ISBN 9781609740160. This songbook contains a total of 34 songs - all in piano/vocal format with suggested guitar chords. Lyrics are in Spanish with singable English transliterations. Titles include: Desde Mexico he venido; Cielito Lindo; Corrido de los oprimidos; La Zandunga; Hay unos ojos; La Adelita; La Malaguena; La llorona; Deportados; El Cascabel; De colores; and more.

Cäcilie (English title: Cecily), from 4 Lieder, Op. 27, is an intense and jubilant Lied by Strauss on a love poem by Heinrich Hart.
Range: A3 - E5 or A2 - E4

German.

An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.

The score corresponds to the performance materials from the Complete Edition.
For practical use in rehearsal cues and bar numbers throughout.
The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.
The forewords are given in three languages(German, English, French).
Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.

DIE WALKURE

In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.

The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.

(Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)

With this sheet music, you can play "Beyond the Sea" (originally "La Mer") on piano!

It's a carefully created piano arrangement of the famous chanson which is playable, and sounds beautiful.

The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.

Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics.

"Beyond the Sea" was composed by French singer-songwriter Charles Trenet in 1943, then titled "La Mer". He recorded it in 1946.

Over time, it became a popular jazz standard / chanson classic, and has been recorded by many other artists.

The lyrics for the English version (retitled "Beyond the Sea") were written by Jack Lawrence.
Bobby Darin's 1959 recording was a big hit, and further popularized the tune.

The song was also used in the end credits of the 2003 Disney / Pixar film "Finding Nemo", in a version by Robbie Williams.

"Beyond the Sea" makes for a wonderful piano piece!

English.

Award-winning composer, arranger, pianist, and recording artist Mark Hayes has crafted this superb collection for vocal soloist with piano accompaniment. Wonderful for concerts, contests and recitals, ideal for worship throughout the year, weddings and funerals. Titles: On Eagle's Wings * Bright and Beautiful (A Children's Suite: Praise Him, All Ye Little Children, All Things Bright and Beautiful and Jesus Loves Me) * Take My Life, and Let It Be Consecrated * Come, Thou Fount of Every Blessing * Make Me a Channel of Your Peace * Lord of the Dance * Safe Within Your Arms * Alleluia, Sing to Jesus (Come, Thou Long-Expected Jesus) * Marchin' On Up (Marching to Zion) * Battle Hymn of the Republic.

English.

Award-winning composer, arranger, pianist and recording artist Mark Hayes has crafted a superb anthology of ten traditional spirituals for vocal soloist with piano accompaniment in true art-song style, ideal for school or church singers. Titles: Deep River * Go, Tell it on the Mountain * Steal Away to Heaven * I Feel the Spirit Moving * There is a Balm in Gilead * Behold the Star! * My Lord, What a Morning * The Gospel of Grace * Give Me Jesus * Joshua Fit the Battle of Jericho.

Here\'s how to play the famous English football anthem \"Three Lions\" on piano!

With this piano sheet music, you can play \"Three Lions (Football\'s Coming Home)\" on piano.
The full melody is included in the piano part, so it sounds great if it\'s just played instrumentally - but of course, you can use these sheets to accompany singers, or sing along yourself!

It\'s an accurate piano arrangement of \"Three Lions\" which is not too hard to play, and sounds fantastic.

\"Three Lions\" was recorded by The Lightning Seeds (whose lead singer Ian Broudie composed the music) and the comedians Frank Skinner and David Baddiel (who wrote the song\'s lyrics).

\"Three Lions (Football\'s Coming Home)\" came out in 1996, when the UEFA European Football Championship (\"Euro 96\") took place in England.
The lyrics (and title) refer to the three lions on the Royal Arms of England, which also appear on the England football team\'s emblem.

The chorus (\"Football\'s coming home\") can regularly be heard as a chant at English football matches.

\"Three Lions\" makes for a surprisingly good piano cover!

