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Vous avez sélectionné:
Mark Roach
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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1
AH, CH'INFELICE SEMPRE (PIANO REDUCTION WITH LYRICS) - A. VIVALDI
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.804315 Composed by Antonio V…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.804315 Composed by Antonio Vivaldi. Arranged by Juliano Music. Baroque,Instructional,Sacred,Standards. Score. 5 pages. Juliano Alessandro Molteni #5287393. Published by Juliano Alessandro Molteni (A0.804315). MY ARRANGEMENT OF AH, CH'INFELICE SEMPRE BY A. VIVALDI. PIANO REDUCTION WITH LYRICS. I HAVE COMBINED THE RIGHT HAND OF PIANO ACCOMPANIMENT WITH THE LYRICS OF THE ARIA ; SO YOU CAN PLAY THE ARIA IN A FULL WAY. I HAVE MODIFICATED THE LEFT HAND with NOTE HELD AND EIGHTS ---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING-- JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!
$4.49
4.1 €
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Piano, Voix
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Antonio Vivaldi
#
Juliano Music
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AH, CH'INFELICE SEMPRE
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Juliano Alessandro Molteni
#
SheetMusicPlus
PASSACAGLIA DELLA VITA (EXTRACT - PIANO REDUCTION WITH LYRICS) - S. LANDI
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.804319 Composed by Stefano L…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.804319 Composed by Stefano Landi. Arranged by Juliano Music. Instructional,Renaissance,Sacred,Standards. Score. 4 pages. Juliano Alessandro Molteni #5287405. Published by Juliano Alessandro Molteni (A0.804319). MY EXTRACT ARRANGEMENT OF PASSACAGLIA DELLA VITA BY S. LANDI. PIANO REDUCTION WITH LYRICS. I HAVE COMBINED THE RIGHT HAND OF PIANO ACCOMPANIMENT WITH THE LYRICS OF THE ARIA ; SO YOU CAN PLAY THE ARIA IN A FULL WAY. I HAVE MODIFICATED THE LEFT HAND with NOTE HELD AND EIGHTS ---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING-- JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!
$3.99
3.65 €
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Piano, Voix
#
Stefano Landi
#
Juliano Music
#
BY S
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PASSACAGLIA DELLA VITA
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Juliano Alessandro Molteni
#
SheetMusicPlus
SENTO IN SENO (PIANO REDUCTION WITH LYRICS) - A. VIVALDI
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.804320 Composed by Antonio V…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.804320 Composed by Antonio Vivaldi. Arranged by Juliano Music. Baroque,Classical,Instructional,Sacred,Standards. Score. 6 pages. Juliano Alessandro Molteni #5287411. Published by Juliano Alessandro Molteni (A0.804320). MY ARRANGEMENT OF SENTO IN SENO BY A. VIVALDI. PIANO REDUCTION IN C VERSION WITH LYRICS. I HAVE COMBINED THE RIGHT HAND OF PIANO ACCOMPANIMENT WITH THE LYRICS OF THE ARIA ; SO YOU CAN PLAY THE ARIA IN A FULL WAY. I HAVE MODIFICATED THE LEFT HAND with NOTE HELD AND EIGHTS ---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING-- JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance. ENJOY!!
$4.49
4.1 €
#
Piano, Voix
#
Antonio Vivaldi
#
Juliano Music
#
SENTO IN SENO
#
Juliano Alessandro Molteni
#
SheetMusicPlus
MUNDI RECTOR DE CAELO MICANTI (PIANO REDUCTION WITH LYRICS) - A. VIVALDI
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.804318 Composed by Antonio V…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.804318 Composed by Antonio Vivaldi. Arranged by Juliano Music. Baroque,Instructional,Sacred,Standards. Score. 4 pages. Juliano Alessandro Molteni #5287401. Published by Juliano Alessandro Molteni (A0.804318). MY ARRANGEMENT OF MUNDI RECTOR DE CAELO MICANTI BY ANTONIO VIVALDI. PIANO REDUCTION IN C VERSION WITH LYRICS. I HAVE COMBINED THE RIGHT HAND OF PIANO ACCOMPANIMENT WITH THE LYRICS OF THE ARIA ; SO YOU CAN PLAY THE ARIA IN A FULL WAY. ---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING-- JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!
$3.99
3.65 €
#
Piano, Voix
#
Antonio Vivaldi
#
Juliano Music
#
MUNDI RECTOR DE CAELO MICANTI
#
Juliano Alessandro Molteni
#
SheetMusicPlus
Shallow
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1024136 By Lady Gaga. By And…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1024136 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Nadav Amir-Himmel. Pop. Score. 4 pages. Nadav Amir-Himmel #4638593. Published by Nadav Amir-Himmel (A0.1024136). Shallow, from the movie A Star Is Born, arranged in a unique pedagogy approach which combines playing the song while developing the student's piano skills. Perfect for beginners who want to enjoy playing their favourite music while getting better and better in piano playing.
$4.99
4.56 €
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Piano, Voix
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Lady Gaga
#
Nadav Amir-Himmel
#
Shallow
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Nadav Amir-Himmel
#
SheetMusicPlus
Nothing But the Blood (Octavo)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1388570 Composed by Rick Bar…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1388570 Composed by Rick Barnes. Arranged by Rick Barnes. Christian,Contemporary,Lent,Praise & Worship,Sacred. Score. 12 pages. Rick Barnes Music #970290. Published by Rick Barnes Music (A0.1388570). This new arrangement of Robert Lowry's timeless hymn offers a contemplative approach marked by pulsing piano ostinatos and swelling strings. Arranged specifically for congregational singing, the familiarity and beauty of this selection is sure to be a welcome balm in your worship service.
$1.99
1.82 €
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Piano, Voix
#
Rick Barnes
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Rick Barnes
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Nothing But the Blood
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Rick Barnes Music
#
SheetMusicPlus
Nothing But the Blood (Piano, Vocal)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1386377 Composed by Rick Bar…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1386377 Composed by Rick Barnes. Arranged by Rick Barnes. Christian,Contemporary,Lent,Praise & Worship,Sacred. Score. 8 pages. Rick Barnes Music #970289. Published by Rick Barnes Music (A0.1386377). This new arrangement of Robert Lowry's timeless hymn offers a contemplative approach marked by pulsing piano ostinatos and swelling strings. Arranged specifically for congregational singing, the familiarity and beauty of this selection is sure to be a welcome balm in your worship service any time of year.
$4.99
4.56 €
#
Piano, Voix
#
Rick Barnes
#
Rick Barnes
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Nothing But the Blood
#
Rick Barnes Music
#
SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.85 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
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