Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Life Is Real
Non classifié
151
Piano & claviers
Piano seul
112
Piano, Voix
66
Piano Facile
22
Piano, Voix et Guitare
18
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Orgue
1
Ensemble d'Accordéons
1
+ 5 instrumentations
Retracter
Guitares
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
7
Guitare notes et tablatures
7
Basse electrique
5
Ukulele
2
Banjo
1
Dulcimer
1
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
73
Chorale 3 parties
20
Chorale TTBB
11
Voix Alto, Piano
10
Chorale SSAA
9
Voix Soprano, Piano
6
Voix haute
4
Voix duo, Piano
3
Chorale SSAATTBB
3
Voix Tenor
3
Chorale Unison
2
Chorale 2 parties
2
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Voix basse, Piano
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
22
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
12
Clarinette et Piano
11
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Soprano et Piano
9
Saxophone Tenor et Piano
9
Quatuor de Saxophones: 4 saxophones
9
Clarinette
8
Saxophone Baryton, Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Flûtes traversières (duo)
7
Cor anglais, Piano
6
Flûte traversière
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette Basse, Piano
4
Saxophone Alto
3
Flûte, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Flûte, Violon
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Flûtes
2
Flûte, Violoncelle
2
Hautbois (partie séparée)
2
Flûte, Alto (duo)
2
Ocarina
2
Flûte à bec Alto
2
Clarinette Basse
2
Saxophone Tenor
2
Flûte à bec Tenor
2
Ensemble de Clarinettes
2
Flûte à bec Soprano
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
4 Hautbois
1
Hautbois, Violoncelle
1
Ensemble de saxophones
1
Saxophone et Orgue
1
Saxophone (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano, Piano
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Violon (duo)
1
Piccolo, Piano
1
+ 40 instrumentations
Retracter
Cuivres
Trompette
12
Cor et Piano
11
Trombone et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Euphonium, Piano (duo)
6
Cor anglais, Piano
6
Trompette, Piano
6
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
2
Bass Clef Instruments
1
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Trompette (partie séparée)
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
20
Alto, Piano
10
Violoncelle, Piano
9
Violoncelle
6
Violon, Violoncelle (duo)
6
Violon
6
2 Violoncelles (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe
2
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
2 Violons (duo)
2
Harpe, Voix
2
Contrebasse, Piano (duo)
1
4 Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
2 Altos (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
80
Orchestre
21
Fanfare
14
Jazz combo
10
Ensemble Jazz
9
Ensemble de cuivres
8
Orchestre à Cordes
7
Cloches
5
Orchestre de chambre
5
Ensemble de Percussions
2
Batterie
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
4
Partitions Numériques
66
Librairie Musicale
41
Matériel de Musique
151
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Life Is Real
Piano, Voix
Partitions à imprimer
66 partitions trouvées
<
1
26
51
Real Life!
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Real Life!
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842262 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #62880...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842262 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #6288021. Published by Andrew Mc Donald (Macka Records) (A0.842262). Real Life is a song about trying to fill the void with things but finding no satisfaction or fulfillment. We can only have a real life in Jesus and find true meaning in Him.
$4.99
In My Life
#
Piano, Voix
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Dave Gingras and John E
#
In My Life
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1327415 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dave Gingras and John E. Dosher. Jazz,Rock....
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1327415 By The Beatles. By John Lennon and Paul McCartney. Arranged by Dave Gingras and John E. Dosher. Jazz,Rock. Score. 3 pages. DAVID LEE GINGRAS #915459. Published by DAVID LEE GINGRAS (A0.1327415). In My Life is a song by the English rock band the Beatles that appeared on their 1965 album Rubber Soul. It was written primarily by John Lennon with structural contributions from Paul McCartney, and credited to Lennon–McCartney. George Martin contributed the piano solo bridge. According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life. This version features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this classic Beatles tune!
$4.99
A New Life
#
Piano, Voix
#
INTERMÉDIAIRE
#
Comédie Musicale
#
Linda Eder
#
David Lee Gingras and John E
#
A New Life
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1098886 By Linda Eder. By Frank Wildhorn and Leslie Bricusse. Arranged by David Lee Gingras and John E. Dosher. Br...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1098886 By Linda Eder. By Frank Wildhorn and Leslie Bricusse. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 4 pages. DAVID LEE GINGRAS #702732. Published by DAVID LEE GINGRAS (A0.1098886). A New Life is a very pretty ballad from the 1990 musical Jekyll & Hyde. This musical is loosely based on the 1886 novella The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson. Originally conceived for the stage by Frank Wildhorn and Steve Cuden, it features music by Frank Wildhorn, a book by Leslie Bricusse and lyrics by all of them. This version features a root-based chord blocking that John and I have used many of our arrangements and we've included a few really sweet left-hand fills to keep the tempo going! This version features a root-based chord blocking that John and I have used many of our arrangements and we've included a few really sweet left-hand fills to keep the tempo going! We've provided lyrics for only the first two verses in an effort to keep the sheet music from getting too cluttered. The remainder of the lyrics are readily available at a number of sites online. We hope you like what we've done with the song!
