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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Composer 1
Sheetmusicplus
Non classifié
2 117
Piano & claviers
Piano seul
1 219
Piano Facile
832
Piano, Voix
231
1 Piano, 4 mains
188
Orgue
126
Piano, Voix et Guitare
102
Instruments en Do
83
Piano Trio: piano, violon, violoncelle
17
Piano Quintette: piano, 2 violons, alto, violoncelle
14
2 Pianos, 4 mains
10
Accompagnement Piano
7
Orgue, Piano (duo)
7
1 Piano, 6 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano (partie séparée)
4
Accordéon
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Fake Book
1
+ 14 instrumentations
Retracter
Guitares
Ukulele
163
Guitare
150
Piano, Guitare (duo)
113
Guitare notes et tablatures
78
Ligne De Mélodie, (Paroles) et Accords
36
2 Guitares (duo)
15
Guitare (partie séparée)
14
Basse electrique
3
3 Guitares (trio)
3
Dulcimer
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
278
Chorale 3 parties
94
Chorale 2 parties
50
Voix Soprano, Piano
43
Chorale Unison
33
Voix Baryton, Piano
31
Voix Alto, Piano
29
Voix Tenor, Piano
28
Chorale SSAA
11
Chorale TTBB
10
Voix seule
8
Voix haute
7
Voix moyenne, Piano
7
Voix duo, Piano
4
Voix duo
4
Chorale SSAATTBB
2
Voix Soprano
1
Voix basse
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
323
Clarinette et Piano
302
Hautbois, Piano (duo)
284
Saxophone Alto et Piano
220
Saxophone Tenor et Piano
195
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
176
Quatuor de Clarinettes: 4 clarinettes
124
Clarinette
117
Quatuor de Saxophones: 4 saxophones
113
Quintette de Saxophone: 5 saxophones
103
Flûte traversière
96
2 Saxophones (duo)
88
2 Flûtes traversières (duo)
77
Saxophone Alto
73
Quatuor de Flûtes : 4 flûtes
66
Saxophone Soprano et Piano
58
Saxophone (partie séparée)
56
Hautbois (partie séparée)
53
2 Clarinettes (duo)
51
Ensemble de saxophones
50
Flûte, Hautbois, Clarinette, Basson
48
Saxophone Tenor
46
3 Clarinettes (trio)
38
Ensemble de Clarinettes
35
Quintette de Clarinettes: 5 clarinettes
30
Cor anglais, Piano
30
Saxophone Baryton, Piano
30
3 Saxophones (trio)
25
Quintette de Flûte : 5 flûtes
23
Flûte et Guitare
22
Ensemble De Flûte à bec
19
Ensemble de Flûtes
17
Trio de Flûtes: 3 flûtes
15
Flûte à bec Soprano
14
Flûte à bec Tenor
13
Clarinette Basse, Piano
12
2 Flûte à bec (duo)
12
Flûte à Bec
12
2 Hautbois (duo)
11
Flute (partie séparée)
10
Hautbois
10
Hautbois, Basson (duo)
9
Clarinette, Violoncelle (duo)
8
Flûte, Violon, Piano
8
Quatuor de Flûtes à bec
8
Clarinette, Guitare (duo)
7
Saxophone Soprano
7
Saxophone Baryton
7
Clarinette, Basson (duo)
6
Flûte à bec Alto
6
5 Flûtes à bec
6
Flûte, Violoncelle
5
Hautbois, Flûte
5
Cor Anglais
5
Piccolo
4
Flûte, Clarinette (duo)
4
Clarinette, Violon (duo)
3
Flûte, Hautbois (duo)
3
Flûte, Violoncelle, Guitare
3
3 Flûtes à bec (trio)
3
Piccolo, Piano
3
Flûte, Clarinette et Basson
3
Hautbois, Violoncelle
3
2 Cors Anglais Et Pianoforte
2
Flûte, Trombone (duo)
2
Flûte à Bec, Piano
2
2 Clarinettes, Piano
2
Harmonica
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Alto et Piano
1
2 Clarinettes, Basson
1
Hautbois, Violoncelle et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Harpe (duo)
1
Clarinette (partie séparée)
1
Saxophone et Orgue
1
Flûte et Quatuor à Cordes
1
Flûte, Trompette (duo)
1
Clarinette Basse
1
Clarinette, Orchestre
1
Ocarina
1
Saxophone et Guitare
1
Flûte traversière, Orgue (duo)
1
Ensemble de Hautbois
1
Hautbois, Harpe
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec, Harpe
1
Cornemuse
1
Flûte irlandaise
1
2 Saxophones, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto (duo)
1
Flûte, Violon
1
Saxophone et Piano
1
Flûte, Basson et Piano
1
Saxophone
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
265
Trombone et Piano
217
Trompette
179
Quatuor de Cuivres : 2 trompettes, trombone, tuba
157
Trompette, Piano
113
Trombone
81
Cor et Piano
64
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Quatuor de Cuivres
45
Trompette (partie séparée)
38
Cor
34
Cor anglais, Piano
30
Euphonium, Piano (duo)
29
2 Cors (duo)
28
Trombone (partie séparée)
26
Ensemble de Trombones
22
Quatuor de cuivres: 4 trombones
21
Tuba et Piano
19
Tuba
18
2 Trompettes (duo)
15
2 Trombones (duo)
12
Ensemble de Trompettes
8
Trio de Cuivres
7
2 Tubas (duo)
6
Trompette, Trombone (duo)
6
Euphonium
6
Cor (partie séparée)
5
Cor Anglais
5
Trombone basse
5
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Cor, Violoncelle (duo)
3
3 Tubas (trio)
3
Tuba et Orgue
3
2 Euphoniums (duo)
3
Tuba (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone et orchestre
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
3 Euphoniums
1
3 Cors (trio)
1
Trompette, Violoncelle (duo)
1
3 Trombones (trio)
1
Cor et Basson (duo)
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
430
Violon et Piano
327
Alto, Piano
260
Violoncelle, Piano
256
Violon
131
Violoncelle
106
2 Violons (duo)
52
Trio à Cordes: violon, alto, violoncelle
43
Alto seul
42
Violon, Violoncelle (duo)
32
2 Altos (duo)
28
2 Violoncelles (duo)
26
Violon, Alto (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violon, Guitare (duo)
