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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
29498
PIANO & CLAVIERS
Piano seul
22920
Piano, Voix
10323
Piano Facile
8271
Piano, Voix et Guitare
5228
Instruments en Do
1933
Orgue
1689
Piano grosses notes
1004
1 Piano, 4 mains
794
Accompagnement Piano
442
Piano Trio: piano, violon, violoncelle
354
Accordéon
249
Piano (partie séparée)
236
2 Pianos, 4 mains
225
Piano Quatuor: piano, violon, alto, violoncelle
109
Orgue, Trompette (duo)
107
Piano Quintette: piano, 2 violons, alto, violoncelle
85
Piano Quatuor: piano, 2 violons, violoncelle
48
Clavecin
45
Orgue, Piano (duo)
30
Clavier
27
1 Piano, 6 mains
12
2 Pianos, 8 mains
11
2 Accordéons
9
Accordéon, Voix
7
Fake Book
4
Ensemble d'Accordéons
3
Accordéon, Corde(s)
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Tous Les Instruments
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
2760
Guitare
2195
Ligne De Mélodie, (Paroles) et Accords
1411
Ukulele
1270
Basse electrique
801
Paroles et Accords
368
2 Guitares (duo)
359
Mandoline
313
Guitare (partie séparée)
237
Piano, Guitare (duo)
205
4 Guitares (Quatuor)
99
Dulcimer
95
Banjo
91
Guitare Pedal Steel
88
Basse électrique (partie séparée)
49
3 Guitares (trio)
45
Ensemble de guitares
41
Ukulele Baryton
21
Ensemble de Ukulélés
18
Mandoline, Piano (duo)
12
2 Dulcimers (duo)
6
Mandoline, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
5
2 Mandolines (duo)
4
Cithare
2
Dobro
2
Bouzouki
2
2 Ukuleles
2
Guitare, Orchestre
1
Orchestre à Plectres
1
Luth
1
Instrumentations suivantes
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VOIX
Chorale SATB
8952
Chorale 3 parties
3144
Pack Instrumental pour Chorale
2411
Chorale TTBB
1820
Chorale Unison
1642
Chorale 2 parties
1578
Chorale SSAA
1083
Voix seule
447
Voix haute
422
Voix duo, Piano
377
Voix Soprano, Piano
363
Voix duo
241
Voix Tenor, Piano
198
Chorale
180
Voix Baryton, Piano
160
Voix Alto, Piano
138
Voix moyenne, Piano
94
Voix basse, Piano
84
Voix Mezzo-Soprano, Piano
84
Voix Tenor
34
Chorale SSAATTBB
34
Chorale SSATB
22
Voix haute, Piano
16
Voix Soprano
16
Voix Baryton
16
Soli, choeur mixte et accompagnement
13
Chorale SSAB a cappella
13
Chorale SSATTB
12
Voix basse
12
Chorale, Orgue
8
Chorale SATBB
6
Voix Soprano, Orchestre
6
Voix, Guitare
4
Chorale SSAATB
3
Chorale SSAB, Piano
3
Voix Moyenne
2
Male Voice
1
Chorale SAATB A Cappella
1
Voix duo, Orgue
1
Voix et basse continue
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
3166
Quatuor de Saxophones: 4 saxophones
2812
Flûte traversière et Piano
2422
Clarinette (partie séparée)
2139
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1987
Flûte, Hautbois, Clarinette, Basson
1960
Clarinette et Piano
1857
Clarinette
1757
Flûte traversière
1751
2 Saxophones (duo)
1467
Hautbois, Piano (duo)
1374
Saxophone Alto et Piano
1357
Quatuor de Clarinettes: 4 clarinettes
1335
Saxophone Alto
1266
2 Flûtes traversières (duo)
1074
Saxophone Tenor
1057
Hautbois (partie séparée)
1000
Flute (partie séparée)
956
2 Clarinettes (duo)
932
Saxophone Tenor et Piano
890
Quintette de Saxophone: 5 saxophones
754
Quatuor de Flûtes : 4 flûtes
675
Saxophone Soprano et Piano
534
3 Saxophones (trio)
518
Flûte et Guitare
493
Ensemble de Clarinettes
469
3 Clarinettes (trio)
419
Ensemble de Flûtes
409
Ensemble de saxophones
407
Ocarina
362
Quintette de Clarinettes: 5 clarinettes
306
Flûte à bec Soprano
300
Saxophone Baryton, Piano
296
Flûte, Clarinette (duo)
295
Flûte à Bec
294
Hautbois
286
Trio de Flûtes: 3 flûtes
282
2 Hautbois (duo)
235
