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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four Voices
Non classifié
235
Piano & claviers
Piano seul
27
Piano, Voix
14
Piano, Voix et Guitare
9
Orgue
8
1 Piano, 4 mains
5
Piano Facile
5
Clavecin
1
Instruments en Do
1
Accompagnement Piano
1
+ 4 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
2
Ukulele
2
4 Guitares (Quatuor)
2
Voix
Chorale SATB
318
Chorale SSAA
105
Chorale TTBB
76
Chorale 3 parties
59
Chorale 2 parties
31
Chorale Unison
11
Chorale
4
Chorale SSAATTBB
3
Voix duo
3
Voix Alto, Piano
2
Voix Baryton, Piano
2
Voix duo, Piano
2
Voix haute
1
Chorale SSATB
1
Voix seule
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
18
Quatuor de Clarinettes: 4 clarinettes
17
Flûte, Hautbois, Clarinette, Basson
12
Quatuor de Flûtes : 4 flûtes
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Ensemble de Clarinettes
4
2 Flûtes traversières (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Quintette de Saxophone: 5 saxophones
3
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Flûte traversière et Piano
2
Trio de Flûtes: 3 flûtes
2
Ensemble de saxophones
1
2 Saxophones (duo)
1
Ensemble de Flûtes
1
Flûte traversière
1
3 Clarinettes (trio)
1
+ 13 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Cors (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
121
Trio à Cordes: violon, alto, violoncelle
14
Violon
4
4 Violoncelles
3
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
2
Harpe
2
Violon et Piano
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
4 Contrebasses
1
Violoncelle
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
19
Orchestre à Cordes
19
Orchestre d'harmonie
8
Orchestre
6
Orchestre de chambre
3
Ensemble de Percussions
3
Ensemble Jazz
2
Piano et Orchestre
1
Marimba
1
Cloches
1
+ 5 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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Vous avez sélectionné:
Four Voices
Piano, Voix
Partitions à imprimer
14 partitions trouvées
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1
At The Cross Her Station Keeping (Stabat Mater) (for Four Voices)
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Piano, Voix
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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At The Cross Her Station Keepi
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Exultet Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.621349 Composed by Traditional. Arranged by Stephen DeCesare. A Cappella,Christian,Easter,Praise & Worship,Sacred....
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Piano,Vocal,Voice - Level 2 - SKU: A0.621349 Composed by Traditional. Arranged by Stephen DeCesare. A Cappella,Christian,Easter,Praise & Worship,Sacred. Score. 7 pages. Exultet Music #3544333. Published by Exultet Music (A0.621349). The traditional Stabat Mater (At The Cross Her Station Keeping) has been freshly arranged to be sung in canonic form for four individual voices (a cappella). Accessible and appropriate for any church or concert setting. Can be sung throughout Lent and Holy Week. .
$12.99
Animal Tales - Four famous animal poems set to music for children's voices and piano
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Piano, Voix
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DÉBUTANT
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Judy Lane
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Animal Tales - Four famous ani
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Judy Lane Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.915882 Composed by Judy Lane. Children,Instructional. Score. 22 pages. Judy Lane Music #2917053. Published by Judy...
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Piano,Vocal,Voice - Level 1 - SKU: A0.915882 Composed by Judy Lane. Children,Instructional. Score. 22 pages. Judy Lane Music #2917053. Published by Judy Lane Music (A0.915882). Animal Tales is a song book containing four famous animal poems set to music by Judy Lane. This collection is perfect for class singing at junior school level. The poems are:- The Donkey - GK Chesterton, The Bells Of Heaven - Ralph Hodgson, On A Cat Ageing - Sir Alexander Gray, Mice - Rose Fyleman. The Bells Of Heaven has an optional cello line. The Donkey was the Lennox Berkeley Cup award winning composition at the Oxford Music Festival in 2010 and is available as a stand alone score through Sheet Music Plus. - What the critics say:- Judy has a flair for setting words to singable melodies and for creating appropriate moods to suit the context and lyrics Malcolm Pearce - Judy's music is like a breath of fresh air Stephen Carleston - Excellent vocal range covered - ideal for young developing voices Fiona Chryssides
$10.00
The Four Witches. Character Song and Chorus. Women Wine Gold and Fame
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Piano, Voix
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Harry Banks
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The Four Witches. Character So
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4760 Composed by Harry Banks. Aged persons, Caricatures, Vice, Alcoholic beverages, Wealth, Deception. Lester S. Levy Collecti...
