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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
La
Non classifié
3 845
Piano & claviers
Piano seul
26 977
Accordéon
2 669
Piano, Voix
1 994
Piano, Voix et Guitare
1 226
Piano Facile
861
Instruments en Do
272
1 Piano, 4 mains
171
Orgue
126
Accompagnement Piano
81
2 Pianos, 4 mains
68
Piano grosses notes
52
Piano Trio: piano, violon, violoncelle
45
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavier
8
Accordéon, Voix
6
Orgue, Trompette (duo)
6
Clavecin
5
Ensemble d'Accordéons
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Ligne De Mélodie, Piano
4
Orgue, Piano (duo)
4
Accordéon - Piano, Voix, Guitare
2
1 Piano, 6 mains
2
Accordéon et Orchestre
2
Fake Book
2
Instrument seul et Orgue
2
Accordéon, Piano
1
2 Pianos, 8 mains
1
Accordéon, Corde(s)
1
+ 26 instrumentations
Retracter
Guitares
Guitare
5 357
Basse electrique
3 645
Guitare notes et tablatures
1 562
Ukulele
464
Ligne De Mélodie, (Paroles) et Accords
253
Paroles et Accords
83
2 Guitares (duo)
75
4 Guitares (Quatuor)
41
Mandoline
33
Ensemble de guitares
24
Guitare (partie séparée)
19
3 Guitares (trio)
18
Banjo
16
Piano, Guitare (duo)
13
Dulcimer
6
Guitare, Orchestre
4
Ukulele Baryton
3
Mandoline, Piano (duo)
2
Ensemble de Ukulélés
2
Basse électrique (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
2
Orchestre à Plectres
2
Partitions De Groupes
1
Mandoline, Guitare (duo)
1
2 Dulcimers (duo)
1
2 Guitares et Orchestre
1
Guitare, Quatuor à cordes
1
Guitare Tab, Voix, Basse, Batterie
1
+ 23 instrumentations
Retracter
Voix
Voix seule
5 871
Chorale SATB
666
Chorale 3 parties
247
Chorale 2 parties
106
Chorale TTBB
83
Chorale
69
Chorale SSAA
58
Voix Soprano, Piano
55
Voix Tenor, Piano
46
Chorale Unison
43
Voix basse, Piano
39
Pack Instrumental pour Chorale
34
Voix haute
31
Voix Baryton, Piano
25
Voix duo
24
Voix Alto, Piano
23
Voix Mezzo-Soprano, Piano
22
Voix duo, Piano
22
Voix, Guitare
8
Voix moyenne, Piano
7
Voix d'Enfants
6
Voix Tenor
4
Voix et basse continue
4
Chorale SSATB
2
Chorale SSAATTBB
2
Voix basse
2
Chorale SSATTB
1
Chorale SSAATB
1
Chorale SATTB
1
Chorale SAATB A Cappella
1
Chorale SSAB a cappella
1
Voix Soprano
1
Voix haute, Piano
1
Soli, choeur mixte et accompagnement
1
Voix d'Enfants, Piano
1
+ 30 instrumentations
Retracter
Vents
Saxophone
17 768
Flûte traversière
8 097
Clarinette
7 551
Saxophone Alto
1 435
Saxophone Tenor
1 370
Flûte à Bec
1 209
Hautbois
781
Saxophone Soprano
583
Flûte traversière et Piano
325
Clarinette et Piano
224
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
216
Saxophone (partie séparée)
215
Quatuor de Saxophones: 4 saxophones
189
Hautbois, Piano (duo)
188
Saxophone Alto et Piano
150
Quatuor de Clarinettes: 4 clarinettes
142
2 Saxophones (duo)
131
2 Flûtes traversières (duo)
131
Flûte, Hautbois, Clarinette, Basson
124
Saxophone Tenor et Piano
100
2 Clarinettes (duo)
90
Clarinette (partie séparée)
85
Hautbois (partie séparée)
78
Saxophone Soprano et Piano
71
Flûte et Guitare
67
Quatuor de Flûtes : 4 flûtes
62
Instruments en Mib
58
Quintette de Saxophone: 5 saxophones
56
Quatuor de Flûtes à bec
45
3 Saxophones (trio)
45
3 Clarinettes (trio)
39
Ensemble de saxophones
34
Flute (partie séparée)
33
Trio de Flûtes: 3 flûtes
31
Cor anglais, Piano
29
Saxophone Baryton, Piano
27
Ensemble de Clarinettes
23
Quintette de Clarinettes: 5 clarinettes
22
Ensemble de Flûtes
22
2 Hautbois (duo)
22
Ocarina
21
Clarinette, Guitare (duo)
16
Clarinette Basse, Piano
16
Harmonica
15
Flûte à Bec, Piano
12
Saxophone Baryton
11
Flûte à bec Soprano
11
2 Flûte à bec (duo)
11
Flûte à bec Soprano, Piano
10
Flûte, Violon, Piano
10
Flûte à bec Alto, Piano
10
3 Flûtes à bec (trio)
9
Flûte, Clarinette et Basson
9
Piccolo, Piano
9
Cor Anglais
9
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Violon (duo)
8
Flûte à bec Alto
8
Flûte à bec Tenor
8
Saxophone et Guitare
7
2 Saxophones, Piano
7
Ensemble De Flûte à bec
7
Hautbois, Basson (duo)
6