Quatuor de Flûtes à bec
234
Harmonica
210
Flûte à bec Alto
197
Saxophone, Clarinette (duo)
189
Cor anglais, Piano
177
Quintette de Flûte : 5 flûtes
171
Clarinette, Violon (duo)
168
Hautbois, Basson (duo)
167
Clarinette Basse, Piano
152
Flûte, Hautbois, Clarinette (trio)
141
2 Flûte à bec (duo)
138
Flûte, Clarinette et Basson
130
Hautbois, Clarinette (duo)
117
Flûte, Violon
115
Hautbois, Flûte
107
Saxophone Soprano
106
3 Flûtes à bec (trio)
103
Clarinette, Guitare (duo)
100
Clarinette, Trompette (duo)
100
Hautbois, Clarinette, Basson (trio d'anches)
98
Flûte, Violon et Violoncelle
98
Flûte, Hautbois, Basson
89
Flûte, Alto (duo)
87
Clarinette, Harpe (duo)
74
Clarinette, Basson (duo)
74
Clarinette et Alto
74
Ensemble De Flûte à bec
68
Saxophone Baryton
67
5 Flûtes à bec
66
Clarinette Basse
65
Cor Anglais
65
Flûte, Trompette (duo)
63
Flûte, Violoncelle
62
Flûte, Saxophone (duo)
61
2 Flûtes traversières, Piano
59
Piccolo
53
Saxophone
51
Flûte à bec Soprano, Piano
43
Clarinette, Violoncelle (duo)
42
Flûte, Violoncelle, Piano (trio)
39
3 Hautbois
37
Flûte, Violon, Piano
37
Flûte, Hautbois (duo)
36
Cornemuse
35
Flûte à bec Tenor
32
Flûte, Clarinette, Piano (trio)
30
2 Clarinettes, Basson
29
Saxophone et Guitare
29
Flûte à bec Alto, Piano
29
Hautbois, Violoncelle
28
Hautbois, Guitare (duo)
26
2 Saxophones, Piano
26
Flûte, Basson et Piano
26
Hautbois, violon (duo)
24
Flûte, Clarinette, Cor, Basson (Quartet)
23
Flute, harpe et violon
22
2 Clarinettes, Piano
21
Piccolo, Piano
21
Clarinette, Violoncelle, Piano (trio)
18
Saxophone et Orgue
17
Cor anglais, Guitare (duo)
15
Flûte, Trombone (duo)
14
4 Hautbois
13
Hautbois et alto (duo)
13
Flûte à Bec, Piano
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
Flûte, Hautbois, Piano (trio)
11
Flûte, Alto et Piano
11
Clarinette, Trombone (duo)
11
Ensemble à vent
10
Flûte à bec Alto, Basse continue
9
Flûte à bec, Guitare (duo)
9
Flûte traversière, Basse continue
8
Flûte et Trio à cordes
8
Hautbois, Harpe
7
Flûte, Harpe et Violoncelle
7
Saxophone et Piano
7
Hautbois, Basson et Piano
7
Flûte, trombone et piano
7
Flûte, Violon, Violoncelle et Piano
6
Saxophone, Violon (duo)
6
Clarinette, Basson, Piano (trio)
6
Flûte, Tuba (duo)
6
Ensemble de Hautbois
6
Flûte irlandaise
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
2 Cors Anglais Et Pianoforte
5
Saxophone et Harpe
5
Flûte et Quatuor à Cordes
5
Flûte, Violoncelle, Guitare
5
Hautbois, Trompette (duo)
5
Flûte, Hautbois, Violon
5
Flûte traversière, Orgue (duo)
5
2 Harmonicas
4
2 Flûtes à bec, Piano
4
Clarinette, trompette et piano
4
Instruments en Mib
4
Clarinette, Tuba
4
Flûte, Clarinette, Violon (trio)
4
2 Hautbois et Basson
3
Clarinette, Orgue
3
Hautbois, Violon, Piano
3
Flûte traversière, Orchestre
3
Clarinette, Quatuor à cordes et Piano
3
2 Hautbois et Cor anglais
2
Hautbois, trombone (duo)
2
Saxophone et violoncelle
2
Clarinette, Contrebasse (duo)
2
2 Flûtes, Basse continue
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone, Basson (duo)
2
Cor anglais et Harpe (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, alto et harpe
2
2 clarinettes, 2 bassons
1
Clarinette, Orchestre
1
Flûte, Violon, Guitare
1
Hautbois, Quatuor à cordes
1
Harmonica, Piano
1
Hautbois, Orgue
1
Hautbois, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Clarinette, Basson et Piano
1
2 Flûtes traversières, Harpe
1
Flûte à bec Soprano, Basse continue
1
Instrumentations suivantes
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CUIVRES
Trompette (partie séparée)
2591
Trombone (partie séparée)
2229
