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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
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Non classifié
81
Piano & claviers
Piano seul
70
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21
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19
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6
Piano grosses notes
3
Instruments en Do
2
Orgue
2
2 Pianos, 4 mains
2
Clavecin
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare
11
Mandoline
5
Basse electrique
4
Guitare notes et tablatures
3
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2
Banjo
1
Cithare
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
26
Chorale 3 parties
14
Voix Soprano, Piano
9
Chorale SSAA
6
Chorale TTBB
4
Chorale Unison
3
Voix Alto, Piano
3
Voix Soprano
3
Voix duo
2
Voix Baryton, Piano
1
Voix haute
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone (partie séparée)
5
Quintette de Saxophone: 5 saxophones
4
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Saxophone, Clarinette (duo)
3
Flûte traversière et Piano
3
Flûte traversière
3
Clarinette, Violon (duo)
2
Hautbois, Piano (duo)
2
Clarinette, Trompette (duo)
2
2 Hautbois (duo)
2
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble de Flûtes
1
Flûte, Trompette (duo)
1
Saxophone Alto et Piano
1
Flûte, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte, Saxophone (duo)
1
Clarinette et Piano
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Quatuor de Flûtes : 4 flûtes
1
2 Flûte à bec (duo)
1
Flûte irlandaise
1
+ 27 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette (partie séparée)
3
2 Trompettes (duo)
2
Trombone
2
2 Trombones (duo)
2
Cor
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Trompette
1
Cor anglais, Piano
1
Tuba et Piano
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violon, Violoncelle (duo)
7
Harpe
6
Violon et Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Violons (duo)
3
Violon
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
3
Alto seul
2
2 Violoncelles (duo)
2
2 Altos (duo)
2
Violoncelle
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
41
Ensemble Jazz
6
Orchestre
5
Batterie
5
Orchestre à Cordes
4
Orchestre de chambre
3
Marimba
2
Ensemble de Percussions
2
Ensemble de cuivres
2
Batterie (partie séparée)
1
+ 5 instrumentations
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Partitions à imprimer
21 partitions trouvées
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1
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
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Piano, Voix
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AVANCÉ
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Giacomo Meyerbeer
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Nicole Elyse DiPaolo
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En vain j'espere...Idole de ma
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Per...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Nicole Elyse DiPaolo #710432. Published by Nicole Elyse DiPaolo (A0.1107806). The first of its kind, this is a customized Isabelle-only audition cut of En vain j'espere...Idole de ma vie, from Giacomo Meyerbeer's Robert le diable. In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps and additional page space created by the choral parts when performing this excerpt. The current edition omits those passages and also places a cut in the cabaletta portion, reducing the page count to 6 and creating a cut suitable for a recital or audition environment. All cuts are marked with asterisks in both the voice part and piano reduction. The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), nor have ornaments been added, although the engraving features minor changes from the original edition (eliminating syllabic beaming and re-dividing a few tuplets for easier reading). About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Ah There! Stay There
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Piano, Voix
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Charles H
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Ah There! Stay There
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4669 Composed by Charles H. Duncan. Crowds, Portraits, Placards, Theatres, Courtship, Kissing, Mothers & children, Fighting. L...
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Piano and voice - SKU: LV.4669 Composed by Charles H. Duncan. Crowds, Portraits, Placards, Theatres, Courtship, Kissing, Mothers & children, Fighting. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4669). Chas. H. Duncan's Great Comic and Motto Songs. No. 2. Ah There! Stay There. Written, Composed by Chas. H. Duncan. Published 1884 by Chas. D. Blake & Co., 488 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Crowds, Portraits, Placards, Theatres, Courtship, Kissing, Mothers & children, Fighting. First line reads Last week I met a lady, she was cutting quite a dash.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Cut The Cake
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Piano, Voix
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Contemporain
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Alan Gorrie, Duncan Malcolm, J
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Biegler
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Cut The Cake
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Biegler
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.507592 Composed by Alan Gorrie, Duncan Malcolm, James Stuart, Owen McIntyre, Robert McIntosh, and Roger Ball. Arranged by Bi...
