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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano song no.2
Non classifié
292
Piano & claviers
Piano, Voix
649
Piano seul
589
Piano Facile
235
Piano, Voix et Guitare
137
Accompagnement Piano
35
Piano grosses notes
20
1 Piano, 4 mains
19
Orgue
11
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
63
Ligne De Mélodie, (Paroles) et Accords
15
2 Guitares (duo)
4
Guitare
4
Guitare notes et tablatures
2
Paroles et Accords
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Voix seule
71
Chorale 2 parties
56
Chorale SATB
52
Chorale 3 parties
51
Voix duo, Piano
15
Chorale Unison
9
Voix haute
8
Chorale TTBB
7
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix basse, Piano
2
Chorale SSAA
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
65
Clarinette et Piano
54
Saxophone Alto et Piano
42
Hautbois, Piano (duo)
35
Saxophone Soprano et Piano
26
Saxophone Baryton, Piano
19
Saxophone Tenor et Piano
19
2 Saxophones (duo)
19
Clarinette
18
Cor anglais, Piano
14
2 Clarinettes (duo)
10
Flûte traversière
10
2 Flûtes traversières (duo)
9
3 Saxophones (trio)
8
Clarinette Basse, Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
2 Hautbois (duo)
6
Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Hautbois, Clarinette, Basson
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois, Clarinette (trio)
4
Quatuor de Saxophones: 4 saxophones
4
Quintette de Saxophone: 5 saxophones
4
Saxophone Tenor
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Alto
3
Flûte à bec Alto, Piano
1
Hautbois (partie séparée)
1
Ensemble de Clarinettes
1
2 Flûte à bec (duo)
1
Saxophone (partie séparée)
1
Ensemble de saxophones
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Flûte à bec Soprano
1
Quatuor de Flûtes : 4 flûtes
1
+ 31 instrumentations
Retracter
Cuivres
Cor et Piano
30
Trombone et Piano
29
Trompette, Piano
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Euphonium, Piano (duo)
22
Trompette
14
Cor anglais, Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Tuba et Piano
8
2 Trompettes (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Cors (duo)
3
Trombone
3
Trio de Cuivres
2
2 Trombones (duo)
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Tuba
1
Trombone basse et Piano
1
+ 14 instrumentations
Retracter
Cordes
Violoncelle, Piano
71
Violon et Piano
68
Alto, Piano
45
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violoncelle
13
Violon
9
Alto seul
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
6
2 Violons (duo)
6
2 Violoncelles (duo)
6
Contrebasse, Piano (duo)
6
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
4
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
3
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
44
Orchestre
19
Orchestre à Cordes
11
Orchestre de chambre
7
Ensemble Jazz
6
Ensemble de cuivres
5
Cloches
4
Jazz combo
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Vous avez sélectionné:
Piano song no.2
Piano, Voix
Partitions à imprimer
649 partitions trouvées
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Piano song no.16, and lead sheet
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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#GeoffRodThomson
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Piano song no.16, and lead she
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Geoff R Thomson
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1019308 Composed by #GeoffRodThomson. Broadway,Contemporary,Film/TV,Musical/Show. Score. 3 pages. Geoff R Thomson ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1019308 Composed by #GeoffRodThomson. Broadway,Contemporary,Film/TV,Musical/Show. Score. 3 pages. Geoff R Thomson #3454335. Published by Geoff R Thomson (A0.1019308). With this #PianoSong16 is also a lead sheet, with an Intro, Verse, Bridge, Chorus and Outro. It has catchy melodies and rhythms. Enjoy these 2 sets of sheet music. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com
$1.99
Co-Ca-Che-Lunk. An American Student-Song
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Piano, Voix
#
Co-Ca-Che-Lunk. An American St
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.3361 Graduation ceremonies, Yale University, Nostalgia, Friendship, Universities & colleges. Lester S. Levy Collection. 5 page...
