Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For All We Know - Trombone 4
Non classifié
142
Piano & claviers
Piano seul
467
Piano Facile
99
Piano, Voix et Guitare
23
Piano, Voix
23
Orgue
8
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
6
Basse electrique
3
Guitare (partie séparée)
2
4 Guitares (Quatuor)
2
Mandoline
1
Dulcimer
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
69
Chorale 3 parties
8
Chorale TTBB
6
Chorale SSAA
4
Chorale Unison
3
Voix Soprano, Piano
3
Voix seule
2
Voix Alto, Piano
2
Voix Tenor
1
Chorale SSATB
1
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
+ 7 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
71
Quatuor de Clarinettes: 4 clarinettes
44
Quatuor de Flûtes : 4 flûtes
35
2 Saxophones (duo)
28
3 Saxophones (trio)
12
Hautbois, Piano (duo)
12
2 Flûte à bec (duo)
11
Flûte traversière et Piano
11
Saxophone Tenor et Piano
10
Saxophone Alto et Piano
10
2 Clarinettes (duo)
9
Clarinette et Piano
9
2 Flûtes traversières (duo)
8
2 Hautbois (duo)
7
Saxophone Soprano et Piano
6
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Clarinette, Basson (duo)
5
Ensemble de saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Trio de Flûtes: 3 flûtes
4
3 Flûtes à bec (trio)
4
Ensemble de Flûtes
4
Flûte, Hautbois (duo)
3
Saxophone, Clarinette (duo)
3
Ensemble De Flûte à bec
3
Ensemble de Clarinettes
3
Ocarina
3
Hautbois, Basson (duo)
3
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Clarinette, Violon (duo)
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Basson
2
Clarinette
2
Flûte, Clarinette et Basson
2
4 Hautbois
2
Clarinette (partie séparée)
1
Harmonica
1
Flûte, Alto (duo)
1
Flûte à bec Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Flute (partie séparée)
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette, Basson
1
3 Hautbois
1
Flûte à bec Tenor
1
Quatuor de Flûtes à bec
1
Flûte irlandaise
1
Clarinette et Alto
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Flûte traversière
1
+ 50 instrumentations
Retracter
Cuivres
Tuba et Piano
11
Cor et Piano
9
2 Cors (duo)
6
Trompette, Piano
6
2 Trompettes (duo)
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Cor (duo)
4
Trompette
4
Cor
2
Trompette, Saxophone (duo)
2
3 Cors (trio)
1
2 Tubas (duo)
1
Trompette (partie séparée)
1
Cor (partie séparée)
1
3 Tubas (trio)
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
2 Violoncelles (duo)
11
2 Violons (duo)
9
Alto, Piano
9
Violoncelle, Piano
9
Violon, Violoncelle (duo)
9
Violon et Piano
9
4 Violoncelles
8
Harpe
7
Violon, Alto (duo)
7
2 Altos (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse, Piano (duo)
5
Violon
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Violoncelle, Contrebasse (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Alto seul
2
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Harpe, Voix
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
29
Orchestre d'harmonie
14
Cloches
5
Orchestre à Cordes
5
Orchestre
4
Orchestre de chambre
3
Jazz combo
2
2 Marimbas
1
Batterie (partie séparée)
1
Ensemble de Percussions
1
Ensemble Jazz
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
12
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
23
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
18
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique
220
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
CUIVRE / VENT
|
NOËL
|
CORDES/TRAD.
|
R.AVANCÉE
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
For All We Know - Trombone 4
Piano, Voix
Partitions à imprimer
23 partitions trouvées
<
1
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 4: Prière a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 4: Dans les bois f
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 4: Mon âme es
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Like Jasper (for voice and piano)
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Emily Wood
#
it just has yet to arrive
#
Like Jasper
#
Emily Sue Wood
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.907122 Composed by Emily Wood. Christian,Concert,Contemporary,Sacred. Score. 7 pages. Emily Sue Wood #2080071. Pub...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.907122 Composed by Emily Wood. Christian,Concert,Contemporary,Sacred. Score. 7 pages. Emily Sue Wood #2080071. Published by Emily Sue Wood (A0.907122). This intricate piece for solo voice and piano is perfect for a church offertory or any occasion that calls for thoughtful worship music. Vocal pitch ranges from the B below middle C to the G sharp above treble C, and the piano part is intermediate to early advanced in difficulty. The text is based off of Revelation 21 and 22, which describe the New Jerusalem that will come when the world we know passes away. The last part of the text is, It seems like some strange fantasy, like it only exists in my mind. And yet, I know it is real; it just has yet to arrive. About four and a half minutes long, written in 2016. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$5.45
We'll Fight For Uncle Abe. Plantation Song and Chorus
#
Piano, Voix
#
J
#
Fred
#
We'll Fight For Uncle Abe. Pla
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.12543 Composed by J.K. Campbell. Arranged by Fred. Buckley. Abraham Lincoln, Ulysses S. Grant, Patriotism, Slaves. Lester S. L...
