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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It\\\\\\\'s Only Life
Non classifié
215
Piano & claviers
Piano, Voix
74
Piano seul
60
Piano, Voix et Guitare
49
Instruments en Do
10
Piano Facile
9
Orgue
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
9
Guitare notes et tablatures
4
Ukulele
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
Mandoline
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale 3 parties
13
Chorale TTBB
8
Chorale SSAA
4
Chorale 2 parties
4
Voix Soprano, Piano
2
Voix Tenor
1
Voix basse, Piano
1
Chorale Unison
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
20
Quatuor de Saxophones: 4 saxophones
19
Saxophone Tenor et Piano
19
2 Saxophones (duo)
18
Clarinette et Piano
17
Flûte, Hautbois, Clarinette, Basson
16
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
Saxophone Soprano et Piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette
9
Saxophone Baryton, Piano
9
Quintette de Saxophone: 5 saxophones
8
Cor anglais, Piano
7
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
6
Clarinette Basse, Piano
6
Flûte traversière
6
2 Hautbois (duo)
5
Saxophone Alto
4
Flûte, Clarinette (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
2
Hautbois (partie séparée)
2
Saxophone Tenor
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Flûte et Guitare
2
Hautbois, Clarinette (duo)
2
Saxophone Baryton
2
Clarinette, Violon (duo)
2
Hautbois
2
Ensemble de Clarinettes
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
3 Clarinettes (trio)
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
Flûte, Alto (duo)
1
Ensemble de saxophones
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon
1
Cor anglais, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle
1
Hautbois, Flûte
1
Ensemble De Flûte à bec
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Saxophone et Orgue
1
+ 49 instrumentations
Retracter
Cuivres
Trombone et Piano
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette
13
Cor et Piano
13
Trompette, Piano
11
Euphonium, Piano (duo)
9
Tuba
7
Cor anglais, Piano
7
Trombone
5
2 Trombones (duo)
5
2 Trompettes (duo)
5
Tuba et Piano
5
Trompette, Trombone (duo)
5
2 Cors (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
4
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Cor anglais, Guitare (duo)
1
Quatuor de Cuivres
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
19
Alto, Piano
18
Violoncelle, Piano
17
2 Harpes (duo)
12
Violoncelle
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
6
2 Violoncelles (duo)
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon
5
Alto seul
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
2 Contrebasses (duo)
2
Contre Basse
2
Harpe, Violon, Violoncelle
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
23
Orchestre d'harmonie
16
Orchestre de chambre
7
Ensemble de cuivres
6
Cloches
6
Orchestre à Cordes
5
Ensemble Jazz
4
Jazz combo
1
Xylophone, Piano
1
Ensemble de Percussions
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Crtitères actifs :
It\\\\\\\'s Only Life
Piano, Voix
Partitions à imprimer
74 partitions trouvées
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51
It's Only Life
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Piano, Voix
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Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
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It's Only Life
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 9 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Life
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Life
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841701 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #34734...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841701 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3473491. Published by Andrew Mc Donald (Macka Records) (A0.841701). Life is a song about only getting one chance at living it. It is being grateful for the life we've had though it has been hard at times but glad for the smiles and happy times as well. It's the little things which we value the most in our lives.