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Piano,Vocal,Voice - SKU: A0.507592 Composed by Alan Gorrie, Duncan Malcolm, James Stuart, Owen McIntyre, Robert McIntosh, and Roger Ball. Arranged by Biegler. Contemporary. Score. 10 pages. Biegler #4967145. Published by Biegler (A0.507592). Arrangement is based on the Average White Band song. Scored for piano with the vocal line played in the right hand/treble clef.
$4.99
Give the Boy a Chance. Song & Chorus
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Piano, Voix
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C
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Give the Boy a Chance. Song &a
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4220 Composed by C.T. Lockwood. Woodcutting, Families, Forests, Homecomings, Fathers & children, Farmers, Occupations, Marriag...
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Piano and voice - SKU: LV.4220 Composed by C.T. Lockwood. Woodcutting, Families, Forests, Homecomings, Fathers & children, Farmers, Occupations, Marriage, Quarreling. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4220). Give the Boy a Chance. Song & Chorus. Words by C. Ernst Fahnestock. Music by C.T. Lockwood. Published 1870 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Woodcutting, Families, Forests, Homecomings, Fathers & children, Farmers, Occupations, Marriage, Quarreling. First line reads Well Father, I should like to know what you intend to do.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Is There Anything Else That I Can Do For You
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Piano, Voix
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Irving Berlin
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Ted Snyder
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Is There Anything Else That I
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.21612 Composed by Ted Snyder. Portraits, Couples, Roses, Courtship & love, Domestic life, Housework, Woodcutting, Kissing. Les...
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Piano and voice - SKU: LV.21612 Composed by Ted Snyder. Portraits, Couples, Roses, Courtship & love, Domestic life, Housework, Woodcutting, Kissing. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21612). Is There Anything Else That I Can Do For You. Words By Irving Berlin. Music By Ted Snyder. Published 1910 by Ted Snyder Co., 112 West 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Roses, Courtship & love, Domestic life, Housework, Woodcutting, Kissing. First line reads Pretty young Mabel was helping her mother.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Pardon Came Too Late. Song and Chorus
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Piano, Voix
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Paul Dresser
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The Pardon Came Too Late. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5642 Composed by Paul Dresser. Mothers & children, Military deserters, Firing squads, Executions, Pardons, Time, Deathbeds. Le...
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Piano and voice - SKU: LV.5642 Composed by Paul Dresser. Mothers & children, Military deserters, Firing squads, Executions, Pardons, Time, Deathbeds. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5642). The Pardon Came Too Late. Song and Chorus. Words and Music by Paul Dresser. Published 1891 by Willis Woodward & Co., 842 and 844 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Military deserters, Firing squads, Executions, Pardons, Time, Deathbeds. First line reads A fairhaired boy in a foreign land, at sunrise was to die.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Just Try To Cut A Swell, or, What's the Use of Talking. Song & Chorus. Quartette
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Piano, Voix
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T
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Just Try To Cut A Swell, or, W
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18187 Composed by T.H.E. Holder. Optimism, Money, Contentment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins ...
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Piano and voice - SKU: LV.18187 Composed by T.H.E. Holder. Optimism, Money, Contentment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18187). Just Try To Cut A Swell, or, What's the Use of Talking. Song & Chorus. Quartette. Written by A. Penn. Music by T.H.E. Holder, Esq. Published 1855 by J. Sage & Sons, 209 Main St in Buffalo. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Optimisim, Money, Contentment. First line reads Why, what's the use o' talking, If things don't go right well?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The London Rage. The Girl Who Made Her Fortune in the Ballet. Comic Song and Chorus
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Piano, Voix
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Arthur Trevelyan
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The London Rage. The Girl Who
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5278 Composed by Arthur Trevelyan. Courtship, Love, Marriage proposals, Families, Social classes, Wealth. Lester S. Levy Colle...