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2043
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1553
Trompette
1360
Trompette, Piano
1212
Trombone
1137
Cor
1063
Trombone et Piano
1062
Cor (partie séparée)
989
Cor et Piano
818
Tuba (partie séparée)
666
2 Trompettes (duo)
531
Quatuor de Cuivres
511
Tuba
423
Quatuor de Cuivres: 2 trompettes, Cor, trombone
419
2 Trombones (duo)
407
Tuba et Piano
395
Quatuor de cuivres: 4 trombones
287
Euphonium, Piano (duo)
231
Trompette, Trombone (duo)
223
Ensemble de Trombones
212
Quatuor de cuivres: 4 cors
209
2 Cors (duo)
189
Cor anglais, Piano
177
Ensemble de Trompettes
161
Trompette, Saxophone (duo)
143
2 Euphoniums et 2 Tubas
111
Trio de Cuivres
87
Ensemble de Cors
84
Euphonium
72
Tuba ou Euphonium ou Saxhorn
71
Cor Anglais
65
4 Tubas
61
2 Tubas (duo)
59
Trompette, Cor (duo)
54
3 Trompettes (trio)
48
3 Trombones (trio)
43
Quatuor de cuivres: 4 trompettes
35
2 Euphoniums (duo)
24
Tuba et Orgue
21
Trombone, Orgue
21
Cornet A Pistons
19
3 Cors (trio)
19
Euphonium, Tuba (duo)
19
Trombone basse et Piano
17
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
16
2 Trompettes, Clavier (piano ou orgue)
16
Trombone basse
15
Cor anglais, Guitare (duo)
15
Trompette, violon (duo)
14
Bass Clef Instruments
12
Trombone, Cor (duo)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Cor, Tuba (duo)
9
3 Tubas (trio)
9
Trompette, Violoncelle (duo)
9
Trombone, violoncelle (duo)
8
Trompette, Trombone, Piano
8
Ensemble de Tubas
8
Trombone, Violon (duo)
7
Instruments en Sib
7
Cor et Basson (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor, Violoncelle (duo)
6
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
6
Euphonium (partie séparée)
6
2 Cors Anglais Et Pianoforte
5
Cor, Orchestre
5
Cor et Harpe
5
Cor et Orgue
5
Trompette, Basson (duo)
4
Trompette, Violoncelle et Piano
4
Trompette, Harpe
4
Cornet et Piano
3
2 Cors, Piano
3
2 Trombones, Piano
2
Trompette, Euphonium (duo)
2
Trompette et Guitare
2
4 Euphoniums
2
Cornet et orchestre
2
Cor anglais et Harpe (duo)
2
Clarinette, Cor (duo)
2
Euphonium Ou Saxhorn Et Piano
1
3 Euphoniums
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
6534
Harpe
3046
Violon et Piano
2776
Violon
2267
Violoncelle, Piano
1889
Violoncelle
1671
Violon (partie séparée)
1634
Alto, Piano
1456
Alto seul
1200
2 Violons (duo)
972
Violon, Violoncelle (duo)
894
Trio à Cordes: violon, alto, violoncelle
863
Contrebasse (partie séparée)
776
2 Violoncelles (duo)
636
Alto (partie séparée)
463
Violon, Alto (duo)
452
Violoncelle (partie séparée)
423
Quintette à cordes: 2 violons, alto, violoncelle, basse
408
Contre Basse
403
2 Altos (duo)
380
Contrebasse, Piano (duo)
337
Trio à Cordes: 2 violons, violoncelle
321
Harpe, Flûte (duo)
288
4 Violoncelles
220
Alto, Violoncelle (duo)
189
Trio à cordes: 3 violins
150
Violon, Guitare (duo)
125
2 Harpes (duo)
117
Piano Trio: Violon, Alto, Piano
104
Violoncelle , Guitare (duo)
101
Trio à Cordes: 3 violoncelles
100
Quatuor à cordes: 4 violons
73
Trio à cordes: 3 altos
63
Violoncelle, Contrebasse (duo)
57
Alto, Guitare (duo)
53
Trio à cordes
50
Quatuor à cordes : 4 altos
47
2 Contrebasses (duo)
45
Trio à Cordes: 2 violons, alto
44
Quintette à cordes: 2 violons, 2 altos, violoncelle
39
Harpe, Violon (duo)
38
2 Violons, Piano
33
Violon, Basson (duo)
25
Ensemble de Violons
24
Ensemble d'Altos
22
Harpe et mandoline
19
Violon, Orgue
19
Ensemble de Violoncelles
18
4 Contrebasses
18
Violoncelle, Orchestre
17
Harpe, Voix
17
Flûte, Contrebasse (duo)
15
Violon, Basse continue
13
Violoncelle, Orgue
13