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Piano and voice - SKU: LV.3361 Graduation ceremonies, Yale University, Nostalgia, Friendship, Universities & colleges. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3361). Student-Songs. No. 2. Co-Ca-Che-Lunk. An American Student-Song. n. Published 1855 by Firth, Pond & Co., 547 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Graduation ceremonies, Yale University, Nostalgia, Friendship, Universities & colleges. First line reads When we first came on this campus, Freshmen we.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
World Music Song No.2
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Piano, Voix
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INTERMÉDIAIRE
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Geoff Rod Thomson
#
World Music Song No.2
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Geoff R Thomson
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1019335 Composed by Geoff Rod Thomson. Broadway,Film/TV,Musical/Show,World. Score. 1 pages. Geoff R Thomson #65135...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1019335 Composed by Geoff Rod Thomson. Broadway,Film/TV,Musical/Show,World. Score. 1 pages. Geoff R Thomson #6513581. Published by Geoff R Thomson (A0.1019335). A Chorus and Verse based song with the musical combinations from there left up to you to construct.
$1.99
Water Songs No. 2: Another Thing about Flint (high voice)
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Piano, Voix
#
INTERMÉDIAIRE
#
Allyssa Jones
#
Water Songs No. 2: Another Thi
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Rising Tide Music Press
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1470660 Composed by Allyssa Jones. 21st Century,Classical,Contemporary,Opera. Score. 11 pages. Rising Tide Music P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1470660 Composed by Allyssa Jones. 21st Century,Classical,Contemporary,Opera. Score. 11 pages. Rising Tide Music Press #937958. Published by Rising Tide Music Press (A0.1470660). Setting of a poem by Kendra Preston Leonard.
$5.00
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
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Op. 1, No. 2: Barque lé
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 2: Je te l’a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 2: Consolation fro
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Cinq mélodies populaires grecques, no.2 Lá-bas, vers l'église, F# minor, medium voice
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Piano, Voix
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AVANCÉ
#
Opera
#
Classique
#
Maurice Ravel
#
ulysses77
#
Cinq mélodies populaire
#
ulysses77
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1328947 Composed by Maurice Ravel. Arranged by ulysses77. Classical,Opera. Score. 2 pages. Ulysses77 #916959. Publ...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1328947 Composed by Maurice Ravel. Arranged by ulysses77. Classical,Opera. Score. 2 pages. Ulysses77 #916959. Published by ulysses77 (A0.1328947). Song no.2 from Ravel's Cinq mélodies populaires grecques (Five Greek Folk Songs), Lá-bas, vers l'église transposed to F# minor key, medium voice.
$5.00
Cinq mélodies populaires grecques, no. 3 Quel galant m'est comparable, F major, medium voice
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Piano, Voix
#
AVANCÉ
#
Opera
#
Classique
#
Maurice Ravel
#
ulysses77
#
Cinq mélodies populaire
#
ulysses77
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1328956 Composed by Maurice Ravel. Arranged by ulysses77. Classical,Opera. Score. 2 pages. Ulysses77 #916967. Publ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1328956 Composed by Maurice Ravel. Arranged by ulysses77. Classical,Opera. Score. 2 pages. Ulysses77 #916967. Published by ulysses77 (A0.1328956). Song no.3 from Ravel's Cinq mélodies populaires grecques (Five Greek Folk Songs), Quel galant m'est comparable. Transposed to F major key, medium voice.