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Piano and voice - SKU: LV.5278 Composed by Arthur Trevelyan. Courtship, Love, Marriage proposals, Families, Social classes, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5278). The London Rage. The Girl Who Made Her Fortune in the Ballet. Comic Song and Chorus. Words by F. Hawley Franks. Music by Arthur Trevelyan. Published 1894 by Spaulding & Gray, 16 West 27th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Marriage proposals, Families, Social classes, Wealth. First line reads Now we've heard a lot about the men, who cut a mighty dash.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Meet Me at the Stage Door
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Piano, Voix
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A
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Meet Me at the Stage Door
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.8432 Composed by A. Baldwin Sloane. Cartoons, Couples, Courtship, Recreation, Leisure. Lester S. Levy Collection. 5 pages. Pub...
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Piano and voice - SKU: LV.8432 Composed by A. Baldwin Sloane. Cartoons, Couples, Courtship, Recreation, Leisure. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8432). Meet Me at the Stage Door. Lyrics by E. Ray Goetz. Music by A. Baldwin Sloane. Published 1912 by Ted Snyder Co., Music Publishers, 112 West 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Couples, Courtship, Recreation, Leisure. First line reads Cutey, Cutey, Pardon me, but I saw you in the show last night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
When Tony Goes Over the Top
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Piano, Voix
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Alex
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When Tony Goes Over the Top
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23872 Composed by Alex. Marr. Portraits, Immigrants, Italy, Barbering, Courage, Patriotism, World War I. Lester S. Levy Collec...
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Piano and voice - SKU: LV.23872 Composed by Alex. Marr. Portraits, Immigrants, Italy, Barbering, Courage, Patriotism, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23872). When Tony Goes Over the Top. Words by Billy Frisch and Archie Fletcher. Music by Alex. Marr. Published 1918 by Joe Morris Music Co., 145 West 45th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Immigrants, Italy, Barbering, Courage, Patriotism, World War I. First line reads Hey! You know Tony the barber who shaves and cuts-a the hair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Racing For The Finish Line!
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Racing For The Finish Line!
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842274 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 8 pages. Andrew Mc Donald (Macka Records) #6339...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842274 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 8 pages. Andrew Mc Donald (Macka Records) #6339073. Published by Andrew Mc Donald (Macka Records) (A0.842274). Racing For The Finish Line is a song about running to win the prize to the end. I run the race fixing my gaze on Jesus to win the crown considering the example Jesus set enduring persecution and hardship to achieve victory. .
$4.99
Musical Rounds Collection - Series 5FC - (Key Map Tablature)
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Piano, Voix
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INTERMÉDIAIRE
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Traditional
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John M
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Musical Rounds Collection - Se
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Music Innovators Workshop
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.984702 Composed by Traditional. Arranged by John M. Honeycutt. Children,Folk,Instructional. Score. 8 pages. Music ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.984702 Composed by Traditional. Arranged by John M. Honeycutt. Children,Folk,Instructional. Score. 8 pages. Music Innovators Workshop #4357453. Published by Music Innovators Workshop (A0.984702). These are some fun pieces arranged as rounds on key map tablatures. ContentsBrother JohnThe Farmer in the DellO Praise to TheeRow, Row, Row Your BoatThree Fine MiceThis piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.Series 5FC - Five Finger Positions Colored. To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive 5-fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white. (version code 5FC)
$2.00
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Lord of All Our Days (Funeral Hymn) - C Major
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053778. Published by Anastace (A0.1477115). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in C major, a better key both for playing and for most singers' vocal ranges than the original version in B flat major.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Lead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Lord of All Our Days (Funeral Hymn)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053767. Published by Anastace (A0.1477114). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in the original key of B flat major, and has a vocal range of A3-Bb4 for a moderately low voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Quatre Poemes De Guillaume Apollinaire
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Piano, Voix
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AVANCÉ
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Contemporain
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
Absolution for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Sabrina Pena Young
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Absolution for Voice and Piano
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Sabrina Peña Young
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.976927 Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Pe...