Harpe, Violoncelle (duo)
12
2 Violoncelles, Piano
12
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
Alto et Basson
9
Harpe, Violon, Violoncelle
9
Alto et Harpe
7
Violon, Clarinette, Piano (trio)
6
Violon, Tuba (duo)
6
Violoncelle, Basse continue
5
Harpe et Piano
4
Harpe, Quatuor à cordes
4
2 Altos, Piano
4
3 Harpes
4
Harpe et Orgue
3
Autoharp
3
Harpe (partie séparée)
3
3 Contrebasses
3
4 Harpes
3
Harpe, Orchestre
2
Violon, Violoncelle, Clarinette
2
Alto, Orgue
2
Harpe, Trombone (duo)
2
2 Violons et Basse continue
1
Violon, Trompette et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
12251
Orchestre
2894
Orchestre à Cordes
2653
Fanfare
1945
Ensemble Jazz
1661
Percussion (partie séparée)
1534
Ensemble de cuivres
1198
Cloches
955
Orchestre de chambre
867
Batterie
671
Timbales (partie séparée)
349
Jazz combo
332
Percussion
262
Batterie (partie séparée)
230
Ensemble de Percussions
166
Timbales
133
Marimba
97
Caisse Claire
54
Xylophone
51
Vibraphone
50
Xylophone, Piano
47
Piano et Orchestre
39
Quintette à Vent
33
Orchestre, Violon
27
Quatuor à Vent : 4 instruments à vents
24
2 Xylophones
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Instrumentation Flexible
8
Vibraphone (partie séparée)
7
Quintette de Cuivres: autres combinaisons
6
Ensemble d'École
4
Big band
3
Vibraphone et Marimba
3
Xylophone (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
Marimba, Piano (duo)
2
3 Percussions
1
3 Marimbas
1
2 Marimbas
1
Voix et Orchestre
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
9
Théorie de la musique
1
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9976
Halévy-Si la rigueur,from La Juive
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.744370 Composed by Fromental…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.744370 Composed by Fromental Halevy. Arranged by OSM Press. Classical. Score. 9 pages. Open Cloud #352495. Published by Open Cloud (A0.744370).
$7.99
7.24 €
#
Piano, Voix
#
Fromental Halevy
#
OSM Press
#
Halévy-Si la rigueur,from La Juive
#
Open Cloud
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SheetMusicPlus
Peace Comes From Heaven, sacred vocal solo
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1049130 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1049130 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #653524. Published by Kevin G. Pace (A0.1049130). Beautiful, sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace comes from heaven through Jesus Christ; He is the true Prince of Peace. Like giving manna to all around, He offers his kingly feast. Peace comes from heaven as we near his lavish table all spread. He feeds our souls through tranquility, nourishing with living bread. Peace comes from heaven through Jesus Christ to all of God’s cov’nant saints. As He empowers each one to serve, He lends to others his traits. Peacemakers choose to spread his love, bearing true peace in his stead. “My peace I give to you alone,†are holy words He has said. Peace comes from heaven through Jesus Christ, sensing a stillness to be. Peacemakers calm stormy souls of men, softening strife rev’rently, Clearing contentious clouds that clash, mending sore hearts of disdain. Peacemakers bring unity and calm, causing all tempers to tame. Peace comes from heaven through Jesus Christ; He filled the Father’s true plan. Peacemakers blessed from God’s perfect hands imitate his love of man. Hearing these sacred, holy words: “Peace, peace be unto thy soul,†Brings hope and stillness through God’s pure Name, letting his children be whole.