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Piano and voice - SKU: LV.4760 Composed by Harry Banks. Aged persons, Caricatures, Vice, Alcoholic beverages, Wealth, Deception. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4760). The Four Witches. Character Song and Chorus For Female Voices. Women Wine Gold and Fame. Words and Music by Harry Banks. Published 1880 by Balmer & Weber, Publishers in Saint Louis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Aged persons, Caricatures, Vice, Alcoholic beverages, Wealth, Deception. First line reads I'll bewitch man with women resplendent brunettes.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Four Foxy Fables
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Piano, Voix
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INTERMÉDIAIRE
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Maria Thompson Corley
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Four Foxy Fables
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.845949 Composed by Maria Thompson Corley. Concert. Score. 17 pages. Maria Thompson Corley #6265265. Published by M...
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Piano,Vocal,Voice - Level 3 - SKU: A0.845949 Composed by Maria Thompson Corley. Concert. Score. 17 pages. Maria Thompson Corley #6265265. Published by Maria Thompson Corley (A0.845949). The texts are adapted by the composer from four of Aesop's fables: The Fox and the Grapes, The Fox and the Stork, The Fox and the Goat, and The Fox and the Crow. These lighthearted pieces are written with developing voices in mind, and include hints of jazz, early music, and light opera.
$15.99
Fourfold Amen
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Piano, Voix
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DÉBUTANT
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Musique Sacrée
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David Luna
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Fourfold Amen
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DNL Music Publishers
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1163467 Composed by David Luna. Children,Christian,Religious,Sacred,Traditional. Score. 1 pages. DNL Music Publish...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1163467 Composed by David Luna. Children,Christian,Religious,Sacred,Traditional. Score. 1 pages. DNL Music Publishers #763805. Published by DNL Music Publishers (A0.1163467). This easy fourfold amen is intended for small vocal choir ensembles and/or children's voices. It can be learned in one rehearsal session.
$1.99
Come, See the Christmas Star
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Piano, Voix
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INTERMÉDIAIRE
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Vanja Y
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Come, See the Christmas Star
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Music Section Harold B. Lee Library
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.954306 Composed by Vanja Y. Watkins. Christian,Christmas,Sacred. Score. 1 pages. Music Section Harold B. Lee Libra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.954306 Composed by Vanja Y. Watkins. Christian,Christmas,Sacred. Score. 1 pages. Music Section Harold B. Lee Library #2860061. Published by Music Section Harold B. Lee Library (A0.954306). This song may be sung as a solo, or as a round for four voices. Lyrics by Marvin Gardner: Come, see the Christmas star in heaven shine / With angel choirs your voices intertwine / With lowly shepherds, let your hearts combine / With noble Wise Men, bring your gifts so fine / Come kneel and worship Christ, the Child divine. Also available in the compilation Music of Christmas.
$2.50
The Three Bears
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Piano, Voix
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Jonathan Stinson
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The Three Bears
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J Laurence Publishing
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.1023369 Composed by Jonathan Stinson. Children,Contemporary,Opera. 93 pages. J Laurence Publishing #5324907. Published by J L...
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Vocal Solo,Voice - SKU: A0.1023369 Composed by Jonathan Stinson. Children,Contemporary,Opera. 93 pages. J Laurence Publishing #5324907. Published by J Laurence Publishing (A0.1023369). One-act children's opera for four voices and piano, commissioned by Opera Memphis (2007)A sequel to Goldilocks and the Three BearsBook, libretto, and music by Jonathan StinsonGoldilocks - sopranoMama Bear - mezzo-sopranoBaby Bear - tenorPapa Bear - baritoneFor licensing information, contact Jonathan directly at stinson.baritone@gmail.com.
$19.99
Knightly News
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Piano, Voix
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Jonathan Stinson
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Knightly News
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J Laurence Publishing
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.1023370 Composed by Jonathan Stinson. Children,Contemporary,Opera. 79 pages. J Laurence Publishing #5324893. Published by J L...
