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Vous avez sélectionné:
I Don't Miss You At All
Piano, Voix
Partitions à imprimer
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Any Little Girl, That's a Nice Little Girl, is the Right Little Girl For Me
Piano, Voix
Piano and voice - Digital Download SKU: LV.7385 Composed by Fred Fischer. Portraits…
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Piano and voice - Digital Download SKU: LV.7385 Composed by Fred Fischer. Portraits, Courtship, Marriage, Spouses, Runaways. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7385). Any Little Girl, That's a Nice Little Girl, is the Right Little Girl For Me. Words by Thomas J. Gray. Music by Fred Fischer. Published 1910 by Shapiro, Music Publisher, Cor. Broadway & Thirty Ninth Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Marriage, Spouses, Runaways. First line reads Said she, my dear, it seems so queer, I can't please you at all.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano, Voix
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Fred Fischer
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Any Little Girl, That's a Nice Little Girl, is the Right Little Girl For Me
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Oh! Mister Railroad Man Won't You Take Me Back To Alabam'
Piano, Voix
Piano and voice - Digital Download SKU: LV.19394 Composed by Henry I. Marshall. Sla…
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Piano and voice - Digital Download SKU: LV.19394 Composed by Henry I. Marshall. Slave dwellings, Moonlight, Railroads, Homecomings, Cotton plantations--Alabama, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19394). Oh! Mister Railroad Man Won't You Take Me Back To Alabam'. Words by Stanley Murphy. Music by Henry I. Marshall. Published 1914 by Jerome H. Remick & Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Slave dwellings, Moonlight, Railroads, Homecomings, Cotton plantations--Alabama, Courtship & love. First line reads This afternoon at four a knockin' at my door, Came the letter carrier man.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano, Voix
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Henry I
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Oh! Mister Railroad Man Won't You Take Me Back To Alabam'
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.37 €
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Piano, Voix
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
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