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Poem No. 1
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"Muza" / "The Muse" Op. 34 No 1. Lower key (D min) DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116799 By Sergei Rachmanino…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116799 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 20th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #718455. Published by Natalia Melnik (A0.1116799). Rachmaninoff. Муза / Muza / The Muse Op. 34 No 1. Poem by Alexander Pushkin. Lower key (D minor). Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-the-muse-op-34-n1-lower-key-dmin-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
10.66 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
"Muza" / "The Muse" Op. 34 No 1. Lower key
#
Natalia Melnik
#
SheetMusicPlus
"Muza" / "The Muse" Op. 34 No 1. Original key DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116796 By Sergei Rachmanino…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116796 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 20th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #718452. Published by Natalia Melnik (A0.1116796). Rachmaninoff. Муза / Muza / The Muse Op. 34 No 1. Poem by Alexander Pushkin. Original key. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-the-muse-op-34-n1-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
10.66 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
"Muza" / "The Muse" Op. 34 No 1. Original key DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
"Muza" / "The Muse" Op. 34 No 1. Lower key (C min) DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116797 By Sergei Rachmanino…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116797 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 20th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #718453. Published by Natalia Melnik (A0.1116797). Rachmaninoff. Муза / Muza / The Muse Op. 34 No 1. Poem by Alexander Pushkin. Lower key (C minor). Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-the-muse-op-34-n1-lower-key-cmin-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
10.66 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
"Muza" / "The Muse" Op. 34 No 1. Lower key
#
Natalia Melnik
#
SheetMusicPlus
"Cradle Song" Op. 16 No 1 Original Key DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1115592 By Peter Ilyich Tcha…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1115592 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #717362. Published by Natalia Melnik (A0.1115592). P.Tchaikovsky.Â ÐšÐ¾Ð»Ñ‹Ð±ÐµÐ»ÑŒÐ½Ð°Ñ Ð¿ÐµÑÐ½Ñ /Kolybel'naya pesnya / Cradle Song. Poem by A.Maikov. Original key (A-flat minor) Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-cradle-song-op-16-n1-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Cradle Song" Op. 16 No 1 Original Key DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.78 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.78 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.78 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Five Poems by Friedrich Rückert
Piano, Voix
Voice Part and Piano - Digital Download SKU: S9.Q50049 No. 1 A wand'rer by the t…
(+)
Voice Part and Piano - Digital Download SKU: S9.Q50049 No. 1 A wand'rer by the tempest driven (G major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 46/1. Duration 2 minutes. Fürstner Musikverlag - Digital #Q50049. Published by Fürstner Musikverlag - Digital (S9.Q50049). Key: G major. German • English.
$6.99
6.48 €
#
Piano, Voix
#
Richard Strauss
#
Five Poems by Friedrich Rückert
#
Fürstner Musikverlag - Digital
#
SheetMusicPlus
Maiden-Blossoms – Four Poems by Felix Dahn for Voice and Piano
Piano, Voix
Voice and piano - Digital Download SKU: S9.Q49676 No.1 Cornflowers (Db major)
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Voice and piano - Digital Download SKU: S9.Q49676 No.1 Cornflowers (Db major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 22/1. Duration 2 minutes. Fürstner Musikverlag - Digital #Q49676. Published by Fürstner Musikverlag - Digital (S9.Q49676). Key: D flat major. German • English.
$6.99
6.48 €
#
Piano, Voix
#
Richard Strauss
#
Maiden-Blossoms – Four Poems by Felix Dahn for Voice and Piano
#
Fürstner Musikverlag - Digital
#
SheetMusicPlus
Five Songs to Poems by Ludwig Uhland
Piano, Voix
Voice Part and Piano - Digital Download SKU: S9.Q50017 No. 1 On a Child (low Ab …
(+)
Voice Part and Piano - Digital Download SKU: S9.Q50017 No. 1 On a Child (low Ab major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 47/1. Duration 2 minutes. Fürstner Musikverlag - Digital #Q50017. Published by Fürstner Musikverlag - Digital (S9.Q50017). Key: A flat major. German • English.
$6.99
6.48 €
#
Piano, Voix
#
Richard Strauss
#
Five Songs to Poems by Ludwig Uhland
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Maiden-Blossoms – Four Poems by Felix Dahn for Voice and Piano
Piano, Voix
Voice Part and Piano - Digital Download SKU: S9.Q49671 No. 1 Cornflower (A major…
(+)
Voice Part and Piano - Digital Download SKU: S9.Q49671 No. 1 Cornflower (A major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 22/1. Duration 2 minutes. Fürstner Musikverlag - Digital #Q49671. Published by Fürstner Musikverlag - Digital (S9.Q49671). Key: A major. German • English.
