tree6.    Song in the Yellow.
$35.00
32.07 €
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Piano, Voix
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Ross Fiddes
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COLOURS - Volume 1
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Ross Fiddes
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SheetMusicPlus
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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