Cor anglais et Harpe (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Clarinette (duo)
6
Flûte, Violon
6
Flûte, Hautbois, Basson
6
3 Hautbois
5
Saxophone, Clarinette (duo)
5
Clarinette, Trompette (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Harmonica, Piano
4
2 Cors Anglais Et Pianoforte
4
Flûte à bec, Guitare (duo)
4
Flûte, Violoncelle, Guitare
4
2 Flûtes traversières, Piano
4
Flûte, Violon et Violoncelle
4
2 Clarinettes, Piano
3
Saxophone et Piano
3
Flûte, Hautbois, Piano (trio)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Alto (duo)
3
Piccolo
3
Hautbois, Flûte
3
Cor anglais, Guitare (duo)
3
Hautbois, Clarinette (duo)
2
Clarinette, Violoncelle (duo)
2
5 Flûtes à bec
2
Clarinette, Basson (duo)
2
Clarinette, Orchestre
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Flûte, Alto et Violoncelle
2
Flute, harpe et violon
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Basson et Piano
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Hautbois et Orchestre
1
Flûte, Trompette (duo)
1
Flûte traversière, Basse continue
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Soprano, Basse continue
1
Flûte, Alto et Piano
1
Flûte, Hautbois (duo)
1
Flûte traversière, Orgue (duo)
1
Clarinette et Alto
1
Flûte, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette, Basson et Piano
1
Ensemble à vent
1
Flûte à bec Alto, Basse continue
1
2 Clarinettes, Basson
1
Hautbois et alto (duo)
1
2 Hautbois et Cor anglais
1
Flûte, Violon, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette Basse
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
6 653
Trombone
6 192
Cor
613
Euphonium
417
Tuba
389
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
241
Trompette, Piano
160
Trompette (partie séparée)
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
138
Trombone (partie séparée)
138
Trombone et Piano
112
Cor et Piano
109
Instruments en Sib
58
Tuba et Piano
56
2 Trompettes (duo)
52
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
2 Trombones (duo)
43
Quatuor de cuivres: 4 trombones
42
Ensemble de Trompettes
42
Cor (partie séparée)
42
Tuba (partie séparée)
34
Cor anglais, Piano
29
Euphonium, Piano (duo)
27
Quatuor de Cuivres
26
2 Cors (duo)
24
Quatuor de cuivres: 4 cors
16
Bass Clef Instruments
12
2 Euphoniums et 2 Tubas
11
Ensemble de Trombones
11
2 Tubas (duo)
10
Cor Anglais
9
Trompette, Trombone (duo)
8
Ensemble de Cors
8
4 Tubas
7
Trombone basse et Piano
7
Cor anglais et Harpe (duo)
6
Quatuor de cuivres: 4 trompettes
6
Trio de Cuivres
5
3 Trompettes (trio)
5
3 Trombones (trio)
4
2 Cors Anglais Et Pianoforte
4
Trompette, Saxophone (duo)
4
Trompette, Tuba (duo)
3
Ensemble de Tubas
3
Tuba et Orgue
3
Trompette, Orchestre
3
Instruments en Fa
3
Euphonium, Tuba (duo)
3
2 Euphoniums (duo)
3
Trombone, Tuba (duo)
3
Cor anglais, Guitare (duo)
3
Trompette, Cor (duo)
2
Cor, Tuba (duo)
2
Trombone basse
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Violoncelle et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette et Guitare
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 59 instrumentations
Retracter
Cordes
Violon
4 698
Violoncelle
3 075
Alto seul
2 508
Quatuor à cordes: 2 violons, alto, violoncelle
951
Violon et Piano
473
Contre Basse
333
Violoncelle, Piano
243
Harpe
225
Alto, Piano
204
2 Violons (duo)
104
Violon (partie séparée)
101
Violon, Violoncelle (duo)
94
2 Violoncelles (duo)
86
Trio à Cordes: violon, alto, violoncelle
84
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Contrebasse, Piano (duo)
55
Alto (partie séparée)
49
Contrebasse (partie séparée)
47
4 Violoncelles
44
Violon, Alto (duo)
40
Trio à Cordes: 2 violons, violoncelle
37
2 Altos (duo)
32
Violoncelle , Guitare (duo)
28
Violon, Guitare (duo)
26
Violoncelle (partie séparée)
24
2 Violons, Piano
23
Trio à Cordes: 3 violoncelles
19
Alto, Violoncelle (duo)
18
Trio à cordes: 3 violins
18
Alto, Guitare (duo)
18
Trio à cordes
9
Harpe, Flûte (duo)
9
Piano Trio: Violon, Alto, Piano
9
Trio à cordes: 3 altos