$5.00
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 41, No. 2: Prends cette ro
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-08E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 37, No. 2: Du grand Turc je n’ai souci from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 37, No. 2: Du grand Turc j
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-02E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 48, No. 2: Nymphes, mêlez vos plus vermeilles roses from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 48, No. 2: Nymphes, m&ecir
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-42E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-42E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 44, No. 2: Rossignol, mon mignon from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 44, No. 2: Rossignol, mon
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-27E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 2: Que vous ai-je fait? from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 2: Que vous ai-je
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-35E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 42, No. 2: Le Rossignol from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 42, No. 2: Le Rossignol fr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-17E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 8 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-17E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 8 pages. E. C. Schirmer Music Company - Digital #8491-17E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-17E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 43, No. 2: À Nicolas from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 43, No. 2: À Nicola
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-23E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Mendelssohn - On Wings of Song in A-flat major - Intermediate
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Felix Mendelssohn, Lyrics by H
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Piacere Music Sheets
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Mendelssohn - On Wings of Song
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1181588 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine (translation by Hal Drapper). Arranged by Piacere ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1181588 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine (translation by Hal Drapper). Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards,Wedding. Score. 10 pages. Piacere Music Sheets #781379. Published by Piacere Music Sheets (A0.1181588). Opus/Catalog Number: Op. 34, No. 2Key/Tone: A-flat majorMovements/Sections: Andante tranquilloYear/Date of Composition: 1834Vocal Range: Eb4 to F5 (C4 = middle C)Difficulty: Grade 8/12 (Intermediate)Obs.: This beautiful piece is the second of six songs for voice and piano in Mendelssohn's 6 Gesänge, Op. 34. This song is a setting of the poem Auf Flügeln des Gesanges by the German Romantic poet Heinrich Heine (1797-1856) and translate py Hal Drapper. This poem was first published in his Buch der Lieder in 1827.This score is an arrangement for high voice and piano, and contains the translated English Lyrics. A version with the original German Lyrics can also be bought.Included: Full score and individual parts.
$4.95
Schubert - An Die Laute for Mezzo-soprano Voice & Piano - Easy
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Piano, Voix
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DÉBUTANT
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Classique
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for Me
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1050304 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standard...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1050304 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654664. Published by Piacere Music Sheets (A0.1050304). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: C Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Mezzo-Soprano C4-E5 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for mezzo-soprano voice and piano, set in the key of C Major. Included: Full score and separated parts for each instrument.
$4.95
Schubert - An Die Laute for Bass Voice & Piano - Easy
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Piano, Voix
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DÉBUTANT
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Classique
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for Ba
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1050392 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standard...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1050392 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654704. Published by Piacere Music Sheets (A0.1050392). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: G Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Bass G2-B3 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for bass voice and piano, set in the key of G Major. Included: Full score and separated parts for each instrument.
$4.95
Schubert - An Die Laute for Alto Voice & Piano - Easy
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Piano, Voix
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DÉBUTANT
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Classique
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for Al
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1050336 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standard...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1050336 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654699. Published by Piacere Music Sheets (A0.1050336). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: G Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Alto G3-B4 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for alto voice and piano, set in the key of G Major. Included: Full score and separated parts for each instrument.
$4.95
Schubert - An Die Laute for Baritone Voice & Piano - Easy
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Piano, Voix
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DÉBUTANT
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Classique
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for Ba
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1050329 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standard...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1050329 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654692. Published by Piacere Music Sheets (A0.1050329). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: C Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Baritone C3-E4 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for baritone voice and piano, set in the key of C Major. Included: Full score and separated parts for each instrument.
$4.95
Schubert - An Die Laute for Soprano Voice & Piano - Easy
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Piano, Voix
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DÉBUTANT
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Classique
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for So
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1050311 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standard...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1050311 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654673. Published by Piacere Music Sheets (A0.1050311). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: D Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Soprano D4-F#5 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This arrangement is intended for high voice with piano accompaniment. Included: Full score and separated parts for each instrument.
$3.95
Schubert - An Die Laute for Tenor Voice & Piano - Easy
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Piano, Voix
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DÉBUTANT
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Classique
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for Te
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1050318 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standard...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1050318 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654682. Published by Piacere Music Sheets (A0.1050318). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: D Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Tenor D3-F#4 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This arrangement is intended for tenor voice with piano accompaniment. Included: Full score and separated parts for each instrument.
$3.95
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Piano song no.2
