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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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32
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2
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1
Flute (partie séparée)
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Hautbois, Piano (duo)
1
Ensemble de saxophones
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Saxophone Alto et Piano
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2 Flûtes traversières (duo)
1
2 Clarinettes (duo)
1
Quintette de Flûte : 5 flûtes
1
Quintette de Clarinettes: 5 clarinettes
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Ensemble de Flûtes
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13
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11
Cor
4
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3
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2
Trombone
2
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Trompette
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Tubas (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
8
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5
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Orchestre d'harmonie
41
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18
Fanfare
6
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4
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Percussion (partie séparée)
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Cloches
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AUTRES
Vous avez sélectionné:
Ken Foo
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
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1
"I Made a Fool of Myself Over John Foster Dulles" by Ken Welch
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.997448 Composed by Ken Welch…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.997448 Composed by Ken Welch. Arranged by Noah Sigsworth. 20th Century,Broadway. Score. 9 pages. Noah Sigsworth #5709111. Published by Noah Sigsworth (A0.997448).
$6.99
6.28 €
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Piano, Voix
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Ken Welch
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Noah Sigsworth
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"I Made a Fool of Myself Over John Foster Dulles" by Ken Welch
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Noah Sigsworth
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SheetMusicPlus
Footloose
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.715220 By Chris Smither. By …
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.715220 By Chris Smither. By Chris Smither, Kenneth Clark Loggins, and Kenny Loggins. Arranged by Joe Cox. Pop,Rock. Score. 5 pages. Joe Cox #3425101. Published by Joe Cox (A0.715220). Footloose is a song co-written and recorded by American singer-songwriter Kenny Loggins. It was released in January 1984. The song spent three weeks at number one, March 31-April 14, 1984 on the US Billboard Hot 100. Billboard ranked it at the No. 4 song for 1984. This arrangement captures the sound of the original, but is easier for the beginner. #PlayThe80s
$4.99
4.48 €
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Piano, Voix
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Chris Smither
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Joe Cox
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Footloose
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Joe Cox
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SheetMusicPlus
Footloose
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.765402 By Kenny Loggins. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.765402 By Kenny Loggins. By Kenny Loggins. Arranged by Jim Farley www.arrangementsone.com. Contemporary. Score. 13 pages. Jim Farley arrangementsone.com #6235431. Published by Jim Farley arrangementsone.com (A0.765402). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$4.99
4.48 €
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Piano, Voix
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Kenny Loggins
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Jim Farley www
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Footloose
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Jim Farley arrangementsone.com
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - SATB, violin and piano with parts page
Piano, Voix
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801676 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801676 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6403517. Published by Connie Boss (A0.801676). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with violin and piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
4.94 €
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Piano, Voix
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French Carol - unknown
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Connie Boss
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Bring a Torch, Jeanette, Isabella - SATB, violin and piano with parts page
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Connie Boss
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SheetMusicPlus
Chasing Birds
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1027754 By Foo Fighters. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1027754 By Foo Fighters. By Chris Shiflett, Christopher Shiflett, David Eric Grohl, Georg Ruthenberg, Nate Mendel, Odie Hawkins, and Rami Jaffee. Arranged by Tanya Lawrence. Rock. Score. 10 pages. SBK Music Publishing #6502315. Published by SBK Music Publishing (A0.1027754). Solo voice and piano arrangement. I have taken great care to make both the melody and piano accompaniment accessible and enjoyable to play for less experienced musicians whilst remaining faithful to the original composition. Chord symbols for digital keyboard players and guitarists are included. This way piano students interested in developing pop accompaniment skills can confidently play along with a small ensemble. Limited chord voicing and left hand phrases throughout to help build confidence in players new to the concept of accompanying a melody.
