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--INSTRUMENTS--
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Man With The Harmonica
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--INSTRUMENTS--
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Vous avez sélectionné:
Man With The Harmonica
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Piano Man
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Piano, Voix
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INTERMÉDIAIRE
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Billy Joel
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an3ss piano
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Piano Man
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Andrés Moreno
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1318259 By Billy Joel. By Billy Joel. Arranged by an3ss piano. Blues,Pop,Rock,Singer/Songwriter. Score. 6 pages. A...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1318259 By Billy Joel. By Billy Joel. Arranged by an3ss piano. Blues,Pop,Rock,Singer/Songwriter. Score. 6 pages. Andrés Moreno #906932. Published by Andrés Moreno (A0.1318259). The full song from Billy Joel's 1973 album, all parts included! This arrangement is for voice, diatonic harmonica in C, and piano accompaniment plus a piano solo. It is best performed as a duo (voice/harmonica + piano) but you may also play it all by yourself using a harmonica neck holder just like Billy Joel!All parts should be accessible to early intermediate players except the jazzy intro, which can be omitted, and the piano solo, which can be replaced with the interlude. You can also jump from verse 3 to verse 6 to make it a little shorter (that's how it was presented in the single version).
$4.99
Quatre Poemes De Guillaume Apollinaire
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Piano, Voix
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AVANCÉ
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Contemporain
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
Timber
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Piano, Voix
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DÉBUTANT
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Contemporain
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Pitbull Featuring Ke$Ha
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Leah Ginzburg
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Timber
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Leah Ginzburg
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.850159 By Pitbull Featuring Ke$Ha. By Armando Christian Perez, Breyan Stanley, Greg Errico, Henry Walter, Jamie Sa...
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Piano,Vocal,Voice - Level 1 - SKU: A0.850159 By Pitbull Featuring Ke$Ha. By Armando Christian Perez, Breyan Stanley, Greg Errico, Henry Walter, Jamie Sanderson, Kesha Sebert, Lukasz Gottwald, Pebe Sebert, and Priscilla Renea. Arranged by Leah Ginzburg. Contemporary. Score. 2 pages. Leah Ginzburg #6321453. Published by Leah Ginzburg (A0.850159). Timber is a song by American rapper Pitbull featuring American singer Kesha. The song was released on October 7, 2013, as the lead single from Pitbull's extended play (EP) Meltdown EP, produced by Dr. Luke, Cirkut, and Sermstyle, with additional production by Nick Seeley. The song interpolates Lee Oskar's 1978 single San Francisco Bay and features harmonica player Paul Harrington, who plays through the entire song and was told to emulate Oskar. This is easy piano version for beginners with letters (name of the keys)
$6.99
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Man With The Harmonica