$4.99
For Life
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
For Life
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842272 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #6...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842272 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #6333467. Published by Andrew Mc Donald (Macka Records) (A0.842272). For Life is a song about having second thoughts about staying married to your wife. Sometimes it is really hard and we feel like we could do better to have someone else. However God wants us to stay committed to our wedding vows for life 'cause it is meant to be and it is what God wants. .
$4.99
All The World Is Scheming, or, Oh Times Are Really Very Hard. A Comic Song
#
Piano, Voix
#
J
#
All The World Is Scheming, or,
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.16440 Arranged by J. Harroway. City & town life, Peddlers, Commercial buildings, Poor persons, Money, Political platforms--Eng...
(+)
Piano and voice - SKU: LV.16440 Arranged by J. Harroway. City & town life, Peddlers, Commercial buildings, Poor persons, Money, Political platforms--England, Wealth, Economic & social conditions. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16440). All The World Is Scheming, or, Oh Times Are Really Very Hard. A Comic Song. Written by J.E. Carpenter. The Music Arranged by J. Harroway. Published [n.d.] by James L. Hewitt & Co., 239 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include City & town life, Peddlers, Commercial buildings, Poor persons, Money, Political platforms--England, Wealth, Economic & social conditions. First line reads Oh! times are really very hard, There's little cash about now.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Jodie Foster's Father is a Con Man
#
Piano, Voix
#
INTERMÉDIAIRE
#
Comédie Musicale
#
Debra Cook
#
Jodie Foster's Father is a Con
#
Professional Artists Group
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1025273 Composed by Debra Cook. Musical/Show. Score. 10 pages. Professional Artists Group #4614207. Published by P...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1025273 Composed by Debra Cook. Musical/Show. Score. 10 pages. Professional Artists Group #4614207. Published by Professional Artists Group (A0.1025273). From the musical Jilted to Perfection, this song is a hilarious take on the real-life hardships that Debra and Fred Cook experienced because Lucius Foster, including a poorly constructed foundation and finding out Lucius' friend living with the Cooks is a known sex offender.
$4.99
THE ME THAT IS ME - from "Roxane of Bergerac" - a full length musical
#
Piano, Voix
#
Comédie Musicale
#
Flippoforms
#
THE ME THAT IS ME - from "
#
David William Flippo
#
SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.995985 Composed by Flippoforms. Broadway,Jazz,Musical/Show. Score. 4 pages. David William Flippo #4766521. Published by Davi...
(+)
Piano,Vocal,Voice - SKU: A0.995985 Composed by Flippoforms. Broadway,Jazz,Musical/Show. Score. 4 pages. David William Flippo #4766521. Published by David William Flippo (A0.995985). Sung by Christian: His amended I Want song. Tragic situation with Roxane - and if she really loves either of them. Piano / Vocal Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
He Will Lead Me Home
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin Longley
#
Kevin Longley
#
He Will Lead Me Home
#
Kevin Longley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
Thank U, Next
#
Piano, Voix
#
FACILE
#
Pop musique
#
Ariana Grande
#
Mario Stallbaumer
#
Thank U, Next
#
Mario Stallbaumer
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
Still, You Know
#
Piano, Voix
#
DÉBUTANT
#
Musique Sacrée
#
Jennifer A
#
Still, You Know
#
ISFS Productions
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.956295 Composed by Jennifer A. Henderson. Children,Christian,Praise & Worship,Sacred. Score. 2 pages. ISFS Product...
(+)
Piano,Vocal,Voice - Level 1 - SKU: A0.956295 Composed by Jennifer A. Henderson. Children,Christian,Praise & Worship,Sacred. Score. 2 pages. ISFS Productions #6494067. Published by ISFS Productions (A0.956295). This is a children’s hymn that I wrote. Life is full of things we do not understand. This song is a reminder to find hope in what we do know – that God’s love for us is real.
