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Michèle
Piano, Voix
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Le Paradis
Piano, Voix
Piano, voice and guitar (chords only) - Interactive Download By Michel Legrand. By Miche…
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Piano, voice and guitar (chords only) - Interactive Download By Michel Legrand. By Michel Legrand (1932-). This edition: Interactive Download. Pop. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonard Europe
$4.99
4.52 €
#
Piano, Voix
#
Michel Legrand
#
Le Paradis
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Hal Leonard Europe
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Michael Giacchino: Le Festin (from Ratatouille) - voice & piano
Piano, Voix
Instantly printable sheet music by Michael Giacchino for voice & piano of MEDIUM skill…
(+)
Instantly printable sheet music by Michael Giacchino for voice & piano of MEDIUM skill level. / children,disney,film/tv,musical/show,french,movies
$7.97
7.23 €
#
Piano, Voix
#
Michael Giacchino
#
Virtualsheetmusic
Le Rouge et Le Noir by Michel Legrand - Piano/Vocal/Chords
Piano, Voix
Michel Legrand - Le Rouge et Le Noir Digital Sheetmusic plus an interactive, downloadable …
(+)
Michel Legrand - Le Rouge et Le Noir Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 3 pages -- French~~Traditional Pop~~Vocal Pop
$5.50
4.99 €
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Piano, Voix
#
Piano/Vocal/Chords
#
Musicnotes
Le Cin ma by Michel Legrand - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Michel Legrand: Le Cinema Digital Sheetmusic plus an interactive, downloadab…
(+)
Performed by: Michel Legrand: Le Cinema Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 5 pages -- Brazilian Jazz~~French~~Vocal Jazz~~Vocal Pop
$5.50
4.99 €
#
Piano, Voix
#
Michel Legrand
#
Piano/Vocal/Chords, Singer Pro
#
Musicnotes
Le Rap from Doggy Bag - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Michel Legrand - Le Rap Digital Sheetmusic plus an interactive, downloadable digital sheet…
(+)
Michel Legrand - Le Rap Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 3 pages -- French~~Rap~~Soundtrack~~Movie/TV
$5.50
4.99 €
#
Piano, Voix
#
Piano/Vocal/Chords, Singer Pro
#
Musicnotes
Le Loup Romantique
Piano, Voix
By Michel Sivy. French. PV. 2 pages. Published by Hal Leonard - Digital Sheet Music
By Michel Sivy. French. PV. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.52 €
#
Piano, Voix
#
Michel Sivy
#
Le Loup Romantique
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Le Festin
Piano, Voix
By Michael Giacchino and Boualem Lamhene. For Piano/Vocal. Children; Disney; Film/TV; Fren…
(+)
By Michael Giacchino and Boualem Lamhene. For Piano/Vocal. Children; Disney; Film/TV; French; Musical/Show. Piano/Vocal. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.52 €
#
Piano, Voix
#
Michael Giacchino and Boualem Lamhene
#
Disney
#
Le Festin
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Non, Je Ne Regrette Rien
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Edith Piaf. Arr…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Edith Piaf. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here’s how to play the famous French chanson “Non, je ne regrette rien” on piano!<br> <br> This is a beautiful piano arrangement of “Non, je ne regrette rien”, in the famous version by French singer Édith Piaf (recorded in 1960).<br> <br> "Non, je ne regrette rien" was composed in 1956 by Charles Dumont (to lyrics by Michel Vaucaire), and it became one of the most famous French chansons, and one of Edith Piaf’s signature songs.<br> <br> These piano sheets come with a seperate system for the singer, full lyrics and chords.<br> <br> You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!<br> <br> Here are the full lyrics for “Non, je ne regrette rien”:<br> <br> “Non, rien de rien, non, je ne regrette rien<br> <br> Ni le bien qu'on m'a fait, ni le mal<br> <br> Tout ça m'est bien égal<br> <br> Non, rien de rien, non, je ne regrette rien<br> <br> C'est payé, balayé, oublié, je me fous du passé<br> <br> Avec mes souvenirs j'ai allumé le feu<br> <br> Mes chagrins, mes plaisirs<br> <br> Je n'ai plus besoin d'eux<br> <br> Balayé les amours avec leurs trémolos<br> <br> Balayé pour toujours<br> <br> Je reparts à zéro<br> <br> Non, rien de rien, non, je ne regrette rien<br> <br> Ni le bien qu'on m'a fait, ni le mal<br> <br> Tout ça m'est bien égal<br> <br> Non, rien de rien, non, je ne regrette rien<br> <br> Car ma vie, car mes joies<br> <br> Aujourd’hui ça commence avec toi”Here’s how to play the famous French chanson “Non, je ne regrette rien” on piano!<br> <br> This is a beautiful piano arrangement of “Non, je ne regrette rien”, in the famous version by French singer Édith Piaf (recorded in 1960).<br> <br> "Non, je ne regrette rien" was composed in 1956 by Charles Dumont (to lyrics by Michel Vaucaire), and it became one of the most famous French chansons, and one of Edith Piaf’s signature songs.<br> <br> These piano sheets come with a seperate system for the singer, full lyrics and chords.<br> <br> You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!<br> <br> Here are the full lyrics for “Non, je ne regrette rien”:<br> <br> “Non, rien de rien, non, je ne regrette rien<br> <br> Ni le bien qu'on m'a fait, ni le mal<br> <br> Tout ça m'est bien égal<br> <br> Non, rien de rien, non, je ne regrette rien<br> <br> C'est payé, balayé, oublié, je me fous du passé<br> <br> Avec mes souvenirs j'ai allumé le feu<br> <br> Mes chagrins, mes plaisirs<br> <br> Je n'ai plus besoin d'eux<br> <br> Balayé les amours avec leurs trémolos<br> <br> Balayé pour toujours<br> <br> Je reparts à zéro<br> <br> Non, rien de rien, non, je ne regrette rien<br> <br> Ni le bien qu'on m'a fait, ni le mal<br> <br> Tout ça m'est bien égal<br> <br> Non, rien de rien, non, je ne regrette rien<br> <br> Car ma vie, car mes joies<br> <br> Aujourd’hui ça commence avec toi”
$4.99
4.52 €
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Piano, Voix
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Edith Piaf
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Mario Stallbaumer
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Non, Je Ne Regrette Rien
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Mario Stallbaumer
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SheetMusicPlus
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