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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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OUD
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Non classifié
278
PIANO & CLAVIERS
Piano seul
115
Piano, Voix et Guitare
84
Piano, Voix
65
Piano Facile
33
Instruments en Do
10
Orgue
5
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
27
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
10
Paroles et Accords
8
Ukulele
7
Basse electrique
3
2 Guitares (duo)
2
Guitare (partie séparée)
2
3 Guitares (trio)
1
Mandoline
1
Dulcimer
1
Instrumentations suivantes
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VOIX
Chorale SATB
64
Chorale 3 parties
20
Chorale 2 parties
10
Chorale TTBB
9
Voix Soprano, Piano
8
Chorale Unison
7
Chorale SSAA
6
Voix haute
4
Voix basse, Piano
2
Voix Tenor
2
Voix moyenne, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix basse
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Voix duo, Piano
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
20
2 Flûtes traversières (duo)
17
Clarinette
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Hautbois, Piano (duo)
11
Flûte traversière
11
Hautbois (partie séparée)
11
Saxophone Tenor et Piano
11
Clarinette et Piano
10
Saxophone Alto et Piano
9
Flûte traversière et Piano
9
Saxophone Alto
8
Cor anglais, Piano
7
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Soprano et Piano
6
Saxophone (partie séparée)
6
Ensemble De Flûte à bec
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Baryton, Piano
4
Quintette de Saxophone: 5 saxophones
4
2 Saxophones (duo)
4
Ensemble de Flûtes
4
Saxophone Tenor
3
Flûte et Guitare
3
Hautbois
3
Flûte à bec Soprano, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Clarinettes
2
Flute (partie séparée)
2
2 Clarinettes (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Basson
1
Flûte à bec Tenor
1
Flûte, Violon
1
Quatuor de Flûtes à bec
1
Cor anglais, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Clarinette Basse, Piano
1
Quintette de Flûte : 5 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
Flûte à bec Alto, Piano
1
2 Flûte à bec (duo)
1
Flûte à bec Soprano
1
3 Saxophones (trio)
1
Clarinette, Trompette (duo)
1
Saxophone, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Flûte, Alto (duo)
1
Ensemble de saxophones
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone et Piano
14
Trompette, Piano
12
Trompette
11
Cor et Piano
9
Trombone
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Cor anglais, Piano
7
Cor
7
Tuba
6
Trompette (partie séparée)
5
Tuba et Piano
5
Trombone (partie séparée)
5
Euphonium, Piano (duo)
5
Trompette, Saxophone (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone (duo)
1
Cor (partie séparée)
1
2 Trombones (duo)
1
Tuba (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon, Violoncelle (duo)
28
Violoncelle, Piano
26
Alto, Piano
21
Violon et Piano
18
Harpe
12
Trio à Cordes: 2 violons, violoncelle
10
Violon
10
Violoncelle (partie séparée)
8
2 Violons (duo)
8
2 Harpes (duo)
7
Alto seul
7
2 Violoncelles (duo)
5
Violoncelle
5
Violon, Alto (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse (partie séparée)
2
Contrebasse, Piano (duo)
2
Harpe, Violon, Violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à cordes: 3 violins
1
Violon (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
35
Orchestre d'harmonie
21
Orchestre à Cordes
16
Orchestre de chambre
9
Cloches
9
Ensemble de cuivres
8
Ensemble Jazz
5
Ensemble de Percussions
4
Fanfare
3
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Percussion
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
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Piano, Voix
Partitions à imprimer
65 partitions trouvées
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It's Only Love
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1453607 By The Beatles. By J…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1453607 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dave Gingras and John E. Dosher. Rock. Score. 2 pages. DAVID LEE GINGRAS #1032823. Published by DAVID LEE GINGRAS (A0.1453607). It's Only Love is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. It was first released in 1965 on the Help! album in the United Kingdom and on the Rubber Soul album in the United States. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.58 €
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Piano, Voix
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The Beatles
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Dave Gingras and John E
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It's Only Love
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DAVID LEE GINGRAS
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SheetMusicPlus
Love Quiz
Piano, Voix
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. …
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voix
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John Bucchino and It's Only Life
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Musical/Show
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Love Quiz
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Love Will Find You In Its Time
Piano, Voix
By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. …
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By John Bucchino and It's Only Life (Musical). Broadway; Musical/Show; Pop. PV. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voix
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John Bucchino and It's Only Life
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Musical/Show
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Love Will Find You In Its Time
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
There's a Love
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841903 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841903 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3479229. Published by Andrew Mc Donald (Macka Records) (A0.841903). There's a love is a song about God's love which is deeper than oceans wider than the seas and taller than any mountains. There's no love like it. Only God can love that much.That is how much His love for us is as He died on the cross of us.