8
Trio à Cordes: 2 violons, alto
5
2 Harpes (duo)
4
Harpe, Violon (duo)
3
Violoncelle, Basse continue
3
Harpe, Quatuor à cordes
3
Quatuor à cordes : 4 altos
3
2 Contrebasses (duo)
3
Quatuor à cordes: 4 violons
3
2 Violons et Basse continue
2
Violoncelle, Orchestre
2
Violon, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
3 Contrebasses
2
Violon, Basson (duo)
2
Violon, Basse continue
2
Ensemble de Violoncelles
2
Violon, Clarinette, Piano (trio)
2
2 Altos, Piano
2
2 Violoncelles, Piano
1
Harpe et Piano
1
Violon, Orgue
1
Ensemble d'Altos
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
Ensemble de Violons
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Batterie
6 284
Orchestre
1 582
Orchestre d'harmonie
748
Orchestre à Cordes
313
Ensemble Jazz
182
Percussion
160
Ensemble de cuivres
129
Fanfare
128
Orchestre de chambre
121
Percussion (partie séparée)
51
Ensemble de Percussions
33
Instrumentation Flexible
29
Cloches
19
Jazz combo
16
Batterie (partie séparée)
15
Timbales (partie séparée)
13
Marimba
10
Quintette à Vent
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone (partie séparée)
3
Orchestre Symphonique
3
Big band
3
Voix et Orchestre
3
Xylophone
2
Vibraphone
2
Xylophone, Piano
2
Marimba, Piano (duo)
2
Quatuor à Vent : 4 instruments à vents
2
Timbales
1
2 Xylophones
1
2 Marimbas
1
3 Percussions
1
Quintette de Cuivres: autres combinaisons
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
131
Théorie de la musique
53
Partitions Gratuites
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
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CHANT - CHO…
CHARANGO
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CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
La
Piano, Voix
Partitions à imprimer
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1976
La Góndola Azul: Fantasía en dos actos
#
Piano, Voix
#
FACILE
#
Armando Oscar Pacheco
#
La Góndola Azul: Fantas
#
Editorial Copistas Acuario
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1496298 By Armando Oscar Pacheco. By Alfredo Máximo Soler. 19th Century,20th Century,Broadway,Classical,Comedy,Mu...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1496298 By Armando Oscar Pacheco. By Alfredo Máximo Soler. 19th Century,20th Century,Broadway,Classical,Comedy,Musical/Show. Score. 133 pages. Editorial Copistas Acuario #1072841. Published by Editorial Copistas Acuario (A0.1496298). Esta obra es claro reflejo de las corrientes artísticas que impactaban a los escritores, músicos e intelectuales de la República Dominicana a principios del siglo pasado. Por un lado, encontraremos la lírica característica del modernismo latinoamericano impregnado en cada letra del libreto. Desde el nombre de la obra nos hace referencia al símbolo más claro de este movimiento, el «azul» coloreado por el gran Darío que dejaría entintado todo el continente. Dentro de la temática y el lenguaje se busca decididamente la refinación aristocrática mediante la creación de imágenes cargadas de flores, adornos, joyas y delicadeza. Por otra parte, en la música, encontraremos a un compositor consumado dominando de manera holgada el estilo de la zarzuela, la cuál desde los primeros años del siglo XX, había realizado su entrada en la palestra cultural dominicana a través de las diferentes compañías que llegaban principalmente de Italia, España y Estados Unidos.1 Si bien esta obra está escrita originalmente para orquesta, las partes de dicho arreglo se encuentran en parte extraviada. Lo que se presenta aquí es el score vocal conservado, el cuál contiene las diferentes voces utilizadas en las canciones, y una reducción para piano de la música. Así mismo, debido a la vinculación de esta obra al municipio de San Pedro de Macorís, hemos decidido, a través de la visión creativa de la ilustradora Ana Gerardino, visualizar el escenario de «La Góndola Azul» dentro de una imaginación simbólica de las costas de esta localidad.