(+)
Piano and voice - SKU: LV.12543 Composed by J.K. Campbell. Arranged by Fred. Buckley. Abraham Lincoln, Ulysses S. Grant, Patriotism, Slaves. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12543). We'll Fight For Uncle Abe. Plantation Song and Chorus. Words by C.E. Pratt. Melody by J.K. Campbell. Arranged by Fred. Buckley. Published 1863 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Abraham Lincoln, Ulysses S. Grant, Patriotism, Slaves. First line reads Way down in old Varginni, I suppose you all do know.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Jesus Prayed, sacred music for Baritone solo
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Jesus Prayed, sacred music for
#
Kevin G. Pace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1494074 Composed by Kevin G. Pace (ASCAP). Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. ...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1494074 Composed by Kevin G. Pace (ASCAP). Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #1070684. Published by Kevin G. Pace (A0.1494074). A dramatic, sacred baritone solo from the book of John, chapter 17. Music by Kevin G. Pace. Text by the Apostle John.Text (from John 17):Jesus lifted up his eyes to heav'n and said, The hour is come; Glorify thy Son, that I may glorify Thee: I have glorified thee on the earth. And this is life eternal, that they might know Thee, the only true God, and Jesus Christ whom thou hast sent. I have glorified Thee, I've finished all thou gavest me to do. O Father, glorify thou me with the glory I had with thee before the world was. That they may be one as Thou, Father, art in me and I in Thee that they may be one in us; And the glory which Thou gavest me I have given them that they be one as we are one: I in them, and Thou in me, that they be made perfect in one; That the world may know that Thou hast sent me and loved them as thou hast loved me. Thou hast loved me. Amen.
$5.99
For He Knows
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
For He Knows
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841491 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #34710...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.841491 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3471073. Published by Andrew Mc Donald (Macka Records) (A0.841491). For He knows is a song about the fact Jesus is watching over us and sees and hears all that happens to us.He knows what we are going through and has experienced it when dying on the cross.
$4.99
Infinite, Eternal, Invisible, Undetectable God
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Stephen R Dalrymple
#
Stephen R Dalrymple
#
Infinite, Eternal, Invisible,
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
For All We Know - Piano/Vocal Solo
#
Piano, Voix
#
Jazz
#
The Carpenters and Carmen McRa
#
John Clayton
#
For All We Know - Piano/Vocal
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By The Carpenters and Carmen McRae. By Sam M. Lewis and John Frederick Coots. Arranged by John Clayton. Jazz. Jazz Band. 4 pages. Published by Hal Leonard - Dig...
(+)
By The Carpenters and Carmen McRae. By Sam M. Lewis and John Frederick Coots. Arranged by John Clayton. Jazz. Jazz Band. 4 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 2: Je te l’a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 2: Consolation fro
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 9: Si la piti&eacu
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 11: Comme la fleur
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 6: Heureux anneau from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 6: Heureux anneau
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-06E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
All We Know by The Chainsmokers feat. Phoebe Ryan - Piano/Vocal/Chords, Singer Pro
#
Piano, Voix
#
The Chainsmokers feat. Phoebe
#
All We Know
#
Musicnotes
Performed by: The Chainsmokers feat. Phoebe Ryan: All We Know Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital ...
(+)
Performed by: The Chainsmokers feat. Phoebe Ryan: All We Know Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 4 pages -- Club/Dance~~Pop~~Electronica
$5.50
Lord Be True!
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Lord Be True!
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842337 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #6...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842337 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #6660041. Published by Andrew Mc Donald (Macka Records) (A0.842337). Lord Be True is a song about pleading with the Jesus to forgive us for the sins we have done. The Lord says He will forgive and we want to know He will be true and faithful in this. This is a ballad for piano and vocals.
$4.99
Good Girl
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Good Girl
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842180 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #52877...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842180 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #5287773. Published by Andrew Mc Donald (Macka Records) (A0.842180). Good Girl is a song about a person who has been good all their lives and suddenly dies without knowing Jesus. We can assume they are going to hell because nobody bothered to tell them the good news of the Gospel and salvation. Does not matter how good we are we can still lead a good life and miss out on heaven. The challenge is there for all of us to take the opportunity to tell someone about Jesus right now!
$4.99
My Shining Hour
#
Piano, Voix
#
INTERMÉDIAIRE
#
Harold Arlen and Johnny Mercer
#
Dave Gingras and John E
#
My Shining Hour
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1502702 Composed by Harold Arlen and Johnny Mercer. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Sco...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1502702 Composed by Harold Arlen and Johnny Mercer. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #1078374. Published by DAVID LEE GINGRAS (A0.1502702). My Shining Hour is a song composed by Harold Arlen with lyrics by Johnny Mercer for the film The Sky's the Limit (1943). In the film, the song is sung by Fred Astaire and Sally Sweetland, who dubbed it for actress Joan Leslie. The orchestra was led by Freddie Slack. My Shining Hour was nominated for an Academy Award for Best Song but lost to You'll Never Know. The film was released on July 13, 1943. The song became a hit the following year by Glen Gray's Casa Loma Orchestra with Eugenie Baird as vocalist, reaching No. 4 on the Billboard Best Selling Retail Records chart. The song's title may have been a reference to Winston Churchill's speech to British citizens during World War II: if the British Empire and its Commonwealth last for a thousand years, men will still say, this was their finest hour. This version was developed from a lead sheet and was created so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a some left-hand fills for rhythm - we hope you like what we've done with this grand old tune!