$4.99
4.58 €
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Piano, Voix
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Andrew Mc Donald
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There's a Love
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Andrew Mc Donald
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SheetMusicPlus
I'll Have To Say I Love You In A Song
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1176377 By Jim Croce. By Jim…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1176377 By Jim Croce. By Jim Croce. Arranged by Dave Gingras and John E. Dosher. Country,Rock. Score. 2 pages. DAVID LEE GINGRAS #776504. Published by DAVID LEE GINGRAS (A0.1176377). I'll Have to Say I Love You in a Song is the title of a posthumously released single by the American singer-songwriter Jim Croce. The song was written by Croce and was originally released on his album I Got a Name. It entered the Billboard Hot 100 chart at position No. 73 in March 1974. It peaked at No. 9 in April 1974, becoming his fifth and final Top 10 hit. In addition, the song went to No. 1 on the Billboard adult contemporary chart and reached No. 68 on the Billboard country music chart, Croce's only song to chart there. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm moving, we added some pretty cool left-hand fills. We hope you like what we've done with the song!
$4.99
4.58 €
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Piano, Voix
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Jim Croce
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Dave Gingras and John E
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I'll Have To Say I Love You In A Song
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DAVID LEE GINGRAS
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SheetMusicPlus
Love Not Hate!
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842149 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842149 Composed by Andrew Mc Donald. Christian,Gospel,R & B. Score. 6 pages. Andrew Mc Donald (Macka Records) #4967181. Published by Andrew Mc Donald (Macka Records) (A0.842149). Love Not Hate is a song about showing our brother that we love him. We need more than ever now to love one another before it's too late. a kind word to someone may be the only one they have ever heard. This is partly designed to be a rap song.
$4.99
4.58 €
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Piano, Voix
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Andrew Mc Donald
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Love Not Hate!
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Andrew Mc Donald
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SheetMusicPlus
That's Something! (B minor)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.529592 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.529592 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 5 pages. Sherman Theatrical Entertainment Ltd. #117898. Published by Sherman Theatrical Entertainment Ltd. (A0.529592). That's Something! is front he musical Bumblescratch and is a recitative sung by “Perryâ€, a young plague rat who is dealing with intense, unfamiliar and deeply contradictory emotions. Having recently fallen in love with “Thamesa†(a human girl), Perry becomes enraged when “Melbourne†attempts to stop the relationship. Melbourne explains that a human girl can only mean trouble for a rat but Perry doesn’t want to hear any of it. As the song progresses however, Perry acknowledges that Melbourne is only looking out for his best interest. Finally though, Perry’s feelings for Thamesa win out. Ultimately Perry resolves to continue the relationship. This is an excellent audition song for a young performer as it allows the singer to express three radically different emotional states, all in one (fairly brief) piece. Vocal arrangements are available for both young male and female voices. When printing, please scale to fit for standard US Letter and A4 size.
$3.49
3.2 €
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Piano, Voix
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Robert J
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That's Something!