20
Harpe
20
Trio à cordes: 3 violins
17
Alto (partie séparée)
14
Alto, Violoncelle (duo)
12
Violon (partie séparée)
12
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Trio à Cordes: 3 violoncelles
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Trio à cordes: 3 altos
8
Contre Basse
8
4 Violoncelles
7
Violoncelle, Contrebasse (duo)
7
Contrebasse (partie séparée)
6
Trio à Cordes: 2 violons, alto
5
Alto, Guitare (duo)
4
Ensemble de Violons
4
Violon, Basson (duo)
4
Ensemble d'Altos
4
Violoncelle , Guitare (duo)
4
Quatuor à cordes: 4 violons
3
Alto et Basson
3
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
3
Harpe, Violon (duo)
2
Violoncelle, Basse continue
2
Quatuor à cordes : 4 altos
2
Flûte, Contrebasse (duo)
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Violon, Basse continue
1
Harpe, Flûte (duo)
1
Harpe et Piano
1
2 Harpes (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
533
Orchestre
285
Orchestre à Cordes
165
Orchestre de chambre
81
Cloches
73
Ensemble de cuivres
64
Fanfare
52
Ensemble Jazz
45
Ensemble de Percussions
29
Jazz combo
12
Batterie
10
Marimba
7
Piano et Orchestre
5
Batterie (partie séparée)
3
Percussion (partie séparée)
3
2 Marimbas
1
Vibraphone
1
Xylophone, Piano
1
Orchestre, Violon
1
Xylophone
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Composer 1
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Partitions à imprimer
231 partitions trouvées
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51
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226
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 47, No. 1: Page, suis-moi
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 41, No. 1: Aubade from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 41, No. 1: Aubade from Son
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-07E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 37, No. 1: Chère Vesper, lumière dorée from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 37, No. 1: Chère Ve
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-01E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 44, No. 1: À Marguerite from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 44, No. 1: À Margue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-26E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 42, No. 1: Je meurs, hélas! from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 42, No. 1: Je meurs, h&eac
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-16E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 48, No. 1: À Olive from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 48, No. 1: À Olive
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-41E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-41E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-41E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-41E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 43, No. 1: Versons ces roses en ce vin from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 43, No. 1: Versons ces ros
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-22E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Dichterliebe, Op.48 No.1 - Voice and Piano - Bb minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1418389 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Opera,Romantic Peri...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1418389 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Opera,Romantic Period. Score. 8 pages. Sheet Music To Play Editions #999955. Published by Sheet Music To Play Editions (A0.1418389). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - Bb minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Dichterliebe, Op.48 No.1 - Voice and Piano - C minor (Full Score and Piano)
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Piano, Voix
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1418395 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1418395 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999961. Published by Sheet Music To Play Editions (A0.1418395). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - C minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Dichterliebe, Op.48 No.1 - Voice and Piano - A minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1418387 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1418387 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999953. Published by Sheet Music To Play Editions (A0.1418387). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - A minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Dichterliebe, Op.48 No.1 - Voice and Piano - F# minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1418374 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Roma...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1418374 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Romantic Period,World. Score. 8 pages. Sheet Music To Play Editions #999937. Published by Sheet Music To Play Editions (A0.1418374). