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Moment musical No.5
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Vous avez sélectionné:
Moment musical No.5
Piano, Voix
Partitions à imprimer
2 partitions trouvées
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Crow with no mouth
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Piano, Voix
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AVANCÉ
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amo...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
Ave Maria - For Low Voice
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Piano, Voix
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AVANCÉ
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Cascia Talbert
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Cascia Talbert
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Ave Maria - For Low Voice
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Cascia Talbert
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Rel...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 7 pages. Cascia Talbert #1067042. Published by Cascia Talbert (A0.1490206). Ellens dritter Gesang (Ellen's Song III, D. 839, Op. 52, No. 6, 1825), known in English as Ellen's Third Song, was composed by Franz Schubert in 1825. It is part of his Op. 52, a collection of seven songs inspired by Walter Scott's 1810 narrative poem The Lady of the Lake, which was loosely translated into German.This piece is among Schubert's most beloved works. Although it was originally composed as a song, it is frequently performed and recorded under the title Ave Maria. This title references the Latin name of the prayer Hail Mary, which is also the opening phrase and refrain of Ellen's song—a prayer to the Virgin Mary. Performances often feature simplified musical arrangements and various lyrics that deviate from the original poem. Franz Liszt arranged the piece in three versions for piano.Schubert's composition is based on verse XXIX from Canto Three of Scott's poem, translated into German by Adam Storck (1780–1822). It is part of Schubert's Liederzyklus vom Fräulein vom See. In Scott's narrative, Ellen Douglas, the Lady of the Lake (Loch Katrine in the Scottish Highlands), seeks refuge with her exiled father in the Goblin's Cave, avoiding their previous host, Roderick Dhu, who has chosen to rebel against King James. As Roderick Dhu and his warriors ascend the mountain, he hears Ellen, accompanied by the harpist Allan-bane, singing a prayer to the Virgin Mary, pleading for help. Roderick Dhu pauses momentarily before heading into battle.The song is said to have been first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria, and was dedicated to her, earning her the nickname the lady of the lake.The repeated use of Ave Maria in Ellen's song likely inspired the adaptation of Schubert's melody to fit the full text of the traditional Roman Catholic prayer Ave Maria. This adaptation has become so widespread that it often leads to the mistaken belief that Schubert originally composed the melody specifically for the Ave Maria prayer.This arrangement is for low voice and piano.
$5.99
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Moment musical No.5