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
Christ Child's Lullaby (Taladh Chriosda) - SATB, violin and piano with parts page
Piano, Voix
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801670 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801670 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6402511. Published by Connie Boss (A0.801670). This beautiful Scottish Gaelic Carol is for a SATB violin and piano with one page parts. While parts of the melody are still the same, some of it is new. The lyrics are adapted from the original lyrics - changing only some words to fit the lyrics. cdboss@cvalley.netLyrics:Christ Child’s Lullaby (Taladh Chriosda) Scottish Gaelic Christmas CarolArranged by Connie Boss Refrain:Alleluia alleluia  alleluia  alleluiaVerse 1You are my Love and darling boyYou are my treasure and my joyYou are my graceful little sonYour life has just begunRefrain:Alleluia alleluia  alleluia  alleluiaVerse 2:You were sent from up aboveAnd now you share your father’s loveA babe so poor but love so trueYou have much strength in youRefrain:Alleluia alleluia  alleluia  alleluiaVerse 3:A helpless baby now we singYou truly are the King of KingsYou are the true and rightful oneFor you are God the Father’s sonRefrain:Alleluia alleluia  alleluia  alleluiaAlleluiaÂ
$5.50
5.05 €
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Piano, Voix
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Unknown
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Connie Boss
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Christ Child's Lullaby
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Connie Boss
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SheetMusicPlus
Madly Echo (fr. 'cyrano') (vocals Only)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1301450 Composed by Aaron Br…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1301450 Composed by Aaron Brooking Dessner, Bryce David Dessner, Carin Besser, and Matthew D. Berninger. Arranged by David Richard Corkill. Broadway,Film/TV,Musical/Show. Score. 4 pages. David Richard Corkill #891078. Published by David Richard Corkill (A0.1301450). Madly from Cyrano (2021)Â Arranged for Piano and Vocal SoloArranged by: David Richard CorkillIn Association With: Teradil PublishingFor this and other exciting creations, or to contact the arranger, visit: www.Teradil.comThis slow and soulful piano and vocal arrangement of Madly from the 2021 film Cyrano is a perfect way to express the pain and longing of unrequited love. It is sung with a unique emotion of: Hopeful Hopelessness.This arrangement is perfect for singers and pianists who are looking for a challenging and rewarding piece to learn and perform. It is also a great choice for anyone who wants to experience the emotional power of Madly in a new and exciting way.Features:Haunting and beautiful arrangementTechnically challenging and rewarding to playShowcases the singer's vocal range and expression in a unique wayDissonant at times, reflecting the turmoil of the singer's emotionsPerfect for singers and pianists who are looking for a challengeBenefits:Add a powerful and moving ballad to your repertoireChallenge yourself as a singer or pianistImpress your audience with a unique and unforgettable performanceExperience the emotional power of Madly in a new and exciting wayPurchase this arrangement today and start practicing! You'll be glad you did.
$4.99
4.58 €
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Piano, Voix
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Aaron Brooking Dessner, Bryce David Dessner, Carin Besser, and Matthew D
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David Richard Corkill
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Madly Echo
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David Richard Corkill
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SheetMusicPlus
Nothing's Gonna Change My Love For You
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809432 By Glenn Medeiros. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809432 By Glenn Medeiros. By Gerry Goffin and Michael Masser. Arranged by Academia Unimusica. Contemporary. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6257139. Published by Unimusic Academy (Academia Unimusica) (A0.809432). Nothing's Gonna Change My Love for You is a song written by composers Michael Masser and Gerry Goffin. It was originally recorded by American singer and guitarist George Benson for his studio album 20/20, released by Warner Bros. Records. This original version was produced by co-writer Masser, and was released as a single in Europe only in 1985. Two years later, in 1987, Hawaiian singer Glenn Medeiros sang his cover version, which became a worldwide success.
$8.00
7.35 €
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Piano, Voix
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Glenn Medeiros
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Academia Unimusica
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Nothing's Gonna Change My Love For You
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Unimusic Academy
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SheetMusicPlus
THE FEVER'S YOU
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876426 Composed by Joe Proco…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876426 Composed by Joe Procopio. Pop. Score. 2 pages. JoeCopio Music LLC #2036577. Published by JoeCopio Music LLC (A0.876426). THE FEVER’S YOU By Joe Procopio THE FEVER’S YOU is a pop song written by one who is trying to describe the feeling of being so deeply in love that it feels like a fever. What’s more, the song is written as though it was composed by someone who is suffering a slight fever so that the lyrics, the melody and chord changes are a little bit frenzied and frenetic. The song is also recorded in a special way with very high frequencies that are easily heard by pets but can only be heard by people as unusual brightness. THE FEVER’S YOU can be found in a fuller version on a CD entitled PETHOVEN - PET MUSIC by Joe Procopio. PETHOVEN is special music for pets and people. THE FEVER’S YOU on the CD is called ALWAYS TOGETHER. The printed sheet music here is shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.