$3.99
Someday (with lyrics) - Hannah Baldoz
#
Piano, Voix
#
FACILE
#
Contemporain
#
Hannah Baldoz
#
Someday
#
Hannah Baldoz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.896716 Composed by Hannah Baldoz. Contemporary. Score. 3 pages. Hannah Baldoz #5869351. Published by Hannah Baldoz...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.896716 Composed by Hannah Baldoz. Contemporary. Score. 3 pages. Hannah Baldoz #5869351. Published by Hannah Baldoz (A0.896716). Someday - An original composition with music and lyrics by Hannah Baldoz.Someday we will find what we are looking for. Or maybe not. Maybe we will find something much greater than that. ––AnonymousLyrics:I see your painI know how you feelYou have been hurtYour scars are realI know you’re brokenBut darling don’t you cryYou’ll find the wings to flySomeday you’ll findThe love that you’ve longed forSomeday you’ll beWhat you’ve dreamed and moreSo until thenJustKeep believingYou can be freeBecauseThough you’re in painYour life is not doneAfter the rainThere will be sunI know you may feelAfraid and lost tonightBut morning brings new light© 2018 by Hannah Baldoz. All rights reserved.For more music by Hannah Baldoz visit https://www.youtube.com/channel/UCNhkUVEv4QBCytIbBIPG6xg
$4.99
Grey Light of Dawn PVG
#
Piano, Voix
#
INTERMÉDIAIRE
#
Pop musique
#
Steven H
#
Ashley Ivers
#
Grey Light of Dawn PVG
#
Boothe Publishing
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.983996 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score. 6 pages. Boothe Publishing #4360839. Pu...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.983996 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score. 6 pages. Boothe Publishing #4360839. Published by Boothe Publishing (A0.983996). In the early morning light it's hard to see exactly what is and what isn't there. Objects that are seen clearly in the light of day are elusive and can't be seen directly in the grey light of the morning. In the grey light of life it is unclear if relationships are strong or weak. Many times the feelings I have had for other people exist because I really do not know them. I imagine that they are better or more wonderful than they really are because of my lack of knowledge about them. Sometimes it seems that I want what might have been or what might be more than I want reality. In the light of day all shadows disappear.
$3.99
In The Summertime
#
Piano, Voix
#
FACILE
#
Contemporain
#
Mungo Jerry
#
Jeff Tincher
#
In The Summertime
#
Jeff Tincher
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.583702 By Mungo Jerry. By Ray Dorset. Arranged by Jeff Tincher. Contemporary. Score. 10 pages. Jeff Tincher #47370...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.583702 By Mungo Jerry. By Ray Dorset. Arranged by Jeff Tincher. Contemporary. Score. 10 pages. Jeff Tincher #4737007. Published by Jeff Tincher (A0.583702). If you want a song that can tell you life in the 60s from a Flower Child's point of view, this song is it. I really liked the song when I heard it way back in those times but really didn't realize how it was a biography of times until putting this arrangement together. In the original key from their Mungo Jerry album, this is another song that depicts summer. Duration = 3:30. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Slave To The Rhythm
#
Piano, Voix
#
FACILE
#
Contemporain
#
Bruce Woolley, Simon Darlow, S
#
Jeff Tincher
#
Slave To The Rhythm
#
Jeff Tincher
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.584441 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contempor...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.584441 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. Score. 14 pages. Jeff Tincher #5754945. Published by Jeff Tincher (A0.584441). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
I've Tried
#
Piano, Voix
#
FACILE
#
Jackaleen Justice - Angelical
#
I've Tried
#
Angelical Realm
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1039325 By Jackaleen Justice - Angelical Realm. By Jackaleen Justice - Angelical Realm. Arranged by Jackaleen Just...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.1039325 By Jackaleen Justice - Angelical Realm. By Jackaleen Justice - Angelical Realm. Arranged by Jackaleen Justice - Angelical Realm. Country,Traditional. Score. 3 pages. Angelical Realm #644235. Published by Angelical Realm (A0.1039325). I’ve Tried Song Description Song Creation A fundamental idea behind each lyric in this song was developed by the Lyricist and Composer, Jackaleen Justice, who poured her heart and soul into the makings of this musical artwork. The lyrics attempt to depict a time in her life when she felt the same way as the singer in dealing with a challenging situation on her journey through life. In creating this musical artwork, the composer wanted to evoke an idea of a long-term relationship and being hurt often over many years. Throughout the years, many people around the world have been hurt in relationships. The song’s Composer wanted to help those around the world who have been in similar position to be able to relate to those feelings through this piece of musical artwork. Song Composition While creating the rhythm for this song, the composer aimed for a moderately slow tempo. After the lyrics were added, the target of approximately 80 - 90 beats per minute became unattainable, resulting in 78 beats per minute instead. In the end, it proved to be a much better tempo for the song, because it made the final piece sound much more polished and superior. Song Completion This musical piece is perfect for someone looking for a well-written and well-composed song that has rhythm that makes it stand out from all the others. With the right vocalist, this song has great potential in the music industry.