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Piano,Vocal,Voice - Level 4 - SKU: A0.976927 Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Peña Young #3430785. Published by Sabrina Peña Young (A0.976927). Dramatic musical theater work from the groundbreaking 21st century opera and film Libertaria. Written by an award-winning composer. In this excerpt, the addict Simeon laments the loss of his daughter Lucinde to an explosion that was of his doing. Along in the Underground Sewers he sings a bizarre personal reflection of remorse. Quite an unusual but excellent work! Ideal for any intermediate to advanced student, amateur or music professional. For male vocalist, ideal for Tenor or Baritone Voice.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
Lady Liberty Shop for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Sabrina Pena Young
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Lady Liberty Shop for Voice an
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Sabrina Peña Young
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.976929 Composed by Sabrina Pena Young. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Score. 2 pages. Sabrina P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.976929 Composed by Sabrina Pena Young. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Score. 2 pages. Sabrina Peña Young #3430799. Published by Sabrina Peña Young (A0.976929). A moving emotional musical theater piece from the groundbreaking science fiction animated opera Libertaria. Simeon sings to his missing daughter amidst a post-apocalyptic chaos. Arranged for Voice and Piano by award-winning vocal composer. Written for Male Voice and Piano, ideal for Tenor or Baritone soloist. Intermediate/Advanced/Professional level. Emotional and beautiful!Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
Metal Ink for Jazz Vocal and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Sabrina Pena Young
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Metal Ink for Jazz Vocal and P
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Sabrina Peña Young
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.976935 Composed by Sabrina Pena Young. Broadway,Film/TV,Jazz,Musical/Show,Opera. Score. 4 pages. Sabrina Peña Y...
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Piano,Vocal,Voice - Level 3 - SKU: A0.976935 Composed by Sabrina Pena Young. Broadway,Film/TV,Jazz,Musical/Show,Opera. Score. 4 pages. Sabrina Peña Young #3430825. Published by Sabrina Peña Young (A0.976935). Jazzy musical tune from the groundbreaking animated opera film Libertaria. A fun work arranged for Male Vocal and Piano. Ideal for Tenor or Baritone, room for improvisation. Broadway inspired. Award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
My Ragtime Fireman
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Piano, Voix
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J
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My Ragtime Fireman
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.11469 Composed by J. Brandon Walsh. Portraits, Fires, Firefighters, Fire engines & equipment, Courtship, Love. Lester S. Levy ...
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Piano and voice - SKU: LV.11469 Composed by J. Brandon Walsh. Portraits, Fires, Firefighters, Fire engines & equipment, Courtship, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11469). My Ragtime Fireman. Words and Music by J. Brandon Walsh. Published 1912 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fires, Firefighters, Fire engines & equipment, Courtship, Love. First line reads I've got the sweetest, cutest, dearest Fireman, that ever put out a fire.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
With All My Heart I Thank You
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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With All My Heart I Thank You
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.818338 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise...
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Piano,Vocal,Voice - Level 2 - SKU: A0.818338 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 32 pages. Stephen R Dalrymple #6200707. Published by Stephen R Dalrymple (A0.818338). With all My Heart I Thank You ♫ original song by Stephen R Dalrymple ♫ CCLI #7153226 ♫ Worship Team Edition ♫ Based on Psalm 9 ♫ Thanks anyway… I suppose I should thank you… Thank you!... Thanks a lot (NOT!)… I thank you from the bottom of my heart… Thank you very much. That’s the nicest thing anyone’s every done for me. Our expressions of gratitude can represent quite a range of emotion. Ungrateful < lukewarm < minimal < genuine < deeply felt < extravangantly expressed. ♫ ‘With all my heart’ is often a Christian cliché. But it caught my eye in this Psalm of David. ♫ David had a lot to be thankful for. His early experiences, physical strength, musical abilities, organizational talent, leadership abilities, his loyal following, his wealth, the rise from shepherd (pretty low status in Hebrew culture) to monarch, his extended and extensive family, the many, many times God had rescued him from physical danger, and God’s grace that saved him from rightfully being publicly executed as an adulterer. ♫ “With all my heart.†I need to ask myself “Is my gratitude to God fresh, heartfelt, and appropriate?†♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
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Cut The Line