$9.99
La Llorona (Coco)
#
Piano, Voix
#
FACILE
#
Mexican Folk Song
#
Christina Magallanes Jones
#
La Llorona
#
Christina Magallanes-Jones
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin,Multicultural,T...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin,Multicultural,Traditional,World. Score. 5 pages. Christina Magallanes-Jones #784177. Published by Christina Magallanes-Jones (A0.1184448). La Llorona (The weeping woman) is a Mexican folk song derived from the legend of La Llorona. It is also featured in the 2017 Disney animated film, Coco.La Llorona es una cancion popular mexicana derivada de la leyenda de La Llorona. Tambien aparece en la pelicula animada de Disney de 2017, Coco.
$4.99
The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
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Piano, Voix
#
INTERMÉDIAIRE
#
New Age
#
Contemporain
#
Dennis McCorkle, Adele Paxton
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The Song of Shadows - An Origi
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.784928 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 9 pages. DF McCork...
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Piano,Vocal,Voice - Level 3 - SKU: A0.784928 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 9 pages. DF McCorkle Music and eBook Publications #6189873. Published by DF McCorkle Music and eBook Publications (A0.784928). Key: F, Range F3 to C5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
Slim Sophia (or "Reverie’) - An Original Song Setting of Walter de la Mare's Poetry for VOICE and
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Piano, Voix
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INTERMÉDIAIRE
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Dennis McCorkle, Adele Paxton
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Slim Sophia
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.784933 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,Traditional. Score. 14 pages. DF M...
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Piano,Vocal,Voice - Level 3 - SKU: A0.784933 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,Traditional. Score. 14 pages. DF McCorkle Music and eBook Publications #6189973. Published by DF McCorkle Music and eBook Publications (A0.784933). Key: Db, Range G3 to Ab4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
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Piano, Voix
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INTERMÉDIAIRE
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Dennis McCorkle, Adele Paxton
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Dust to Dust - An Original Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.784929 Composed by Dennis McCorkle, Adele Paxton. Concert,Contemporary,New Age,Spiritual. Score. 9 pages. DF McCor...
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Piano,Vocal,Voice - Level 3 - SKU: A0.784929 Composed by Dennis McCorkle, Adele Paxton. Concert,Contemporary,New Age,Spiritual. Score. 9 pages. DF McCorkle Music and eBook Publications #6189923. Published by DF McCorkle Music and eBook Publications (A0.784929). Key: B/D#m, Range F#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
De La Chica: Arias florentinas, Op. 15
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Piano, Voix
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Julián De La Chica
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De La Chica: Arias florentinas
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Vagabundo Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1176320 Composed by Julián De La Chica. Classical,Contemporary,Opera. Score. 25 pages. Vagabundo Music Publishing #776442...
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Piano,Vocal,Voice - SKU: A0.1176320 Composed by Julián De La Chica. Classical,Contemporary,Opera. Score. 25 pages. Vagabundo Music Publishing #776442. Published by Vagabundo Music Publishing (A0.1176320). MUSIC NOTES:The Arias began with a month De La Chica spent in Italy in the summer of 2021. There, walking the streets, he saw a poster announcing a vocal recital in what he describes as “a very old chapel,†and which was the first public concert he saw since the beginning of the pandemic. “Maybe it was the ambience of the chapel, the city, and the Italian arias that gave me inspiration for the cycle,†he says. And the Poemas de bar became a model for the new music. “Because the Poemas were conversations in a bar, â€De La Chica explains, “I decided to capture everyday conversations in Florence. I ‘stole’ some stories—for example, when I was on line to buy tickets for the Campanile, or in a coffee shop,†he would note bits of conversations he overheard. He tells one story about this: “I still remember around 2 a.m., there was one guy sitting on a bridge over the Arno. I think he was drunk.†De La Chica heard him saying to passersby, “look at the light of the river.†The composer thought the man was trying to jump, an experiencehe describes as “a little scary.†— George Grella.