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Vocal Solo,Voice - SKU: A0.1023370 Composed by Jonathan Stinson. Children,Contemporary,Opera. 79 pages. J Laurence Publishing #5324893. Published by J Laurence Publishing (A0.1023370). One-act children's opera for four voices and piano (2013)A mixed-up fairy tale combining the stories of Cinderella, The Three Little Pigs, and Little Red Riding Hood.Music by Jonathan StinsonBook and libretto by Sarah Rogevich and Jonathan Stinson Little Red - sopranoAleksandra Pygowski - mezzo-sopranoPrince Charming - tenorWolf - baritone For licensing information, contact Jonathan directly at stinson.baritone@gmail.com
$19.99
Moments of Springtime
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Piano, Voix
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FACILE
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Mark Allstrom
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Moments of Springtime
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MB Allstrom
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1296308 Composed by Mark Allstrom. Contemporary,Pop,Wedding. Score. 15 pages. MB Allstrom #886556. Published by MB...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1296308 Composed by Mark Allstrom. Contemporary,Pop,Wedding. Score. 15 pages. MB Allstrom #886556. Published by MB Allstrom (A0.1296308). This piece is originally composed for an anniversary or wedding celebratory song for four voices (SATB) and piano accompaniment, but can be applied to multiple situations. It can also easily be reduced to SB two part or solo voice with accompaniment.
$2.95
Play - Sing (Multi-dimensional Music Reading Studies)
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Piano, Voix
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FACILE
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Onder Ozkoc
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Play - Sing
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Onder Ozkoc
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by O...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by Onder Ozkoc (A0.1003152). This book has been prepared for the purpose of doing self-accompanied music reading (solfeggio) practice. For this, 70 pieces were designed; with these pieces, it is aimed to develop multi-layered thinking and hearing elements in music. The four parts in the book, which are sorted according to the level of difficulty, are written on a single string, the notes with the stems downwards are accompanied by the notes, and the ones that upwards belong to the reading party. The accompaniment of the pieces is sometimes considered as a single sound, chord, or rhythmic structure, and sometimes as a combination of these structures. The accompaniment, which comes as a rhythmic structure in the 2nd and 4th chapters, is written with rhythmic notation on a separate staff.The accompaniments of the pieces in the first part can be played with instruments such as the piano or guitar, where two or three voices can be played at the same time and music can be played while performing, while the accompaniments are designed only as a rhythm for the parts in the second part can be played by hitting them with the hand or another instrument.The pieces in the third part were written in a way that the upper part can be read when the lower part is played and the lower part is read when the upper part is played, considering the translatable counterpoint technique, thus 4 working ways are derived from one piece. The monophonic accompaniments of the pieces in this section can also be played with instruments that can be read while playing.The fourth chapter of the book contains pieces that combine the understanding of the first two chapters, which can be called advanced when compared to the other chapters.The pieces in the book were read many times with students from different age groups at different levels, and their interpretations contributed to the shaping of the pieces. It is thought that the book, which includes studies that can help with simultaneous melody/rhythm hearing, reading scores, or rhythmic analysis, will contribute to the development of multi-layered thinking and hearing in music by making accompanying music reading studies on its own, and this is a basic requirement for every musician.
$10.00
Eventide - a song for voice & piano
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Piano, Voix
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FACILE
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Musique Sacrée
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Arthur Ager
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Robert Luke Thompson
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Eventide - a song for voice &a
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Monkspath Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1216738 Composed by Arthur Ager. Arranged by Robert Luke Thompson. 20th Century,Christian,Praise & Worship,Religio...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1216738 Composed by Arthur Ager. Arranged by Robert Luke Thompson. 20th Century,Christian,Praise & Worship,Religious,Spiritual. Score. 5 pages. Monkspath Music #813277. Published by Monkspath Music (A0.1216738). James Arthur Ager (1867-1947) was a British composer, organist, and music educator. He studied composition at the Royal College of Music in London under Hubert Parry and Frederick Bridge. Ager served as the organist and choirmaster at St. Andrew's Church in Birmingham for over 50 years. Ager also became Professor of Organ & Harmony at the Birmingham and Midland Institute School of Music (the predecessor of the Royal Birmingham Conservatoire) for nearly four decades. Although not as well-known as some of his contemporaries, Ager's music, including a variety of songs, choral, piano, and organ works, is worth exploring for those interested in late 19th and early 20th-century music. Perhaps his most famous composition is The Legend of St. Christopher, a cantata based on the medieval legend. Eventide is a beautiful vocal piece composed in 1916, with lyrics written by Arthur's daughter, Gladys. It is suitable for a wide range of voices (including soprano, mezzo-soprano, tenor, and baritone) and can be a great alternative to traditional hymns like Abide with Me. Often associated with evening and twilight, Eventide is a versatile piece that can be sung on various occasions where a reflective and contemplative atmosphere is desired. It is ideal for Christian worship services, funerals, memorials, candlelight vigils, recitals, or concerts where a reflective, serene, and tranquil atmosphere is desired. A PDF scan of the original publication is available via email request.For further pieces, view the Monkspath Music catalogue and click here!