$19.99
An Orange for Soprano/Tenor and Piano
#
Piano, Voix
#
INTERMÉDIAIRE
#
Apostolos Paraskevas
#
An Orange for Soprano/Tenor an
#
Silver Sickle Publications
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publication...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
$8.99
Good Advice
#
Piano, Voix
#
INTERMÉDIAIRE
#
Country
#
Cheryl Prazak
#
Jon Burr
#
Good Advice
#
Cheryl Prazak
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 ...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?†was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
$4.99
Made For Workin'
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Made For Workin'
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841731 Composed by Andrew Mc Donald. Children,Contemporary,Musical/Show,Rock. Score. 5 pages. Andrew Mc Donald (Ma...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.841731 Composed by Andrew Mc Donald. Children,Contemporary,Musical/Show,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3473889. Published by Andrew Mc Donald (Macka Records) (A0.841731). Made For Workin' is a song about gumboots and working real hard in the dirt. This song is written for my production called Such is Life based on Ned Kelly. .
$4.99
Yellow Submarine
#
Piano, Voix
#
FACILE
#
Rock
#
The Beatles
#
Jeff Tincher
#
Yellow Submarine
#
Jeff Tincher
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.584085 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score. 9 pages. Jeff Tin...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.584085 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score. 9 pages. Jeff Tincher #5301973. Published by Jeff Tincher (A0.584085). One of the more fun songs The Beatles did. And it appeared as the Double A-side single with Eleanor Rigby, the 5th song on the Revolver album, and the title of their cartoon movie (the real Beatles appeared on the beginning of the movie). This arrangement is from the U.S. release of the Revolver album. It the U.S. release, there is a sailor echoing a life of ease that doesn't appear on the U.K. release. Duration = 2:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
No Bed Of Roses
#
Piano, Voix
#
FACILE
#
Indy Musica
#
Brad Bernhardt
#
No Bed Of Roses
#
Brad Bernhardt
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1345203 By Indy Musica. By Brad Bernhardt. Arranged by Brad Bernhardt. Rock,Singer/Songwriter. Score. 6 pages. Bra...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.1345203 By Indy Musica. By Brad Bernhardt. Arranged by Brad Bernhardt. Rock,Singer/Songwriter. Score. 6 pages. Brad Bernhardt #930140. Published by Brad Bernhardt (A0.1345203). Written in 2012, this is a piano-driven break-up song. It's about realizing one's in a bad relationship and acknowleding some ownership of the issues while realizing that moving on is a painful yet important part of life.
$2.49
Autumn Tree
#
Piano, Voix
#
Contemporain
#
Ron Anderson
#
Autumn Tree
#
Ron James Anderson
#
SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.965553 Composed by Ron Anderson. Contemporary. Score. 8 pages. Ron James Anderson #5994741. Published by Ron James Anderson ...
(+)
Piano,Vocal,Voice - SKU: A0.965553 Composed by Ron Anderson. Contemporary. Score. 8 pages. Ron James Anderson #5994741. Published by Ron James Anderson (A0.965553). Autumn Tree depicts a scene of quiet desperation. The turn of seasons threatens the dying leaves, who will soon be separated from their trees by the night wind. The barren trees are left to mourn the deaths of their children throughout the ruthless winter. Their only solace is the promise that their brittle fingers will hold future offspring; new leaves will take their places in the spring. They send up a desperate plea for renewal of life and an early spring, but in the next thought concede that winter must first be endured before such renewal can begin.The piece opens with a desolate passage for unaccompanied cello, setting the tone of a gloomy autumnal scene. The piano joins with a funereal accompaniment, followed immediately by the singer’s entrance. The music gradually gains momentum as the urgency of the situation is revealed. After an extended whirlwind passage for cello and piano, resignation sets in once more. The funereal accompaniment returns, with a canon between the singer and cellist. This leads to a final outburst-the realization that the trees must suffer a harsh winter and almost complete loss before springtime can return.
$5.95
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 12: Cherchez, mes
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 1: Ô songe h
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 5: Si vous m&rsquo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 3: Le Matin au bor
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Life Is Real