$55.00
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 5: La chanson du pr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 18: La vie est une
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-18E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 12: La nuit apr&egr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 10: À la glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 9: Si la piti&eacu
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 11: Comme la fleur
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 6: Le Château
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
And He'd Say "Oo-La-La-Wee-Wee"
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Piano, Voix
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Harry Ruby and George Jessell
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Harry Ruby & George Jessell
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And He'd Say "Oo-La-La-We
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22703 Composed by Harry Ruby & George Jessell. World War I, Couples, Soldiers, Courtship, Love, France, Caricatures, Ethnic st...
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Piano and voice - SKU: LV.22703 Composed by Harry Ruby & George Jessell. World War I, Couples, Soldiers, Courtship, Love, France, Caricatures, Ethnic stereotypes. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22703). And He'd Say Oo-La-La-Wee-Wee. By Harry Ruby and George Jessell. Published 1919 by Waterson, Berlin & Snyder Co., Strand Theatre B'ldg. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include World War I, Couples, Soldiers, Courtship, Love, France, Caricatures, Ethnic stereotypes. First line reads Willie Earl met a sweet young girl one day in France.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La)
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Piano, Voix
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Harry Von Tilzer
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You'll Have to Put Him to Slee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.24016 Composed by Harry Von Tilzer. Couples, Soldiers, Kissing, Courtship, War allies, World War I. Lester S. Levy Collection....
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Piano and voice - SKU: LV.24016 Composed by Harry Von Tilzer. Couples, Soldiers, Kissing, Courtship, War allies, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24016). You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La). Words by Andrew Sterling. Music by Harry Von Tilzer, 1918. Published 1918 by Harry Von Tilzer Music Publishing Co., 222 W. 46th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Soldiers, Kissing, Courtship, War allies, World War I. First line reads Girls have you heard the very latest news.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
La donna è mobile in D-flat major for Contralto and Piano
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Piano, Voix
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FACILE
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Classique
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Giuseppe Verdi
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Langanho
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La donna è mobile in D-
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1236440 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1236440 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831955. Published by Avery Lynn Jordan (A0.1236440). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano in the key of Db major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in A-flat major for Baritone and Piano
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Piano, Voix
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FACILE
#
Classique
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Giuseppe Verdi
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Langanho
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La donna è mobile in A-
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1236622 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1236622 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832142. Published by Avery Lynn Jordan (A0.1236622). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for baritone and piano with chords in the key of Ab major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in A major for Contralto and Piano
#
Piano, Voix
#
FACILE
#
Classique
#
Giuseppe Verdi
#
Langanho
#
La donna è mobile in A
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1236431 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1236431 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831946. Published by Avery Lynn Jordan (A0.1236431). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano with chords in the key of A major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in D major for Soprano and Piano
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Piano, Voix
#
FACILE
#
Classique
#
Giuseppe Verdi
#
Langanho
#
La donna è mobile in D
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1236097 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1236097 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831605. Published by Avery Lynn Jordan (A0.1236097). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for soprano and piano with chords in the key of D major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile by Verdi for Bass and Piano
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Piano, Voix
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FACILE
#
Classique
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Giuseppe Verdi
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Langanho
#
La donna è mobile by Ve
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1236663 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1236663 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832183. Published by Avery Lynn Jordan (A0.1236663). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for bass in its clef and piano with chords in the original key. With simplified piano accompaniment, this sheet music is ideal for teachers who wish to use it as educational material in their classes, as well as for students who want to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the possibility to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in E-flat major for Baritone and Piano
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Piano, Voix
#
FACILE
#
Classique
#
Giuseppe Verdi
#
Langanho
#
La donna è mobile in E-
#
Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1236655 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1236655 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832175. Published by Avery Lynn Jordan (A0.1236655). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for baritone and piano with chords in the key of Eb major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in G major for Contralto and Piano
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Piano, Voix
#
FACILE
#
Classique
#
Giuseppe Verdi
#
Langanho
#
La donna è mobile in G
#
Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1236449 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1236449 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831964. Published by Avery Lynn Jordan (A0.1236449). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano in the key of G major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$1.99
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1976
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