$4.99
4.48 €
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Piano, Voix
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Foo Fighters
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Tanya Lawrence
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Chasing Birds
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SBK Music Publishing
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SheetMusicPlus
Infinite, Eternal, Invisible, Undetectable God
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrympl…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
4.04 €
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Piano, Voix
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Stephen R Dalrymple
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Stephen R Dalrymple
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Infinite, Eternal, Invisible, Undetectable God
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Stephen R Dalrymple
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SheetMusicPlus
Jesus, You're My Lord
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.726369 Composed by Kenneth B…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.726369 Composed by Kenneth Baird. Christian,Gospel,Sacred. Score. 1 pages. Kenneth Baird Music #12285. Published by Kenneth Baird Music (A0.726369). Jesus, You're My Lord is a contemporary upbeat praise song. Lyrics: Stand-ing on my own, I can-not stand a-gainst the storm. Build-ing life u-pon the sand is a fool-ish plan that a storm can wash a-way. E-v'ry fight e-v'ry trial, e-v'ry de-mon plague; e-v'ry blow, e-v'ry fall, e-v'ry shat-tered day; There's a light, there's a hope, there's a bet-ter way; give your heart, give your soul, give it all a-way. Je-sus you're my Lord, You're my Sav-ior and I'll fol- low You. The Son of God, our Cre-a-tor, and Your Word is true. Light You of the world, You are The - Christ, in You we're made a-new. -Je-sus, our Lord, Son of God, I will fol-low You. Lead sheet format.
$1.99
1.79 €
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Piano, Voix
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Kenneth Baird
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Jesus, You're My Lord
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Kenneth Baird Music
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SheetMusicPlus
Be Kind, Be Safe, Be Prepared
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.972030 Composed by Keir C. Crawley. Ch…
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Piano,Vocal,Voice - Digital Download SKU: A0.972030 Composed by Keir C. Crawley. Children,Instructional,Musical/Show. Score. 6 pages. Keir C Crawley #5988467. Published by Keir C Crawley (A0.972030). Composed by Keir C. Crawley with lyrics by Crawley, Kobel, Ward and Robinson 'Be Kind, Be Safe, Be Prepared' is a short song in a broadly musical theatre style composed to support the Year 6 to Year 7 transition process in British schools. The title comes from Preston Manor School's (a large all through school in shadow of the arch of Wembley's iconic football stadium) behaviour summary which during the lockdown of 2020 has taken on extra significance.
$10.00
8.98 €
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Piano, Voix
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Keir C
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Be Kind, Be Safe, Be Prepared
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Keir C Crawley
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SheetMusicPlus
Cotton-Eyed Texas
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah†with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe
$4.99
4.48 €
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Piano, Voix
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Cheryl Prazak
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Jon Burr
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Cotton-Eyed Texas
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Cheryl Prazak
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SheetMusicPlus
Entrance and Song. I'd Like It. (Ameer and Chorus)
Piano, Voix
Piano and voice - Digital Download SKU: LV.20951 Composed by Victor Herbert. Magic,…
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Piano and voice - Digital Download SKU: LV.20951 Composed by Victor Herbert. Magic, Human curiosities, Superstitions, Biblical references, Entertainment, Rip Van Winkle. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20951). Vocal Selections From The Ameer. The New Comic Opera Success in Three Acts. Entrance and Song. I'd Like It. (Ameer and Chorus). Music by Victor Herbert. Book by Frederic Ranken and Kirke La Shelle. Published 1899 by M. Witmark & Sons in New York. Composition of strophic with chorus (and dance interlude) with piano and voice instrumentation. Subject headings for this piece include Magic, Human curiosities, Superstitions, Biblical references, Entertainment, Rip Van Winkle. First line reads If you've got a busy rabbits foot or any kind of charm.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.38 €
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Piano, Voix
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Victor Herbert
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Entrance and Song. I'd Like It.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
What A Fool Believes
Piano, Voix
By Kenny Loggins, Michael McDonald, and The Doobie Brothers. For piano, voice, and guitar …
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By Kenny Loggins, Michael McDonald, and The Doobie Brothers. For piano, voice, and guitar (chords only). Pop; Rock. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.48 €
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Piano, Voix
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Kenny Loggins, Michael McDonald, and The Doobie Brothers
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Rock
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What A Fool Believes
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Goetterdaemmerung
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
43.1 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
Das Rheingold
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
43.1 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Das Rheingold
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Schott Music - Digital
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SheetMusicPlus
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