$2.99
Reflections of Li Bo
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Piano, Voix
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Larry Minton
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Reflections of Li Bo
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Larry Minton’s Choral Music I
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.480401 Composed by Larry Minton. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Score. 3 pages. Published ...
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Piano,Vocal,Voice - SKU: A0.480401 Composed by Larry Minton. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Score. 3 pages. Published by Larry Minton’s Choral Music I (A0.480401). This is a setting of an ancient Chinese poem four to eight voices.
$199.00
Psalm 148 Let All Praise the Name of the Lord
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Piano, Voix
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INTERMÉDIAIRE
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Christy L'Esperance
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Psalm 148 Let All Praise the N
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Christy L'Esperance
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.918178 Composed by Christy L'Esperance. Christian,Contemporary,Sacred,Wedding. Score. 7 pages. Christy L'Esperance...
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Piano,Vocal,Voice - Level 3 - SKU: A0.918178 Composed by Christy L'Esperance. Christian,Contemporary,Sacred,Wedding. Score. 7 pages. Christy L'Esperance #6612075. Published by Christy L'Esperance (A0.918178). Song of Seikolos is the oldest surviving complete composition, dating to ancient (200BC) Greece. The melody of Song of Seikolos is used as a framework for this setting of Psalm 148:1-2, 3-4, 9-10, 11-13a, 13c-14a. Appropriate for Catholic wedding ceremonies as well as other sacred celebrations, this purchase includes the piece in a key suited for higher voices (G mixolydian) as well as a transposition down a fourth for lower voices.Text: Psalm 148:1-2, 3-4, 9-10, 11-13a, 13c-14aR. (13a) Let all praise the name of the Lord.Praise the Lord from the heavens,praise him in the heights;Praise him, all you his angels,praise him, all you his hosts.R. Let all praise the name of the Lord.Praise him, sun and moon;praise him, all you shining stars.Praise him, you highest heavens,and you waters above the heavens.R. Let all praise the name of the Lord.Mountains and all hills,fruit trees and all cedars;beasts, both wild and tame,creeping things and birds on the wing.R. Let all praise the name of the Lord.Kings of the earth and all peoples,princes and all judges of the earth,young men and maidens as well,the old and the young together.Let them praise the name of the Lord,for his name alone is exalted.R. Let all praise the name of the Lord.His splendor above earth and heaven.He exalts the strength of his people.R. Let all praise the name of the Lord.
$5.00
Die rote Blume
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Fredrik Schwenk
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Die rote Blume
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Fredrik Schwenk
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Publish...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Published by Fredrik Schwenk (A0.1022048). The nine songs after poems by Gustav Mahler (1860-1911) were commissioned by the Dutch mezzo-soprano Christianne Stotijn. Mahler was already planning a late Romantic cantata entitled Das klagende Lied shortly after beginning his studies at the Vienna Conservatory in 1878, for which he conceived a three-part cycle of poems for his own setting. When Mahler completed the score in October 1880, he was already at the beginning of a great conducting career. The quality of the poem could be debated, especially in view of the successful Lieder eines fahrenden Gesellen from 1883 and 1884; and yet the ballad, inspired by a mixture of fairy tales by the Brothers Grimm and the poet Ludwig Bechstein, reflects almost the complete range of voices of Mahler's first great creative period, from the songs from Des Knaben Wunderhorn to the Fourth Symphony. At the special request of mezzo-soprano Chrisianne Stotijn and pianist Joseph Breinl, the complete text of the plaintive song was newly set to music. A particular challenge of the new setting of Gustav Mahler's poems consisted for me above all in compromising the genial imperfection of the poetry with a compositional aesthetic that emphasizes precisely the unrhymed, edgy and clichéd as its own quality and does not seek to conceal it. In doing so, it seemed wise and prudent to me, not only for reasons of historical distance(ization), not to implement an intersubjective subjectability to the songs. The serious and ballad-like basic tone was to be preserved, the way in which the text was implemented stems from the idea of a thoroughly pluralistic and therefore stylistic tightrope walk, which in a kind of music about music reflects the relationship to one's own tradition and its changing values and thus repeats the phenomenon of Mahler per se in the context of the 21st century.
$7.50
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