Here are the song\'s full lyrics:

It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home (We\'ll go on getting bad results)
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home

[Verse 1: Frank Skinner]
Everyone seems to know the score, they\'ve seen it all before
They just know, they\'re so sure
That England\'s gonna throw it away, gonna blow it away
But I know they can play, \'cause I remember

[Chorus: All]
Three lions on a shirt
Jules Rimet still gleaming
Thirty years of hurt
Never stopped me dreaming

[Verse 2: David Baddiel]
So many jokes, so many sneers
But all those \"Oh, so nears\", wear you down through the years
But I still see that tackle by Moore and when Lineker scored
Bobby belting the ball, and Nobby dancing

[Chorus: All]
Three lions on a shirt
Jules Rimet still gleaming
Thirty years of hurt
Never stopped me dreaming

[Bridge]
England have done it, in the last minute of extra time!
What a save, Gordon Banks!
Good old England, England that couldn\'t play football!
England have got it in the bag!
I know that was then, but it could be again

[Refrain]
It\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
(England have done it)
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home

[Chorus]
(It\'s coming home) Three lions on a shirt
(It\'s coming home, it\'s coming) Jules Rimet still gleaming
(Football\'s coming home
It\'s coming home) Thirty years of hurt
(It\'s coming home, it\'s coming) Never stopped me dreaming
(Football\'s coming home

O Holy Night (French title: ''Minuit, chrétiens'') is a very popular Christmas carol, composed by Adolphe Adam in 1847. The original French lyrics were written by Placide Cappeau and were later translated into English by John Sullivan Dwight.
This editionis based on Adolphe Adam's original composition, which fits a classical stylebetter than most modern arrangements, making it perfect for settings such asthe church or recitals. (n.b.: this is not an innovative or intricatearrangement, but rather a transcription and transposition of the composer?sversion, to which the English lyrics were added.)

Here's how to play "The Girl From Ipanema" on piano!

With this piano sheet music, you can play the famous bossa nova "The Girl From Ipanema" ("Garota de Ipanema").
It's a beautiful piano arrangement of the jazz standard which includes the full melody and chords.
This piano version is not too hard to play, and it sounds fantastic!

This sheet music comes with a seperate system for the singer and the full lyrics.
However, the full melody is included in the piano part, so it sounds great as an instrumental solo version, too!

"The Girl From Ipanema" might be the most famous bossa nova song of all times. The music was composed in 1962 by Antônio Carlos Jobim. The original Portuguese title of the song is "Garota de Ipanema", the lyrics were written by Vinicius de Moraes. The English version of the song was later written by Norman Gimbel.

The song became a huge hit when it was released in the 1960s, won a Grammy award, appeared in countless films (typically as elevator music), and has been recorded by many artists worldwide.

The most famous versions of the song were recorded by Stan Getz and Astrud Gilberto, Frank Sinatra, as well as Ella Fitzgerald and the Supremes.

If you like this arrangement, please consider leaving a review - it would help me a lot.

Here are the full English lyrics to "The Girl From Ipanema":

Tall and tan and young and lovely, the girl from Ipanema goes walking
And when she passes, each one she passes goes - "aah!"
When she walks, she's like a samba that swings so cool and sways so gentle
That when she passes, each one she passes goes
But I watch her so sadly, how can I tell her I love her
Yes I would give my heart gladly,
But each day, when she walks to the sea
She looks straight ahead, not at me
Tall, and tan, and young, and lovely, the girl from Ipanema goes walking
And when she passes, I smile, but she doesn't see
She just doesn't see
No, she doesn't see

German.

An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner?s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott?s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner?s intentions. For this reason, the critical edition is largely based on Wagner?s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.

2013 marks Wagner?s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal

Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)
Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.

English.

The composer Arthur Sullivan and the dramatist W. S. Gilbert joined forces in 1871, and over the next .25 years produced a series of 14 comic operas. Sullivan's tuneful and memorable melodies and Gilbert's amusing words and dialogue .- which frequently made fun of British national characteristics and institutions such as the Royal Navy .- are as fresh and amusing today as they were over a hundred years ago. Songs vary immensely in style, and apart from the clearly comical include others, such as 'The flowers that bloom in the spring', that though at first suggesting seriousness, on close examination reveal deliberately ludicrous words and ridiculous sentiments .- all to the delight of the audience!