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Piano, Voix
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Op. 41, No. 6: Amour me tue from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 41, No. 6: Amour me tue fr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-12E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Jean-Yves Malmasson: Trois Poèmes de Charles Baudelaire for medium voice and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Jean-Yves Malmasson
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Jean-Yves Malmasson: Trois Po&
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.533488 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score. 17 pages. Musik Fabrik...
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Piano,Vocal,Voice - Level 4 - SKU: A0.533488 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score. 17 pages. Musik Fabrik Music Publishing #2999957. Published by Musik Fabrik Music Publishing (A0.533488). 1. Hymne 2. Tristesse de la Lune 3. Recueillement Jean-Yves MALMASSON was born in 1963 at Saint-Cloud (Hauts-de-Seine), near Paris. He began his musical studies at the National Regional Conservatory of Boulogne-Billancourt (solfege, piano, theory, composition, organ and ondes Martenot) et and then at the Paris Conservatory where he won a First Prize in Orchestration. His principal teachers included Alain LOUVIER, Pierre GROUVEL, Serge NIGG and Jacques CHARPENTIER for theory and composition, and Jean-Claude HARTEMANN and Jean-Sébastien BEREAU for Orchestral Conducting. His work Le Chant de Dahut, poème symphonique for Ondes Martenot and orchestra inspired by the legend of the sunken city of Y won the SACEM prize in the Festival Les Tombées de la Nuit in Rennes, France.
$19.95
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 4: Mon âme es
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
BOULANGER: COMPLETE SONGS (original keys)
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Piano, Voix
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Classique
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Juliette Marie Olga
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ArtSongTranspositions
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BOULANGER: COMPLETE SONGS
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1085840 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 91 ...
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Piano,Vocal,Voice - SKU: A0.1085840 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 91 pages. AST Publications, LLC #690013. Published by AST Publications, LLC (A0.1085840). COMPLETE SONGS IN ORIGINAL KEYS | Reflets (F-sharp minor) | Attente (C-sharp major) | Le retour (F-sharp major) | Dans l’immense tristesse (B-flat minor) | Elle était descendue au bas de la prairie (E major) | Elle est gravement gaie (E major) | Parfois, je suis triste | Un poète disait (E major) | Au pied de mon lit (E minor) | Si tout ceci n'est qu'un pauvre rêve (F minor) | Nous nous aimerons tant (D-flat major) | Vous m'avez regardé avec toute votre âme (E major) | Les lilas qui avaient fleuri | Deux ancolies (C major) | Par ce que j'ai souffert (C major) | Je garde une médaille d’elle (D minor) | Demain fera un an (D minor)⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$79.99
Lábios de sabor a mar / Sea flavour lips (S/T+Piano)
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Piano, Voix
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Soprano or Tenor & Piano
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Lábios de sabor a mar /
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1278266 Composed by Rudesindo Soutelo. Arranged by Soprano or Tenor & Piano. 20th Century,Chamber,Classical,Contem...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1278266 Composed by Rudesindo Soutelo. Arranged by Soprano or Tenor & Piano. 20th Century,Chamber,Classical,Contemporary. Score. 20 pages. Publisher by Rudesindo Soutelo #869968. Published by Publisher by Rudesindo Soutelo (A0.1278266). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epÃstola) / Sea flavour lips (Last epistle) for Soprano/Tenor and Piano [ca. 7' 34]The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella or with Piano ad libitum, followed by a version for Brass Quintet and another for Soprano or Tenor and Piano. This new edition for Voice has been revised in its entirety.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notÃcia da morte de uma Ãntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella ou com Piano ad libitum, seguindo-se uma versão para Quinteto de Metais e esta para Soprano ou Tenor e Piano. Esta nova edição para Voz foi revista na sua totalidade.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-17-2.
$6.00
Printemps
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Piano, Voix
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Jean Absil
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Printemps
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Schott Music - Digital
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SheetMusicPlus
Voice and piano - SKU: S9.Q5452 5 Chansons pour Voix d'enfants sur des poèmes de Maurices Carême. Composed by Jean Absil. This edition: She...
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Voice and piano - SKU: S9.Q5452 5 Chansons pour Voix d'enfants sur des poèmes de Maurices Carême. Composed by Jean Absil. This edition: Sheet music. Downloadable. Op. 59. Schott Music - Digital #Q5452. Published by Schott Music - Digital (S9.Q5452). French.
$11.99
MASSENET: Poème d'avril, Op. 14 (transposed down a minor third)
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Piano, Voix
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Classique
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Jules Massenet
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ArtSongTranspositions
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MASSENET: Poème d'avril
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.539968 Composed by Jules Massenet. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 27 pages. AST Publications...
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Piano,Vocal,Voice - SKU: A0.539968 Composed by Jules Massenet. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 27 pages. AST Publications, LLC #6466277. Published by AST Publications, LLC (A0.539968). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$19.99
MASSENET: Poème d'avril, Op. 14 (transposed up a whole step)
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Piano, Voix
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Classique
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Jules Massenet
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ArtSongTranspositions
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MASSENET: Poème d'avril
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1198472 Composed by Jules Massenet. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 27 pages. AST Publication...
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Piano,Vocal,Voice - SKU: A0.1198472 Composed by Jules Massenet. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 27 pages. AST Publications, LLC #797616. Published by AST Publications, LLC (A0.1198472). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$19.99
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