$5.99
God's Love is Real
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Janice Lubinski Carroll
#
God's Love is Real
#
JANICE G CARROLL
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1025788 Composed by Janice Lubinski Carroll. Christian,Sacred,Spiritual. Score. 4 pages. JANICE G CARROLL #5320527...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1025788 Composed by Janice Lubinski Carroll. Christian,Sacred,Spiritual. Score. 4 pages. JANICE G CARROLL #5320527. Published by JANICE G CARROLL (A0.1025788). With a flowing left-hand part, and a right-hand part that supports the vocalist, this song let's us see how, knowing how easy it is to look to God for help, we can in rough, difficult times allow the love of God to fill us and help out others.
$3.50
Nature, Nature
#
Piano, Voix
#
DÉBUTANT
#
Enfant
#
Connie Boss
Refrain: Natu
#
Connie Boss
#
Nature, Nature
#
Connie Boss
#
SheetMusicPlus
Piano,Voice - Level 1 - SKU: A0.1175816 Composed by Connie Boss. Children. Full Performance. Duration 182. Connie Boss #775937. Published by Connie Boss...
(+)
Piano,Voice - Level 1 - SKU: A0.1175816 Composed by Connie Boss. Children. Full Performance. Duration 182. Connie Boss #775937. Published by Connie Boss (A0.1175816). This is a cute song for kids about some of the different creatures in nature - some we love, some we fear and some we don't know they they're here.....Purchase at https://www.sheetmusicdirect.com/en-U... Questions or requests, email cdboss@cvalley.net see lyrics below: Nature Nature By Connie Boss Refrain: Nature, Nature Some we love, some we fear Some we wonder Why they’re here. Verse 1: Bees, Bees, don’t sting me Spread your pollen to the trees Spider, Spider spin your web You lie in wait to be fed Refrain: Verse 2: Bird, Bird, fly through the air You can fly most anywhere Cricket, Cricket, why so loud Chirping is your only sound Refrain: Verse 3: Owl, Owl, is very wise You have such enormous eyes Eagle, Eagle, soar above You look for prey for your food Refrain: Verse 4: Deer, Deer, what do you fear? Hunters in the Fall each year? Bears, Bears, great big paws Please don’t hurt me with your claws Refrain:.
$1.99
Teach Us to Pray (low voice)
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Raluca Bojor
#
Raluca Bojor
#
Teach Us to Pray
#
Raluca Bojor
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1241320 By Raluca Bojor. By Raluca Bojor. Arranged by Raluca Bojor. Christian,Praise & Worship,Sacred. Score. 8 pa...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1241320 By Raluca Bojor. By Raluca Bojor. Arranged by Raluca Bojor. Christian,Praise & Worship,Sacred. Score. 8 pages. Raluca Bojor #836701. Published by Raluca Bojor (A0.1241320). What is the point of prayer if God already knows what we need? This is a question I’ve struggled with for many years. I still don’t have all the answers. But what I do know is this – God wants us to pray. So, if you’re anything like me, and you’ve wondered why we ought to pray, this song is for you. Let’s turn to God himself and he will teach us how to pray according to his design.This PIANO + LOW VOICE is the perfect resource to help you prepare for a solo performance of Raluca’s new modern hymn “Teach Us to Pray!â€DOWNLOAD your digital sheet music PIANO + LOW VOICE of “Teach Us to Pray†now!
$5.99
The Three Pigs
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
The Three Pigs
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842040 Composed by Andrew Mc Donald. Children,Contemporary. Score. 6 pages. Andrew Mc Donald (Macka Records) #3550...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842040 Composed by Andrew Mc Donald. Children,Contemporary. Score. 6 pages. Andrew Mc Donald (Macka Records) #3550191. Published by Andrew Mc Donald (Macka Records) (A0.842040). The Three Pigs is a fun kids song based on the story Nursery Rhyme we all know so well. The wolf tries to blow the pigs house down and gets a surprise at the end when he tries to blow in the house of bricks. The moral of the song is we should stand up for ourselves when someone tries to take advantage of us.
$4.99
So This Is Love
#
Piano, Voix
#
INTERMÉDIAIRE
#
James Ingram
#
Dave Gingras and John E
#
So This Is Love
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1396493 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Dave Gingras and John E. Dos...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1396493 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #979831. Published by DAVID LEE GINGRAS (A0.1396493). So This Is Love is a 1948 song composed by Al Hoffman, Mack David, and Jerry Livingston. It was written for Walt Disney's Cinderella, in which it was performed by Ilene Woods and Mike Douglas. It is sung by the characters of Cinderella and Prince Charming as they dance with each other at the ball. Composed in 3/4 time (also known as waltz time). This version features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!
$4.99
<
1
For All We Know - Trombone 4