$3.99
3.62 €
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Piano, Voix
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Kevin G
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Peace Comes From Heaven, sacred vocal solo
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Kevin G. Pace
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SheetMusicPlus
From Lovely Erin Sad I Come, or, The Emigrant From the Emeral Isle
Piano, Voix
Piano and voice - Digital Download SKU: LV.17471 Composed by Charles H. Gerkin. Har…
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Piano and voice - Digital Download SKU: LV.17471 Composed by Charles H. Gerkin. Harps, Fountains, Waterfronts, Trees, Immigrants, Liberty. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17471). From Lovely Erin Sad I Come, or, The Emigrant From the Emeral Isle. Composed by Charles H. Gerkin. Published [n.d.] by F.D. Benteen in Baltimore. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Harps, Fountains, Waterfronts, Trees, Immigrants, Liberty. First line reads From lovely Erin sad I come, Across the rolling sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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Charles H
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From Lovely Erin Sad I Come, or, The Emigrant From the Emeral Isle
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Are You From Dixie? ('Cause I'm From Dixie, Too!)
Piano, Voix
Piano and voice - Digital Download SKU: LV.24121 Composed by George L. Cobb. Shakin…
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Piano and voice - Digital Download SKU: LV.24121 Composed by George L. Cobb. Shaking hands, Cotton plantations, African Americans, Mansions, Ploughs, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24121). Are You From Dixie? ('Cause I'm From Dixie, Too!. Words by Jack Yellen. Music by George L. Cobb. Published 1915 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Shaking hands, Cotton plantations, African Americans, Mansions, Ploughs, Homesickness. First line reads Hello, there, stranger! how do you do?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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George L
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Are You From Dixie?
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
From This Day On
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474233 Composed by Alan Jay…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474233 Composed by Alan Jay Lerner and Frederick Loewe. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1051901. Published by DAVID LEE GINGRAS (A0.1474233). Brigadoon is a musical with a book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. This song From This Day On, from the musical, has become a standard. It features two American tourists who stumble upon Brigadoon, a mysterious Scottish village that appears for only one day every 100 years. Tommy, one of the tourists, falls in love with Fiona, a young woman from Brigadoon. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.52 €
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Piano, Voix
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Alan Jay Lerner and Frederick Loewe
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Dave Gingras and John E
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From This Day On
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DAVID LEE GINGRAS
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SheetMusicPlus
Parted From Thee
Piano, Voix
Piano and voice - Digital Download SKU: LV.3759 Composed by George Matzka. Portrait…
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Piano and voice - Digital Download SKU: LV.3759 Composed by George Matzka. Portraits, Courtship, Love, Nostalgia, Sadness, Time. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3759). The Only Authorized Edition of The Songs of Mademoiselle Parepa. Parted From Thee. Geo. Matzka. Published 1865 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love, Nostalgia, Sadness, Time. First line reads Absent from home, parted from thee, deep in my soul the grief lingers yet.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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George Matzka
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Parted From Thee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Forty-five Minutes from Broadway
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.879305 Composed by George M.…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.879305 Composed by George M. Cohan. Arranged by Dennis Frayne. Broadway,Folk,Musical/Show,Standards,Traditional. Score. 8 pages. Presto! It's Music Magic Publishing #6132745. Published by Presto! It's Music Magic Publishing (A0.879305). Tickle the ivories with Forty-five Minutes from Broadway, the title song from the three-act 1906 Broadway musical by George M. Cohan (1878-1942). The song was written about New Rochelle, New York, and refers to the 45-minute train ride from New Rochelle to Broadway. This arrangement for early advanced to advanced piano captures the joyful spirit of the times and evokes both a Broadway musical and old-time Americana flair. Includes the lyrics in paragraph form on the last page, plus helpful fingering suggestions.