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - F# minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Dichterliebe, Op.48 No.1 - Voice and Piano - B minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1418392 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,We...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1418392 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999958. Published by Sheet Music To Play Editions (A0.1418392). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - B minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Dichterliebe, Op.48 No.1 - Voice and Piano - G# minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1418382 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Multicultural,Opera,Romantic ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1418382 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Multicultural,Opera,Romantic Period,World. Score. 8 pages. Sheet Music To Play Editions #999948. Published by Sheet Music To Play Editions (A0.1418382). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - G# minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Dichterliebe, Op.48 No.1 - Voice and Piano - G minor (Full Score and Parts)
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Piano, Voix
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INTERMÉDIAIRE
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Voi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1418379 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Multicultural,Romantic Period...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1418379 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Multicultural,Romantic Period,Wedding,World. Score. 8 pages. Sheet Music To Play Editions #999945. Published by Sheet Music To Play Editions (A0.1418379). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - G minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
GLORIA PATRI for Soprano and Keyboard (Text by the Composer)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Richard St
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GLORIA PATRI for Soprano and K
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Richard St. Clair
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.939911 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Praise & Worship. Score. 4 pages. Richar...
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Piano,Vocal,Voice - Level 3 - SKU: A0.939911 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Praise & Worship. Score. 4 pages. Richard St. Clair #6705495. Published by Richard St. Clair (A0.939911). This meditative 2 1/2-minute song is appropriate for both worship and concert settings. Text by the composer.
$8.99
Let the Spirit Live (New! ANZAC Day Anthem for young voices VOCAL 1 PART)
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Piano, Voix
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FACILE
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Australian composer, Rebecca S
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Let the Spirit Live
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Rebecca Summers
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1150910 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday. Score. 1...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1150910 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday. Score. 1 pages. Rebecca Summers #749234. Published by Rebecca Summers (A0.1150910). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$9.95
Devotion No. 1, Falling To Earth, composed by Joan Bujacich
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Piano, Voix
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AVANCÉ
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Joan Bujacich
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Devotion No. 1, Falling To Ear
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Joan Bujacich
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.893913 Composed by Joan Bujacich. 20th Century,Contemporary,Sacred,Spiritual,World. Score. 7 pages. Joan Bujacich ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.893913 Composed by Joan Bujacich. 20th Century,Contemporary,Sacred,Spiritual,World. Score. 7 pages. Joan Bujacich #6212115. Published by Joan Bujacich (A0.893913). This is Devotion #1 of Three Devotions for Voice and Piano. This music soars and swoops in a most engaging way, taking the listener on a most pleasant journey. The voice and piano weave and flow with the lyrics. Since this is the lightest in emotional scope and lyric content of the three, this composition can also cross over to a musical theater type style. The lyrics can be interpreted in various ways by the listener and performer. Composer, Joan Bujacich set the music to images of mainly birds flying about freely over various landscapes. (Video available on Youtube) The music can be purchased as a solo or as a collection with the other two Devotions. Kathy Knittel, mezzo soprano, and Joan Bujacich have recorded all Three Devotions for Voice and Piano and Ms. Bujacich has set each Devotion to images in video form. .