$7.99
7.41 €
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Piano, Voix
#
Richard Strauss
#
Maiden-Blossoms – Four Poems by Felix Dahn for Voice and Piano
#
Fürstner Musikverlag - Digital
#
SheetMusicPlus
No, Only The One Who Knew... / None But The Lonely Heart F maj DICTION SCORE w IPA & translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1472264 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1472264 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #1049966. Published by Natalia Melnik (A0.1472264). P.Tchaikovsky. Нет, только тот, кто знал... / Net, tol'ko tot, kto znal... / No, Only The One Who Knew... (None But The Lonely Heart) Op. 6 No 6. Poem by L.Mei (after Goethe). Higher key (F major)RangeE4 - A5 (Soprano)E3 - A4 (Tenor)Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-no-only-the-one-who-knew-op-6n6-higher-key-fmaj-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
No, Only The One Who Knew... / None But The Lonely Heart F maj DICTION SCORE w IPA & translation
#
Natalia Melnik
#
SheetMusicPlus
No, Only The One Who Knew... / None But The Lonely Heart High Key DICTION SCORE w IPA & translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414176 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414176 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #995948. Published by Natalia Melnik (A0.1414176). P.Tchaikovsky. Ðет, только тот, кто знал... / Net, tol'ko tot, kto znal... / No, Only The One Who Knew... (None But The Lonely Heart) Op. 6 No 6. Poem by L.Mei (after Goethe). Higher key (E-flat major)RangeD4 - G5 (Soprano)D3 - G4 (Tenor)Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 .FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-no-only-the-one-who-knew-op-6-n6-higher-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
No, Only The One Who Knew... / None But The Lonely Heart High Key DICTION SCORE w IPA & translation
#
Natalia Melnik
#
SheetMusicPlus
No, Only The One Who Knew... / None But The Lonely Heart Orig. Key DICTION SCORE w IPA & translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101608 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101608 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #704982. Published by Natalia Melnik (A0.1101608). P.Tchaikovsky. Ðет, только тот, кто знал... / Net, tol'ko tot, kto znal... / No, Only The One Who Knew... (None But The Lonely Heart) Op. 6 No 6. Poem by L.Mei (after Goethe). Original key. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-no-only-the-one-who-knew-op-6-n6-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
No, Only The One Who Knew... / None But The Lonely Heart Orig. Key DICTION SCORE w IPA & translation
#
Natalia Melnik
#
SheetMusicPlus
"Otchego?" / "Why?" Op. 6 No 5 Lower Key B-flat maj DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1473840 By Peter Ilyich Tcha…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1473840 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #1051560. Published by Natalia Melnik (A0.1473840). P.Tchaikovsky. Отчегo? / Otchego? / Why? Op. 6 No 5. Poem by L.Mei (after Goethe). Lower key B-flat major.RangeB♭3 - F5 (Soprano, Mezzo-Soprano, Contralto)B♭2 - F4 (Tenor, Baritone, Bass)Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-why-op-6-n5-lower-key-b-flat-major-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers.
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Otchego?" / "Why?" Op. 6 No 5 Lower Key B-flat maj DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
"Arion" Op. 34 No 5. Lower key (C min). DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1117209 By Sergei Rachmanino…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1117209 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 20th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #718790. Published by Natalia Melnik (A0.1117209). Rachmaninoff. Ðрион / Arion / Arion . Op. 34 No 5. Poem by Alexander Pushkin. Lower key (Amin). Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-arion-op-34-n5-lower-key-cmin-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
10.66 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
"Arion" Op. 34 No 5. Lower key
#
Natalia Melnik
#
SheetMusicPlus
"Otchego?" / "Why?" Op. 6 No 5 Original Key DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101600 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101600 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #704971. Published by Natalia Melnik (A0.1101600). P.Tchaikovsky. Отчегo? / Otchego? / Why?  Op. 6 No 5. Poem by L.Mei (after Goethe). Original key D major. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-why-op-6-n5-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Otchego?" / "Why?" Op. 6 No 5 Original Key DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
"Otchego?" / "Why?" Op. 6 No 5 Lower Key B maj DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101607 By Peter Ilyich Tcha…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101607 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #704981. Published by Natalia Melnik (A0.1101607). P.Tchaikovsky. Отчегo? / Otchego? / Why? Op. 6 No 5. Poem by L.Mei (after Goethe). Lower key B major. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-why-op-6-n5-lower-key-b-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Otchego?" / "Why?" Op. 6 No 5 Lower Key B maj DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
"Arion" Op. 34 No 5. Original key. DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1117207 By Sergei Rachmanino…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1117207 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 20th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #718788. Published by Natalia Melnik (A0.1117207). Rachmaninoff. Ðрион / Arion / Arion . Op. 34 No 5. Poem by Alexander Pushkin. Original key. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-arion-op-34-n5-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
10.66 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
"Arion" Op. 34 No 5. Original key. DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
"Otchego?" / "Why?" Op. 6 No 5 Lower Key A maj DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101606 By Peter Ilyich Tcha…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1101606 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #704980. Published by Natalia Melnik (A0.1101606). P.Tchaikovsky. Отчегo? / Otchego? / Why? Op. 6 No 5. Poem by L.Mei (after Goethe). Lower key A major. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-why-op-6-n5-lower-key-a-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
7.88 €
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Otchego?" / "Why?" Op. 6 No 5 Lower Key A maj DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
"Arion" Op. 34 No 5. Lower key (A min). DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1117208 By Sergei Rachmanino…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1117208 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 20th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #718789. Published by Natalia Melnik (A0.1117208). Rachmaninoff. Ðрион / Arion / Arion . Op. 34 No 5. Poem by Alexander Pushkin. Lower key (Amin). Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-arion-op-34-n5-lower-key-amin-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
10.66 €
#
Piano, Voix
#
Sergei Rachmaninoff
#
Russian for Singers
#
"Arion" Op. 34 No 5. Lower key
#
Natalia Melnik
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.78 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.78 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.78 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.78 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 3: Adieu from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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