$3.99
3.66 €
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Piano, Voix
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Joe Procopio THE FEVER’S YOU is a pop song written by one who is trying to describe the feeling of being so deeply in love that it feels like a fever
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Joe Procopio
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THE FEVER'S YOU
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JoeCopio Music LLC
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SheetMusicPlus
THE GRANDPARENT'S DAY SONG (Piano/Vocal) by Robert Van Horne
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914975 Composed by ROBERT VA…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914975 Composed by ROBERT VAN HORNE. Children,Holiday,Pop,Praise & Worship,Singer/Songwriter. Score. 4 pages. White Piano International Publishing #6521577. Published by White Piano International Publishing (A0.914975). THE GRANDPARENT'S DAY SONG  PIANO / VOCALPopular SongWords & Music by ROBERT VAN HORNE4 PagesIt was September 5, 2014 at my First Friday Piano Concert at the Atrium in San Jose, CA that I premiered THE GRANDPARENT'S DAY SONG.Many of the Atrium residents, as well as many of us, are unaware that the second Sunday in September is NATIONAL GRANDPARENTS DAY.Since there are only a handful of songs dedicated to grandparents, I decided to write and dedicate this special piece of music to grandparents all over the world.My inspiration for the music and words came to me from my many years of performing for the wonderful residents at the Atrium (Brookdale San Jose).This is a popular song for grandkids, parents and singers who want to honor their grandparents, giving them special acknowledgement with gratitude and love.A Youtube video of Robert's recording of this piece is available at: http://youtu.be/dRkVdv55Zao Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP
$3.99
3.66 €
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Piano, Voix
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ROBERT VAN HORNE
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THE GRANDPARENT'S DAY SONG
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White Piano International Publishing
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SheetMusicPlus
At Higbee's
Piano, Voix
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790104 Composed by Be…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790104 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score. 6 pages. Diamond S Music #3620159. Published by Diamond S Music (A0.790104). At Higbee’s from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solos (with Ensemble) and 8 piece arrangement. This song is designed to segue into Up On Santa’s Lap which is available separately - However, it is alsol possible to play At Higbee’s as a stand alone piece as well. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute, Piccolo), Reed 2 (Flute, Bb Clarinet, Tenor Sax), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralphie To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun, Christmas Morning. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.17 €
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Piano, Voix
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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At Higbee's
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Diamond S Music
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SheetMusicPlus
It's Only Love by Bryan Adams & Tina Turner - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Sheet Music for It's Only Love by Bryan Adams & Tina Turner arranged for Piano/Vo…
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Sheet Music for It's Only Love by Bryan Adams & Tina Turner arranged for Piano/Vocal/Chords;Singer Pro in F Major. Digital sheet music from Musicnotes. --
$5.79
5.32 €
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Piano, Voix
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
It's Only Love by Elvis Presley - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Sheet Music for It's Only Love by Elvis Presley arranged for Piano/Vocal/Chords;Singe…
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Sheet Music for It's Only Love by Elvis Presley arranged for Piano/Vocal/Chords;Singer Pro in D Major. Digital sheet music from Musicnotes. --
$5.79
5.32 €
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Piano, Voix
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Piano, Voix
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Love Is The Sweetest Thing
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1434004 Composed by Ray Nobl…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1434004 Composed by Ray Noble. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1014246. Published by DAVID LEE GINGRAS (A0.1434004). Love Is the Sweetest Thing is a popular song written in 1932 by British band leader and singer Ray Noble. Using guest vocalist Al Bowlly, Noble's recording was a big hit on both sides of the Atlantic, bringing Noble his first American success. It was published by Francis, Day & Hunter Ltd. Like most compositions published in the period (commonly called Tin Pan Alley songs), its main refrain (in thirty-two bar A-A-B-A form) is preceded with what were then called sectional verses or introductory verses which are usually omitted from early recordings and modern performances. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play!
$4.99
4.58 €
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Piano, Voix
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Ray Noble
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Dave Gingras and John E
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Hunter Ltd
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Love Is The Sweetest Thing
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DAVID LEE GINGRAS
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SheetMusicPlus
Luther Vandross - If Only for One Night
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Luther Vandross…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Luther Vandross. Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer
Here's how to play "If Only for One Night" by Luther Vandross on piano!<br> <br> With this piano sheet music, you get an accurate piano arrangement of the full song which is playable, and sounds fantastic!<br> The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.<br> However, you can also use this sheet music to accompany a singer, or sing along yourself - it includes a system for the singer, as well as the song's full lyrics!<br> <br> Originally written by Brenda Russell for her 1979 debut album, Luther Vandross covered the song for his 1985 album "The Night I Fell in Love" ("If Only for One Night" served as its second single).<br> The album topped the Top R&B/Hip-Hop Albums charts and was ranked #93 on Rolling Stone Magazine's list of the 100 best albums of the 1980s!
$4.99
4.58 €
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Piano, Voix
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Luther Vandross
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Luther Vandross - If Only for One Night
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Mario Stallbaumer
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SheetMusicPlus
Thank U, Next
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
4.58 €
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Piano, Voix
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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