$4.99
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Piano, Voix
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INTERMÉDIAIRE
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3
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Samuel Warren Hatch
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
Bronte Songs op 51- No 1 - Shall Earth No more Inspire Thee
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Piano, Voix
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Neil Crossland - Concert Piani
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Bronte Songs op 51- No 1 - Sha
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Neil Crossland
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1489515 By Neil Crossland - Concert Pianist & Composer. By Neil Crossland. Classical,Contemporary,Singer/Songwriter. Score. ...
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Piano,Vocal,Voice - SKU: A0.1489515 By Neil Crossland - Concert Pianist & Composer. By Neil Crossland. Classical,Contemporary,Singer/Songwriter. Score. 14 pages. Neil Crossland #1066378. Published by Neil Crossland (A0.1489515). This is my composition set to Emily Bronte's poem - Shall Earth No more Inspite TheeComposed for Soprano and PianoCopyright 2010.
$12.99
Selections from Light Upon Silver, Volume 1
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Piano, Voix
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James Sclater
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pensive to exuberant
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Selections from Light Upon Sil
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James S Sclater
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.961263 Composed by James Sclater. 20th Century,Concert,Contemporary. Score. 62 pages. James S Sclater #5990635. Published by...
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Piano,Vocal,Voice - SKU: A0.961263 Composed by James Sclater. 20th Century,Concert,Contemporary. Score. 62 pages. James S Sclater #5990635. Published by James S Sclater (A0.961263). Ten songs from Light Upon Silver, a large 25-song collection by the composer. Lots of variety here; pensive to exuberant. For the experienced singer and pianist.
$20.00
Center of the Universe, Opus 1 (for baritone voice & piano)
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Piano, Voix
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ForteTwo
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Center of the Universe, Opus 1
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ForteTwo Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.942803 Composed by ForteTwo. Holiday,Love,Pop,Wedding. Score. 5 pages. ForteTwo Music #3432087. Published by ForteTwo Music ...
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Piano,Vocal,Voice - SKU: A0.942803 Composed by ForteTwo. Holiday,Love,Pop,Wedding. Score. 5 pages. ForteTwo Music #3432087. Published by ForteTwo Music (A0.942803). A love song/ballad for baritone voice and piano composed by ForteTwo. Also works with solo bass clef instrument (e.g. cello, trombone) and piano. Performance time: about 3½ minutes. The composer may be reached for comment at fortetwomusic@icloud.com.
$5.00
COLOURS - Volume 1
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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COLOURS - Volume 1
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473. Published by Ross Fiddes (A0.1262432). COLOURS – a song collection for mezzo-soprano & pianoLargely untrained, only basically educated and living most his life as a rural worker, Neilson became known as one of Australia's finest lyric poets, who wrote much about the natural world, and the beauty in it.  His poetry is peppered with references to colours particularly of the Australian landscape, notably green, yellow and orange.  There is an art gallery named for him and an art prize in his name requires competing artists to interpret his poems in paint.. His lyricism has appealed to many composers, and in this collection setting six of his poems, I have attempted to capture both his lyricism and his “colouringsâ€. The songs are dedicated variously to the superb mezzo-sopranos, Alessandra Volpe and Deborah Humble.The six song I have set for this Volume 1 are:1.    Paint Me A Petticoat Green2.    Roses Three3.    To Dulcie in a White Dress4.    You and Yellow Air5.    The Orange Tree6.    Song in the Yellow.
$35.00
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 1: Tu demandes pour
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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