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Poem No. 10
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Poem No. 10
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Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 10: Le calme de me
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 10: À la glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Crow with no mouth
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Piano, Voix
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AVANCÉ
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amo...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
Mendelssohn - On Wings of Song in A-flat major - Intermediate
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Felix Mendelssohn, Lyrics by H
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Piacere Music Sheets
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Mendelssohn - On Wings of Song
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1181588 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine (translation by Hal Drapper). Arranged by Piacere ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1181588 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine (translation by Hal Drapper). Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards,Wedding. Score. 10 pages. Piacere Music Sheets #781379. Published by Piacere Music Sheets (A0.1181588). Opus/Catalog Number: Op. 34, No. 2Key/Tone: A-flat majorMovements/Sections: Andante tranquilloYear/Date of Composition: 1834Vocal Range: Eb4 to F5 (C4 = middle C)Difficulty: Grade 8/12 (Intermediate)Obs.: This beautiful piece is the second of six songs for voice and piano in Mendelssohn's 6 Gesänge, Op. 34. This song is a setting of the poem Auf Flügeln des Gesanges by the German Romantic poet Heinrich Heine (1797-1856) and translate py Hal Drapper. This poem was first published in his Buch der Lieder in 1827.This score is an arrangement for high voice and piano, and contains the translated English Lyrics. A version with the original German Lyrics can also be bought.Included: Full score and individual parts.
$4.95
Mendelssohn - Auf Flügeln des Gesanges in A-flat major - Intermediate
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Felix Mendelssohn, Lyrics by H
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Piacere Music Sheets
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Mendelssohn - Auf Flügeln
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1181582 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine. Arranged by Piacere Music Sheets. Chamber,Instruc...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1181582 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards,Wedding. Score. 10 pages. Piacere Music Sheets #781373. Published by Piacere Music Sheets (A0.1181582). Opus/Catalog Number: Op. 34, No. 2Key/Tone: A-flat majorMovements/Sections: Andante tranquilloYear/Date of Composition: 1834Vocal Range: Eb4 to F5 (C4 = middle C)Difficulty: Grade 8/12 (Intermediate)Obs.: This beautiful piece is the second of six songs for voice and piano in Mendelssohn's 6 Gesänge, Op. 34. This song is a setting of the poem Auf Flügeln des Gesanges by the German Romantic poet Heinrich Heine (1797-1856).This poem was first published in his Buch der Lieder in 1827.This score is an arrangement for high voice and piano, and contains the original German Lyrics. A version with English Lyrics can be bought as well.Included: Full score and individual parts.
$4.95
Songs from the Past
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Igor Korneitchouk
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Songs from the Past
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Studio at the Post
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1424602 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score. 74 pages. Studio at the Post #949...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1424602 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score. 74 pages. Studio at the Post #949420. Published by Studio at the Post (A0.1424602). Duration: 10 minutes, 15 pp. Description: The three songs for voice and piano (one with optional additional instruments) represented in this collection come from totally different projects representing different subjects, with no connection to each other. The first song, The Chocolate Cake is a song about buying a birthday cake for a child. The second, Illusions, is about the loss of a loved one. And the third, Days, is Ralph Waldo Emerson's poem put to song. The songs come in transpositions to match soprano, mezzo soprano, alto, tenor baritone or bass ranges. The many different transpositions and versions multiply the 15 pp into a much larger volume. Includes separate vocal parts and piano score.
$5.02
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Poem No. 10