$4.99
Christ Child's Lullaby (Taladh Chriosda) - SATB, violin and piano with parts page
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Piano, Voix
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FACILE
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Unknown
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Connie Boss
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Christ Child's Lullaby
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801670 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,Wor...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801670 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6402511. Published by Connie Boss (A0.801670). This beautiful Scottish Gaelic Carol is for a SATB violin and piano with one page parts. While parts of the melody are still the same, some of it is new. The lyrics are adapted from the original lyrics - changing only some words to fit the lyrics. cdboss@cvalley.netLyrics:Christ Child’s Lullaby (Taladh Chriosda) Scottish Gaelic Christmas CarolArranged by Connie Boss Refrain:Alleluia alleluia  alleluia  alleluiaVerse 1You are my Love and darling boyYou are my treasure and my joyYou are my graceful little sonYour life has just begunRefrain:Alleluia alleluia  alleluia  alleluiaVerse 2:You were sent from up aboveAnd now you share your father’s loveA babe so poor but love so trueYou have much strength in youRefrain:Alleluia alleluia  alleluia  alleluiaVerse 3:A helpless baby now we singYou truly are the King of KingsYou are the true and rightful oneFor you are God the Father’s sonRefrain:Alleluia alleluia  alleluia  alleluiaAlleluiaÂ
$5.50
What You Need
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Piano, Voix
#
Comédie Musicale
#
John Bucchino and It's Only Li
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Musical/Show
#
What You Need
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Progression
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Piano, Voix
#
Comédie Musicale
#
John Bucchino and It's Only Li
#
Musical/Show
#
Progression
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
I'm Not Waiting
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Piano, Voix
#
Comédie Musicale
#
John Bucchino and It's Only Li
#
Musical/Show
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I'm Not Waiting
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Playbill
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Piano, Voix
#
Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
#
Playbill
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 8 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
On My Bedside Table
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Piano, Voix
#
Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
#
On My Bedside Table
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 11 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 11 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
I've Learned To Let Things Go
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Piano, Voix
#
Comédie Musicale
#
John Bucchino and It's Only Li
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Musical/Show
#
I've Learned To Let Things Go
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
A Glimpse Of The Weave
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Piano, Voix
#
Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
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A Glimpse Of The Weave
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 15 pages. Published by Hal Leonard - Digital Sheet Music ...
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 15 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Love Quiz
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Piano, Voix
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Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
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Love Quiz
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Painting My Kitchen
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Piano, Voix
#
Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
#
Painting My Kitchen
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 13 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 13 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
A Contact High
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Piano, Voix
#
Comédie Musicale
#
John Bucchino and It's Only Li
#
Musical/Show
#
A Contact High
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
When You're Here
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Piano, Voix
#
Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
#
When You're Here
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
The Artist At 40
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Piano, Voix
#
Comédie Musicale
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John Bucchino and It's Only Li
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Musical/Show
#
The Artist At 40
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 9 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Love Will Find You In Its Time
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Piano, Voix
#
Comédie Musicale
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John Bucchino and It's Only Li
#
Musical/Show
#
Love Will Find You In Its Time
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Near to Your Heart Medley
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Cheryl Prazak
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Jon Burr
#
Near to Your Heart Medley
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon Burr. Christian,...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885159. Published by Cheryl Prazak (A0.1294833). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Near to Your Heart MedleyThe world was black as black as sin would always be.From the pit of hell I’m a refugee. I grasped the loving hand You reached down to me.I opened my heart’s door, You set me free. Only You could feel this aching of my heart.And only You could melt this heart of stone.Only You could mend again a life torn ‘part. Salvation comes, salvation comes, from You alone.Near to your heart, that’s where I always want to be,Take me in, draw me closer, Lord, to Thee. I want to be where joy and peace are calling me,I want to be where Jesus lives in me.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.It’s You and only You who is my Savior.And only You who changed my destiny.It’s only You whose mercy will not waver.It’s only You who sets my spirit free.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.
$4.99
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 12: La nuit apr&egr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 4: Mon âme es
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 9: Beaux yeux aim&e
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
John Bucchino: It's Only Life for voice & piano
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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John Bucchino
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Virtualsheetmusic
Instantly printable sheet music by John Bucchino for voice & piano of MEDIUM skill level. / musical/show,pop,broadway
Instantly printable sheet music by John Bucchino for voice & piano of MEDIUM skill level. / musical/show,pop,broadway
$7.97
An Orange for Soprano/Tenor and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Apostolos Paraskevas
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An Orange for Soprano/Tenor an
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Silver Sickle Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publication...
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Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
$8.99
Thank U, Next
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Piano, Voix
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FACILE
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Pop musique
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe h
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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It\\\\\\\'s Only Life