$5.99
5.43 €
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Piano, Voix
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George M
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Dennis Frayne
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Forty-five Minutes from Broadway
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Songs from the Chinese for voice and piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1004793 Composed by Leslie K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1004793 Composed by Leslie Kleen. Contemporary. Score. 57 pages. Music From Riverside #4368524. Published by Music From Riverside (A0.1004793). 18 Songs from Chinese Poets of the Yang Dynasty. These poems have been set to English verse by Kenneth L. Patton.These were originally composed for guitar accompaniment, and the piano part has been written to maintain the simplicity of the guitar part.The poems are all fairly short and maintain of the original Chinese style. They cover topics about Nature, Friendship, and Reflections on Life.No attempt has been made to imitate Oriental music - just the simplicity of the poems themselves.
$4.00
3.63 €
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Piano, Voix
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Leslie Kleen
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Songs from the Chinese for voice and piano
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Music From Riverside
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SheetMusicPlus
"The Queen of Spades" : Herman's Solo from "Storm Scene". DICTION SCORE with IPA & translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116808 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116808 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #718464. Published by Natalia Melnik (A0.1116808). P.I.Tchaikovsky Herman's Solo from Storm Scene (“Poluchish smertel’nyj udar ty…â€) from The Queen of Spades (Pique Dame) act 1. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available here https://www.russian4singers.com/product-page-2/tchaikovsky-herman-s-solo-from-storm-scene-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
10.43 €
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Piano, Voix
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Peter Ilyich Tchaikovsky
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Russian for Singers
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"The Queen of Spades" : Herman's Solo from "Storm Scene". DICTION SCORE with IPA & translation
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Natalia Melnik
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SheetMusicPlus
Songs from Shakespeares As You Like It for High Solo Voice
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730331 Composed by James Nat…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730331 Composed by James Nathaniel Holland. Broadway,Jazz,Musical/Show,Pop,Rock. Score. 15 pages. James Nathaniel Holland #2907637. Published by James Nathaniel Holland (A0.730331). Rosalind encounters a group of hippies living in the forest in these 4 songs from William Shakespeare's play As You Like It. Set from the original text in the style of the psychedelic 60s; songs range from pop to jazz to girl group and finally love and peace. Great for high school, college show choirs or high school/university presentations of the immortal classic. Great memorization aid, great for bands or groups looking for original material. Arranged for solo high voice (Range: B to F), piano (or keyboards), guitar Songs include:
$8.95
8.11 €
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Piano, Voix
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James Nathaniel Holland
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Songs from Shakespeares As You Like It for High Solo Voice
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James Nathaniel Holland
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SheetMusicPlus
From Glory to Glory
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1222015 Composed by Karen Be…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1222015 Composed by Karen Beaumont. Christian,Contemporary. Score. 3 pages. Karen Beaumont #818299. Published by Karen Beaumont (A0.1222015). Soprano solo with piano accompaniment. Text from the Liturgy of St. James.Text: From glory to glory advancing, we praise thee, O Lord;thy name O Father, Son, and Spirit be ever adored.From strength unto strength we go forward on Sion's highway,to appear before God in the city of infinite day. 2 Thanksgiving and glory and worship and blessing and love,one heart and one song have the saints upon earth and above.Evermore, O Lord, to thy servants thy presence be nigh;ever fit us by service on earth for thy service on high.
$3.00
2.72 €
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Piano, Voix
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Karen Beaumont
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From Glory to Glory
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Karen Beaumont
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SheetMusicPlus
Songs from Shakespeares As You Like It for Low Solo Voice
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730332 Composed by James Nat…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730332 Composed by James Nathaniel Holland. Broadway,Musical/Show,Pop,Rock. Score. 17 pages. James Nathaniel Holland #2907639. Published by James Nathaniel Holland (A0.730332). Rosalind encounters a group of hippies living in the forest in these 4 songs from William Shakespeare's play As You Like It. Set from the original text in the style of the psychedelic 60s; songs range from pop to jazz to girl group and finally love and peace. Great for high school, college show choirs or high school/university presentations of the immortal classic. Great memorization aid, great for bands or groups looking for original material. Arranged for solo low voice (Range: G to C), piano (or keyboards), guitar. Sample here is for high voice, so keys for this version will be lower. Songs include:
$8.95
8.11 €
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Piano, Voix
#
James Nathaniel Holland
#
Songs from Shakespeares As You Like It for Low Solo Voice
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James Nathaniel Holland
#
SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8492-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-23E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-16E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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